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I'm primarily a pianist and just bought a Hammond Super B and a leslie 410. I'm very aware of the love that many hammond players feel for the B3/leslie122 combination. But some people (like myself)

Yeah Marc Yeah, yeah YEAH....exactly right! Jimmy Marc Saint-F???lix wrote:

Dear Guillermo, I believe you are right too, that people take the A as being the A-100. Though A-100 is not the same cabinet as the C-3, except for the A-105 which comes close in cabinet design,

Chill out you guys, I have an X5 and a 760 leslie which is just great and probably the best portable Hammond. I am from england and going to see Kimmy Smith on the 4th of June at the Jazz Cafe in

In my opinion the name "B-3" gathers every Hammond organ with the same kind of tonewheel generator like A, B, C, RT series. I am a fanatic of those and am proud of it. But when I wanna talk about

i'm not saying who i am either but i know, cos i play so dirty, they aint gonna have me in that place with u.

Well Marc, I understand your feelings, but you are wrong on some of the details regarding the simularities of the various model, though I get your point. Looking on the model A, well you are right

Super B with 410 (412?) is a nice set-up. Very powerfull leslie and fundamentally a good organ sound. Even looks nice in this B-3 deco style. I played one some years ago, all high polished black even

i have read all the reports in this group about all the clones and all the hammonds--- i have a b3 and 122- a porta-b with an 822 -a xb2 which i sometimes play through the 822---- and have played

I`m sorry that my fanatical attitude towards Hammond organs has helped inflate the prices. I`m struggling right now just to own an XK2. I have to sell my bass boat in order to own this thing. None of

Dear Lars, Again you right. I own three Hammonds: the A-105 I told you that I bought in England in 1976, being probably one of the latest produced, because it was owned by Boossey & Hawks the British

Dear Guillermo, Thanks, You are right to, that it is all a matter of taste. My major point is only that nobody should look down on other Hammond products just due to the fact that the B-3 is around.

Dear Lars, You are right. The B3 fanatical wave is absurd. The wave is producing an inflationary impact that is nice for their owners and collectors fans. But I love my A-105, and its cabinet too. The

Dear Lars, You are right. The B3 fanatical wave is absurd. The wave is producing an inflationary impact that is nice for their owners and collectors fans. But I love my A-105, and its cabinet too.

Hey Hammond Lovers Old & New, I guess I love taking my B-3 out to shows maybe because I still CAN. My wife is very understanding....she knows I loved the classic Hammond sound as a youngster before I

I have worked with it, but had trouble with Delay or latency when using it, how about yourself? Brad

No, Hammonds will never die. And I don't think clones are to kill the real stuff, on the contrary they are to promote it. As far as I'm concerned there's no way I can move my B-3 out of my appartment.

Dear Guillermo, Nice to find someone who agrees with me. You are Right not being fanatic with the B3 does not mean that we do not like it. Basically the same construction as to generator, amp and

Hi Reza, You really should subscribe to the Clonewheel Support Group (CWSG) which is also on www.groups.yahoo.com. That group is dedicated to electronic Hammond clones. I'm sure there are some people

hi everybody i'v got a roland sound module with a Hammond expansion board installed ( actualy hammond,farfisa,vox,rhodes... called " keyboards of 60s & 70s). does any body do the same ? or have any