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Mac version 2.2a?

Scott Graham
 

Does anyone know what the new Mac version of QTR 2.2a changes from 2.1d?

Thanks
Scott
Re: enhanced matte cool curve

Scott Graham
 

Hi Dan,

Thank you for the quick response. I forgot to mention that I am on a Mac, and of course
have no idea how to install a new curve. Do I just put it in the curve folder that came with
QTR and use the curve install script to reinstall the whole thing?

Thanks
Scott

--- In QuadtoneRIP@..., Daniel Staver <daniel@p...> wrote:
Earlier versions of Quadprofile would not let you control the tone of
the shadows so the midtones and highlights would end up cool while the
shadows would still have the warm tone of the UC MK ink.

With the last versions of Quadprofile for PC we've added support for
using any ink to control any other ink.

I did a quick test here:
(2.07kb)

I doubled the strength of the LC and LM inks and added C and M inks to
the black curve at the same strength as the LC and LM inks. I haven't
actually tested the curve since I'm not near my printer right now. It
will most likely be too dense since it's not relinearized, but let me
know if it's close to what you want.

--
Daniel Staver
Re: enhanced matte cool curve

 

Earlier versions of Quadprofile would not let you control the tone of the shadows so the midtones and highlights would end up cool while the shadows would still have the warm tone of the UC MK ink.

With the last versions of Quadprofile for PC we've added support for using any ink to control any other ink.

I did a quick test here:
(2.07kb)

I doubled the strength of the LC and LM inks and added C and M inks to the black curve at the same strength as the LC and LM inks. I haven't actually tested the curve since I'm not near my printer right now. It will most likely be too dense since it's not relinearized, but let me know if it's close to what you want.

--
Daniel Staver



Scott Graham wrote:

Am I the only one who thinks that the cool curve for enhanced matte is not cold enough?
Have been happily printing with the Epson 4000 driver, not icc, and getting very cold blacks, with no metamerism that I see and of course no color cast (by public acclaim).
Maybe I am just used to the coldness, but I like the stark effect.
The sliders between curves in QTR are neat though.
Carl has suggested that I edit the cool curve so I will be trying that, though I know almost nothing about it.
I would characterize the cool curve as neutral to very slightly warm.
So I am curious what you all think
Scott
enhanced matte cool curve

Scott Graham
 

Am I the only one who thinks that the cool curve for enhanced matte is not cold enough?

Have been happily printing with the Epson 4000 driver, not icc, and getting very cold
blacks, with no metamerism that I see and of course no color cast (by public acclaim).

Maybe I am just used to the coldness, but I like the stark effect.

The sliders between curves in QTR are neat though.

Carl has suggested that I edit the cool curve so I will be trying that, though I know almost
nothing about it.

I would characterize the cool curve as neutral to very slightly warm.

So I am curious what you all think
Scott
Re: HELP! My Prints are Coming Out Brown.....Why?

Steve
 

I got news for you, I have the NoK curve and it doesn't work, or at
least I can't get it to work, for this application.
When I tried printing using the QTR on lustre paper using the NoK
curve, images come out very faint and grey. I used the Photo black
and and then the Matte Black ink the results were the same.

--- In QuadtoneRIP@..., "Scott Graham" <gebilwil@n...>
wrote:

Hi,

Am finally starting to experiment with QTR on Enhanced Matte.
While the print using the
cool curve (100-0 of cool/warm) looks neutral by itself, in
comparison to an Epson driver
print it is warmer.

My Epson driver prints are COLD, and I sort of like them.

I don't see a NoK curve as mentioned in the 78/79 messages. And
don't know if it would
work for matte anyway. I have loaded the latest Mac version
2.1D.

Suggestions?

Thanks
Scott

--- In QuadtoneRIP@..., Will <will@p...> wrote:
Steve
Check out messages #78 and #79.

Will

Steve wrote:


When I use the QTR to print on either Epson Premium Luster
or
Ilford
Smooth Pearl papers, my prints have a strong brownish hue to
them.
Even with a Curve of 100% cool, they are still printing out
brown.
R1800 Support?

jkohn_home
 

Hello,

I'm wondering if there are plans for R1800 support, or if that's even
possible due to the lack of a light black in in the R1800?

Thanks,

Jeff Kohn
Re: HELP! My Prints are Coming Out Brown.....Why?

Scott Graham
 

Hi,

Am finally starting to experiment with QTR on Enhanced Matte. While the print using the
cool curve (100-0 of cool/warm) looks neutral by itself, in comparison to an Epson driver
print it is warmer.

My Epson driver prints are COLD, and I sort of like them.

I don't see a NoK curve as mentioned in the 78/79 messages. And don't know if it would
work for matte anyway. I have loaded the latest Mac version 2.1D.

Suggestions?

Thanks
Scott

--- In QuadtoneRIP@..., Will <will@p...> wrote:
Steve
Check out messages #78 and #79.

Will

Steve wrote:


When I use the QTR to print on either Epson Premium Luster or
Ilford
Smooth Pearl papers, my prints have a strong brownish hue to
them.
Even with a Curve of 100% cool, they are still printing out
brown.
Re: HELP! My Prints are Coming Out Brown.....Why?

Steve
 

Thanks, Will. When I did the step wedges on the luster papers with
pk, I noticed that they were quite warm, but thought my eyes were
playing tricks on me.

--- In QuadtoneRIP@..., Will <will@p...> wrote:
Steve
Check out messages #78 and #79.

Will

Steve wrote:


When I use the QTR to print on either Epson Premium Luster or
Ilford
Smooth Pearl papers, my prints have a strong brownish hue to
them.
Even with a Curve of 100% cool, they are still printing out
brown.
Why is this happening? All the QTRgui settings are correct and I
converted to the Photo Gray profile.

By the way, I should add that the QTR works great on Enhanced
Matte
paper (looks far superior than printing from PS and with NO
magenta
tinge to them under the flourescent lights). What a relief.

I'd appreciate hearng back from someone who might be able to
help me.

Thanks!
Steve





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Re: HELP! My Prints are Coming Out Brown.....Why?

 

Steve
Check out messages #78 and #79.

Will

Steve wrote:


When I use the QTR to print on either Epson Premium Luster or Ilford
Smooth Pearl papers, my prints have a strong brownish hue to them.
Even with a Curve of 100% cool, they are still printing out brown.
Why is this happening? All the QTRgui settings are correct and I
converted to the Photo Gray profile.

By the way, I should add that the QTR works great on Enhanced Matte
paper (looks far superior than printing from PS and with NO magenta
tinge to them under the flourescent lights). What a relief.

I'd appreciate hearng back from someone who might be able to help me.

Thanks!
Steve





------------------------------------------------------------------------
*Yahoo! Groups Links*

* To visit your group on the web, go to:

* To unsubscribe from this group, send an email to:
QuadtoneRIP-unsubscribe@...
<mailto:QuadtoneRIP-unsubscribe@...?subject=Unsubscribe>
* Your use of Yahoo! Groups is subject to the Yahoo! Terms of
Service <>.
HELP! My Prints are Coming Out Brown.....Why?

Steve
 

When I use the QTR to print on either Epson Premium Luster or Ilford
Smooth Pearl papers, my prints have a strong brownish hue to them.
Even with a Curve of 100% cool, they are still printing out brown.
Why is this happening? All the QTRgui settings are correct and I
converted to the Photo Gray profile.

By the way, I should add that the QTR works great on Enhanced Matte
paper (looks far superior than printing from PS and with NO magenta
tinge to them under the flourescent lights). What a relief.

I'd appreciate hearng back from someone who might be able to help me.

Thanks!
Steve
Re: QTR Calibration

Richard Ayres
 

Sorry about the info. A while back I needed to change from a CMYK special
file to an RGB one. The new file inkseparation.psd is RGB and works exactly
like the old one did.

Roy
Thanks for the clarification.

Rich
Re: QTR Calibration

 

--- In QuadtoneRIP@..., "Richard Ayres" <rgayres@e...> wrote:

--- In QuadtoneRIP@..., "zonepeter" <zonepeter@a...> wrote:


Rich,

For QTRgui in the gui go to option>calibration mode. That will open
the file.

Peter
Peter;

I did that and still only found inkseparation.tif and inkseparation.psd. To quote
from
QuadToneRIP 2.0 Calibration (for MacOSX):

"The Ink Pattern Test Page
The ink pattern test page "inkpattern.psd" is a very special file....The first thing
you will
notice upon opening the file is that it is a CMYK file instead of a grayscale. It's
very
important that you do NOT color manage this file when you open it or when you
print it...."

When I open the "ink separation.xxx" files ...leave as is(don't color manage), they
open as
8 bit RGB files, so I don't think these are the files refered to in the calibration
instructions.

Am I missing something here?
Sorry about the info. A while back I needed to change from a CMYK special
file to an RGB one. The new file inkseparation.psd is RGB and works exactly
like the old one did.

Roy
Re: QTR Calibration

Richard Ayres
 

--- In QuadtoneRIP@..., "zonepeter" <zonepeter@a...> wrote:


Rich,

For QTRgui in the gui go to option>calibration mode. That will open
the file.

Peter
Peter;

I did that and still only found inkseparation.tif and inkseparation.psd. To quote from
QuadToneRIP 2.0 Calibration (for MacOSX):

"The Ink Pattern Test Page
The ink pattern test page "inkpattern.psd" is a very special file....The first thing you will
notice upon opening the file is that it is a CMYK file instead of a grayscale. It's very
important that you do NOT color manage this file when you open it or when you print it...."

When I open the "ink separation.xxx" files ...leave as is(don't color manage), they open as
8 bit RGB files, so I don't think these are the files refered to in the calibration instructions.

Am I missing something here?
Which Curve Blend Do I Choose?

Steve
 

I'm doing a series of 'step wedges'tonight using the QTR and a 2200
printer. I've done Epson enhanced matte and about to try Epson Premium
Luster.

What curves blend do I choose in the QTRgui?

I'm using the the Gray Photo wedge and selected Premium Luster in the
media menu
Re: QTR Calibration

 

Rich,

For QTRgui in the gui go to option>calibration mode. That will open
the file.

Peter
QTR Calibration

Richard Ayres
 

The QuadToneRip 2.0 Calibration instructions tell us to use "inkpatern.psd" , a CYMK file,
as our calibration file yet I cannot find it in either the MacOsX or WinXP versions. The
closest file is "Inkseparation.psd", but it is 8bit RGB. I open it without any color
management (leave as is) but it is still RGB.

Where can I find "inkpattern.psd?

MacOSX 10.3.8
PS CS
Epson 2200

Rich
Bluish Shadow tones

Johnny Eades
 

I find that the shadows in QTR using EEM neutral, are quite blue and
detract from the neutral tone of the other areas. In examining the
curve, I see the toner is 100% density and the ink limit is 45. I
haven't made any changes in the print curve till I can get access to a
densitometer, but does anyone have any help they can give me to remove
this blue shadow tint till then?

Your friend in Photography,

Johnny
Re: printing with Qimage

Stephen Billard
 

开云体育

Qimage gives you all the page layout controls you could ever want. It also does smart sharpening for printer output. You can do all these things in Photoshop, but since you are using Qimage for color, I would guess you, like me, find page management easier on Qimage.
?
?
-Stephen
?

-----Original Message-----
From: Bernie Raffe [mailto:bernieraffe@...]
Sent: Tuesday, April 05, 2005 4:21 AM
To: QuadtoneRIP@...
Subject: RE: [QuadtoneRIP] Re: printing with Qimage

This is curious!

?

I also use Qimage, it’s a great product – but now I only use it for colour prints and use QTR for b&w. Why bother going via Qimage for b&w, especially if the image has already been processed in Photoshop? The only reason I can think of is to allow multiple photos to be laid out first.

?

What am I missing?

?

Cheers,

Bernie

?
Re: printing with Qimage

Diane Fields
 

开云体育

Bernie--I like it somewhat better than sharpening in PS with USM.? If you do a lot of other twists to sharpening or use something like PKS--the sharpening may better for some images.? As far as interpolation--I really haven't done a comparison (though I probably should).? Qimage does a bang up job of it though--but PSCS bicubic with smoother or sharper is very very good.
?
Diane

----- Original Message -----
Sent: Tuesday, April 05, 2005 8:18 AM
Subject: RE: [QuadtoneRIP] Re: printing with Qimage

Yes, that makes sense, but I tend to do that kind of processing in Photoshop.

?

I wonder whether 蚕颈尘补驳别’蝉 interpolation and sharpening is an improvement on 笔厂’蝉, will have to give it a try.

?

Bernie

?
Re: printing with Qimage

Diane Fields
 

开云体育

Bernard,
?
The reason I considered it is because I jump through hoops to sharpen with PKS in PS (though I really like the plugin--but it will only work in RGB).? Qimage does a really good interpolation of my original digital files--and also a very good job with its 'smart sharpening'--which means I don't have to fiddle around about sharpening (which I always do as the last step after resizing).? I imagine I will go back and forth between the 2 depending upon my mood and the image (PKS allows me to be very selective about my sharpening and some times that's really needed).
?
Diane
-----------
Diane B. Fields
picnic@...
photo site?
?
?

----- Original Message -----
Sent: Tuesday, April 05, 2005 7:20 AM
Subject: RE: [QuadtoneRIP] Re: printing with Qimage

This is curious!

?

I also use Qimage, it’s a great product – but now I only use it for colour prints and use QTR for b&w. Why bother going via Qimage for b&w, especially if the image has already been processed in Photoshop? The only reason I can think of is to allow multiple photos to be laid out first.

?

What am I missing?

?

Cheers,

Bernie

?
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