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Have you looked into a Gotek floppy emulator? ? I fitted one into an S900, and then into my Yamahah RM1X and it worked perfectly in each instance, It then behaves exactly like a floppy disk (well

Good evening everyone, This group has helped me before, so I always keep it in mind when trouble strikes my venerable Yamaha DX7II-FD with Grey Matter E! board update. I've been on a strange journey

Quite. Good audio production is also a result of hours of practice. Unbeknown to ma

Thanks for confirming the "sounds off" and "falls into place" perceptions that I had. If that can be heard by others, then my main goal has been accomplished. Interesting to hear about "meticulous

Phil, Since the differences can be very subtle, it is best to eliminate any unnecessary sources of variation to make an accurate aural comparison. A metronome perhaps?

I'm not going to be able to do this right away, as the program isn't sufficiently automated for external triggers yet, and my MIDI DAW is on an older XP machine that is in storage. What sort of

Hello Phil, Thanks for the report. The two sound files are slightly different in terms of amplitude and headroom. The railsback_stringsynthdrone is slightly louder than the equal temperament one.

I've been wanting to hear for myself if the "Railsback" adjustments make a difference. I finally took some time to make two sound files, one which uses pure equal temperament and the other which

I came here after watching 12-op videos on Youtube; I am V50 user since 1991, and still searching for those floppies. I found some corrupted files on the net, labelled "packof", when they load on the

I think Bob from greytsounds sells them on eBay now as sysex files. Check him out on eBay.

Yes, white lithium grease is good. I use it when refurbishing the key beds on JD-800s. I replace the old dried out grease on the key springs with fresh white lithium grease after cleaning.

In short, what Thor said... The trick of using separate (sharp) tuned operators to make the higher order harmonics of the bass (wound string) notes works well, then using either zone detuning

Actually, no not really. Painstaking care is made in the design and voicing of the acoustic piano to strike the string at the 9th Harmonic where there is the *least* amount of generated harmonics.

I guess it's similar to the reason for Just Intonation.? Equal temperament is slightly discordant because of the interval used between notes.? Since the interval between keys or semitones (half

An editor could look something like this (rough layout) One feature could be to able to choose the target device. Like different Yamaha Synths or MicroWave I/2? Benjamin

OK, I'll take a shot at explaining why we might use the Railsback curve (or not). Inharmonicity is a spread in the harmonics above the fundamental pitch.? The harmonics generated by a physical

No windings but they have still a rich spectrum with harmonics. Let me guess - tension of the string and resonances are some factors to count with when tuning. And - psychoacoustics... I don’t

As you have written in previous me

While this is totally off-topic, it really is, there are questions in my mind about this supposition. I’m not saying it’s wrong, just having some logical questions coming up about this presumed

Very interesting, and well said. Bruce! I think this might be the crux of the situation.? Equal Temperament is very close to an ideal choice, but tuners noticed that following the rules of tuning