New Mic builder - First Post!
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Hey guys (and gals), I just wanted to drop a line to say thanks to this community. This is my first post, but I have been reading the board for the past few weeks. I am a singer (amateur with mediocre talent) and am interested in recording some stuff at home. Most of my mics are dynamic and I have really wanted to get a decent condenser, but just cannot bring myself to spend the hundreds of dollars to buy a "good" mic. I have owned an MXLV67 for over a decade but have never been happy with the sound so it has spent most of it's life in it's box. A few weeks ago, I ran across a YouTube video of someone building a condenser mic and the bug bit me. After a bit of research on the internet, I found JLI and watched the build videos. I ordered the parts for a "Samantha" OPA Alice board with the 34mm electret capsule. I also got mounting kit, 34mm saddle, and 22nF caps for the XLR as instructed in the video. I bought the cheapest CAD 1800 ($17) mic on Amazon just to get a donor body and after a couple days of tinkering, managed to build my first microphone. The first time I plugged it in was truly magical. For a little under $100 I have a great sounding mic with very little noise. I sang for several hours straight just enjoying it and playing with different compression, EQ, and effects settings. Despite my poor soldering skills, it turned out great! So of course, down the rabbit hole I go. My next project was to build with a true condenser capsule and following the JLI videos again, I ordered an OPA Alice board, the hex inverter board, the K47 capsule and installed them in a cheap U87 body I bought for $23 on walmart.com. It was on this project that I made my first major mistake. I overheated one of the xlr pins and bent it out of place, so I ordered some XLR inserts from amazon. Meanwhile, I finished installing the pcbs and capsule and waited for parts. As soon as the parts came in, I finished the mic and it worked the first time! My soldering is getting better now and I am more confident with it. This mic sounds great, but still has a bit of noise that I intend to chase down. Probably poor soldering hygiene. While waiting for parts I came across this https://www.opic.jp137.com/index-multi.html webpage and started contemplating assembling a pcb from scratch. This led me to Mic Scharf¡¯s PCBway shared projects (https://www.pcbway.com/project/member/?bmbno=8A368813-05C9-44). So I ordered the MP PCB, hex inverter pcb, and the opa alice handheld boards (5 of each). I had a lot of fear of the soldering required so I worked on a couple of practice soldering projects while waiting for the parts to come from China. In the meantime, I ordered parts from Mouser enough to complete 2 of the OPA Alice handheld microphones and 2 of the 25mm electret capsules from JLI. Last night I completed my first pcb and installed it in a KMS 105 clone I bought off amazon for $10. It worked the first time I plugged it in and it sounds amazing. This might be my favorite microphone yet. I need to see if it can stand being plugged into my PA system for a little karaoke with out it feeding back. I am skeptical cause it is ultra hot with very little gain on my Yamaha interface. So I started my journey back on 3/14/2025 with my first order to JLI. Here I sit three weeks later with 3 completed microphones and parts for another on hand. I spend way too much time surfing Chinese websites for cheap mic parts and am working on a Mouser order for my next project. Can we form a 12 step support group or something, cause clearly I have a problem. Thanks again to Jules and all the others on this site who inspire ordinary folks like me to leverage this technology. Whole new worlds are opening up to me when I see what can be built from PCBway projects as well. I have a lot of interest outside of microphones like retro computing and I want to build some stuff for my commodore 64 now.
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Primo em288z1
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Hello everyone I found a curious model to build. https://aliexpress.ru/item/1005008213357702.html?spm=a2g2w.orderdetail.0.0.4a5a4aa6WoPxIa&sku_id=12000044258152672 I want to use the Primo EM288Z1 as a replacement for the Sanken cos-11d with the Sennheiser 5212 Radio System. I just don't understand, is it necessary to use a preamp or is it enough just to solder the mini jack? Maybe there are some nuances of connection?
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Dismantling LDC to use capsules as ORTF in a blimp
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Hi all. I spotted an old youtube video recently, where the guy dismantles a pair of Rode NT1a to capsule and pcb, and fits them in a blimp, and I'd like to do something similar. I have a pair of LDC I bought recently, heavily discounted, that I can use. The video is here: https://www.youtube.com/watch?v=quuHV9pTyoo&t=2s I won't be needing his powering solution, or preamp circuit as I'll just use a Zoom F3 externally to supply a preamp and phantom power. I'm curious if anyone has done similar with LDC capsules and experience on protecting and mounting the capsules and circuit boards in a blimp. thanks in advance Damian
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Sound Sleuth Tabitha and the wind
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I think this question is mostly for Jules, but anyone else should feel free to chime in! I¡¯ve purchased a Tabitha kit direct from JLI and am looking forward to building it! I want to use it for field recording but understand that the wind will be a constant foe. What kind of wind protection is available for this mic, is the body a standard size so that I can use kit that¡¯s already available? Is there a 3d file for a diy blimp that I can get somewhere? I¡¯ve got some sewing skills so I am thinking about making a dead cat for it, but I understand that I¡¯ll likely need a structure and a layer of foam to maximize its effectiveness. Really, any hints will be graciously accepted here as I¡¯m very fresh to the concept of recording outside with a large microphone like this. Thanks!
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capsule suggestion needed for loud environment recording
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Hello Folks, I'm finally trying to get back to completing my SASS project using the PUI 5024 capsules. The SASS with the 5024's is intended for use in quiet, natural ambient recordings. Since I will already building that and will have the my shop "in motion" I wanted to address a question I had..... I have read somewhere that the 5024 capsule is great for that application, however I believe I read that it may distort if used for loud environments such as airports (jet take offs) or loud factory settings. I'd like to build a second SASS but for louder situations. Is there a mic capsule better suited for loud subject matter that one of you folks might suggest, or is the 5024 also usable in louder situations? thank you
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Where can I find a 5 pin connector for my dual true condenser Alice?
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Like on of these, the one that mount inside the chassis with a screw. Can't find them anywhere!
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True Condenser OPA High Impedance Stage
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#dualopaalice
Beginner here. I've been looking over the instructable for the True Condenser OPA and there are 2 things that I'm not completely understanding yet. I suspect they are related though. In other mics I've looked at (the MXL Schoeps-style, eg) the high voltage passes through a 1G resistor before being applied to the backplate and the polorizing cap and then to the FET gate past another 1G resistor while the capsule wire is connected to ground. I think maybe this is a typical setup for a pencil mic. If I'm understanding the instructable correctly, the 80V (or so) is applied to the backplate and the capsules are coupled through the polarizing cap to the OPA gate past the 1G resistor. I think this makes sense (since what we're sending to the OPA is the difference between the 80V and the capsule) but I'm not 100% on this. I'm wondering why there is no 1G resistor between the 80V and the backplate. Is this not necessary since the 80V DC cannot pass through to the capsule side?
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Alctron MA-1 Schematic question
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I've recently seen the schematic for the Alctron MA-1. However, there are a couple of features that aren't clear and I hope to get some help from the group. On the input side, after XLR1, there are two items labeled S1 and S2. They look like switches. S1 could be a mute switch. S2 looks like it connects XLR1-3 to either R1 or R2, perhaps to compensate for mic Zin. The other question I have is: where is power applied? Alctron's literature says it "operates on 48V, but does not pass phantom power to the mic." OK, but where is the power applied? Dan
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PiP capsule hum
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Hey all -- I have a project I'm working on that involves a raspberry pi, a cheap USB audio interface, and a small electret capsule (JLI-61A) powered from that interface via PiP. Everything works, but there is 60Hz mains hum. I believe the the audio interface is providing a stereo 1/8" jack, but it mixes to mono internally - the computer is only provided a mono capture by the audio interface. (If I use a different set of stereo PiP mics that I made which are wired to a stereo plug, there is no hum, and both capsules hear audio in the result, but the overall signal is weak.) The mic capsule is wired to a stereo plug (using shielded lav cable), but the signal only goes to one channel of that plug, so I presume the disconnected channel is just feeding in hum, is mixed with the signal in the interface, and that explains the hum in the result. Does my diagnosis sound correct? If so, what would you recommend? Should I just wire the signal from the mic to both the tip and sleeve of the plug, or will that mess up the interaction with the capsule somehow? Or would it be smarter to get a mono plug? Thanks! -Casey
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Windows XP installation disk
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Does anyone have a Windows XP install disk they could give or sell me? Or a copy with the password decrypted. I need a pukka XP machine to run the software I wrote myself in da last Millenium. Yes. I've tried the various Virtual machines but none of them give me the functionality I need. To put this into perspective, I run a DOS window under Win 98 on the XP machine. Machines that have XP drivers are all more than 10 yrs old. I found one but I lent my pukka XP install disc to a friend who promptly lost it
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Circuit for PiP EM272
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Hello fellow mic builders, I've soldered some cables to the EM272 capsules, with + to signal and GND to GND. My Sony PCM M10 provides 3V of PiP. Should I also solder in the circuit from the data sheet, with a resistor from GND to Signal and a capacitor to the Mic in? If so what are the benefits? Is it true that I could damage the recorder through not filtering the DC voltage? Thank you very much!
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PCB for ambisonic mic with 9V power supply
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Hi all, I'd like to build a first order ambisonic 9V electret microphone, that I can travel with. Balanced outputs is important since I will need cable lengths of 6m and longer. What are the smallest form factor PCBs available for a project like this? Are there any SMD based circuits openly available? Thanks and I wish you all a lovely day! M
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Lom usi circuit vs simple P48
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Hi all, I have a pair of Lom basic Ucho mics, but sadly they clip if I use them on my piano. So I wanna try myself with capsules that have higher SPL and wanna get the best sound possible out of it of course. Today I looked inside the Lom basi Ucho mic, and there were quite a few components soldered to the pcb. Has that secret of the LOM circuit already leaked into the public domain? Cause I find Lom sound better than Micbooser in my humble opinion. Good weekend!
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TSB2590 alternative?
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Hello there, I was looking to buy some TSB/JLI-2590 Capsules but couldnt find any to ship here to germany with reasonable shipping costs. Micboosters charges 17 pounds for shipping and I paid over 30 euros for import tax the last time i bought from them. JLI charges over 50 bucks (wth...) so theyre out of the question too. I then came across listings for 2501 and 2502 capsules on ebay. The 2502s look like the 2590 but without the pcb and the 2501 look exactly like the tsb2590. Its a bit sketchy as all the pictures of them on every website are exactly the same. I found a listing on aliexpress for 11 bucks per capsule and i payed about 5 bucks for shipping.: https://de.aliexpress.com/item/1005007733640370.html?gatewayAdapt=glo2deu#nav-specification so I ordered a few. Im still a bit sketched out because I couldnt find anything about them on the Internet except for these listings. Has anyone ever heard of these capsules? Are they a clone of the 2590s? The Measurements look to be about the same between them. Any feedback would be appreciated.
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Parallel capsules with simple p48
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Hi all, First post on here - I've done a search through the group but couldn't find a definitive answer. I've been mucking around lately with aom5024 capsules to go along with the clippy mics that I have, and have been quite happy with their performance. I've got some as PIP, and I've built some into XLR plugs using the simple p48 circuit to use with a zoom h5, and these also work a treat. I've seen a few mentions online about the merits of running two or more capsules in parallel, and would like to try this myself. Seems fairly straightforward with the PIP examples online, however I've been overthinking it in regards to the phantom power XLR connection and am now double guessing myself. My question is: 1) can I use the the same p48 circuit I used for a single capsule, and just wire two capsules in parallel 2) do I do #1 but adjust the cap/resistor values to accommodate the multiple capsules 3) does each capsule require its own resistor/cap Thanks in advance guys :)
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What is the role of the capacitor in Simpl48 circuit?
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Dear All, My questions are, In the simpl48 circuit, what is the role of the capacitor? What happens if it is not used? What are the results at different values? Many thanks.
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RCA/Shure Model # MI-559156
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Greetings, I've a RCA/Shure Model # MI-559156 that I am trying to find a schematic or user manual for. This mic looks like a 444 or 444D & has a Shure Brothers sticker on the bottom but has some unique circuit construction in the base. The mic element has only 2 connections so it is not the 444D element. There are 3 or 4 resistors & a capacitor inside the base and has black, white, red, green cable wire. I did search old messages here & the interweb but haven't found anything. I also contacted Shure to no avail. This is my last hope! 73 Bob
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Merging three Capsules on two Preamps?!
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Hi all, I would like to create a little circuit box that merges the signals of two ambient mics (L/R) with a single vocal mic (M) before entering the preamps. So I can record stereo ambient and vocal simultaneously on my sony cassette 2 Track cassette recorder. The recorder has two decent mic preamps without phantom power. Is that possible? How would a circuit like this look like? I was thinking of using two omni primo capsules for ambient and a XLR input for the extra vocal input (potentially condenser +48V). Ideally there would be a single switch or potentiometer with which I can switch from only ambient, to only vocal mic, and some in between settings. Is there someone that could help me out with a circuit sketch? And what would be the easiest way to add phantom power to that device? The whole rig is intended to be used in the field and with batteries. I could install 9V block batteries or also 3,7V Lipo batteries as power supply. Any help is greatly appreciated! Thanks M
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Grounding Issue with TSB2590
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#P48mems
So ive built an Ambi-Alice based on the Instructable by Jules and used em272 capsules. I noticed my mistake (that these are omni and not cardiod capsules) and ordered some TSB2590 knockoffs off of ali. They arrived and sound fine but I get a weird electrical buzzing sound wich gets amplified if i touch the capsules, so i suspect it could be a grounding issue. I used 4.7uF Capacitors and 100k ohm resistors for the simple p48 circuit wich worked great with the em272s and should also work fine with the new capsules right? Is there a way to fix this? The instructable doesnt use the cable shielding connected to the microphone capsule, could this help or am i gonna destroy the mics by doing that? Any help would be appreciated :D
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How to combine two different capsules in one body
Hello everyone, I'm looking for a bit of advice on combining two different kind of capsules (electret and MEMS) into one microphone body. What things should I consider when in comes to phasing, polarity, ext. Not only that, but how would you overcome the challenges? I'm thinking that the microphones should be set at a 10 degree angle towards each other and no further than 1mm apart. I also realize that in my board I need to be careful with the polarity of both capsules. Do you have any ideas on the best way to mix the two signals, not to clip. Is turning down the amplification enough? or is it not that simple in this circumstance? Would love any and all advice and considerations I haven't thought of. Thank you everyone! -Soundwich
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