Earlier versions of Quadprofile would not let you control the tone of the shadows so the midtones and highlights would end up cool while the shadows would still have the warm tone of the UC MK ink.
With the last versions of Quadprofile for PC we've added support for using any ink to control any other ink.
I did a quick test here:
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I doubled the strength of the LC and LM inks and added C and M inks to the black curve at the same strength as the LC and LM inks. I haven't actually tested the curve since I'm not near my printer right now. It will most likely be too dense since it's not relinearized, but let me know if it's close to what you want.
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Daniel Staver
Scott Graham wrote:
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Am I the only one who thinks that the cool curve for enhanced matte is not cold enough?
Have been happily printing with the Epson 4000 driver, not icc, and getting very cold blacks, with no metamerism that I see and of course no color cast (by public acclaim).
Maybe I am just used to the coldness, but I like the stark effect.
The sliders between curves in QTR are neat though.
Carl has suggested that I edit the cool curve so I will be trying that, though I know almost nothing about it.
I would characterize the cool curve as neutral to very slightly warm.
So I am curious what you all think
Scott
