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MAP project - part of the ArtsWork Conference May 17-19
Model Arts Program Network History
The Model Arts Program Network (M.A.P. Network) provides a school district self-study, self-assessment and planning process for establishing quality, standards-based arts education programs for all students. The 22 participating school districts are funded through the California Department of Education ARTS WORK Grant program. The network activities are the result of collaboration between the school districts, the California Department of Education, the California Alliance for Arts Education, the California Arts Council, and The California Arts Project. The network partners developed arts program self-study resources and then used them locally to help guide arts education program implementation. The resulting self-assessment toolkit represents a journey; it is not intended to prescribe a path. In developing and sustaining dynamic school-based arts education programs, a self-assessment and planning process helps reveal success, identify needs, and create further questions. The participating districts are finding that the self-assessment process results in meeting the goal of enabling the young people in California public schools to learn in and through the arts leading to fulfilling and productive, creative and expressive lives. Each district in the network made a commitment to develop standards-based arts education programs in dance, music, theatre, and visual arts. This includes comprehensive curriculum and instruction in the arts, a long-range arts program implementation plan, and collaborative agreements with, for example, outside consultants, arts education providers, arts organizations, arts and arts related business and industry, artists, parents and volunteers. Why is the work of the M.A.P Network important? It makes explicit a broad vision of education in the arts. It brings understanding to the local school communities regarding the delivery of arts programs and the improvement of student learning in the arts. The network activities build on the CDE’s Visual and Performing Arts Framework for California Public Schools, Kindergarten Through Grade Twelve (1996) and will help all school districts move toward providing standards-based arts program in alignment with the State Board of Education adopted Content Standards in the Visual and Performing Arts (2001). The primary goal of this project is to provide outstanding arts education programs for all California students at each grade level by connecting school districts to their entire community of thinkers, learners, and arts providers and to arts education communities throughout the state. Contact: Beth Mott, M.A.P. Program Coordinator California Alliance for Arts Education P.O. Box 583 San Luis Obispo, CA 93406 Phone: 805-543-7072 Fax: 805-543-7072 Beth@... |
Hypertext author reads in Los Angeles
Sunday, May 6, 2:30 PM -- Dutton's Brentwood Bookstore
Adrienne Eisen will read from her novel, "Making Scenes," with a reception to follow. ArtByte magazine called Eisen's writing "erotic and at times hilarious." Adrienne Eisen's hypertext () is well known as the recipient of numerous awards including the New Media Invision Award. She has presented at conferences sponsored by organizations such as PEN West, Dartmouth College, and Brown University. Her new novel lies at the intersection of print and electronic media. Address: Dutton's Brentwood Bookstore 11975 San Vicente Blvd. Los Angeles, CA 90049 (310) 476-6263 Contact: adrienne@... |
Job Opening - Getty Performing Arts Division
Laurel Kishi
Hi all
Here is the official listing for job opportunity to work with me at the Getty as part of the Performing Arts Division (yes, we are growing!). Lots of interesting opportunities, a chance to work with a diverse body of performing artists, and a good benefits package included. Sr Project Management Assistant, Education Department, The J. Paul Getty Museum Senior Project Management Assistant opening in the Performing Arts Division (of the Education Dept.) at the J. Paul Getty Museum: The ideal candidate will be energetic, well-organized, conscientious and diplomatic, and will havr experience coordinating cultural event projects for a minimum of four years. A background organizing events for a small or medium-sized theater, music and/or dance company is preferred. Working hours will be full-time, but will vary depending upon event schedules, and will include weekend and evening hours when necessary. This is a behind-the-scenes position that will assist in the coordination of approximately 50 events per year, and will handle all aspects of certain events with only general supervision. This individual will also handle the administrative aspects of event planning and implementation for the Performing Arts Division. Bachelor's degree required. Salary is commensurate with experience. NOTE: resumes will not be accepted after 5/10/01. Please mail your résumé and cover letter to: The J. Paul Getty Trust Human Resources 1200 Getty Center Drive, Suite 400 Los Angeles, CA 90049-1681 Jobline: (310) 440-6556 Please feel free to pass this job listing around. Laurel Kishi Performing Arts Manager J. Paul Getty Museum |
Fw: SOS on high stakes testing
Joan Jaeckel
Hello -
toggle quoted message
Show quoted text
First off, my apologies if you get this twice. I tried to avoid it, but it may happen. I'm forwarding this "SOS on high stakes testing" from Joan Almon of the Alliance for Childhood because of its importance. If you've ever wished you could *do* something about this situation without having to start a movement of your own, the Alliance has gathered the relevant information to make it easier for the rest of us. Joan says it all in her letter. Please join us in finding the brake pedal on too much and inappropriate hi stakes standardized testing. A hundred thanks. Joan Jaeckel, The Whole Child Catalog Project, www.whole.org ----- Original Message -----
From: Joan Almon To: mimi noorani Cc: JAlmon@... Sent: Tuesday, May 01, 2001 6:13 AM Subject: SOS on high stakes testing Dear Friends, My apologies if you received an email from me last night without an attachment. Here is the correct material which describes the current status in Congressional committees for passing a bill that will authorize yet more standardized tests for America's children. Already, we are seeing that the emphasis being put on tests is literally making children sick. It is time to protest, and today and the next few days are the time to reach out to the committees. (See letter below or attachment which are the same.) The only hope we can see for a change of heart and mind in Congress is if the members hear from many parents and educators why federally mandated testing is a bad idea - from an educational perspective but also from a health perspective. They've heard the educational arguments before. It's time they heard the stories of test-related stress which live in so many families now. Thanks for your help on this one. If possible, please let Congress know your thoughts and speed this message on to other concerned parents, educators and medical professionals. All the best, Joan Almon, Coordinator, US Alliance for Childhood ________________________ Dear Parents and Educators, This week Congress is considering a new federal requirement that states test children every year in third to eighth grade, as part of the reauthorization of the Elementary and Secondary Education Act. The Alliance for Childhood believes that many children's education and health are already threatened by the amount of standardized testing to which they are subjected. This new requirement will certainly add even more stress and pressure to their lives, with no clear gain. The Alliance for Childhood is a national partnership of educators, physicians, researchers, and children's advocates. We are calling on Congress and the President to rethink this new testing requirement and to enact instead protections for children against the misuse of test results for making high-stakes decisions about graduation, promotion, and placement. We are also calling for research on the health effects of test-related stress and anxiety in children. The full text of our call to action is posted on our Web site: www.allianceforchildhood.net, along with information about who we are. We are working to mobilize opposition to the high-stakes testing push. Now is the time to let Congress know your views - both your educational concerns and your experiences, if any, with your children's stress in relation to standardized tests. We hope you will contact your Senators and Representatives in Congress and let them know how you feel. In addition, if you would like us to include your own testimony about your children's experiences in our research, please e-mail Ed Miller, the coordinator of the Alliance's testing initiative, at edmiller@.... There are three key points we are communicating to the President and Congress. You may have others. a.. Congress should put off new testing requirements until they have studied the health impact of present testing practices on children. Anecdotal evidence indicates an "exponential increase" in stress at testing time, as one school nurse reported. Small levels of stress can enhance a child's performance; high levels can do physical and psychological harm, besides resulting in lower test scores. b.. Congress should protect children by prohibiting the growing practice of making high-stakes decisions about individual students' promotion, graduation, or placement in low-track classes on the basis of a single test. This would put the force of law behind the currently unenforced ethical standards of the testing profession and the recommendations of the National Academy of Sciences. c.. Congress should provide incentives for states and localities to develop alternative, performance-based assessments. Such assessments will measure not just the ability to memorize facts but also the capacity for original thinking, real-world problem solving, perseverance, and social responsibility and will hold real meaning for students, parents, schools, and communities. The current situation with legislation is as follows: The Senate bill (S.1)will come to the Senate floor this week, possibly Tuesday. Therefore, contacting committee leadership and your own Senators needs to be done urgently. The House bill (H.R.1) is being marked up or drafted this week, probably Wednesday. Contacting committee leadership is also critical. Analysts feel that Congress will pass these bills, and federally mandated standardized tests will become the law of the land unless the public protests strongly. In particular, if your child has suffered unreasonable stress as a result of testing, legislators need to hear from you. We urge you to fax, call, or email to the following: (mailing will be too late for this week's decisions.) 1.. Contact the Chair and ranking member of the House Committee on Education and the Work Force. This is vitally important if you live in the district of one of the representatives, but you should contact them even if you don't. Rep. John A. Boehner (R-8-OH) 1011 Longworth House Office Building Washington, DC 20515 Tel. 202-225-6205 Fax 202 -225-0704 Email: john.boehner@... Rep. George Miller (D-7-CA) 2205 Rayburn House Office Building Washington, DC 20515 Tel. 202-225-2095 Fax 202-225-5609 Email: george.miller@... 1.. Contact the Chair and ranking member of the Senate Health, Education, Labor and Pensions Committee (HELP). Senator James M. Jeffords (R-VT) 728 Senate Hart Office Building Washington, DC 20510 Tel. 202-224-5141 Fax 202-228-0776 Email: vermont@... Senator Edward M. Kennedy (D-MA) 315 Senate Russell Office Building Washington, DC 20510 Tel. 202-224-4543 Fax 202-224-2417 Email: senator@... 2.. Contact your own Representative and Senators. They have a special ear for constituents. For a list see www.congress.gov For the sake of the children, let's not give up on this issue. There's too much at stake. Joan Almon Coordinator, Alliance for Childhood |
FREE SHOW: Leilani Chan at UCLA this Wednesday! 5/2/01
TeAda Productions
Aloha, please pass this on! Please catch this performance for the LAST time
this season in Los Angeles! ** Leilani Chan performs "E Nana I ke Kumu, Look to the Source" this Wednesday at UCLA! Presented by the Asian Pacific Coaliation at UCLA. Exploding popular images of Hawai'i as a carefree coconut playground, "E Nana I ke Kumu" exposes the struggles of identity, displacement, and survival through the haku (weaving) of monologue, storytelling, poetry, and dance. WHAT: "E Nana, I ke Kumu, Look to the Source" written and performed by Leilani Chan. WHERE: Northwest Campus Auditorium at UCLA, by the dorms. WHEN: THIS WENESDAY! May 2, 2001 TIME: 7pm ADMISSION: FREE! Parking is $6, available at parking kiosks throughout the campus. Check out our new website and read all about the show! Mahalo! See you there! -- TeAda Productions 1653 18th Street #2 Santa Monica, CA 90404 phone:310/998-8765 fax: 310/453-4347 teada@... |
Save the Date! Spring Craft Sale at Self-Help Graphics May 12th!
Self-Help Graphics presents
The 2001 Spring Craft Sale! Saturday, May 12th @ 12:00 noon - 5:00pm Support your local artist! This is your opportunity to get mom (or anyone else on your list) that one of a kind gift. Artists will be on hand selling their hand-made cards, nichos, ceramics, frames, papel picado, boxes, iron, hats, paper mache, jewelry, candles, t-shirts, y mas directly to the public. Meet friendly artists while you shop for unique items! Artists include: Michael Amescua, Margaret Alarcon (Quica), Margaret Beltran, Delia Chavez, Mita Cuaron, Daisy Echeverri, Sergio Flores, Olga Ponce Furginson, Diana Galicia, Emilia Garcia, Renay Garcia, Fano Gutierrez, Dolores Haro, Judy Hernandez, Alicia Martinez, Christian Martinez, Lara Medina, Irma Montelongo, Enrique Morales, Albert Oropeza, Javier Orozco, Kathy Peckich, Antonio Rael, Paula Ramirez, Araceli Silva, David Synder, Miguel Vasquez, Andrea Ysis, and more... Don't miss it! Self-Help Graphics 3802 Cesar Chavez Ave. Los Angeles, CA 90063 323-881-6444 www.selfhelpgraphics.com |
Debut Orchestra Season Finale
SEASON FINALE!
<A href=">Debut Orchestra</A> Saturday, May 12th at 8:00 p.m. Wilshire Ebell Theatre 4401 West 8th Street, Los Angeles (Corner of Lucerne and Wilshire, east of La Brea) Please forward this information to your friends in the Los Angeles area! The YMF Debut Orchestra’s 46th season will close with a bang with a concert on Saturday, May 12th at 8pm. The concert includes the world premiere of Maria Newman’s Emma McChesney: Concerto for Piano and Orchestra. The youngest daughter of nine-time Academy Award-winning composer Alfred Newman, Ms. Newman is a critically acclaimed composer who has received commissions from around the country and is composer-in-residence for several music organizations. She wrote her newest concerto for renowned pianist, Delores Stevens, who will perform this world premiere. A post concert reception will honor three women with the “Debut Award” for their many years of service to YMF and their invaluable contributions to the Los Angeles music community. VIRGINIA LEROY, a founding member of YMF, has volunteered as YMF’s Scholarship Program Director for 46 years and has served in many capacities at YMF, including as a member of the Board of Directors, Music Advisory Board, and Women’s Council. DELORES STEVENS and MARIA NEWMAN w ill be recognized for their historic collaboration together in the Debut Orchestra's world premiere performance of Maria's piano concerto. Both are members of YMF’s Music Advisory Board, and Delores has served for thirteen years as YMF’s Chamber Music Series Director. 7:00pm pre-concert lecture (free) Wilson Hermanto, Maria Newman, Delores Stevens 8:00pm concert ($10, $20) at the Wilshire Ebell Theatre Debut Orchestra Wilson Hermanto, Music Director and Conductor Maria Newman, composer; Delores Stevens, piano Dvorák's Carnival Overture, Newman's Emma McChesney: Concerto for Piano and Orchestra, Berlioz's Symphonie Fantastique 10:00pm reception ($50) Hors d’oeuvres, desserts, and wine Mary Pickford short film, "Willful Peggy," with a live score composed by Maria Newman Concert program tributes/ads: $100 full page, $50 half page, $25 quarter page, $10 name listing Call 310 859 7668 to purchase tickets or to place a program book message. ______________________________________________________________________________ __________ To add friends' email addresses to this mailing list, reply to YMFMusic@... with email addresses in the message section. To remove yourself from this mailing list, please reply to YMFMusic@... with "remove" as the subject. To receive additional information about Young Musicians Foundation or a free season brochure, please write to: YMF ? 195 South Beverly Drive, Suite 414 ? Beverly Hills, CA 90212 ? www.ymf.org |
9)Next Listening Room Concert Monday, May 7th Fremont Centre Theatre
Brett Perkins Presents
**
'Brett Perkins Presents' 'The Listening Room Concert Series' =Now In Our Fourth Season= Fremont Centre Theatre 1000 Fremont Ave., South Pasadena, CA Acoustic Evenings Of Local,National,International Performing Songwriters ****MONDAY, MAY 7TH**** THE VELVET JANES (Australia) "Australian duo The Velvet Janes, are a fine example of everything I admire ...beautiful voices, both amusing and touching songs - Revolver Magazine, Sydney, Australia SUPERMAN LOSES THE GIRL (Los Angeles) LAUREN ADAMS (Los Angeles) "A compelling dose of contemporary folk that is upbeat and poppy" Get Fancy Magazine,Fall 2000 GREG KLYMA (Buffalo, NY) "a hippie-esque, well-versed, well-mannered, rather adept and inspired songwriting guitar player." EPS MAgazine DAVID PIPER (Sierra Madre) JOHN MARINI (Alhambra) "songs that have a hook that leaves you singing long after the record is over." - Musicforce.com Musical host BRETT PERKINS (South Pasadena/Copenhagen) "A true troubadour" Bliss/Pasadena Weekly Showtime: 7:30pm-10:00pm Tickets $10.at the door, all ages, and $8. if paidin advance, with reservations recommended, by calling the theatre at 626 441-5977. Visa/Master Card/and other major cards are accepted. ** MISSION The concept behind the Listening Room Concert Series is to provide both listener and performer with an intimate, receptive environment where the intricacies of song and performance can be best experienced. STRUCTURE The evening falls into two segments, with each artists performing a 3-song set. The musical host also performs. Refreshments are available during the intermission. DIRECTIONS The Fremont Centre Theatre is located at 1000 Fremont Blvd., So. Pasadena, one block south of Mission, two blocks west of Fair Oaks. () From the 10 freeway, take the 110 North. From the West Valley, take the 101 East take the 134 East into Pasadena. and from East of Pasadena take the 210 West. From all directions, exit Orange Grove Blvd., South to Mission Blvd., East (Left) to Fremont Ave. South (Right). Theatre is on the left, one block down, on the southeast corner of El Centro and Fremont Ave. Ample free parking is available. Shows run from 7:30-10:00pm. ** UPCOMING SHOWS 5/1 BRETT PERKINS/Strings, Emeryville, CA w/ Annie Gallup, Lui Collins. 5/3 BRETT PERKINS/Voodoo Lounge, San Francisco, CA w/ Annie Gallup 5/5 BRETT PERKINS/Kulaks' Woodshed, on 'Bright Blue Gorillas' World Cafe', NoHllywd,CA () 5/26 Brett PERKINS/Acoustic Copenhagen, Copenhagen, DK 5/27 BRETT PERKINS/Acoustic Fredericia, Fredericia, DK 6/4 FREMONT CENTRE THEATRE w/ Caoline Aiken (Atlanta), Dani (San Diego), Judy Toy (L.A.), Cindy Kalmenson (Nashville), Kimberlee White, others tba. Musical Host Brett Perkins. 6/9 BRETT PERKINS/Kerrville Folk Festival,Ballad Tree Host,Kerrville,TX 6/14 BRETT PERKINS Hallenbechs NSAI Songwriter Roundup,No Hollywood, CA 7/9 FREMONT CENTRE THEATRE w/ Byron Wall, Jeff Gold, Puppets Of Castro, Border Radio, other tba. Musical host Brett Perkins. ** These evenings are sponsored in part by Busters Coffee, The Bookhouse, Magazines Etc., Enas Cassettes, Performing Songwriter Magazine (), Pedrini Music (), Pro Printing, NMPA (), North American Folk Alliance (), Songlink (), TAXI (), Trader Joes South Pasadena, and are a "Works of Heart" presentation of Brett Perkins Presents. ** Artists wishing to be considered for Listening Room Series can send a cassette or CD to: BPP 1441 Huntington Dr., PMB 1950, South Pasadena, CA 91030 Performers are selected based on the developmental level of their writing, as well as overall artistic presence. Follow up by email is recommended. ** To be removed from this list, please refer to the group reference number you received in the subject heading, and respond with the message 'Remove'. If you are receiving more than one of these notices, please refer to the group reference number you received in the subject heading and respond with the message 'Doubled'. Thank you. _________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at . |
Delaine Eastin, State Superintendent, speaking at Arts Conference
For those of you who want to hear Delaine Eastin's address at the annual
State Department of Education Arts Conference, held this year at the Pasadena Hilton, here is your chance.... The dinner will begin at 7 pm, Thursday evening, May 17, and will feature a welcome by Mayor Bill Bogaard, an address by Delaine Eastin, California Superintendent of Public Instruction, and some remarks by Barry Hessenius, Director of the California Arts Council. Four hundred teachers, administrators, artists, parents and arts organization representatives will participate in the conference, but the dinner can accomodate more. Delaine is an effective spokesperson for arts education and has done much to return the arts to the classrooms of California. Please join us! To reserve a place, send $75 by check to CAAE (California Alliance for Arts Education) and mail to: Beth Mott P. O. Box 583 San Luis Obispo, CA 93406 |
Arts Conference, more description
Reply to this e-mail if you want a pdf file of the application -- thank you!
-------------------------------------- The California Department of Education, the California Alliance for Arts Education, the California Arts Council and The California Arts Project are partners in presenting the ARTS WORK CONFERENCE in Pasadena, May 17 – 19th. More than 400 teachers, administrators, artists, parents and community arts activists will meet to exchange best practices, curriculum resources and partnership strategies. The ARTS WORK CONFERENCE this year will feature year-two results from the Model Arts Program, a network of twenty-two diverse school districts throughout California. Using a specially developed TOOLKIT, each district will present a self-study of its arts programs, placing them on a continuum of program implementation. Soon all California schools will share in the research and contribute to the proven methods of comprehensive, sequential, standards-based arts education through a groundbreaking website: www.teachingarts.org. The ARTS WORK CONFERENCE will also bring together the members of the California Arts Assessment Network who have pioneered student assessment in the arts, along with appropriate professional development for K-12 educators on assessment techniques. Special workshops will be presented on the new California Content Standards in the Visual and Performing Arts, adopted by the State Board of Education January 10, 2001. For anyone concerned about improving education in California, for anyone eager to maintain California’s competitive edge in business and industry, for anyone interested in the role of the arts to invigorate community life, the ARTSWORK CONFERENCE offers a unique opportunity to learn about the excellent work now in progress. I would be pleased to answer questions about the Conference or you may contact Beth Mott, Project Coordinator, for further information: 805-543-7072. I hope to see you there! Joan Palmer, Arts Commissioner, City of Pasadena 626-795-0718; joanplmr@... California Department of Education – California State Agency for education California Alliance for Arts Education – Statewide non-profit organization promoting comprehensive arts education K – post secondary Affiliate of the KENNEDY CENTER ALLIANCE FOR ARTS EDUCATION NETWORK California Arts Council – California State Agency for the arts The California Arts Project – California State University based agency for teacher development in the arts ARTSWORK A Call for Arts Education for all California Students THE REPORT OF THE SUPERINTENDENT’S TASK FORCE ON THE VISUAL AND PERFORMING ARTS, 1997 After a series of four meetings, May to September 1997, the State Superintendent’s task force of 60 artists, business and industry representatives, arts providers, researchers, scholars, parents and educators prepared the following Call To Action. The Vision: The Superintendent’s Task Force on the Visual and Performing Arts envisions fully funded arts education programs that reach all of California’s students. Schools with strong arts education programs are better schools. Arts education must not be limited to students who are especially talented. All students can learn and benefit from arts education. All teachers and administrators, not just those who specialize in the arts, must support and be involved in arts education and must have opportunities to participate in well-designed preservice and in-service arts education programs. Time, staff, facilities, materials, and equipment must be provided to support arts education programs. The Goal: All students in California public schools will have high-quality arts education program from prekindergarten through grade twelve. All students will: ? Develop and demonstrate literacy in and through dance, music, theatre and the visual arts. ? Participate in arts-related school-to-career experiences. ? Have access to the arts through a variety of educational experiences and technologies both in and out of school. Recommendations To achieve this goal, the Task Force makes the following recommendations: Recommendation 1 – Literacy in and Through the Arts Incorporate dance, music, theater and the visual arts into the core curriculum for all students and ensure that arts programs are taught by trained and qualified arts educators and are supported by classroom teachers and artists. Recommendation 2 – Standards and Assessment Provide statewide content and performance standards in the visual and performing arts that specify the competencies students should demonstrate in each of the arts as they progress from prekindergarten through grade twelve. Recommendation 3 – Preparation for Careers Provide career awareness, career exploration, and career orientation and preparation experiences in the visual and performing arts for all students. Recommendation 4 – Access for All Students Provide every student with an arts education program that includes access to the arts through technology and access to the arts in the community. Recommendation 5 – Support for Arts Programs Develop an action plan that provides support for the implementation of comprehensive and sequential visual and performing arts programs in every school for all students. |
Arts Conference in Pasadena, May 17-19
The ARTSWORK Building Standards-Based Programs conference is for
administrators, teachers, arts specialists, teaching artists, parents and community people who are ready to evaluate their current programs and needs, celebrate their successes, and develop short and long range action plans for program implementation, improvement, and expansion. The major g oa l s of the conference a re to: ? demonstrate how comprehensive arts education programs can and do work in individual districts throughout the state, regardless of size, location or expertise; ? provide information on how to move toward standards-based instruction in the visual and performing arts; ? present tools for moving through an arts program self-study process and on to an action plan for implementing, improving or expanding your visual and performing arts program. Who is this conference for? To attend: send a check for $299 (late registration fee) made out to CAAE (California Alliance for Arts Education -- the conference provider) and mail to: Beth Mott P. O. Box 583 San Luis Obispo, CA 93406 Questions?: Reply to this e-mail, please. |
Open Studios - Include Your Open Studio Event in a Statewide List ing
Campbell, Andrew
The California Arts Council and the California Assembly of Local Arts
Agencies are working together to prepare a guide of all open studio events happening in the state of California for the months of May - December 2001 to help celebrate the Year of the Arts. If you have an open studio event you would like to include, please do the following: Send the date, time, location, types of works and a contact phone number and/or website to: Kristen Saroyan, Community Relations/Membership Services kristen@... <mailto:kristen@...> (415) 441-5900 x.14 |
Chinese Dance in Northridge Sat
Don't miss the Lily Cai Chinese Dance Co at Cal State
Northridge on Sat April 28 at 8pm. "a uniquely American melting pot of traditional Chinese stage pictures, international pop and the cutting edge of post-modern dance," says the San Francisco Chronicle. Call 818-677-2488 for reservations, tickets and directions. The program move from ancient to modern choreography and will feature: DYNASTY SUITE Cai's interpretation of four classical Chinese dances from dynasties in 770 BC to the present. Beginning with "Basket Girls - Dance from Zhou" (770-221 BC, with traditional Chinese music), dancers in elegant blue dresses carry long poles with dangling baskets and make beautiful patterns across the stage. Courtly dancers throw breathtakingly high arches with their red silk ribbons in the "Dance from Tang" (618-907 BC) depicting timeless graceful goddesses. In the "Dance from Qing" (1644-1911 AD), a row of dancers in richly embroidered Chinese attire and headdresses walk on high platform sandals with royal grace and charm. "Straw Hat Girl" features a mysterious sensual soloist in a modern Dai dance style. BEGIN FROM HERE features dancers in red silk suits standing on high block platforms performing geometric shapes with long electrifying silk ribbons. CANDELAS a mesmerizing dance with lit candles set to the music of Gustav Mahler. Directions: CAL STATE NORTHRIDGE is located in the San Fernando Valley at 18111 Nordhoff St. west of the 405 freeway and south of the 118 freeway. The campus is bounded by Zelzah on the east, Nordhoff on the south, Reseda on the west and Devonshire on the north. Parking is in lot C, located at Zelzah and Plummer streets and is FREE on weekends. Call 818-677-2488 for reservations, tickets and directions. __________________________________________________ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices |
Reminder! Auditions for " Native Immigrant" this SUNDAY!!-- 4/29/01
TeAda Productions
Just a reminder! Hope to see you this Sunday! Mahalo....
__________________________________________________ TeAda Productions Seeks People of Color to Participate in "Native Immigrant." A world premiere performance at the Japan America Theatre on June 23, 2001. Looking for dancers, actors, singers, musicians and other performers willing to work in an organic play development process to create ?Native Immigrant.? Familiarity with Boal technique, guerilla theater, and other improvisational practices are a plus. This community based project will be developed during the first month of rehearsals utilizing input gathered from the community and the multi-racial cast. AUDITIONS for "Native Immigrant" 1:00pm on April 29, 2001 JACCC, 244 S. San Pedro St., between 2nd and 3rd Streets in Little Tokyo, Los Angeles. Playwright/Director: Leilani Chan Assistant Director: Ova Saopeng Choreographer: Malia Oliver Performance Date: June 23, 2001 Performance Venue:Japan American Theater For more information contact: TeAda Productions at 310/998-8765 or visit our web site . Not willing to perform but want to be part of the process? Come visit our interactive website at and click on the "Native Immigrant" image! Tell us about your ancestors! -- TeAda Productions 1653 18th Street #2 Santa Monica, CA 90404 phone:310/998-8765 fax: 310/453-4347 teada@... |
VC Film FestLA Asian Film Festival May 17 - 24 (fwd)
Linda Mabalot
save the dates, we have a great and exciting line up of films
this year! ---------- Forwarded message ---------- Date: Wed, 25 Apr 2001 16:04:47 EDT From: APAFirstWeekend@... To: undisclosed-recipients: ; Subject: [VC] VC Film FestLA Asian Film Festival May 17 - 24 VC Film Fest - the Los Angeles Asian Pacific Film & Video Festival Turns Sweet 16 LA Premieres and World Premieres of Over 80 Films and Video Works and the 25th Anniversary of a Landmark Film Will Celebrate Over 30 years of Asian American Media Los Angeles, CA April 25, 2001 Mark your calendars for VC FilmFest 2001: The Visual Communications Los Angeles Asian Pacific Film & Video Festival, set for May 17-24, 2001. Now in its 16th year, the Festival will unreel over 90 films and videos will at the Directors Guild of America, The Village at Ed Gould Plaza, and the Japan America Theatre. "This year's VC FilmFest is representative of the coming of age for many of our under represented Asian American communities" said Festival Co-Director David Magdael. "A majority of our festival films reflect the changing face of Asian America, as well as a growing cosmopolitan profile of Asian communities including the Philippines, Vietnam, India, Malaysia, Thailand, Singapore, and the gay Asian communities. This year’s featured Asian American directors have served up a variety of works that pull no punches in being distinctly American while keeping true to their Asian roots." Bookending the Festival will be the Los Angeles Opening Night Premiere of "Green Dragon" by Timothy Linh Bui (co-producer and co-screenwriter of the multi-award-winning "Three Seasons") on Thursday, May 17 at the Directors Guild of America; and a special rare showing of John Korty's 1976 telefilm "Farewell to Manzanar" on Thursday, May 24 at the Japan America Theatre. Starring Forest Whitaker, Patrick Swayze, Don Duong, and Hiep Thi Le, "Green Dragon" (an official selection of the 2001 Sundance Film Festival) is a moving, multi-part story that tells the tale of the first wave of Vietnamese refugees who were housed in camps across the southwestern deserts of the United States in 1975. And "Farewell to Manzanar," based on the book by Jeanne Wakatsuki Houston and James Houston, is perhaps the first feature-length film to tell the story of the WWII internment of Japanese Americans from a unique firsthand perspective. Other works by Asian American makers include: o The Los Angeles premiere of Anurag Mehta's Slamdance Film Festival favorite, "American Chai," a coming-of-age comedy of a young college student torn between traditional Indian values and the pursuit of his rock ’n roll dreams (Fri., 5/18, DGA). o Rod Pulido's much-anticipated "The Flip Side" will also make its Los Angeles premiere on Saturday, May 19 at the DGA. The first feature effort by a Filipino American filmmaker invited to the Sundance Flim Festival, "The Flip Side" tells the story of a young college student dealing with his new found Filipinoness and trying to get his own family to recognize their own selves. o The highly acclaimed underground animation hit, "Wave Twisters," from DJ Q-Bert (Sat., May 19, DGA), "Roads and Bridges," the electrifying first feature by Robert Altman protege Abraham Lim (Sun., May 20, DGA), the L.A. premiere of Amy Chen's "The Chinatown Files" (Sun., May 20, DGA), and the World Premiere of "Daughters of the Cloth" by Seung-Hyun Yoo. International works include the Los Angeles premieres of Yongyooth Thongkongtoon's highly acclaimed "The Iron Ladies," Kaze Shindo's "Love/Juice," Djinn's "Return to Pontianak," "Spinning Gasing" by Teck Tan, and "The Wrestlers" by Buddhadeb Gasgupta. Other international highlights include "Anino" by Raymond Red, the first Filipino film to win a coveted Palm d'Or at the Cannes Film Festival. Short films and videos, traditionally the backbone of VC FilmFest, will be represented by the likes of returning artists Francisco Aliwalas, Leo Chiang, Kip Fulbeck, Richard Fung, Jane Kim, Richard Kim, Ellie Lee, Young-mi Lee, Thomas Moon, Stann Nakazono, Fatimah Tobing Rony, Angel Velasco Shaw, and many others. They will be joined by first-time Festival artists Rima Anosa, Tammy Apana, Cynthia Ignacio, Juli Kang, Anne Misawa, Sara Takahashi, Noriko Takabishi, Lito Torres, and others. In addition to a full slate of seminars and panel discussions, the Festival will once again present the annual Golden Reel Award, and will additionally present the Asian Avenue.com Award to one of three distinctive productions by Asian American filmmakers. And finally, in association with the Japanese American National Museum, the Festival will present the premiere of the three-part educational series, "Once Upon a Camp" on Saturday, May 19 at JANM. "This year's festival will offer new voices from our own community," states Abraham Ferrer, festival co-director. "It's going to be a very exciting showcase because the talent pool of Asian American filmmakers is turning out some great works. We are no longer hiding or crouching. We are representing!" Visual Communications programs are funded in part through grants from the City of Los Angeles Cultural Affairs Department, National Endowment for the Arts, California Arts Council, Los Angeles County Arts Commission, Arthur M. Blank Family Foundation, Eisner Foundation, Entertainment Industry Foundation, Getty Grant Program, Weingart Foundation, and corporate and individual donations. The Festival is additionally sponsored by (as of April 25, 2001): Platinum Sponsors: Directors Guild of America, KSCI-TV-Channel 18; Gold Sponsors: AsianAvenue.com, Screenplay Systems; Silver Sponsors: Japan America Theatre, Los Angeles Times, Samy's Camera; Bronze Sponsors: Fox, Hitachi, LTD. Screen Actors Guild; Sony Pictures Entertainment; Travel Sponsor: Cathay Pacific Airways; Spirit of the Festival: Chivas Regal; Program Support: Japan Foundation. VC FilmFest 2001 takes place May 17-24, 2001. See more films and save money by purchasing a special VC Festival pass online at $25 for 5 programs and $50 for 10 programs. For online program and ticket info and purchase, visit the Festival's website at: www.vconline.org; for phone orders w/credit card, call the Japan America Theatre Box Office at: (213) 680-3700 ### . . --------- Visual Communications - |
Yusef Lateef and Randy Weston at the Luckman
Subj: At the Luckman: Yusef Lateef and Randy Weston
Date: 4/25/01 10:03:18 PM Pacific Daylight Time From: AField@... (Field, Adele) LUCKMAN EVENT NOTIFICATION A Rare Performance at the Luckman YUSEF LATEEF AND RANDY WESTON IN CONCERT WITH ADAM RUDOLPH AND ETERNAL WIND Los Angeles - In a rare West Coast concert appearance, Yusef Lateef and Randy Weston will perform at the Luckman Fine Arts Complex, Cal State L.A., on Saturday, April 28, at 8:00 p.m. Joining Yusef Lateef will be composer/percussionist Adam Rudolph and Eternal Wind (Federico Ramos, Ralph Jones and Charles Moore). Since the 1950s, research scholar and composer/performer Dr. Yusef Lateef has been a pioneer in the multicultural expression of "autophysiopsychic" music - "coming from the physical, spiritual and mental self." He has recorded over 60 records that creatively, succinctly, and clearly provide a path for the new generation of "World" composers and musicians. He has contributed to the legendary groups of Dizzy Gillespie, Charles Mingus and Cannonball Adderly, and led his own ensembles in tours worldwide. Currently a Five College Professor at the University of Massachusetts in Amherst, Dr. Lateef was a Senior Research Fellow at Ahmadu Bello University in Zaria, Nigeria from 1981 to 1985. "Since my return from Nigeria," he has written, "I've been experiencing an ongoing dialectic reality in my approach to melody, rhythm, harmony, form, and aesthetics." Dr. Lateef has composed for the Detroit Symphony Orchestra, the Augusta, Georgia Symphony Orchestra and the Symphony of the New World. His composition, The African-American Epic Suite, was recorded and performed by the K?ln (Cologne) Radio Orchestra and received its U.S. première by the Atlanta Symphony Orchestra in 1998. Numerous publications to his credit in both music and literature include "Repository of Musical Scales and Patterns," and the novella Night in the Garden of Love (Vantage Press). In concert with Eternal Wind, Dr. Lateef performs on the soprano and tenor saxophones, shenai, Germanic C and alto flutes, piano, oboe, bamboo flute and Chinese globular flute. Eternal Wind co-founder Adam Rudolph is a master percussionist and composer who has been in the vanguard of the development of cross-cultural improvisational music for over 20 years. Combining music-making ideas from around the globe, his compositions weave what he terms "an audio syncretic musical fabric." Rudolph has performed in concerts throughout the U.S., Europe and Brazil with Don Cherry, Jon Hassel and Hassan Hakmoun, among others. His repertoire of world rhythms come from the Balinese, Cuban, Ghanaian, Haitian, Hindustani and Moroccan traditions, layered on top of his strong foundation in American improvisational jazz drumming. While living in Ghana in 1977, Rudolph met the Gambian griot Foday Musa Suso, with whom he formed the Mandingo Griot Society in Chicago - the first band to blend traditional African music with R&B and jazz. Although voted "Percussionist Deserving Wider Recognition" in a Down Beat International Critics Poll, Rudolph has "never been interested in trying to showcase technique on the drum" - his performances are "always in the service of greater spiritual and emotional expression." To honor Yusef Lateef's sixty years of performing, Beyond the Sky - featuring ten compositions by Rudolph and Lateef, three of which were co-composed - premièred at Lincoln Center's Alice Tully Hall in February, 2000. In celebration of Dr. Lateef's 80th birthday, the CD was recorded the following day, and later released through YAL and Meta Records. For five decades, pianist/composer Randy Weston has used the 20th century African Diaspora artform of jazz to manifest a musical free zone that exalts the spirits, rhythms, hopes, dreams, dignity and beauty of the people who are "darker than blue." The first musician to connect the dots drawn by Dizzy Gillespie and Chano Pozo's Afro-Cuban fusions with the ancestral power points of the Motherland, Weston has transcended time, space, language, and culture barriers with music that touches the universal human soul. Randy Weston was born in 1926 in Brooklyn into a musical household. Although he first picked up the drums, he switched to piano around age fifteen, and turned professional in 1949. After early apprenticeships with Art Blakey, Kenny Dorham and Eddie "Cleanhead" Vinson, Weston emerged with a mature sound influenced by Duke, Monk and Nat "King" Cole. In 1955, Down Beat's annual poll cited him as "Best New Talent" on piano. He hooked up with Gillespie big band trombonist/arranger Melba Liston in 1958, who became a crucial element in every major statement from him since. In 1967, an 18-country African tour under the auspices of the State Department led to a six-year sojourn in Tangier, Morocco. There he ran a club and began three decades of interaction with the Gnawan musical healers. King Hassan II of Morocco honored his contributions in a 1998 ceremony. According to Luckman Fine Arts Complex Director of Music Programming and Research, flutist James Newton, "Each of these composers, steeped and raised in the African American improvisational tradition, have expanded their music into new horizons, with the culture of Africa at the core of that expansion. The Luckman is honored to present two Grand Masters who have had a major influence on the shaping of creative composition and improvisation. The opportunity to hear artists of this caliber on the same night is something that normally happens only in Japan and Europe." WHO: Yusef Lateef with Adam Rudolph and Eternal Wind; and Randy Weston WHEN: Saturday, April 28 at 8:00 p.m. WHERE: Luckman Fine Arts Complex, Cal State L.A., 5151 State University Dr., Los Angeles TICKETS: $30/$25 general; discounts available for students, seniors and groups; Luckman Box Office (323) 343-6600 or TicketMaster (213) 365-3500 PARKING: Convenient on-campus parking $5, directly across from the Luckman Theatre INFO: (323) 343-6600 #### _______________________________ Sent by: Adele Field, Director of Marketing Luckman Fine Arts Complex Cal State L.A. 5151 State University Drive Los Angeles, CA 90032-8116 323-343-6616 / 323-343-6423 FAX |
Rozallawriting
Mike S
Rozalla's Poem About America Today
Rozalla remembers a day when washington was sunny but now it is gloomy and not very funny Gone are the days when the white house was an orgy Now it's a sex-deprived dungeon Yet Bush is still Whorey The Republinazis just care about stealing tax dollars and pocketing the cash as the rightwing screams & hollers their bigotry and hatred is their only identity Yet intelligence is something they do not have in plenty Rozalla would like to kick Bush out and bring Clinton back Look at this madness- Ashcroft pretending to like blacks?!?! And Bush thinks hes environment friendly as he feeds us arsenic... while he stands on trial for lying about texas funeral industry larsony? This political terrorrism must be brought to an end Before salmonella in hamburgers becomes a fashion trend Rozalla admits she, Bill and Hillary have sex, Yet even Jeb & Katherine have publicly kissed So what if Bill Clinton lied in court about getting a blow job... Five Un-Supreme Judges lie in court every day as their victims sob! Rozalla sees all of our civil rights being diminished Oh when will these miserable four years fucking finish? The seas are rising as Rozalla sits here writing this poem And Bush is spewing carbon dioxide into the Ozone! And his oil allies refuse to lower their prices At his own reccomendation while he pushes environmental vices Then the ugly duckling wannabe presidnet calls China And refuses to appologize oh how mature of him- the whiner! The idiot is going to provoke a worldwide nuclear attack with his foolishness and hostility Oh Fuck The Bushes are back. |
Grant Application Deadline Near
The Durfee Foundation
Reminder:
THE DURFEE FOUNDATION ARTISTS' RESOURCE for COMPLETION (ARC) grant Second Quarter Postmark Deadline is this Tuesday, May 2, 2001 ARC grants provide rapid, short-term assistance to individual artists in Los Angeles County who wish to complete work for a specific, imminent opportunity that may significantly benefit their career. Artists in any discipline are eligible to apply for grants of up to $2,500 each. Applicants must already have secured a commitment from a recognized institution to present the proposed work. for application and guidelines go to www.durfee.org Recipients for the First Quarter 2001 are: Cindy Bernard $2,134 To facilitate the inclusion of rear-screen projection in the performance, "projections+sound," to be presented at the Goldman-Tevis Gallery in Chinatown (Los Angeles) on March 17, 2001. Elizabeth Bryant $1,520 For travel to Croatia in June 2001 to oversee the installation of the artist's street banners as part of a Los Angeles/Croatia artistic exchange. Allan deSouza $2,400 For the purchase of a view camera and related equipment to be used during a residency at Art in General in New York, New York from May 3 to June 30, 2001. Maria Elena Fernandez $2,175 To engage a dramaturg, director and lighting designer for a solo performance of "Confessions of a Cha Cha Feminist" at Side Street Projects in Los Angeles, California, on April 6 & 7, 2001. Dan Froot $2,150 To engage a director for the performance of "Shlammer" at the Los Angeles Theater Center on June 22 & 23, 2001. Leonardo Vilchis $2,150 For digital editing of video related to the exhibition "Squatters" and related performance activity at the Museum of Contemporary Art of Serralves in Portugal from June 10 to 12, 2001. |
Mother's Day Victorian Fashion Show
Brenda Rees
Heritage Square Museum presents a Mother's Day Victorian Fashion Show May
12, where costumes from the last two centuries will be featured. Refreshments, a souvenir and a tour of the museum will be included in the ticket price. Advanced reservations are recommended. Tickets are $12 in advance, $15 at the door. For more information, call (626) 796-2989 between 9 a.m. and 4 p.m. Heritage Square Museum is located at 3800 Homer Street, Los Angeles, near the 110 Pasadena Freeway at Avenue 43. |
"Life&Debt" - LA Filmfest - Check this Out
WORLD PREMIERE AT THE LA FILM FEST
"Life and Debt" a film by Stephanie Black written by Jamaica Kincaid Jamaica-land of sea, sand and sun. And a prime example of the complexities of economic globalization on the world's developing countries. Using conventional and non-conventional documentary techniques, this searing film dissects the "mechanism of debt" that is destroying local agriculture and industry in Third World countries while substituting sweat-shops and cheap imports. With a voice-over narration written by Jamaica Kincaid, adapted from her award-winning book "A Small Place," "Life and Debt" is an unapologetic look at the "new world order," from the point of view of Jamaican workers, farmers, government and policy officials who see the reality of globalization from the ground up. With music by Mutabaruka, Ziggy Marley and the Melody Makers, Sizzla, Bob Marley, Buju Banton, Yami Bolo, among many others. WORLD PREMIERE AT: Los Angeles Film Festival April 26 5:00pm at Laemmle Sunset 5 Theatre 8000 Sunset Blvd FOR TICKETS and ADDITIONAL INFORMATION: www.lafilmfest.com 1-800-965-4827 |
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