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leslie 251

Gandert De Boo
 

Anyone still looking for a leslie 251?


Re: [hammond_zone] 'none' harmonic

Laddie Williams
 

Carlo,
You are incredible.. I sure would like to hear you play.. Where do you live in Canada?
We live in Florida, but a going to travel some this summer. Please advise.
Laddie and Sandra Williams

----- Original Message -----
From: Carlo Pietroniro
To: Hammond Zone
Sent: Saturday, March 02, 2002 9:07 AM
Subject: [hammond_zone] 'none' harmonic


which model featured the 'none' harmonic? I believe the pitch for that would be 8/9'

carlo





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Re: [hammond_zone] leslie 122 amp

Gandert De Boo
 

Chris,

I guess i should first try to get the 760 working properly. I'm satisfied whith the sound of the leslie 125. i could spent a lot of time and money. A new speaker isn't cheap too and my guess is that the bid on that 122 amp will be much higher than 100 euro's. 6 moths ago a 122 amp went for 400 dollars.
But that's decided then!

Gandert

----- Original Message -----
From: Chris Clifton
To: hammond_zone@...
Sent: Saturday, March 02, 2002 2:48 PM
Subject: Re: [hammond_zone] leslie 122 amp


Gandert,
I'm not sure if there's room for the 122 amp in the 125 cabinet, guess it
could always be mounted outside the cab. if necessary. It is possible to
rewire the input stages of 122 to be the same as 147, or vice versa. Easier
to use the proper kit though. You will also need to change the speaker in
the 125 to one capable of handling 40 watts.


Chris Clifton

There is a theory which states that if anyone discovers exactly what the
Universe is for and why it is here, it will instantly disappear and be
replaced by something even more bizarre and inexplicable. Douglas Adams

----- Original Message -----
From: "Gandert De Boo" <bottomline@...>
To: <hammond_zone@...>
Sent: Saturday, March 02, 2002 12:26 PM
Subject: [hammond_zone] leslie 122 amp


> Hi zoners,
>
> On the dutch ebay is a 122 amp for sale, I was wondering if itwould be
possble to use it in my leslie 125. I know a 122 amp is balanced and a 125
not. But isn't there a way to make a 122 amp unbalanced?
> The bid is currently on 85 dollars.
>
> gandert
>
>
>
>
>
>
> Visit The Hammond Zone
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> To unsubscribe from this group, send an email to:
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Re: [hammond_zone] leslie 760 amp

 

Don't worry .
Neather will that guy.

Mike

----- Original Message -----
From: Gandert De Boo
To: hammond_zone@...
Sent: Saturday, March 02, 2002 11:46 AM
Subject: Re: [hammond_zone] leslie 760 amp


Ken,

That's high indeed. I only paid 190 euro's for it. That's about 160 dollars. a few euros for repairing the amp. But I'll never get to the 999 dollars!!!!

Gandert


----- Original Message -----
From: Ken & Dianne Godfrey
To: hammond_zone@...
Sent: Saturday, March 02, 2002 2:07 AM
Subject: RE: [hammond_zone] leslie 760 amp


Hey Gandert!

This is why you should fix your 760 amp:



Is this guy HIGH, or what?

BCV-KG

> -----Original Message-----
> From: Gandert De Boo [mailto:bottomline@...]
> Sent: Tuesday, February 26, 2002 5:44 PM
> To: hammond_zone@...
> Subject: Re: [hammond_zone] leslie 760 amp
>
>
> Chris,
>
> I guess I want to much. If you say the 760 amp sound fine, I just
> have to believe you. I never heard one! OK I will focus from now
> on to fix the 760 amp.
> But first what is the most common think to look for in a broken
> 760 amp? And how can I connect it to the 26-1 kit(leslie 125).
> The motorswitching has almost been taken care of(thanks for that
> info on the capacitors BTW). But I will need the +30v for the
> crossover, AC for the amp and a signal from the hammond poweramp.
> Won't this signal from the poweramp be too loud?
>
> Gandert
> ----- Original Message -----
> From: Chris Clifton
> To: hammond_zone@...
> Sent: Tuesday, February 26, 2002 11:04 PM
> Subject: Re: [hammond_zone] leslie 760 amp
>
>
> Gandert,
> If you want to make your 760 sound exactly like a 122, then
> you'll need a 40
> watt tube amp, and a 16 ohm bass driver and crossover to match.
> If I was
> you I'd take the easy route and repair the 760, which is a pretty good
> sound, and put the tube amp conversion on a back burner until I
> could find
> the right parts for the job.
> Chris Clifton
>
> ----- Original Message -----
> From: "Gandert De Boo" <bottomline@...>
> To: <hammond_zone@...>
> Sent: Tuesday, February 26, 2002 8:13 PM
> Subject: Re: [hammond_zone] leslie 760 amp
>
>
> > Chris,
> >
> > You got a point there. I also am a guitar player. And indeed
> nothing beats
> my fender twin especially a hifi amp. Bu what should i buy
> then? There were
> people on the zone that by replacing the 760 amp with a tube
> amp you could
> have a real nice sounding leslie. What amp is meant here?
> >
>
>
>
> ---
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Re: [hammond_zone] drawbar settings

 

Very good explanation.And i even understood it !!!!! How doya like that.


thanks ...jeff


Re: [hammond_zone] leslie 760 amp

Gandert De Boo
 

Ken,

That's high indeed. I only paid 190 euro's for it. That's about 160 dollars. a few euros for repairing the amp. But I'll never get to the 999 dollars!!!!

Gandert

----- Original Message -----
From: Ken & Dianne Godfrey
To: hammond_zone@...
Sent: Saturday, March 02, 2002 2:07 AM
Subject: RE: [hammond_zone] leslie 760 amp


Hey Gandert!

This is why you should fix your 760 amp:



Is this guy HIGH, or what?

BCV-KG

> -----Original Message-----
> From: Gandert De Boo [mailto:bottomline@...]
> Sent: Tuesday, February 26, 2002 5:44 PM
> To: hammond_zone@...
> Subject: Re: [hammond_zone] leslie 760 amp
>
>
> Chris,
>
> I guess I want to much. If you say the 760 amp sound fine, I just
> have to believe you. I never heard one! OK I will focus from now
> on to fix the 760 amp.
> But first what is the most common think to look for in a broken
> 760 amp? And how can I connect it to the 26-1 kit(leslie 125).
> The motorswitching has almost been taken care of(thanks for that
> info on the capacitors BTW). But I will need the +30v for the
> crossover, AC for the amp and a signal from the hammond poweramp.
> Won't this signal from the poweramp be too loud?
>
> Gandert
> ----- Original Message -----
> From: Chris Clifton
> To: hammond_zone@...
> Sent: Tuesday, February 26, 2002 11:04 PM
> Subject: Re: [hammond_zone] leslie 760 amp
>
>
> Gandert,
> If you want to make your 760 sound exactly like a 122, then
> you'll need a 40
> watt tube amp, and a 16 ohm bass driver and crossover to match.
> If I was
> you I'd take the easy route and repair the 760, which is a pretty good
> sound, and put the tube amp conversion on a back burner until I
> could find
> the right parts for the job.
> Chris Clifton
>
> ----- Original Message -----
> From: "Gandert De Boo" <bottomline@...>
> To: <hammond_zone@...>
> Sent: Tuesday, February 26, 2002 8:13 PM
> Subject: Re: [hammond_zone] leslie 760 amp
>
>
> > Chris,
> >
> > You got a point there. I also am a guitar player. And indeed
> nothing beats
> my fender twin especially a hifi amp. Bu what should i buy
> then? There were
> people on the zone that by replacing the 760 amp with a tube
> amp you could
> have a real nice sounding leslie. What amp is meant here?
> >
>
>
>
> ---
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> Checked by AVG anti-virus system ().
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>
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Re: [hammond_zone] CV and two tone cabiniets

Raul de Jalapeno
 

Ken? I'm worried about George....I've been told the air in Lincoln is not very good.....(sob).......now I'm sure.......(sob)(sob).....

Raul

----- Original Message -----
From: gdhiatt@...
To: hammond_zone@...
Sent: Saturday, March 02, 2002 7:48 AM
Subject: Re: [hammond_zone] CV and two tone cabiniets


In a message dated 3/1/02 6:11:26 PM Central Standard Time,
godfreys5@... writes:


> Just like the guys (to momentarily digress into a parallel hobby) who have
> some old 6-cylinder '67 Mustang sinking into the mud out behind the barn.
> "That's my baby! Gonna fix 'er up some day. Wouldn't dream of partin' with
> 'er...'less o'course you got 'bout 10 grand in yer back pocket!"

Tell me about that!! I had two 67 Mustangs when I was in High School... I
was a "gearhead" then and now i'm now into tone wheels. I worked on these
things, thought they were precious, thought everybody else should think they
are precious, and then when I went to sell them nobody wanted to give me any
$! My mom ended up keeping one of them because she thought it was cool, got
the engine rebuilt at a local vo-tech and kept it for years, and today I
drive a Honda Accord (it has a stick shift, that's a remnant of my High
School days) which I never open the hood on... I couldn't fix it anyway!

There is a similarity between engaging the clutch and the run/start on a
Hammond... In fact sometimes when I'm shifting gears and my CD player is
blaring Jimmy Smith I imagine the transmission is full of tone wheels
instead. A friend of mine just replaced an electronic sensor that is on the
differential of his Dodge Dakota pickup described in some product literature
as using "tonewheel technology." The sensor measures revolutions of a gear
and that information goes to a computer to tell the truck how fast it's
going. Now here's my idea: Now why not wire these sensors in to a keyboard
and amp in the back of a minivan so that a a tonewheel "hammond" can be an
option like power windows??? Just think of it.... Instead of watching an
innane video, your restless children can bop some funky tunes as you toodle
down the interstate or as Mom takes them to soccer practice. Ther'es an old
Hammond ad that I've seen for sale on Ebay telling how your Hammond Organ
makes children happy... and I'd add this update "In the minivan!"

George





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Re: [hammond_zone] Organ Elitists

Ken & Dianne Godfrey
 

George,

I agree. The man was a true genius, in the same league with Tesla, Ford,
Edison, and others.

BCV-Ken

-----Original Message-----
From: gdhiatt@... [mailto:gdhiatt@...]
Sent: Saturday, March 02, 2002 10:12 AM
To: hammond_zone@...
Subject: Re: [hammond_zone] Organ Elitists


In a message dated 3/2/02 8:50:54 AM Central Standard Time,
godfreys5@... writes:


Now, where he ever got the idea to have an octave of
reverse-color keys at
the lower end of the manuals, and use them as "presets" (in synthesizer
lingo), or "rank couplers" (these originally had labels with
names that at
least sounded familiar to organists), is anybody's guess. (Of
course, pipe
organs don't have true vibrato, or percussive sounds, either.)
I have always thought that was brilliant... There is so much in
the design of
the Hammond organ which is genius. George






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Re: [hammond_zone] Church Sound?

Ken & Dianne Godfrey
 

George,

I think that's a pretty accurate assessment!

BCV-Ken

-----Original Message-----
From: gdhiatt@... [mailto:gdhiatt@...]
Sent: Saturday, March 02, 2002 10:00 AM
To: hammond_zone@...
Subject: Re: [hammond_zone] Church Sound?


In a message dated 3/1/02 10:33:57 PM Central Standard Time,
godfreys5@... writes:


BTW, let me remind everybody that Don Leslie is a big Theatre
organ fan, and
has never been particularly fond of Hammonds. There's no accounting for
taste...
I just imagine this Leslie/Hammond acrimony to be like a couple
of cats who
just met out in the garage! George






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Joey and the new B3 in Chicago

Bernardo Paratore
 

For the Chicago area wheelheads:

don't miss Joey DeFrancesco and Pat Martino plus the opportunity to hear the new B3 at the Jazz Showcase on 56 West Grand Aveune (near North Side).
They are going to be there till tomorrow. I believe tomorrow there is a set at 4:00 PM as well. I was there on wednesday and had the great pleasure to
meet Harv and Hammond's top brass! The new B3 sounds great expecially with Joey at the wheel (ah ah!).

Bernardo


Re: [hammond_zone] Nees some help.....!!!!

John Brewer
 

Hello again Jim.
I don't know of the condors but they could be for stadium/ big hall use.
The various drawings I will send will show how these should be connected.
I look forward to receiving your address.
All the best.
John.

----- Original Message -----
From: <jls516@...>
To: <hammond_zone@...>
Sent: Wednesday, February 27, 2002 2:22 AM
Subject: Re: [hammond_zone] Nees some help.....!!!!


Maybe I just am not happy with the Condor Sound system by
Hammond...Seems no one knows anything about these speakers>

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Re: [hammond_zone] drawbar settings

 

You know Linda i thought i had a problem with my a-100 when i could'nt get a
sound out of that last drawbar with the perc on.I am assuming from your
comment that this is normal operation.If so,why doesn't the #9 drawbar
operate with perc on but turn perc off and "presto" it works.

Jeff......inquiring minds want to know ???


Hammond pre-est

Carlo Pietroniro
 

I think they're great. He wanted to created 9 pre-set combinations, a cancel (to clear everything), and a button to activate each set of drawbars, and what better way than to create another octave of keys, and reverse the color. The first time I ever saw a Hammond organ, I thought I was looking at an organ that had 2 6-octave manuals, but when I took a closer look, I noticed what they were. Mind you, most of the Hammonds around here have none of those labels left. Thank God I had the foresight to write them all down when I did mange to find an organ that still had them all.

carlo


Re: [hammond_zone] I'll Try again sry bad link

Ken & Dianne Godfrey
 

Raul,

Cool site! But I think our friend Mr. Tucker has WAY much free time on his
hands. Just hysterical, though.

BCV-Ken

-----Original Message-----
From: Raul de Jalapeno [mailto:raul_de_jalapeno@...]
Sent: Thursday, February 28, 2002 11:22 PM
To: hammond_zone@...
Subject: Re: [hammond_zone] I'll Try again sry bad link


Ron...what is that....it's....it's....just WHAT is it??

Raul
----- Original Message -----
From: ronbell145
To: hammond_zone@...
Sent: Thursday, February 28, 2002 9:18 PM
Subject: [hammond_zone] I'll Try again sry bad link





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Re: [hammond_zone] installing half moons

 

Jeff;

It may have been about upstop felts from Peter.

Mike - For the upper keyboard, it's a piece o duck. Just pull the 6 screws off the name rail, and pull it off (It's usually
kinda stuck on there because of the sticky stuff between the name rail and the manual assy)

For the lower, it's the usual drill.
Pull the 4 screws off of the music rack rail, move it up and out of the way.
Remove the 4 carriage bolts from underneath the organ (2 on each side).
There may be a metal plate with 4 screws in the center of the lower keybord holding it to the wood from the bottom.
Remove 2 of these screws.
Put heavy (but thin) cardboard (or the Trek II fiberglass
protectors - see - very cool!) to protect the wood on either side of the cabinet.
Lift the keyboards up and prop them with some wood blocks on each side.
Then you can remove the name rail on the bottom.

As long as the rails are out, if you need to do any repainting or cleaning, now's the time.

Best of luck.

----- Original Message -----
From: jlc7184@...
To: hammond_zone@...
Sent: Saturday, March 02, 2002 1:19 AM
Subject: [hammond_zone] installing half moons


I hate when this happens.Earlier in the day i read something somewhere about
removing the manuals on an a100.Well NOW i need to raise them up alittle to
get the wiring from the switches inside the back.Problem is i don't remember
where i read this info.Can anyone point me in the right direction.I know it's
not difficult i would just like to read through the instructions before doing
the job.


THANKS.....jeff





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Re: [hammond_zone] Church Sound?

Carlo Pietroniro
 

Allens are great! I visited their website yesterday, and I'm very pleased to see that they now offer several model with sub and super couplers, which were, for the longest time, completely non-existent on most Allens. Some of the multiple-computer models had the sub-octaver on the swell manual (L and R, if it was a multi-computer model), but NEVER anything like 'swell to great 16' and 'swell to great 4'.

Someone once told me that if an organ is properly voice, there's never any need for couplers at the sub and super pitches.........which I think is a load of s**t. Supers and subs have been on organs for hundreds of years, and some of us can't live without them. 99% of the french romantic repertoire (Dupre, Vierne, Widor, Durufle), calls for them!

carlo


Re: [hammond_zone] Looke here,looke here, Have you seen this yet????

Ken & Dianne Godfrey
 

I don't know...I remember hearing some less-than-impressed opinions after
NAMM on the Zone, here.

BCV-KG

-----Original Message-----
From: Ron Bell [mailto:worthogis@...]
Sent: Thursday, February 28, 2002 3:30 PM
To: hammond_zone@...
Subject: Re: [hammond_zone] Looke here,looke here, Have you seen this
yet????


The reports from the Hammond experts who attended the N.A.M.M. are all
good. I have not heard one bad thing about it. Joey DeFrancesco
is playing a
couple of gigs with the prototype, he also did a demo performance at the
N.A.M.M. show( Joe Pesci of all people sang with him). It will
probably cost
about $30,000 U.S., the real deal looks like a bargain compared to that
figure.
----- Original Message -----
From: "Lyle C Felix" <felix-at-home@...>
To: <hammond_zone@...>
Sent: Thursday, February 28, 2002 11:55 AM
Subject: Re: [hammond_zone] Looke here,looke here, Have you seen this
yet????


Now, why didn't I think of that. This new B3 could be really something.
But, as I think about the generator being a digital production of the
original B3 sound, I can only imagine that they are using a sampling
process. This method would mean that they are just cloning one of the
original tonewheel generators (all 96 pitches as they state).

Cloning the B3 sound digitally was done in the Super B prior to
Hammond/Suzuki and after the original Hammond organ Company was closed.
I had heard that the original Hammond company had done most of the
development but it was not completed until after the company was sold to
the gentleman in Australia. The Super B did not sell for very long. It
only sampled a very small portion of the full generator and we all know
that each and every tonewheel has it's own personality which creates the
unique unduplicatable sound of all tonewheel Hammonds. This fact left
the sound close in the center of the freq range but rather thin in the
bass and bright and somewhat sterile in the high end.

A very close friend of mine purchased a Super B right after it was
introduced. Because of the shortcomings and to reproduce the Lenny Dee
sound, we have done much modification to it. The modifications we have
done include; echo, key click (we could not find any key click in the
sampling), additional channels of amplification for backgrounds and
personal taste (it has it's own Leslie which matches the styling of the
console) and much tailoring of the voicing to develop the original B3
with a 122 Leslie tube warmth. We were able to get the sound
so close to
the B3/122 that only the most critical ear might know that it was not a
B3/122.

If I can ever get approved to sign onto the Hammond_Zone site, I could
upload some pictures. We also have produced about 360 minutes of
recordings and I might get authorization to upload some samples onto the
site.

I am really looking forward to seeing and hearing this new B3.

Lyle,
Hammond Master Tech


On Thu, 28 Feb 2002 16:19:52 -0000 "kcbass1" <kcbass1@...>
writes:
________________________________________________________________
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Join Juno today! For your FREE software, visit:
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Re: [hammond_zone] Organ Elitists

Ken & Dianne Godfrey
 

carlo,

Thanks for the info. I was aware of the differences, but I'm sure many of us
weren't.

The point I was trying to make was that it seems a pretty safe guess that
back in '34 Hammond was trying to sell his new invention to organists,
though it's arguable whether it was truly an organ by the definition in
place at that time. Even with 20/20 hindsight, it was more of an additive
synthesizer than an organ.

I think he wanted to give organists controls that were at least visually
familiar, even though the function was somewhat different. The drawbar
frequencies do correspond to pipe footages in use on pipe organs of the
time, even though they're not labeled as such. But, being created by sine
wave generators, they all sounded the same. It was like a single rank organ.
In order to duplicate different ranks of pipes, like Tibias, or Diapasons,
he would have needed separate Tone Generators, with different filters, and
more sets of Drawbars. Pipe organ builders made mechanical changes, such as
wood vs. brass pipes, and using different reeds to achieve this.

But, the Hammond organ wasn't an attempt to perfectly duplicate a pipe
organ, with electrical sound generation. It was a completely new instrument.
I'm sure that Laurens felt he was able to create a more logical layout, by
starting with a clean sheet of paper. He used the possibilities that
electrical control gave him to "improve" on an existing idea by making the
volume of each stop variable. Pipe organ designs are based on centuries of
trial-and-error. That's not necessarily a bad thing, but that wasn't Laurens
Hammond. He was an innovator who always believed in thinking "outside the
box".

Now, where he ever got the idea to have an octave of reverse-color keys at
the lower end of the manuals, and use them as "presets" (in synthesizer
lingo), or "rank couplers" (these originally had labels with names that at
least sounded familiar to organists), is anybody's guess. (Of course, pipe
organs don't have true vibrato, or percussive sounds, either.)

If you look at the Model E, released just a couple of years after the A, its
presets are typewriter keys, and are labeled with names. I think this was in
response to organists who didn't like the unorthodox preset keys. This was
also the first Hammond with the AGO 32-note pedal. It also had foot pistons,
and two expression pedals, one for Swell, and one for Great & Pedal. It had
more traditional organ-like features than the A, B, C and D models.

In truth, Hammond had developed something new, and unique, and wonderful,
but the only hope he had of selling them, was to swing musicians his way by
marketing it as an improved version of an existing instrument. Note the
failure of his amazing Novachord, which was SO different, that it couldn't
be wedged into an existing niche, and musicians of the time had no idea how
to play it.

In the end, Hammond must have been right on target with his combination of
cutting-edge technology and traditional organ trappings in a parlor
piano-looking package. He sold untold thousands of them over a 40-year
period. They are so highly-regarded today, that many people are still trying
to copy the sound, controls design, and appearance. In fact, I think it's
safe to say that Hammond permanently changed the definition of "organ".

BCV-KG

-----Original Message-----
From: Carlo Pietroniro [mailto:organist@...]
Sent: Saturday, March 02, 2002 12:34 AM
To: hammond_zone@...
Subject: Re: [hammond_zone] new member


the only way Hammond drawbars are similar to organ "pullstops"
(they're actually called drawknobs), is that they're both
horizontal, and they go in and out. Drawknobs have the name of
the stop and pitch written, drawbars don't. Drawbars have 8
levels of volume, drawknobs don't. On a pipe organ, pulling out a
stop opens a rank of pipes (or more).

The G-100 used real stop tabs because they wanted to offer a
classical-type organ, that operated in the more traditional
manner, and let's face it.....most concert organists don't know
how to work drawbars. I can remember the first time I sat at a
Hammond. Up to that time, the only organs I've ever played were
pipe organs. BIG DIFFERENCE. I had no idea what to do with these things!

carlo






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Re: [hammond_zone] Organ Elitists

Carlo Pietroniro
 

how true..............Hammond organs have their own distinct sound....their own repertoire....their own set of rules.......and their own set of fans!!!

carlo


'none' harmonic

Carlo Pietroniro
 

which model featured the 'none' harmonic? I believe the pitch for that would be 8/9'

carlo