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midi controller

Maurizio Zappatini
 

开云体育

?
First of all I'd like to say hello to all the members of the list: been reading for some time but this is my first mailing.
?
I recently bought a C-3 which is not perfect but is in any case? w o n d e r f u l.
I've worked with an XB-1 and an XK-2 and I consider the latter an excellent clone: in my opinion, the fundamental difference?between the XK-2 and a real tone wheel?is mostly noted on?pads, holding chords. I tried?XK-2 through a Leslie 760 and?I personally?believe that the result isn't much better, rather poor.
?
As for Casey's question regarding the?pedal, the Hammond expression pedal is surely better than?normal midi pedals but perhaps not that better so as to justify its high cost.
?
However I'd like to talk about the B4 which in my opinion is the best reproduction of?the tone wheel available today and, especially on pads, it doesn't make you regret the real tone wheel. I truly recommend all Hammondites purchase the software (which is rather economical: I believe the demo may be downloaded free), especially those who were asking for?drawbar settings. It has many presets including Gimme some Lovin', a Whiter Shade of Pale, all very similar.
What is missing is an adequate midi controller.
Is there anyone out there able to transform (or manufacture) a B-3 or C-3 console into a B4?midi controller??
ciao
Maurizio
?


Re: [hammond_zone] &@#$!!!WOW!!!WHEW!!!I`M IMPRESSED!

Dave McCracken
 

kcbass11@... writes:
There was a good bit of talk about this on another list when it was
current. Jimmy Foster is a good organist. The learning tapes is a neat
idea conjured up by Dennis Turner. His motive here is to genuinely help
out Jimmy too. The pricing structure of the tapes proves that. I think
that aspect is very hip. Dennis had Jimmy come in and record on Dennis's
B2 with Trek percussion/122. He used little radio shack boundary mics
(made by Crown). I think details are probably on the site. I think the
sound is great. I always thought it'd be a neat idea to mount theses
mics in your Leslie upper compartment and wire 2 male XLR jacks in the
back middle compartment. Flush mounted. Then the FOH sound engineer
just takes 2 XLR cables off your Leslie. Look neat anyway and these
recordings sound great to me.

FWIW this exact organ was sold to a friend of mine here in NC. It went
from Dennis to old infamous Johnnie in Centrailia Illinois. Then old
Johnnie the Ebay Shark put them on Ebay where a clubowner here in NC
picked it up. Then now this guy is moving and desperately wants to sell
the organ Jimmy recorded with. If anyone is near North Carolina and is
looking, this gentleman is selling a BC/21H and a B2 (with TrekII
percussion add on)/122RV. These pieces must go. I know what he would
like to get, but he'll take what he gets because they have to go. It is
a matter of what he is offered. If anyone is looking to purchase
this(these) organ(s) I'll relay the info. They will be fair market price
or a bit lower. Just a little aside.

Just a little note about Jimmy - he is good and I really do like him.
But the thing is there are great players like him everywhere. *Every*
city has a few older players who if put on a console Hammond will rip.
To me it seems a bit of a dying art (been that way for decades). Dennis
has the right idea by inviting the guy in the house and learning from him
and also by documenting this style for others to chew on. Have a good
Friday.....


Dave McCracken
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Re: [hammond_zone] drawbar settings

Ron Newman
 

What seems strange to me is that all players always talk about drawbar
settings but the right drawbar settings often don't give you the sound
you're seeking. One drawbar setting can be made to sound absolutely
different by adjusting the other settings.

Ron.

----- Original Message -----
From: "Gaz" <gaz@...>
To: <hammond_zone@...>
Sent: Thursday, August 16, 2001 9:46 PM
Subject: RE: [hammond_zone] drawbar settings


I don't know if anyone on this list is into Ska/reggae music, but if so,
what are good drawbar settings for that, things like Liquidator etc?

Cheers

Gaz

-----Original Message-----
From: ANDREW SPENCER [mailto:spencerandrew40@...]
Sent: 16 August 2001 20:15
To: hammond_zone@...
Subject: [hammond_zone] drawbar settings


Hi everyone, dont suppose anybody can help me to find the drawbar
settings
for Stevie Winwoods classic Gimme Some Lovin. I have tried and
tried to get
the sound on my XB1 but still cant quite get the tone. Many thanks.
Andy Spencer

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&@#$!!!WOW!!!WHEW!!!I`M IMPRESSED!

 


Re: [hammond_zone] drawbar settings

Gaz
 

I don't know if anyone on this list is into Ska/reggae music, but if so,
what are good drawbar settings for that, things like Liquidator etc?

Cheers

Gaz

-----Original Message-----
From: ANDREW SPENCER [mailto:spencerandrew40@...]
Sent: 16 August 2001 20:15
To: hammond_zone@...
Subject: [hammond_zone] drawbar settings


Hi everyone, dont suppose anybody can help me to find the drawbar
settings
for Stevie Winwoods classic Gimme Some Lovin. I have tried and
tried to get
the sound on my XB1 but still cant quite get the tone. Many thanks.
Andy Spencer

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drawbar settings

ANDREW SPENCER
 

Hi everyone, dont suppose anybody can help me to find the drawbar settings for Stevie Winwoods classic Gimme Some Lovin. I have tried and tried to get the sound on my XB1 but still cant quite get the tone. Many thanks.
Andy Spencer

_________________________________________________________________
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Re: [hammond_zone] Vibrato on a M-3

Dave McCracken
 

"Jonathan Lafarge" <tatane79@...> writes:

I've stolen my uncle's old M-3
Hmm. Sounds a bit odd.

Everything works well, but (there is always a but) the vibrato still
doesn't work...
What is it about the vibrato that doesn't work? The organ has several
white rocker switches for vibrato, correct? When you select vibrato for
each manual does nothing change on the corresponding manual?
Or does it;
sound bad
or very quiet in comparison to no vibrato selected
or distorted and loud in comparison to no vib selected?.....

I know I can make my organ repair again,
Certainly.

So does anybody knows if my problem can be easily fixed by myself ?
Let the list know what it is doing exactly and I'll bet you'll be advised
what to do to fix it.

It probably comes from the scanner,
Possibly. The circuit is easy to follow - tubes, preamp, switches, line
box, scanner. Several possibilities and if you are slightly careful and
patient you can likely fix any of the problems.

What happens?
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Vibrato on a M-3

 

Hello !

I've stolen my uncle's old M-3 and made it repaired (in fact, it only needed oil...). Eventually, I have my Hammond at home ! Wow !
Everything works well, but (there is always a but) the vibrato still doesn't work...
I know I can make my organ repair again, but it will cost me much more. So does anybody knows if my problem can be easily fixed by myself ?
It probably comes from the scanner, but what can I do, before calling the repairman ?
Of course, if it is too risky for the repairability of the organ, I won't touch it, but I want to know if I can do something first. You know, I've seen the repairman putting oil on each cup, and stopping with the finger the noisy wheels and put some oil on it with a paint brush, and now, I have to do that sometimes.

Thank you for documenting me about that,
Regards,

Jonathan, Paris, France.

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Re: [hammond_zone] need source for the following?

KARANIUK, Mick
 

I just acquired a Hammond 9995 . It is missing (2) plastic keys.
Where would I purchase replacements? I would also like to find a manual for
the system. Can anyone help me ?
Mick K.

mick.karaniuk@...

-----Original Message-----
From: hpage@... [SMTP:hpage@...]
Sent: Wednesday, August 15, 2001 9:10 PM
To: hammond_zone@...
Subject: [hammond_zone] need source for the following?

I have a chopped B-3 and need two of the metal pieces that attach to
the organs keys with screws (2). Then they are screwed into the back
of the keyboard frame with one screw each. This is for the High C
and the B key to the left of it. I broke off one of the prongs on
the High C key trying to insert it into what I though was a slot
where I should have been looking for a screw.

Also how does one gain accesss to the lower keyboard to screw in these
key extensions for lack of a better name? Thanks as usual for all
your help. Right now I don't use these keys and just blocked
them in the up position with cotton balls so atleast it looks normal.
Howard Page


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Looking for X66 owner...

 

Recently someone expressed they wanted pictures of the X66 for A Hammond
Museum they were forming in the UK. ?Please contact me as I can send you
pictures of my X66. ?jls516@...


Re: [hammond_zone] need source for the following?

Dave McCracken
 

Forgot to include...

Dave McCracken <david_mccracken@...> writes:
on a
console Hammond (C3/B3/A100) you unbolt the manuals from below (4
bolts),
unscrew the catch on the manual/front rail and then raise the
manuals.
<gotta remove the music desk first.>
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Re: [hammond_zone] need source for the following?

Dave McCracken
 

hpage@... writes:
I have a chopped B-3 and need two of the metal pieces that attach to
the organs keys with screws (2).
The metal things are referred to as key channels. You need 2 key
channels? Best bet is find a buddy with a parts M3. That is what I have
done. Pick up a spinet for cheap and that is all the keys you'll ever
need. You can check various suppliers over the internet and probably
find 2 key channels. I'd just go to all the websites you know of or cool
suppliers/repair persons and send em all an email about what you are
looking for.

Also how does one gain access to the lower keyboard to screw in
these> key extensions for lack of a better name?
Sounds to me like you should ask the guy who made this chop. If it were
a stock organ you have to separate the manuals. In that case on a
console Hammond (C3/B3/A100) you unbolt the manuals from below (4 bolts),
unscrew the catch on the manual/front rail and then raise the manuals.
Get some blocks or screwdrivers or whatever to hold them up. Then
looking at the cheek blocks, you'll see how they separate. Got to raise
it high enough to where you can see the bolts under the cheek blocks
though. However a chop is someone's great idea how to stack an entire
tone wheel organ into a smaller box using different methods to tighten
things and different placement. So I have no idea on your instrument.
If it is an EIS chop Bob will help you, Liddell Newsham is ret. I think
but I bet he'll still offer support on his chops or if it is a Bill Beer
chop although he has passed, there are many that also have his
instrument...... If you can't contact the mfr of that chop see if
someone else has a similar one. Might be just like a stock organ too.
Check it out and let us know. Raising the manuals is a bit of a PIA to
replace one key but that's how it goes. Once you raise the manuals once
and see what you're doing you'll do it in 90 seconds. Good luck.



Dave McCracken
________________________________________________________________
GET INTERNET ACCESS FROM JUNO!
Juno offers FREE or PREMIUM Internet access for less!
Join Juno today! For your FREE software, visit:
.


need source for the following?

 

I have a chopped B-3 and need two of the metal pieces that attach to
the organs keys with screws (2). Then they are screwed into the back
of the keyboard frame with one screw each. This is for the High C
and the B key to the left of it. I broke off one of the prongs on
the High C key trying to insert it into what I though was a slot
where I should have been looking for a screw.

Also how does one gain accesss to the lower keyboard to screw in these
key extensions for lack of a better name? Thanks as usual for all
your help. Right now I don't use these keys and just blocked
them in the up position with cotton balls so atleast it looks normal.
Howard Page


Definitive answer on M3 1/4" outputs

Tony Rodrigues
 

I've seen posts stating that the RCA jack on a Hammond M3's volume pedal box can be used as an output. While this jack works great as an input (its intended purpose), it causes a serious hum in the speaker when used as an output (not its intended purpose).

I've seen a kit that taps the output signal off of one of the tubes in the amplifier to get a line-level output.This looks interesting, but I am not sure if this is a true line level or amplified signal that will fry my mixer with a 200 volt signal.

Does anyone know the BEST way to get a line-level output from an M3? Also, does the M3 use the AO28 or AO29 amp?

Any help is appreciated and shall be rewarded with excellent karma and complete enlightenment upon your departure from this world!

Tony


Finally! I'm a Hammondite

 

Today I took delivery on my Hammond B-3 chop. What a sound. I am
running it through the 122 leslie that came with it. While I was
cleaning it up I removed the metal face plate between the upper and
lower keyboards to clean all the road dust that accumulated behind
it. While doing so I dropped the extreme right end screw down
between the keys on the lower keyboard. (1) How difficult is it to
access this area to retrieve the screw?. (2) I was also made aware
by the seller that the lower manuals high "C" key has never worked. I
tried all the other keys and controls and everything else works, I
will probably never use this key but what would fixing it
entail?,Would it be worth the aggravation or is it too risky that I
might damage something else either accessing or trying to repair this?
Also thank you all for your previous help when I was considering
the purchase. I also own a New Korg CX-3 with a 145 Leslie and Motion
Sound KBR-3d. which I really like. Howard from Seabrook,NH U.S.A.


HAMMOND A-100

 

Just purchased a A-100 in good condition. It has been setting up, not being
used hardly at all. The only thing is there is dust, dust, dust. What is the
best thing to do to clean this thing? ?The keys need cleaned also is there
any good tips? ?I do so enjoy the group and all the topics that are covered
and recovered!!!!!!! ??thanks Sam


Re: [hammond_zone] Techy music question

Ron Newman
 

开云体育

Dave, that's a very interesting script. And thanks.
?
>B4, that isn't exactly a "keyboard setup".
?
Well Dave, I take it to gigs. At home I play it with a Fatar controller and pedal board through Midiman soundcard and Mackie HR824 speakers. Sounds mighty good. For gigs I take a separate computer, without moniter, cheap these days. Just switch it on and it plays. Like an ordinary keyboard. And I have all my other sounds set to the various midi channels. Mainly Gigastudio piano, split keyboard with a sampled string bass.
?
Then I sit in the wings with a thing like a radio controller for a?toy racing car and I use that to work the robot what plays it.
?
No that's not right. That last bit's just?gross fantasy.
?
Ron.
?
?
?
?

----- Original Message -----
Sent: Monday, August 13, 2001 10:33 PM
Subject: Re: [hammond_zone] Techy music question

"Ron Newman" <ron.newman2@...> writes:
There's?something different about the Hammond sound, it's not a pure sine wave.
And that is the only reason in 20+ years of trying to emulate the sound of the Hammond - nothing has come very close.? Native Instruments B4 is arguably as close as it has gotten.? However the interface shows that that isn't exactly a "keyboard setup".? Some use the B4 live with a laptop, controller, good sound card (once latency issues are sorted out).? I hear that that will work.? I think good things will come out of this technology in time.? Getting closer.....? The extra subtleties inherent in the tonewheel Hammonds are obviously the things that aren't being included in many simulators.? Just listen to the (not too) old Korg -X3 series....?
Although that tone wheel?looks as though it would produce a pure sine wave I wonder whether it does?
I understand it does not.? Firstly that is why capacitors are included in the circuit of each tonewheel.? That to me is a crazy concept anyway - a capacitor to filter out *audio* frequencies.? Anyway....? My understanding is those were used in efforts to make the output closer to a sine wave.? Still not pure.? By the way there are several that are more well versed in these mechanics than I.? Lars or pda may have a better understanding.? I am nowhere close to a tech.
Anyone know whether the sound that comes straight off the tone wheel is actually a pure sine wave. And if it is then the special Hammond sound is produced by everything after.
I don't think it is pure and?then you're right a lot of extra variables come into the mix.? Generator noise, key click all of which were originally considered flaws with the original design now are the subtleties that make simulators fall short.? I think simulators are coming closer though.? The key click and generator noise functions in the Voce units, while being a bit funky themselves - is getting closer to the right idea IMO.? The statement I always make to people when playing out and people comment on the Hammond, is that we can put a man on the moon but you just can't recreate that sound.? Also though simulators might be able to come closer if the market was such that big dollars could be poured into R&D.? Hammond fanatics who will pay $1000+ for that sound (and only that sound) are a small spec on the market demographic used by the planning board at Roland, Korg et al.
And I wonder how Mr Hammond went about it. Is there any literature about it?
I understand that like the Telharmonium - the Hammonds conceptual predecessor - the wheels are based on integer math.? I don't think the idea of "filling bits of tonewheels" happened.? More like a formula which dictates each wheel structure (which therefore dictated the structure of the tooling which made the parts).
?
Anyone ever tried to make a copy Hammond? I mean absolute copy? Was it as good? Whoever did would know what parts particularly make the unique sound.
I don't know if someone has actually tried to recreate a mechanical product to emulate the sound of a tonewheel Hammond organ.? Although that is all the simulators are.? VK1000(?), BX3, Voce, VK7, XB...? There has always been a lot of talk over the last 10 years at least of the practical aspects of reproducing the tonewheel organ.? Suffice to say that they cost of a new XB3 (which is a quite substantial purchase and is a fine organ too)? would be dwarfed by the cost of generating the tools to build the parts and the cost to put TW Hammonds in production.? There just aren't enough of us to warrant it.? However here is food for thought towards a non technical thread.? Please forgive me if I sound ethnocentric.? I am proud that the Hammond is an American invention but I don't mean anything negative about that.? The person who I admire as the best tech on the planet (several on this list know who I mean) has told me and others that he has knowledge of where 90% of all the tooling for tonewheel Hammond organs is located.? For a while the list admin of Hamtech was curious about the pros and cons of buying some of these items.? I am talking about the molds for the rocker switches, etc and everything else used to create these glorious organs.? To me it is a sad thing - that all these items are no longer located in the US,? I think they should be displayed proudly in a museum personally.? But I understand that someone associated with Roland in Japan has a warehouse where these toolings are located.? Wouldn't it be great though?? I am a young player.? The last TW Hammond came off the production line when I was a small chap.? I didn't get into the organs until long after so I never saw/heard a new organ.? Although I try and keep my organ in great shape and try to keep it as stock as possible - I really have no idea how a brand spankin new TW Hammond would sound.? After 30+ years there is so much component drifting and other elements thrown in that it can't sound like it did when new.? I think the whole thing conjures up some neat thoughts.? But the reality is it would cost a fortune to reproduce it and it wont happen.? In the day organ cost was comparable to some new cars.? The home organ market is all but gone.? Todays professional organs (for instance Allen) still are comparable to a price of a new car and I bet none of us would be able to fork it out.? Sure makes for a fun daydream though.? Hope I got somewhere close to your original question.....
?
Dave McCracken
?
?
?
?
?
?
?

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Re: [hammond_zone] Techy music question

Dave McCracken
 

开云体育

"Ron Newman" <ron.newman2@...> writes:
There's?something different about the Hammond sound, it's not a pure sine wave.
And that is the only reason in 20+ years of trying to emulate the sound of the Hammond - nothing has come very close.? Native Instruments B4 is arguably as close as it has gotten.? However the interface shows that that isn't exactly a "keyboard setup".? Some use the B4 live with a laptop, controller, good sound card (once latency issues are sorted out).? I hear that that will work.? I think good things will come out of this technology in time.? Getting closer.....? The extra subtleties inherent in the tonewheel Hammonds are obviously the things that aren't being included in many simulators.? Just listen to the (not too) old Korg -X3 series....?
Although that tone wheel?looks as though it would produce a pure sine wave I wonder whether it does?
I understand it does not.? Firstly that is why capacitors are included in the circuit of each tonewheel.? That to me is a crazy concept anyway - a capacitor to filter out *audio* frequencies.? Anyway....? My understanding is those were used in efforts to make the output closer to a sine wave.? Still not pure.? By the way there are several that are more well versed in these mechanics than I.? Lars or pda may have a better understanding.? I am nowhere close to a tech.
Anyone know whether the sound that comes straight off the tone wheel is actually a pure sine wave. And if it is then the special Hammond sound is produced by everything after.
I don't think it is pure and?then you're right a lot of extra variables come into the mix.? Generator noise, key click all of which were originally considered flaws with the original design now are the subtleties that make simulators fall short.? I think simulators are coming closer though.? The key click and generator noise functions in the Voce units, while being a bit funky themselves - is getting closer to the right idea IMO.? The statement I always make to people when playing out and people comment on the Hammond, is that we can put a man on the moon but you just can't recreate that sound.? Also though simulators might be able to come closer if the market was such that big dollars could be poured into R&D.? Hammond fanatics who will pay $1000+ for that sound (and only that sound) are a small spec on the market demographic used by the planning board at Roland, Korg et al.
And I wonder how Mr Hammond went about it. Is there any literature about it?
I understand that like the Telharmonium - the Hammonds conceptual predecessor - the wheels are based on integer math.? I don't think the idea of "filling bits of tonewheels" happened.? More like a formula which dictates each wheel structure (which therefore dictated the structure of the tooling which made the parts).
?
Anyone ever tried to make a copy Hammond? I mean absolute copy? Was it as good? Whoever did would know what parts particularly make the unique sound.
I don't know if someone has actually tried to recreate a mechanical product to emulate the sound of a tonewheel Hammond organ.? Although that is all the simulators are.? VK1000(?), BX3, Voce, VK7, XB...? There has always been a lot of talk over the last 10 years at least of the practical aspects of reproducing the tonewheel organ.? Suffice to say that they cost of a new XB3 (which is a quite substantial purchase and is a fine organ too)? would be dwarfed by the cost of generating the tools to build the parts and the cost to put TW Hammonds in production.? There just aren't enough of us to warrant it.? However here is food for thought towards a non technical thread.? Please forgive me if I sound ethnocentric.? I am proud that the Hammond is an American invention but I don't mean anything negative about that.? The person who I admire as the best tech on the planet (several on this list know who I mean) has told me and others that he has knowledge of where 90% of all the tooling for tonewheel Hammond organs is located.? For a while the list admin of Hamtech was curious about the pros and cons of buying some of these items.? I am talking about the molds for the rocker switches, etc and everything else used to create these glorious organs.? To me it is a sad thing - that all these items are no longer located in the US,? I think they should be displayed proudly in a museum personally.? But I understand that someone associated with Roland in Japan has a warehouse where these toolings are located.? Wouldn't it be great though?? I am a young player.? The last TW Hammond came off the production line when I was a small chap.? I didn't get into the organs until long after so I never saw/heard a new organ.? Although I try and keep my organ in great shape and try to keep it as stock as possible - I really have no idea how a brand spankin new TW Hammond would sound.? After 30+ years there is so much component drifting and other elements thrown in that it can't sound like it did when new.? I think the whole thing conjures up some neat thoughts.? But the reality is it would cost a fortune to reproduce it and it wont happen.? In the day organ cost was comparable to some new cars.? The home organ market is all but gone.? Todays professional organs (for instance Allen) still are comparable to a price of a new car and I bet none of us would be able to fork it out.? Sure makes for a fun daydream though.? Hope I got somewhere close to your original question.....
?
Dave McCracken
?
?
?
?
?
?
?


Re: [hammond_zone] Freddy Henchi Band too

volker kunschner
 

great,i love it ,finally somebody else being as crazy like me.but i have a
new gadget on my
C3. its a beltpack wahwah,designed for guitarplayers to enable them to play
wahwah while they walk around on stage.the filter is operated by a
lightsensitive device,that you put in your mouth between your teeth and when you open
your mouth,light falls on it and the filter opens.it also has a high and
lowpass filter and you can also set the Q strength.
awesome shit.as i was playing with my quartett on the `aalener jazzfest`
last year it was the first time that i ran my C3 throuigh an old Roland rack
vocoder,cause we were doin
experimental shit that nite.people and i were trippin,did we have some fun.
so far for this gags,i got some more to come

c yall the wolfman

The keyboard guy for Freddi Henchi band
from Boulder Colorado USA does this too!
Way beyond my abilities so I guess I'll
just play...
Keep it spinnin'




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--
Volker'Wolfman'Kunschner
Stromberg str.17
D-71636 Ludwigsburg
Tel.0049-(0)7141-220 446
Fax.01212-511 220 390
mobil 0170-7002511
wolfman.@...


Re: [hammond_zone] Expression Pedals

 

I have to say also that the Hammond Expression Pedal is well worth the money.
I asked my tech about the big difference and he went on about how volume
pedals just screw with the loudness and softness whereas the Hammond
expression Pedal works with voltage modulation. Anyways, maybe somebody can
take it from there with a better explanation... The Hammond pedals in the
states go for about $100-$150. It's well worth the money and a hell of a lot
cheaper than therapy because you put Volkswagon tires on your Jag and then
couldn't figure out why you lost performance. ????OHF ???BOB