开云体育

Here is a picture:


Darren


--- In hammond_zone@y..., "Lars Karstensen - Infinity Trading ApS"
<Hammond@h...> wrote:

The XTP is basically a T-500 in "portable" design with detachable

speakers.

Has absolutely nothing to do with the B-3 generation


-----Oprindelig meddelelse-----
Fra: giguerejr@c... <giguerejr@c...>
Til: hammond_zone@y... <hammond_zone@y...>
Dato: 18. september 2001 09:38
Emne: Re: [hammond_zone] Re: Spinet

There is an XTP for sale on Ebay now. Does the XTP have the same

harmonic

persussion setup as the B3, second, fifth..?






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On Sep 18, 2001, "Lars Karstensen - Infinity Trading ApS" said:

What Organ do you work on?

Err. What do you mean?

The notes on

were written with an M3 in mind. However, with the exception of
details like wire colors, the notes should apply equally well to
most spinets (or any organs with built-in amplification.)

Jeff

What Organ do you work on?



-----Oprindelig meddelelse-----
Fra: Jeff Dairiki <dairiki@...>
Til: hammond_zone@... <hammond_zone@...>
Dato: 18. september 2001 17:24
Emne: Re: [hammond_zone] some technical questions

On Sep 18, 2001, bmarek@... said:

I have a couple of technical questions, as well:

1. What is the best way to get a line out? I currently have a
y-splitter coming off one of the lines leading to the swell pedal, but
I'm not sure if this is the best solution as (a) it doesn't seem to be a
terribly "hot" signal, and (b) it apparently bypasses the reverb.

The direct-box is a good suggestion. Also see:

Hello Brian,

First of all: "A warm welcome to the group!!!" You could have joined the list earlier, because this group counts everybody IN, who loves the Hammond in all his variations...
Congratulations on your L-100 purchase! You didn't tell us, if there's a Leslie involved?

And now to your tech.-questions. I'am not familiar with a line-out on a L-100, but there will be someone to react (sooner or later). Surge the Net for schematics...I know there are a few good solutions, not always for the non-electronics-wierdo BTW.

The second question is hard to diagnose, there are many things that can go wrong:

1. Dust, humid and other particles on all possible circuits. You have to check that first. There could be bad connections or loose wiring.
The sockets of the tubes should be cleaned.
2. Is it a 110V or real (220/240V) Export L-100 or is there a frequency-convertor build-in? Maybe that's bringing you some undesired sound.
3. Bad tubes. Look inside, find the ones which are interchangeable and swop them (shut down the organ beforehand!!!!).


Well, this is what I can bring up now....
Let us know of any progress,
Good Luck!
Dirk

From: bmarek@...
Reply-To: hammond_zone@...
To: hammond_zone@...
Subject: [hammond_zone] some technical questions
Date: Tue, 18 Sep 2001 13:38:45 -0000

I am reposting this because nobody replied, and I find it hard to
believe that nobody on this list has any insight into these matters -
maybe everybody just missed it?

--- In hammond_zone@y..., Brian Andrew Marek <bmarek@b...> wrote:

Hello, everybody! After several years of "making do" with the
(old-school) Korg CX-3, I am finally the proud owner of a Hammond L-

100,

and am celebrating this purchase by joining this list...

I have a couple of technical questions, as well:

1. What is the best way to get a line out? I currently have a
y-splitter coming off one of the lines leading to the swell pedal,

but

I'm not sure if this is the best solution as (a) it doesn't seem to

be a

terribly "hot" signal, and (b) it apparently bypasses the reverb.

2. My organ is producing some kind of cyclic, scratchy sound. The
volume of this noise is affected by the setting of the swell pedal,

but

the sound is produced whether or not a note is being played. I say
"cyclic" because it's almost reminiscent of playing a scratchy old
record, in that it seems to be a specific pattern of noise that

repeats

at specific intervals. It's not all THAT noticeable while actually
playing, but when not hitting any notes, it's pretty obvious. Is

this

something strange, or is just a quirk one has to learn to live with?

Thanks in advance for your assistance...

BaM

--
Find out more about Rocket Park at the (subliminal banana) home

page!

_________________________________________________________________
Download MSN Explorer gratis van

The XTP is basically a T-500 in "portable" design with detachable speakers.
Has absolutely nothing to do with the B-3 generation


-----Oprindelig meddelelse-----
Fra: giguerejr@... <giguerejr@...>
Til: hammond_zone@... <hammond_zone@...>
Dato: 18. september 2001 09:38
Emne: Re: [hammond_zone] Re: Spinet

-----Urspr???ngliche Nachricht-----
Von: bluesb3 player [mailto:bluesb3@...]
Gesendet am: Montag, 17. September 2001 20:31
An: hammond_zone@...
Betreff: [hammond_zone] "Georgia"

Last night setting down at my b3---a song came to mind
"Georgia"--

Hi bluesb3,

here are lyrics and accords from "GEORGIA ON MY MIND". Words by Stuart
Gorrel- Music by Hoagy Carmichael. I try to play it in the sound of Jimmy
Smith version on my XB1. Drawbars: 888 000 001
VC3/ 3thPercussion-soft ( from the CD Jimmy Smith "Any number can win" -
Verve 557-447-2)

Try also this: Strophe with 888 000 001 + C2 + 3 Perc-slow +Leslie slow.
Refrain with high sound like the Mc Griff demo of MX1: 800 000 800 V3 Leslie
fast

Much fun to yout and good luck - from Vienna


Intro:

F A7 D7 D7+ D7
- C7
Melodies bring memories that linger in my heart
F A+ A7 Dm G7 Dbdim C13 F -
C7+
Make me think of Georgia, Why did we ev - er part ?
F A7 D7 D7+ D7
G9 - C7
Some sweet day when blossoms fall and all the world???s a song
F A+ A7 Dm G7 Dbdim C13 F
I???ll go back to Georgia ???cause that???s where I belong.

Strophe:

F A7 Dm Gm
Georgia, Georgia, the whole day through,
Bbm F E7 Gm G9 C7 F Gm7
C7+
Just an old sweet song keeps Georia on my mind - (Georgia on my mind)
F A7 Dm Gm
Georgia, Georgia, a song of you
Bbm F E7 Gm G9 C13 F
( - Eb9 F A7 )
Comes as sweet and clear as moonlight through the pines.

Refrain:

Dm Gm6 Dm Bb7 Dm Gm6 Dm7 G7
Other arms reach out to me, other eyes smile tenderly,
Dm Gm6 Dm7 E7 Am F#dim Fm6 Am - C7
Still in peaceful dreams I see, the road leads back to you

F A7 Dm Gm
Georgia, Georgia, no peace I find,
Bbm F E7 Gm G9 C13 F
Just an old sweet song keeps Georgia on my mind.



_________________________________________________________________

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Your use of Yahoo! Groups is subject to

Hi. Peavey makes a box called "EDI direct box" This item goes in line
with your speaker output. There is a balanced output suitable for a
board or amp. We have used this before with good results

Steve Hayes

I am reposting this because nobody replied, and I find it hard to
believe that nobody on this list has any insight into these matters -
maybe everybody just missed it?

--- In hammond_zone@y..., Brian Andrew Marek <bmarek@b...> wrote:

Hello, everybody! After several years of "making do" with the
(old-school) Korg CX-3, I am finally the proud owner of a Hammond L-

100,

and am celebrating this purchase by joining this list...

I have a couple of technical questions, as well:

1. What is the best way to get a line out? I currently have a
y-splitter coming off one of the lines leading to the swell pedal,

but

I'm not sure if this is the best solution as (a) it doesn't seem to

be a

terribly "hot" signal, and (b) it apparently bypasses the reverb.

2. My organ is producing some kind of cyclic, scratchy sound. The
volume of this noise is affected by the setting of the swell pedal,

but

the sound is produced whether or not a note is being played. I say
"cyclic" because it's almost reminiscent of playing a scratchy old
record, in that it seems to be a specific pattern of noise that

repeats

at specific intervals. It's not all THAT noticeable while actually
playing, but when not hitting any notes, it's pretty obvious. Is

this

something strange, or is just a quirk one has to learn to live with?

Thanks in advance for your assistance...

BaM

--
Find out more about Rocket Park at the (subliminal banana) home

page!

--- Dave Cohen <skorpion9@...> wrote:

so they sound the same. does an L100 have
drawbars?

Yes, says the proud new owner of an L100. :)

But it would be stretching reality a wee bit to say it
"sounds the same" as, say, a B-3. The L-100 has
electronic vibrato instead of scanner vibrato and no
foldback.

Hell of a lot better than the CX-3 I was playing, tho!

BaM

__________________________________________________
Terrorist Attacks on U.S. - How can you help?
Donate cash, emergency relief information

Well in my opinion.....

The term "Spinet" is probably introduced to put the smaller cabinets aside from the bigger consoles. The word Spinet was used by builders of harpsichords where the strings were in alignment with the keys, situated as in a grand-piano, contrary the strings in a spinet (or virginal) which run along the keys, making it possible to put the whole mechanisme into a smaller casing... Many spinets, especially the virginals, had less keys!! The sound of the smaller "harpsichords" were a bit less pronounced then there bigger counter-brothers and sisters, due to shorter, less strings and the accoustically smaller housing. So, Hammond DID know the History of Keyboards and named the "Spinets" in analogy of that!!....Uuuhmmm, I think...generally...
Have a look at a nice picture of a well-build spinet at

So much for history, just a side-step to for joy!
CU All,
Dirk

From: "Richard B. Ahlvin" <rahlvin@...>
Reply-To: hammond_zone@...
To: <hammond_zone@...>
Subject: Re: [hammond_zone] Spinet
Date: Mon, 17 Sep 2001 07:28:26 -0500

What are the differences between spinet and tonewheel organs... Sound..
functions etc...

Dave

I don't know exactly what you are asking.
Spinet is a furniture/cabinet style, tonewheels are a sound generating
scheme.
The spinet is a cabinet configuration that was invented (or engineered) by
Hammond and subsequently used by many other companies usually consisting of
2 44-note offset keyboards and a octave pedals. Any configuration
containing less than the 'standard' minimum of 2 61-note manuals and 32
pedals may be considered a spinet. The Hammonds with 25 pedals were usually
called console organs. Few of their console models contained the 'full' 32
pedal board so they were not 'full sized' organs either. The reduced-sized
upright pianos with drop action are called spinets. I presume the term was
borrowed from piano terminology and applied to the organ.
Tonewheels are a mechanical means of creating the audio sound used in
electronic organs. Primarily used by Hammond, a few other manufacturers
used mechanical systems of some sort, mostly unsuccessfully. Amplified
reeds were successfully used by some companies.
Hammond used tonewheels in both its console and spinet organs. As stated
above, the primary difference was the number of playing keys, pedals and
ancillary controls.
R.Ahlvin

_________________________________________________________________
Download MSN Explorer gratis van

Hi Dave,
if I'm not mistaken, spinets and consoles does not sound the same for several reason : spinets I've heard about lack the foldback, and some of them are not tube amplified. Eventhough you're talking about a tonewheel generated sound, those 2 differences are very significant in terms of sound.
Cheers,

Marc.

Thanks for sending the chord progression-- this group is priceless!!bluesb3

_________________________________________________________________
Get your FREE download of MSN Explorer at

Hi Wim,

I believe that the use of the word console might come from the general classical organ, where the organ could
be devided into to general parts: The pipes and the playing board...the console.

As the first Hammonds liked to be substitutes to the church organs they adapted the word console, as this was
the word for the playing board. And in that respect the word console on the nameplate nearly is another name for
"organ playing cabinet".

It is a bit tricky, but then again Hammond had to come up with a description for the M-serie in shape that would
differ from the traditional full manual and pedal console.

Best regards
Lars


-----Oprindelig meddelelse-----
Fra: Wim Hadermann <wimhadermann@...>
Til: hammond_zone@... <hammond_zone@...>
Dato: 18. september 2001 05:58
Emne: Re: [hammond_zone] Re: Spinet

Dear Dave,

Hammond made several tonegenerators and basically therefore you have many different sounds
in the various tonewheel organs. Also the matter of amp and other electronics did play a part in the
sound moulding. And the funny part is that you even find different tonewheel generations in the same
models B's and M's.

Yes the L-100 is a tonewheel organ - with its own generator - and it has drawbars. The Big brother
to the L-100 would be the M-100 but from a technical point of view they have only the look in common.
The M-100 is a fare superior sounding organ and the electronics do tend more to bee in the "B-version"
Again M-100 has its own tonewheel generator, and additional mechanical vib-scanner, unlike the L-100
where the vib. is made electronical.

Best regards
Lars


-----Oprindelig meddelelse-----
Fra: Dave Cohen <skorpion9@...>
Til: hammond_zone@... <hammond_zone@...>
Dato: 18. september 2001 05:27
Emne: Re: Sv: [hammond_zone] Spinet

hmm, just listened to that mp3...its got some noise in it...sorry
about that. I'm sure it never used to. I wonder if MP3's can degrade
(a bit like JPEGS do sometimes)?

I'll upload a new one as soon as possible

BTW, the MIDI file will sound very weird unless you have a midi
Hammond, but its interesting for the note data and to see how the
drawbar control works..

Darren


--- In hammond_zone@y..., "bluesb3 player" <bluesb3@h...> wrote:

Last night setting down at my b3---a song came to mind "Georgia"---

i used to

play the song several years ago--- but in the middle--- couldn't

remember

the chord progression---can anyone help---you don't have to list

the words

(though helpfull)- just the chords--guess i could track it down

over the net

-- just thought some-one here might know---- if you don't want to

contact me

through the group please use--
bluesb3@h... thanks- bluesb3

_________________________________________________________________
Get your FREE download of MSN Explorer at

I have the buskers sheet music with the chords on.

or you can find the mp3 and the midi file here:





Darren



--- In hammond_zone@y..., "bluesb3 player" <bluesb3@h...> wrote:

Last night setting down at my b3---a song came to mind "Georgia"---

i used to

play the song several years ago--- but in the middle--- couldn't

remember

the chord progression---can anyone help---you don't have to list

the words

(though helpfull)- just the chords--guess i could track it down

over the net

-- just thought some-one here might know---- if you don't want to

contact me

through the group please use--
bluesb3@h... thanks- bluesb3

_________________________________________________________________
Get your FREE download of MSN Explorer at

GEORGIA

1st VERSE: F ,Em A7, Dm F, Bb Bdim, F Eb D9, Gm C7, Am D9aug, Gm7 C7aug,

2nd VERSE: F, Em A7, Dm F, Bb Bdim, F Eb7 D9, Gm C7, F Eb9, F A7,

Bridge: Dm Gm6, Dm Bb7, Dm Gm6, Dm7 G7, Dm Gm6, F Bdim E7, Am F#dim, Gm C7
Caug,

(*2nd x To Coda)
3rd VERSE: F, Em A, Dm F, Bb Bdim, F Eb D9, Gm C7,[ F Eb, F Caug (repeat from
top)].

(*Coda) Am, D(b9), Gm Am Bb Bdim, C (break), F F7/Eb, Bb/D Bdim/Db,
C (ritard) F#, F.

Regards,
The Hittman

Georgia middle 8
In key of C

Here is one of the many middle 8 progressions. Hope it makes sense. Each
block of 1234
is a bar. By using a simplified first 4 bars, the cromatic bass line in the
second 4 bars has more effect. IMO.
Mal

Am / / / F / / / Am / / / D / / /
1 2 34 1234 1 234 1234

Am / G# dim / C with G bass / B withF# bass /
1 2 3 4 1 2 3 4

Em / A7 / Dm7 / G7 /
1 2 3 4 1 2 3 4
From: "bluesb3 player" <bluesb3@...>
To: <hammond_zone@...>
Sent: Monday, September 17, 2001 7:30 PM
Subject: [hammond_zone] "Georgia"

Last night setting down at my b3---a song came to mind "Georgia"---i used

to

play the song several years ago--- but in the middle--- couldn't remember
the chord progression---can anyone help---you don't have to list the words
(though helpfull)- just the chords--guess i could track it down over the

net

-- just thought some-one here might know---- if you don't want to contact

me

through the group please use--
bluesb3@... thanks- bluesb3

_________________________________________________________________
Get your FREE download of MSN Explorer at



Visit The Hammond Zone


To unsubscribe from this group, send an email to:
hammond_zone-unsubscribe@...



Your use of Yahoo! Groups is subject to

There is an XTP for sale on Ebay now. Does the XTP have the same harmonic
persussion setup as the B3, second, fifth..?