开云体育

Well, Mr. Bruno. I think we all agree that you are a super player/musician. Myself and a few others here don't understand why anyone would put down Pat Metheny. Maybe you can explain why you dont

Stern's album's that I have dont really live up to what I've seem him do live. I have an incredible bootleg i made of him from 1985 and it's is way better than any studio albums he's done. I wish he

It is Jim Hall Live, from the mid-70s. Recorded in Toronto, if I remember correctly. It was on Horizon Records that was either owned or distributed by A&M. Long out of print as far as I know, and I

I'm looking for a Jim Hall live recording that doesn't seem to exist any more. It's with Don Thompson and Terry Clarke. They play Scrapple, round midnight, i hear a rhapsody, and probably others. I

FYI: Metheny won a grammy this year for best jazz solo for his solo on "(go) get it" from the "trio99-00" cd. i think all the serious jazz players on this list need to get that cd before they pass

Yeah, I am listening to Sleight of Hand and Midnight Blue. I dont care for Bruno's "new" direction on Midnight Blue. It is poorly produced and has some pretty "white" attempts at funk. Sleight of Hand

-if you hear the album.... you will see that concord does not restrict my choice of style. The auction money is going to musicians that have hit hard times. The titile of the CD is names after a tune

I agree. There seems to be this stigma in jazz journalism where the guitarists all have to look the same, play archtops, wear fancy cloths, etc. I feel that Stern and Holdsworth too, have fallen in

None of which you say is true. Album titles are not copyrighted. "Midnight Blue" is the name of a new tune... it is perfectly OK to call a Cd by a title tune. There are many CDs with the same title.

Ummm, Metheny doesn't use chorus on his sound...

Hi guys! I just play jazz for a few years and i usualy get a little confused when i have a new tune and have to improvise on it ( what's the first things to do?). I usualy start to divide the guitar

Right On Jimmy!! Jimmy is one of the best, most honest, talented, no BS guitar player around. If Pat Martino can give kudos, gee maybe some should consider their own selectivity. Jimmy's

Dear Randy, You certainly have been active lately on the jazz e-mail. I would highly recommend Bill Comins. Great guitars, great sound, great guy, a wonderful value. He lives outside of Phila. and if

bradlittle1@... writes: It is on CD (I have it)...It was only released on Japanese label! One of Jim's best. Of course I am QUITE biased! Andy

I agree. Natalie Anne Lanoville Vancouver, Canada gnat@... From: "Deolindo Casimiro" <dcasimiro@...> Subject: Re: Re: The difference between Jazz & Blues I always thought Claude

Jazzers: I am thinking of buying a 7 string. I do a lot of accompianing (sp?) and more and more solo stuff, and I do a lot of walking bass on the bottom, so I am thinking a 7 string is the way to go.

On Mike Stern: What is his best work? I bought a cd of his a while ago, didn't really care for it (don't remember why--I'll have to listen to it again. Lots of mention of Mick Goodrick. What is his

Another great jazz guitarist, composer, and innovator who has never made it anywhere, anytime, in these Downbeat polls is Mike Stern. I came to the conclusion some time ago that the people who vote

I posted: Rodrigo answered: You're right. I didn't even mention brazilian music because it's a whole issue on its own. The guitar playing ina Brazilian music is always amazing, whatever style you

I can understand why you might have opted to approve the message, but I don't believe that there was any mention of where the proceeds were going (no, I didn't follow all the links). I don't have