How to implement SimpleP48 with PUI 5035 three-pin design?
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Hello everybody. I'm going to try for the first time to build a microphone with a PUIaudio AOM-5035 capsule + SimpleP48. The choice of this capsule is due to the fact that I need 135dB SPL of maximum sound pressure. My question is: since the capsule has three pins, is it enough to add a 48k resistance to the drain and maintain the manufacturer's recommendation? I attach the manufacturer's recommended drive circuit. The capacitor, could it be a 10uF 25v DC Aluminum Electrolytic? I thank you in advance for your contribution and wisdom. Gustavo
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Alternatives to Aluminium Electrolytic Capacitors
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Hi all, I've been using polarised aluminium electrolytic caps in my designs as per the advice of members here and also how they are used in schematics like the Alice, etc. This has been going great, though I'm currently working on a pencil mic and to fit into the tiny space my circuit board (and also the mic body) has gotten very long, so I was hoping I might be able to shrink down some of my largest components ¡ª great big capacitors. I have already been following the guidelines for minimum component spacing from PCBWay, and this has helped, smaller component footprints would help further. My understanding is that aluminium electrolytic caps are a great combo of cheap, able to reach large values, and stable in a large range of conditions. I briefly looked into MLCC's, but quickly found multiple sources saying that these are not stable enough to be suitable for precision audio circuits. All of the evidence I've found so far tells me that the polarisation of electrolytic caps is a limitation rather than a useful design trait, but I wanted to double-check with you folks whether there is some secret usefulness to the polarisation when it comes to the subtleties of microphone building. If polarisation is required, that limits my choices. In light of that, is there an alternative kind of cap I could be using in my designs that is more compact, perhaps with the trade-off of being more expensive? I only need a handful and I'm not mass-producing these, so components in the range of dollars instead of cents is not a big deal in this case ¡ª I'm much more concerned about making a smaller PCB. The only values for electrolytic caps that I'm using in this design are 47uF and 4.7uF, so even if there is an alternative for the smaller value that will help a little. Cheers, Zander.
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Rode NT1-A requires 3 minutes warm-up time
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Hi together I recently purchased a Rode NT1-a from a thrift store with a ¡°No Tone¡± sticker on it. If I connect it to the audio interface and activate phantom power it doesn't work. Miraculously, after three minutes of warm-up time, the gain meters start and the NT1-a seems to be working perfectly. The sound is crisp and clear. No noise can be heard either. I opened the mic body. The circuit board and the caps look clean. The only thing I have noticed so far is that there is some dirt and dust on the capsule diaphragm. Does anyone have an idea what might be wrong? Should I replace the capsule? Many thanks! Heinz @NaturePattern
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Piezo tubes
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Morning all, I¡¯m on the hunt for some piezo tubes and came across this supplier: Search physikinstrumente.co.uk They seem to have a wide range of sizes and thicknesses available and I wondered what the theory is behind the dimensions of the tube for hydrophone purposes. Is bigger and thinner always going to be better? Any insights gratefully received, Jack
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Stuart Green's - Earth Magnetometer Project
Today I stumbled upon an interesting project that might also be of interest to some mic builders. It appears that Stuart recently detected a rare sine wave in the magnetosphere, during one of the strongest geomagnetic storms in the current solar cycle. The following article contains lots of useful information about his DIY methods (IMHO). I dropped it to Heinz_Files.: ...Earth Magnetometer Project... A interesting video on the topic: Timelapse of Aurora Borealis with Sonification of Solar Wind...
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Cheap USB powered condenser microphone. Need advice on design.
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Hello, I've drafted up a DIY design that I think could work to drive an electret capsule like the TSB-2555B through the use of a DC-DC converter (IEB0105S12) to derive a stepped up voltage from the 5V supply rail of a USB soundcard. The generated voltage of the microphone is fed into an amplification circuit from the OPA-Alice circuit. Presented below is the proposed amplification scheme: Similar to the aforementioned OPA-Alice circuit, the amplifier to be used is planned to be the OPA1642. The USB soundcard to be integrated to the design utilizes a CM108 IC with an input range of 2.88 V pk-to-pk and a default input signal gain stage of 20dB (gain of 10). I am relatively new to the design of microphone circuitry and this design is heavily inspired the by videos and instructables from DIY Perkz and DJJules. I would like to ask for advice regarding the design choices made and the validity/viability of the proposed design.
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Rode VXLR+ noise
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I purchased a Rode VXLR+ recently and was very disappointed by the noise introduced by this adapter. I compared a Rode SmartLav+ connected via a TRRS to TRS adapter to the VXLR+ versus a SM58 dynamic mic. With the gains set so that both mics had the same response to a sound source, the SmartLav+ via the VXLR+ had a much higher background hiss, to the point of being unusable. I got a similar noise level when I connected a 2.2k resistor to the VXLR+ instead of the SmartLav+. This SmartLav+ works fine plugged directly into a Zoom H1N. I have read several good reviews of this adapter and a few who have found it very noisy as well. Zach Poff has published the schematics for the VXLR+ here https://www.zachpoff.com/resources/testing-xlr-adapters-with-plug-in-power/ I assume the noise is coming from the zener D1. I measured the capacitance of C1 and it did measure 10uF. I have not tried to measure its esr. I changed C1 to a low esr 100uF tantalum capacitor (KEMET Part Number: T520B107M010ATE070). This has a wider body than the original, so you need to offset it towards the center of the PCB so it does not touch the side of the case. The noise level of my modified VXLR+ is now below the self noise of the SmartLav+. I have also since made some recordings of birds with this adapter connected to a AOM-5024L. Perhaps my VXLR+ was just a bad one due to variability in zener self noise and capacitor esr. However I am surprised how little effort has been made to filter noise from D1. A simple additional RC filter could make a big difference without making any significant difference to the cost. David Walton
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Another weird idea
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Ever since I built a few pairs of Jules' hydrophones, I have been interested in new ways to make recordings with things other than traditional diaphragm microphones. I have been thinking about building a set of contact mics using Jules' circuit and a flat piezo disk. One of the things I want to record is a passing train. Then I got to thinking...I also having been tinkering with electric guitar builds and I have a few cheap pickups from kit guitars where I replaced them with better ones. Rails are steel. Like guitar strings. What about putting a pickup on each rail. Run them through direct boxes and into my Mixpre and record a passing train?
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Cheap electrets that go up to 40kHz?
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Hi all - Any recommendations for cheap-ish electret elements that go up to 40kHz? Thanks!
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Micbuilders group annual funding
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Welcome to the annual beg-a-thon for funding our space on Groups.io! The yearly cost is $220 USD. Every year we've gotten more than enough from members to pay that bill... and usually a little surplus. The surplus from last year is $28.73. So a few of you very kind folks kind of jumped the queue and already sent me money... right now we are at a total of $149.39, including last year's surplus. So there's another ~$70 to go. Thanks, -Scott -- ---- Scott Helmke ---- scott@... ---- (734) 604-9340 ---- "I have ceased distinguishing between the religious and the secular, for everything is holy" - Joe Henry
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Annual fundraising
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Hey, it's that time of year again! I'm out of town for a couple more days, so I don't have access to my usual pitch and all that stuff. But basically the group costs a couple hundred dollars a year to run, and usually it's paid for by donations. So it's on your radar now... when I get home I'll look up the amount, see if there's any surplus from last year, and all that stuff. As always thanks, not just for the support but for the fantastic content we have on this group. Thanks, -Scott -- ---- Scott Helmke ---- scott@... ---- (734) 604-9340 ---- "I have ceased distinguishing between the religious and the secular, for everything is holy" - Joe Henry
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ESD protection for HiZ inputs?
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I hope this is OK to ask here as it isn't exclusively a mic question but a general electronic question that might be applicable to some mics. Consider a fet input with a high impedance, that is connected to a exposed bare wire or RCA type plug, because it needs to be unplugged from the source. This could be for a piezo pickup with an input impedance of 5-10M or it could be for a condenser mic with an impedance of 1G Do I need to protect that bare fet gate from ESD it might encounter in the world? here's a schem to illustrate: https://halfshavedyaks.xyz/forumimages/fetbuffersm.png I have naively added diodes but I'm not sure if they will actually lower the input impedance which obv I don't want. The real-life behaviour of diodes at high impedances is beyond my current level of understanding. I'm also not sure if 1N4148 are big enough to offer much protection. Nor am I sure if R1 offers any protection. Could any of the experts here talk me through what would be wrong with the attempts at ESD protection in this schematic?
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Specs for old Transsound capsules?
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Two decades ago I was an active DIYer and built a couple binaural heads, some PZMs, and other projects. About the time Panasonic was discontinuing the WMxx (61? See, it's been that long), I ordered a bunch of capsules to play with, I think from JMI, but it might have been a group buy that Bob Cain put together. Now I have a use for a 9mm electret capsule, and I've got this package with some TS-94A capsules, and also some TSB-9445A and TS-52B. What I don't have (at least not on any hard drives I have spinning, or useful results from that once search engine, now ad flyer Google) are spec sheets for those capsules. I remember enough to put together a 9v battery, a ??K resistor, and a DC blocking cap, but I'd like to get the resistor value close on the 1st try. Does anyone have spec sheets for this old Transsound capsules, or a link to them? Thanks much, Mike
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alix dynamic mics as donors?
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Has anyone here tried either of these dynamic mics from AliExpress? Fifine K669D Maono PD100 They look like solid bodies, I'm curious if they come apart easily and how good they would be as donor bodies. https://www.aliexpress.com/item/1005005510482582.html https://www.aliexpress.com/item/1005004887926822.html
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choosing SimpleP48 resistors
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Pondering how to choose SimpleP48 resistors, it suddenly occurred to me that we can use the techniques in FETbias.doc so I've updated that in my Files/Ricardo directory. It's so obvious with hindsight that I beg yus guy's pardon for my stupidity. Measuring at 9V is perfect cos we want 5 - 10V Mea culpa, mea culpa, mea maxima culpa.
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Learning about amplifiers
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I¡¯ve been looking around to try to find some sources of material to enable me to learn about how amplifiers work. I¡¯ve only got the most rudimentary electronics knowledge so end up floundering very quickly. I bought The Art of Electronics a while ago and have had a cursory browse through it. I was also recommended this paper by an old work colleague. https://1drv.ms/b/s!Ap5IR9dQ9eMPgfxAOWdiIkU-1cGvcQ "Audio power amplifier design" has also been recommended to me. What do you guys think / recommend to enable learning about these things? It seems that a lot of you are well versed in the ways of coercing electrons
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Linkwitz to ground/source/drain
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Is there a way to connect a 3 pad electret (ground/source/drain) to the Linkwitz 2 wire solution? Thank you!
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P48 Omni enclosure
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Hi all, I've built several simple P48 AOM5024 microphones for field recording and recently designed and 3D printed a large blimp cage (180mm OD, 400mm long). I'm now at the stage where I want to use commercial mounts inside the blimp. I¡¯ve noticed that many microphones tend to be around 20mm in outer diameter, which seems to align with the size of XLR connectors. I'm considering 3D printing the microphone enclosures myself and wanted to ask for advice on a few points: Size and Length: Does the size or length of the enclosure significantly impact the microphone's performance or characteristics? Material Density: I have access to both PLA (rigid) and TPU (flexible) for printing. Does the material density or rigidity play a role in how the microphone performs, particularly in field recording environments? Any insights or recommendations would be greatly appreciated! Thanks in advance for your help. Best regards, Matt
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Electret cap question.
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I discovered the electret the other day, whilst browsing online. It appears to have reasonable specs from what I can tell. However it doesn't publish a self-noise figure. Is there a way to derice this from other specs (SNR?). Alternatively, how would you go about measuring the self noise of a cap? Spec sheet is below. https://acrobat.adobe.com/id/urn:aaid:sc:EU:3a195572-c2a4-4148-a10d-02f4e8759d85
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Senheiser? wireless mic identification
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Hi all, I haven't posted here before, but I've been monitoring your posts for a while. I have a bunch of the omnidirectional wireless mics shown in the pics below - these were used with Senheiser ew100 G2 transmitters. I'm looking for help identifying what these mics are and also figuring out how to connect them into a preamplification circuit to provide a line level output. I looked at them under a microscope and there are no identifying marks. They may be an older Countryman model. Most of these have intermittent connections in the cords, but I'm sure the mics are fine, so my idea is to cut the cords and repurpose these mics for other uses, perhaps for field recording. Is this a boondoggle?
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