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I find the 16mm Primo cardioid capsules -- the EM200 and EM204 -- signifcantly better than the smaller capsules. At 127dB the EM204 might not have a sufficiently high maximum SPL? level ? -- The

That may well be true. I'm also thinking of something compact that can go in the violin case and capture decent recordings when I don't have an external mic or stand handy. An omni (EM172) right

For the purposes of busking (... sound reinforcement) I don't know whether you'd hear any measurable benefit from the complexity of a FETless capsule plus full Alice circuitry, compared to a

I build those kinds of things in guitar pedal type enclosures. Plenty of space for whatever circuits you need. [email protected]> wrote:

Triton FetHead is what I am using. Like I said, the performance is as expected with some XLR input devices and pretty bad with others.

Hi Jeremy, I’ve done this sort of thing many times, putting the FET and 1G resistor right on the back of the capsule. Mogami makes some nice thin mic cable with two conductors and shield.

(First post) Hi, I have been experimenting with small electret microphones (from Primo) mounted on goosenecks as violin pickups for busking (including classical repertoire). Visibly similar to a DPA

Thank you for your reply. What I am looking for is a way to solder a FET directly to the capsule like in the TSB2590 so I can use it like Jules did in the fur ball stereo Mic build that plugged

Ah, I did originally start with two small blimps about 90mm OD, but wanted to create a larger bubble of still air. Also, the various cables and mounts in my design, were a bit of a hassle. With the

Sergio, what circuit are you using ? Matthew McGlynn at Recording Hacks had a big review of several such devices. It showed the Cloudlifter as the best and the FEThead sorta second with some

Hey Matt. You already did print your blimp but this may help as a secondary solution. I had these printed, from PETG (PLA is too fragile and easily deforms in higher

Hi Matt, Cool blimp! Regarding 3d printing material, PLA is more brittle, and will become even more brittle as it is exposed to sunlight. PETG or TPU are less brittle and better suited to the

Great job with the blimp! For suspending a 'standard' 20 mm stick mic, the lyres from Rycote or Rode are nice but a bit pricey. I also like the simple elastic band shockmounts (

For dynamics, it’s not just a LF effect, it’s also a HF issue: (source for impedance curve: https://www.audiotechnology.com/tutorials/microphones-noise-1 )

Hi Adrian, I think I will try pla for the omni enclosure, an yes thank you for the tip (M17 X 1mm), just saved me a bunch of time. Image of my blimp is attached. It's essentially two hemispheres and

Hi Matt, I'm not wise enough to chime in on the acoustic properties, but having looked around at the commercial offerings for EM272 caps, it doesn't seem so critical with Omni's. I have printed some

Hi all, I've built several simple P48 AOM5024 microphones for field recording and recently designed and 3D printed a large blimp cage (180mm OD, 400mm long). I'm now at the stage where I want to use

This just reduces the LF around the 'bass resonance' of the dynamic mike by 6dB.? Using an OM2 or Beta 58a at 30cm or less for speech, you probably need to reduce bass even imore ndoors.? Certainly

I'm wondering how close could you mount two TSB2555s back to back before they interfere unacceptably with the rear cancellation and therefore the pattern?

Wow massive auto correct fail “when I decided to redo it” not braided it.? Best Regards, Jules Ryckebusch