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I'm still a beginner, but I can't tell you what a thrill it is to work on my ear training. I sing scales and chords to the Abersold tracks and work w/this book called Ultimate Ear Training for Guitar

Okay, both your review and the web page sound intriguing. However, neither outlines what the system _is_. Being the somewhat sheepish owner of eighteen shelf-feet of guitar and music books which have

As I recall, Sea Train was a band featuring violinist/fiddler Richard Greene and vocalist Peter Rowan. Kind of a bluegrass/rock/jazz fusion. Steve Gallagher

I think Mark has a good question here. After having been exposed to a few different "systems" for using pentatonics (all of which are useful), I've also found that there are plenty of differences of

For those who play regularly with a (upright) bass player, how high (as in what strings) do your voicings need to be to "stay out of the bass player's way"? I am so used to playing with other

Alisdair, Thanks for a very interesting note on Miles, I found it fascinating and full of great ideas. This is an excellent book. I started work on it recently and I love it. Cheers, Graham Cox

Thanks Kevin for taking the time to explain. It all makes perfect sense now. Cheers, Graham

Check out guitarmaster. It costs ?50, but its preety cool.. Http://www.robosens.demon.co.uk/

Hey Alisdair, Can you explain Pentatonic Modes to me. Is there a set system, names, etc. for the modes of Pentatonic scales? If so, what are they or where could I find out. Thanks, Mark --- Alisdair

Dan There is no short answer to the question, as I'm sure you know. I think the 1967 Miles was expanding the limits of his earlier experimentations with modal, chromaticism, the use of the pedals

* MODERATORS Note: I think we have covered the discussion on reading at considerable length over the last few months, we are allowing this posting so that Zeek may respond, if he wishes. If the

I am buying a new guitar (a Gibson Howard Roberts Fusion) and must part with my beloved Joe Beck 6 (Blonde) guitar. It is one year old and is in excellent condition. No scratches. (pictures available

Great post, Dave. One thing that I love about music is that there are as many approaches to coming to grips with it as there are people who play it, to which you are a great testimonial! I'm curious

I agree with you, Ken. I just got back from the "Jazz Summit" (part of the National Guitar Workshop program), always a both humbling and inspiring experience. One of the standard classes was "Ear

Mick's method is not a method, his system not really a system. I see it more as an attitude that is a very powerful one and one that recognizes that you can go as far as your resources allow you. For

I was just given a copy of Mick's new book on guitar voice leading. Unbelievable. Incredibly beautiful sounds. A thouroughly intimidating system by which you can expand your chord vocabulary beyond

Thanks a lot for the info.

Thanks for the answer. It was perfectly clear. Thanks for taking the time. Natalie.

Exactly! I got that from guys that studied w/ Biancas (SP?). It's like a Mcoy Tyner thing too. Mark --- Ken <kuboken1@...> wrote:

Looking for an ES-175, doesn't have to be a Gibson, I would prefer a copy, don't want to take a second mortgage out, maybe a mid to late seventies Japaneese copy. An Ibanez 'lawsuit', would be real