the G-100 was Hammond's attempt to get the business of the people seeking the more traditional type of church organ, where at that time, those people were going to Allen and Rodgers, as well as other companies such as Baldwin. The G-100 is housed in a HUGE console, with traditional stop tabs, and the usual compliment of inter and intra-manual couplers. It also featured an antiphonal division, and a 32-note AGO pedalboard, which at the time, was only featured on one other Hammond, although that particular model escapes me right now. Another unique feature about the G-100, was the fact that it didn't have the usual power switches. It had a regular switch (on/off).
carlo
