开云体育

can't practice first. I just have to say this is an amazing posting. I learned to play guitar by picking the coolest riffs and phrases from guitar magazine tabs and learning to play them fast...

Hi Dan, Louis Stewart is from Southern Ireland. He is doinga gig next week in North Wales as part of the North Wales Summer Jazz School. Also appearing are: Jack Wilkins, Randy Johnston, Jimmy Bruno,

Thanks, I appreciate your comments.. So, to me it seems it is essential and necessary to learn (this approach(arps and scales) to be able to use them, and at the same time to eventually be free of the

I think you're painting this too much as a black/white kind of issue. For example, let's say someone can hear the melodies they want to play in their head but only to within a 7-tone-per-octave

Hi Dave, Sounds like you've got it! Isn't music just fascinating?

Actually this is what he was doing: the melodic minor scale built a half-step above the tonic _is_ the altered or super-locrian scale. thinking Very important -- that is, think about all the arpeggios

See if diminished scales work for you over those 7b9 chords . . . or harmonic minor scales based on the tonic they will resolve to . . . it never hurts to add to your bag of tricks . . .

For example, if the tonic chord is a Cm7 chord, the half-whole diminished scale (aka symmetrical octatonic scale) will fit: C C# Eb E F# G A Bb - -- - -- If the tonic chord is a C6 chord, again this

Hey there, I'm working on Vol. 1, track 2 as well. I'm a total beginner, so I can't offer any advice, but basically I've been running scales, chords against those trackes. Before I even pick up my

jazz_guitar@... wrote: I agree with and commend Mark Stanley's comments about playing scales too much, to the detriment of his playing the music, and I think his remarks bear repeating.

Hi! I'm starting to do some duo stuff and i really want to put a more modern sound in my conping, just like Mick Goodrick/Rosenwinkel sound. What kind of things can i do like for eg. improve the bass

Thanx for all the hellos. Vancouver *is* a beautiful place. I am so excited - this is my first digest and I already got some stuff I can use. Thanx guys and gals. Natalie Anne Lanoville

Dave, basically you're right. I NEVER think or hear scales when playing jazz. I play substitute chords and reharmonize changes. One word of caution.... the minute you learn a solo from ANY jazz great

Louis Stewart is a great player born in Waterford, Eire (Ireland) and the last I heard still living around the Dublin area in Eire! He plays regularly around the area. With a name like Stewart he

Hi All, After a significant number of years playing rock/blues guitar as a hobby I've decided once again to dip my toes in the jazz waters. Way back when I was a teenager I took some jazz lessons and

Item # 1453149119 on ebay Not trying to sell anything here, just wanted you all to be aware of it since some recent posts have been asking about a good 'starter' guitar.

Isn't Louis Stewart from there as well? I saw him last month in NY at the Vanguard and he was as great as ever! -Dan http://danadler.com wrote:

I've got an older style PolyTone Mini-Brute II that looks & works like new. Home use only & non-smoking. I'm not sure what size the speaker is but there are no covering rips or faded material. Grill

IMHO Mark's point about "such and such chord = such and such scale" is a starting point and not the end story cannot be over emphasised! I agree with Mark that when you are really truely improvising,

Hello, Thanks for the responses guys... I have been working on many tunes..Autumn leaves, Blue Bossa, Girl from Ipamema, Wave, How Insensitive, In a Sentimental Mood, Reflections, All the things you