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In Praise of Landing on Water
Keith Hodgekins
My two-penno'rth to me...
Maybe if I write this down I'll get a more realistic perspective.... For a long time fan...'I Believe in You' was my first real no nonsense Neil Young classic... I've been rather less than comfortable with the Geffen period albums. Recently however I've been listening to LOW and find that I like it ....a lot.... Forget the souuuuunnnnndddddd for a moment....there are some good catchy songs on the album and lyrically they are quite clever and precise...'Bad News Beat' has got to be one of Neil's catchiest and most memorable hooks... The bash and crash sound must be the reason I've often looked for another album to listen to... So listen up folks (I mean me) - Neil did other things as well as Goldrush and On the Beach... Time to get to grips with the other lost souls - starting with................'Life' |
Re: Ticket buying woes...nnc
Bill Shaw
I'm not sure what Shoreline you are talking about, but the sound at
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Shorline Amp in Mt View CA is anything but excellent if you are not close to dead center in the reserved sections. If you're off in the side sections, the sound is not that good. And if you're up on the lawn, especially towards the back or off to the sides, forget it. The people talking next to you are easier to hear than the music. Shoreline sound is excellent anywhere. |
Organic Foods (NNC)
My wife and I are massage therapists who are very much
into alternative health, and we're trying very hard to go organic. I won't get in to a lot of details, but we do the "Living Foods" diet and eat only raw food. Our protein comes from homegrown sprouts and homegrown, homemade wheatgrass juice, and we save so much money getting our protein for about 25 to 50 cents a pound that we have plenty of money left to spend on organic fruits and veggies, even though the store with the best selection gouges us horribly. So, you can go organic and not go broke, it just takes a lot of effin' effort. Steve Taton Destination Still Unnamed __________________________________________________ Do you Yahoo!? New DSL Internet Access from SBC & Yahoo! |
Re: Post-Gazette Review of Farm Aid
jack.rogers
Hi You Rusted ones!
bjsleeman provided reviews of FA, including this line: The Truckers tore it up with three guitars and attitude to open their set ... I write: Thanks for the reviews! I wish CMT woulda put the Truckers on; sounds great! I also enjoyed the line from Rolling Stone: several American Indians...stomped with Young as he performed his lumbering bear dance. Cheers, Paleojack |
CSNY Toronto Grovel
Bohabot, Jorge
I met 4 Canadians from London Ontario while at Farm Aid that were just the
best. Neil fans to the marrow and now friends. They've only seen Neil when he performed with CSNY in 2000 and 2002. I'd greatly appreciate it if somebody could trade with me for the following shows: CSN&Y Toronto 03/30/00, 03/31/00 and 02/13/02. Please contact me if you have these shows and want to swaps so I can send you my list. A big thank you! Jorge PG&E National Energy Group and any other company referenced herein that uses the PG&E name or logo are not the same company as Pacific Gas and Electric Company, the regulated California utility. Neither PG&E National Energy Group nor these other referenced companies are regulated by the California Public Utilities Commission. Customers of Pacific Gas and Electric Company do not have to buy products from these companies in order to continue to receive quality regulated services from the utility. |
Happy Birthday fRed!!!!!! (nnc)
Dear fRed,
Happy Birthday to You, Happy Birthday to You! Whether eatin' chili (cold) or spam (hot) may you have a day where you worry not that your friends and family love you alot Whether fRed Sun, Italian Cowboy, or another soon yet-to-be-discovered handle, Rusties can always depend on a good, sometimes, longish, ramble leading in and back out of your mind's memory brambles For your posts on rust do thrill and delight provide fuel for fodder and which also just might have no value other than to reveal your inner light So here's a toast to you fRed, from a Texas gal who by now has read your thoughts about what you've heard or said Happy Birthday, fRed! Karen If you can't cut it, fRed Sun will recall something |
david bowie was in town! nnc
last night david visited his old hometown, he did a GREAT concert,+2.5h.
the band was tight, the sound was right and also the light. most of the show he gave us his classics, from life on mars up to lets dance, & china girl, /he even played half of the "low" album/ only a handful of songs from his recent album. david was definetely in good mood. dont know how many people, but the venue was sold out & the people really enjoyed the show. the show will prob come out as a dvd or tv-broadcast, a huge film crew captured erything. some pics: sorry my seat wasnt that ideal for the camera,/but who would argue if one get a free ticket?/ i even couldnt use the flash, security was VERY TIGHT! if david comes in your town, show up, you will not regret it! after the show i had a little mini-rust-fest with FrankB and his son. so at least a very little nc! greetings from germany alexander ----------------------------------- NEIL YOUNG - if hes too loud, you are too old! |
Breast Cancer
Steve Blank
In 1994 the Northern California Cancer Center released a thoughtful andPerhaps they were including males/transvestites??? Ya never know......... |
Re: New Ryan Adams CD (NNC) - (SEC)
Harrie ter Rele
hi,
Bought those albums also last saturday: I like them both. (Ryan Adams & Steve Earle) I also bought the new Beck album: great music. =+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Harrie ter Rele E-Mail: terrele@... / terrele@... / terrele@... Homepage: =+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ |
Re: Organic foods
Lynn Carrington
Tom C. brought up an excellent point- that there are many family farmers
that grow crops that are not organic, but still need to be supported. This year's Farm Aid "theme" or "pitch", whatever one wants to call it, seemed to have an emphasis on organic foods, but what's most important is the continuing elimination of the small family farmer by huge corporate farms. True, many of us cannot afford to buy everything organic (although lately I have noticed that there's less of a price difference between conventionally grown and organic produce), we can still do our part, for instance, by seeking out locally-grown produce that is sold at those mom-and-pop roadside stands, thanks to the efforts of small family farmers. Their fruits and vegetables are freshly picked, and even if not organic, tastes quite a bit better than what can be gotten at a major grocery chain, plus the prices are the same, or in most cases less expensive ! Lynn |
blowing a wad tomorrow!
kpj4
jesus christ, it looks like all the good artists got together in a scheme to
deplete my bank account! new releases tomorrow: beck, steve earle, rns on dvd, hard day's night on dvd, and then i just found out there are 2 new frank black albums! ouch, that's gonna hurt, i think i'm gonna have wait to get the beck on wax (and burn it from a buddy in the meantime!) aerostar |
Re: Boxstep? (NNC)
bh
bjsleeman wrote:
Am I the only one who was there for the entire show (2:15 on) who The article you just posted said they were on the 2nd stage. I saw the stage on our way in but never saw anyone performing on it. bh aka brown-skinned indian |
Post-Gazette Review of Farm Aid
Concert Review: From Boxstep to Nelson, Farm Aid satisfies Sunday, September 22, 2002 By Ed Masley, Post-Gazette Music Critic To get the full effect of Farm Aid at the Post-Gazette Pavilion yesterday, you really had to be there. If you watched it live on CMT, you missed out on two of the more inspired artists of the day -- Pittsburgh's Boxstep and the Drive-By Truckers. As the only artist representing local interests, Boxstep occupied a second stage and got the whole thing rolling with the melancholy strings and slide guitar of "Ryan's Glacier." An impassioned performance of "Airport Arrivals" followed as the band reconstructed the towering wall of sound its fans have come to know and love while adding yet another brick in Deliberate Stranger Tom Moran, who brought a mandolin and banjo to the table. Eric Graf was screaming like a man possessed by old-school Detroit rock 'n' roll on "Route 1," trading lines with Sarah Siplak on a song that peaked with Erin "Scratchy" Hutter gearing up to take on Charlie Daniels' devil down in Georgia. After closing their opening set with an urgent new rocker called "Salvation is a Subdivision" while people were still trickling into the venue, Boxstep would return for two more mini- sets, the first of which they opened with a song whose sound the band can truly call its own -- garage-punk with two violins. Even Willie Nelson couldn't bring that kind of edge to Lee Ann Womack's set. He joined the photogenic country starlet on a song called "Mendecino County Line" and got a great reaction for his first onstage appearance of the day. But as for Womack, while her vocals were nearly as pretty as she is -- and probably three times as powerful -- her sound was just too slick and unexceptional to do her voice justice. She should find some roots and get in touch with them before she's swallowed up by Nashville's hit machine. Her set was followed by Los Lonely Boys, a soulful band of brothers whose Latino bar-rock sound was fueled by a guitarist whose obvious debt to Stevie Ray Vaughn resulted in some flashy lead guitar work. Anthony Smith was, as noted, "a little bit country, a little bit rock 'n' roll." Fifteen, 20 years ago, you would've called it cowpunk. Now, I'm not sure what you'd call it. But he was among the grittier performers of the day. Until you got to Drive-By Truckers anyway. The Truckers tore it up with three guitars and attitude to open their set with a song called "Sinkhole" that Patterson Hood introduced as having been inspired by an Oscar-winning film about "saving the family farm by any means necessary." By the final verse, the banker who's foreclosing on the family farm is buried in a sinkhole. They ended their all-too-brief performance two songs later with "Let There Be Rock," a modern-day Southern Rock classic about "the rise and fall of arena rock" delivered with a winning blend of absolute sincerity and grinning irreverence. Kenny Wayne Shepherd followed with the Double Trouble rhythm section driving home the debt to Vaughn the young guitarist shares with the guitarist for Los Lonely Boys. Before the set was out, he'd covered Hendrix, played guitar behind his head and squeezed out a one-handed solo. Keith Urban was charming, cranking out a set of user-friendly modern country that peaked when Urban dedicated "Song For Dad" to his own dad, who "did the best that he could." It was sweet. And sweet is one word you will more than likely never hear applied to Toby Keith. His unplugged set began with a soft-rocking ballad about the Taliban that redefined the American art of dumbing issues down. "I've got a two-bedroom cave," it began. And before it was through, the Angry American celebrated U.S. bombing in Afghanistan with "Man, you should've see 'em run," which sounds a lot like New York City last September. He should rethink that one. In the meantime, Keith was better when he called out Willie Nelson to salute the man in song with a novelty tune whose chorus ran, "I'll never smoke weed with Willie again." Nelson stayed on through the end of Keith's set, lending a show of support to the flag-waving boot-in-your-ass approach to foreign policy expressed in the "Angry American" song. The understated subtlety of Gillian Welch's two-song bluegrass intermission proved a welcome change of pace. That's not to say a lack of subtlety is necessarily a bad thing. Take Kid Rock, the first performer of the day who was cocky enough to come on like a rock star. He opened his set with a cover of "Fire Down Below," an old Bob Seger tune, but really hit his stride on "American Bad Ass" with its proclamation of "I'm goin' platinum," followed by a snippet of the Allman Brothers' "Midnight Rider" as a segue into "Cowboy" (which, in turn, was interrupted by the "Dukes of Hazzard" theme). He brought the tempo down for "Picture," performed as a seated duet with Allison Moorer. It was nice, a calm before the raging storm that was Kid Rock's big finish, an explosive performance of "Bawitdaba." No act could have touched it in terms of excitement, intensity, showmanship or fun, which made it just as well that the next song anybody heard was "Grace is Gone," a downbeat drinking song performed by Dave Matthews alone on acoustic guitar. His fans will more than likely disagree, but Matthews' writing benefited greatly from the stripped-down setting without all the detours he takes with his band. And it served the emotion of songs as dark as "Gravedigger" and "Bartender." He closed with a cover of "All Along the Watchtower," changing the lyrics to "The factory farmer ruined my earth." John Mellencamp didn't have to alter anybody's lyrics. He's already got a song about the farmer, and he knew enough to open with it in a hit-filled set that also featured "Peaceful World," "Paper in Fire," "Crumbling Down," an oddly understated "Small Town" (complete with the boast "My wife was 15 when I wrote this song") and a rousing "Pink Houses" with Gillian Welch. No artist to that point had focused more on cranking out the greatest hits and Mellencamp's efforts at making them happy did not go unnoticed by the audience of 23,257. Wearing a bright red T-shirt that practically screamed its message, "Stop Factory Farms," in big white letters, Neil Young opened with a stark, emotional reading of "Old Man." And from that point out, he alternated heartfelt solo renditions of classic material -- "Heart of Gold" to "Harvest Moon" -- with pleas to help the family farmer. "This is what it's all about," he said, "people like you coming to hear music and hear what's going on about the farmers." Encouraging fans to buy organic food, he noted that "good food is grown on farms. Bad food is grown in factories. Good food is safe. Factory food is ugly." He moved from acoustic guitar to organ and brought out Mickey Raphael to play the harp for a delicate, heartbreaking version of "Mother Earth." But first, he joked, "Attention shoppers. Buy with a conscience and save the family farm." Switching to upright piano, he poured his heart into a fragile rendition of "After the Gold Rush," changing the lyrics to, "Look at Mother Nature on the run in the 21st Century." Nelson and Native American dancers joined him as he closed with two more classics, "Comes a Time" and "Sugar Mountain," sent out with "love for the family farmer and all you people who support what we're doing." Nelson brought the party to a close with a set that began, as is Nelson tradition, with a trip down "Whiskey River." His band kept it loose and alive as Nelson wrapped the most distinctive voice in country music, if not pop, around such Nelson standards as "Good Hearted Woman" and "Mammas, Don't Let Your Babies Grow Up To Be Cowboys," in addition to a song about the plight of family farmers, introduced as "kind of the reason we're all here, that brings us back year after year." In the song, he refers to a "hole in the sky where God used to be," while the chorus begins "My American dream fell apart at the seams." |
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