开云体育

ctrl + shift + ? for shortcuts
© 2025 开云体育

The 4OP to DX7 Conversion Project


 

Hi,

Many of you may be familiar with one or more of my projects like DXconvert, The Reface DX Legacy Project (RDLP), or - from the early Atari ST days - YSEDITOR. These projects are still going. For example: Recently I released an update of DXconvert with greatly improved Korg DS8/707 data import.

In all these years one of the frequently asked questions was: Can I load patches from 4-operator FM synths like DX100, TX81Z, FB01, or V50 in my DX7 (or compatible) synthesizer? The short answer has been "No you can't". The longer answer "Yes you can, but the data need to be converted first using DXconvert".

Today I am proud to present my latest project, powered by DXconvert: "The 4OP to DX7 Conversion Project". It is the easiest answer to the above question. I have converted a huge number of SysEx patches and banks from numerous 4-operator (and some 2-operator) FM synths and they are now available and ready to use on my new website in the form of DX7 and DX7II compatible SysEx files. These SysEx data are accepted not only by DX7 and DX7II but by many other compatible FM synths, modules, and VST plugins.

Using additional software these files could even be converted to SY/TG77, SY99, and even Montage file format.

You can find the project here:



(Manually enter the address in your browser if redirection fails.)

Feedback, comments, bugreports, and donations are welcome :-)
Enjoy!

Martin Tarenskeen


 

Hi, Martin,

this is a great news. Congratulations!

Daniel

On Jun 15, 2021, at 17:36, Martin Tarenskeen <m.tarenskeen@...> wrote:

Hi,

Many of you may be familiar with one or more of my projects like DXconvert, The Reface DX Legacy Project (RDLP), or - from the early Atari ST days - YSEDITOR. These projects are still going. For example: Recently I released an update of DXconvert with greatly improved Korg DS8/707 data import.

In all these years one of the frequently asked questions was: Can I load patches from 4-operator FM synths like DX100, TX81Z, FB01, or V50 in my DX7 (or compatible) synthesizer? The short answer has been "No you can't". The longer answer "Yes you can, but the data need to be converted first using DXconvert".

Today I am proud to present my latest project, powered by DXconvert: "The 4OP to DX7 Conversion Project". It is the easiest answer to the above question. I have converted a huge number of SysEx patches and banks from numerous 4-operator (and some 2-operator) FM synths and they are now available and ready to use on my new website in the form of DX7 and DX7II compatible SysEx files. These SysEx data are accepted not only by DX7 and DX7II but by many other compatible FM synths, modules, and VST plugins.

Using additional software these files could even be converted to SY/TG77, SY99, and even Montage file format.

You can find the project here:



(Manually enter the address in your browser if redirection fails.)

Feedback, comments, bugreports, and donations are welcome :-)
Enjoy!

Martin Tarenskeen



 

... just followed all the links ...

great project !

I can imagine this is usable for softsynths like "DEXED" and others as well.

thx a lot for all your input and sharing !

?

PeWe

Am 15.06.2021 um 10:36 schrieb Martin Tarenskeen:
Hi,

Many of you may be familiar with one or more of my projects like
DXconvert, The Reface DX Legacy Project (RDLP), or - from the early
Atari ST days - YSEDITOR. These projects are still going. For example:
Recently I released an update of DXconvert with greatly improved Korg
DS8/707 data import.

In all these years one of the frequently asked questions was: Can I
load patches from 4-operator FM synths like DX100, TX81Z, FB01, or V50
in my DX7 (or compatible) synthesizer? The short answer has been "No
you can't". The longer answer "Yes you can, but the data need to be
converted first using DXconvert".

Today I am proud to present my latest project, powered by DXconvert:
"The 4OP to DX7 Conversion Project". It is the easiest answer to the
above question. I have converted a huge number of SysEx patches and
banks from numerous 4-operator (and some 2-operator) FM synths and
they are now available and ready to use on my new website in the form
of DX7 and DX7II compatible SysEx files. These SysEx data are accepted
not only by DX7 and DX7II but by many other compatible FM synths,
modules, and VST plugins.

Using additional software these files could even be converted to
SY/TG77, SY99, and even Montage file format.

You can find the project here:

???

(Manually enter the address in your browser if redirection fails.)

Feedback, comments, bugreports, and donations are welcome :-)
Enjoy!

Martin Tarenskeen

--
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.


 

Thanks so much for your work on this!

A naive question: how, if at all, have you handled the additional waveforms on the TX81Z/DX11?

Thanks,
Jeremy

Am 15.06.2021, 10:36:16 schrieb Martin Tarenskeen <m.tarenskeen@...>:

Hi,

Many of you may be familiar with one or more of my projects like
DXconvert, The Reface DX Legacy Project (RDLP), or - from the early Atari
ST days - YSEDITOR. These projects are still going. For example: Recently
I released an update of DXconvert with greatly improved Korg DS8/707 data
import.

In all these years one of the frequently asked questions was: Can I load
patches from 4-operator FM synths like DX100, TX81Z, FB01, or V50 in my
DX7 (or compatible) synthesizer? The short answer has been "No you can't".
The longer answer "Yes you can, but the data need to be converted first
using DXconvert".

Today I am proud to present my latest project, powered by DXconvert: "The
4OP to DX7 Conversion Project". It is the easiest answer to the above
question. I have converted a huge number of SysEx patches and banks from
numerous 4-operator (and some 2-operator) FM synths and they are now
available and ready to use on my new website in the form of DX7 and DX7II
compatible SysEx files. These SysEx data are accepted not only by DX7 and
DX7II but by many other compatible FM synths, modules, and VST plugins.

Using additional software these files could even be converted to SY/TG77,
SY99, and even Montage file format.

You can find the project here:

????

(Manually enter the address in your browser if redirection fails.)

Feedback, comments, bugreports, and donations are welcome :-)
Enjoy!

Martin Tarenskeen




 

On Tue, 15 Jun 2021, Jeremy Bernstein wrote:

Thanks so much for your work on this!
A naive question: how, if at all, have you handled the additional waveforms on the TX81Z/DX11?
Hi,

The additional waveforms that were introduced with the TX81Z are ignored. In general not everyting could be converted faithfully. There are quite some bigger and smaller differences between the DX7 and the 4-op FM family of synths. But I hereby invite everyone to do something useful and interesting with the 2 unused operators that are left :-)

--

MT


 

On Tue, 15 Jun 2021, PeWe wrote:

?... just followed all the links ...

great project !

I can imagine this is usable for softsynths like "DEXED" and others as well.
Absolutely. I have used Dexed frequently for quick testing.

MT


 

What I've always wondered is if there's a way to create those additional
waveforms using a carrier/modulator pair so straight sine wave instruments
could get in the neighborhood.

Sent from my HAL 9000 in transit to Jupiter

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Martin
Tarenskeen
Sent: Tuesday, June 15, 2021 6:32 AM
To: Jeremy Bernstein <jeremy.d.bernstein@...>
Cc: YamahaDX <[email protected]>
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project



On Tue, 15 Jun 2021, Jeremy Bernstein wrote:

Thanks so much for your work on this!

A naive question: how, if at all, have you handled the additional
waveforms on the TX81Z/DX11?

Hi,

The additional waveforms that were introduced with the TX81Z are ignored.
In general not everyting could be converted faithfully. There are quite some
bigger and smaller differences between the DX7 and the 4-op FM family of
synths. But I hereby invite everyone to do something useful and interesting
with the 2 unused operators that are left :-)

--

MT


 

I think it wouldn’t be easy to get from the pair of operators a timbre missing in the total sound of the patch. But maybe additional tweaking of the other four operators in algorithm structure simulating 4OP patch, in conjunction with those two operators can make it…

I'm now meditating about the other interesting challenge - to imitate 6OP sounds on 4OP synth, at least on those able to layer two patches… :-) It would be difficult if not impossible to approximate non existing algorithms and key scaling, different envelopes…

Daniel Forró

On Jun 15, 2021, at 22:56, Nicole Massey <nyyki@...> wrote:

What I've always wondered is if there's a way to create those additional
waveforms using a carrier/modulator pair so straight sine wave instruments
could get in the neighborhood.

Sent from my HAL 9000 in transit to Jupiter


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Martin
Tarenskeen
Sent: Tuesday, June 15, 2021 6:32 AM
To: Jeremy Bernstein <jeremy.d.bernstein@...>
Cc: YamahaDX <[email protected]>
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project



On Tue, 15 Jun 2021, Jeremy Bernstein wrote:

Thanks so much for your work on this!

A naive question: how, if at all, have you handled the additional
waveforms on the TX81Z/DX11?

Hi,

The additional waveforms that were introduced with the TX81Z are ignored.
In general not everyting could be converted faithfully. There are quite some
bigger and smaller differences between the DX7 and the 4-op FM family of
synths. But I hereby invite everyone to do something useful and interesting
with the 2 unused operators that are left :-)

--

MT




Bruce Wahler
 

开云体育

If we look at the harmonic content of complex waveforms, and compare them to the tricks used to create 'analog synth' waveforms on the DX7, there are some ways to work around the differences.? Disclaimer:? this will NOT perfectly duplicate the results; but it might get close enough on some sounds.

-? A sawtooth wave is the fundamental, plus 1/n * each harmonic (1/2 of the 2nd, harmonic, 1/3 of the 3rd, etc.)

- A square wave is the fundamental plus 1/n * the odd harmonics only.

- A triangle wave is similar to the square, but only 1/n^2 * the odd harmonics.

- A pulse wave is similar to the square, but the magnitude of the harmonics is more complicated; and every so often, a harmonic is missing.? As an example, a 20% pulse is 1/5 of the length of each waveform, so the 5th harmonic is missing.

So, we need to find waves in the complex table whose harmonics match these waveforms; then simulate them with two or more sine operators:


-? A 1x modulator will approximate a sawtooth wave, with care taken to keep the modulation level to a reasonable amount.? This is similar to the effect of W4, or W2+W3.

A 2x modulator will make a reasonable square or triangle wave, similar to W2.

A 3x modulator will simulate a 20-30% pulse, along the lines of W5 or W6.

One can use these relations to substitute two (or three) sines on a 6-op synth for one complex wave on a 4-op 'deluxe' like the DX100 or TX81z.? The results may not be exactly the same, but might be 'good enough.'


Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


PLEASE NOTE: ?The AshbySolutions.com domain will be closed soon. ?Please use the new (wahler.us) email for all future correspondence. ?Thank you for your understanding.
?
?
On 6/15/2021 9:56 AM, Nicole Massey wrote:
What I've always wondered is if there's a way to create those additional
waveforms using a carrier/modulator pair so straight sine wave instruments
could get in the neighborhood.

Sent from my HAL 9000 in transit to Jupiter


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Martin
Tarenskeen
Sent: Tuesday, June 15, 2021 6:32 AM
To: Jeremy Bernstein <jeremy.d.bernstein@...>
Cc: YamahaDX <[email protected]>
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project



On Tue, 15 Jun 2021, Jeremy Bernstein wrote:

Thanks so much for your work on this!

A naive question: how, if at all, have you handled the additional
waveforms on the TX81Z/DX11?

Hi,

The additional waveforms that were introduced with the TX81Z are ignored. 
In general not everyting could be converted faithfully. There are quite some
bigger and smaller differences between the DX7 and the 4-op FM family of
synths. But I hereby invite everyone to do something useful and interesting
with the 2 unused operators that are left :-)






Bruce Wahler
 

开云体育

It's all a matter of try and see.? I started out in the FM world on a DX9, with its four sine operators.? It wasn't a DX7, but it got close, in many cases.? I can tell you that I missed velocity sensitivity far more than I missed the extra two operators.

Regards,


-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


PLEASE NOTE: ?The AshbySolutions.com domain will be closed soon. ?Please use the new (wahler.us) email for all future correspondence. ?Thank you for your understanding.
?
?
On 6/15/2021 10:24 AM, Daniel Forró via groups.io wrote:

I think it wouldn’t be easy to get from the pair of operators a timbre missing in the total sound of the patch. But maybe additional tweaking of the other four operators in algorithm structure simulating 4OP patch, in conjunction with those two operators can make it…

I'm now meditating about the other interesting challenge - to imitate 6OP sounds on 4OP synth, at least on those able to layer two patches… :-) It would be difficult if not impossible to approximate non existing algorithms and key scaling, different envelopes…

Daniel Forró



On Jun 15, 2021, at 22:56, Nicole Massey <nyyki@...> wrote:

What I've always wondered is if there's a way to create those additional
waveforms using a carrier/modulator pair so straight sine wave instruments
could get in the neighborhood.

Sent from my HAL 9000 in transit to Jupiter


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Martin
Tarenskeen
Sent: Tuesday, June 15, 2021 6:32 AM
To: Jeremy Bernstein <jeremy.d.bernstein@...>
Cc: YamahaDX <[email protected]>
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project



On Tue, 15 Jun 2021, Jeremy Bernstein wrote:

Thanks so much for your work on this!

A naive question: how, if at all, have you handled the additional
waveforms on the TX81Z/DX11?

Hi,

The additional waveforms that were introduced with the TX81Z are ignored. 
In general not everyting could be converted faithfully. There are quite some
bigger and smaller differences between the DX7 and the 4-op FM family of
synths. But I hereby invite everyone to do something useful and interesting
with the 2 unused operators that are left :-)

-- 

MT





      




 

Which additional waveforms are we talking about ?
I never owned a TX81Z,- just only DX7 which I sold,- DX7mkIIFD, TX816
and TG77 ...

Do we find the missing waveforms in SY&TG 77 and SY99 ROM ???
Were these single cycle samples or pre-programmed waveform-templates
(like saw, square & trianagle) in ROM ?

I can imagine re-constructing patches in a TG77 when there were some
info about add. waveform levels in given TX81Z patches.
The TG77?s filter and lo-fi FX come in addition ...

Am 15.06.2021 um 16:24 schrieb Daniel Forró via groups.io:
I think it wouldn’t be easy to get from the pair of operators a timbre missing in the total sound of the patch. But maybe additional tweaking of the other four operators in algorithm structure simulating 4OP patch, in conjunction with those two operators can make it…

I'm now meditating about the other interesting challenge - to imitate 6OP sounds on 4OP synth, at least on those able to layer two patches… :-) It would be difficult if not impossible to approximate non existing algorithms and key scaling, different envelopes…

Daniel Forró


--
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.


 

If you can find the ad that ran for the TX81Z on the back of Keyboard magazine it had them pictured. One of them looked like two sine waves in phase with the frequency in one of them doubled, IIRC.

Sent from my HAL 9000 in transit to Jupiter

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of PeWe
Sent: Tuesday, June 15, 2021 9:53 AM
To: [email protected]; danforcz@...
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project

Which additional waveforms are we talking about ?
I never owned a TX81Z,- just only DX7 which I sold,- DX7mkIIFD, TX816 and TG77 ...

Do we find the missing waveforms in SY&TG 77 and SY99 ROM ???
Were these single cycle samples or pre-programmed waveform-templates (like saw, square & trianagle) in ROM ?

I can imagine re-constructing patches in a TG77 when there were some info about add. waveform levels in given TX81Z patches.
The TG77?s filter and lo-fi FX come in addition ...

Am 15.06.2021 um 16:24 schrieb Daniel Forró via groups.io:
I think it wouldn’t be easy to get from the pair of operators a timbre
missing in the total sound of the patch. But maybe additional tweaking
of the other four operators in algorithm structure simulating 4OP
patch, in conjunction with those two operators can make it…

I'm now meditating about the other interesting challenge - to imitate
6OP sounds on 4OP synth, at least on those able to layer two patches…
:-) It would be difficult if not impossible to approximate non
existing algorithms and key scaling, different envelopes…

Daniel Forró


--
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.


Bruce Wahler
 

开云体育

The TX81z Owner's Manual has a section (Waveform Harmonic Content, Pg. 50) that shows the eight waveforms and their harmonics.? Some of them have a high degree of 2nd-5th harmonic energy, and are roughly equivalent to modulating a sine operator with 2-4 others on the DX7.? Some of them also make interesting sounds on their own, with limited or no additional modulation; or combined together with slight detuning, to simulate an analog synth with multiple oscillators.

The end results aren't quite the same, but I could make an argument that if the FM community as a whole had spent as much time programming the TX801z as the DX7, there might have been a lot more surprises to enjoy.? I performed for over three years with *nothing* but four -- yes, four -- TX81z modules in my rack., connected to a Roland MKB-300.? I used them for piano, EP, Clavinet, acoustic guitar, strings, organ, you name it.? In 2021 terms, the end results varied quite a bit -- some were quite realistic; others, less so -- but I could make the same critique of a DX5, DX7II, or TX802 vs. available modern gear.

Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


PLEASE NOTE: ?The AshbySolutions.com domain will be closed soon. ?Please use the new (wahler.us) email for all future correspondence. ?Thank you for your understanding.
?
?
On 6/15/2021 11:50 AM, Nicole Massey wrote:

If you can find the ad that ran for the TX81Z on the back of Keyboard magazine it had them pictured. One of them looked like two sine waves in phase with the frequency in one of them doubled, IIRC.

Sent from my HAL 9000 in transit to Jupiter


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of PeWe
Sent: Tuesday, June 15, 2021 9:53 AM
To: [email protected]; danforcz@...
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project

Which additional waveforms are we talking about ?
I never owned a TX81Z,- just only DX7 which I sold,- DX7mkIIFD, TX816 and TG77 ...

Do we find the missing waveforms in SY&TG 77 and SY99 ROM ???
Were these single cycle samples or pre-programmed waveform-templates (like saw, square & trianagle) in ROM ?

I can imagine re-constructing patches in a TG77 when there were some info about add. waveform levels in given TX81Z patches.
The TG77?s filter and lo-fi FX come in addition ...

Am 15.06.2021 um 16:24 schrieb Daniel Forró via groups.io:
I think it wouldn’t be easy to get from the pair of operators a timbre 
missing in the total sound of the patch. But maybe additional tweaking 
of the other four operators in algorithm structure simulating 4OP 
patch, in conjunction with those two operators can make it…

I'm now meditating about the other interesting challenge - to imitate 
6OP sounds on 4OP synth, at least on those able to layer two patches… 
:-) It would be difficult if not impossible to approximate non 
existing algorithms and key scaling, different envelopes…

Daniel Forró



--
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.








 

开云体育

Certainly true.

I am one of those fair-weather-FM users that had a TX81z and it never went anywhere.? The presets were middling and nowhere could I find super sounds at the time, so I ditched the thing because my exciting life just didn’t have time to stare at a 2 line display.

As I recall, I had gotten it because the TX-7 wasn’t rack mount and the TX816… well, who could afford THAT?? Nothing in between.

While I’m not up on every piece of hardware any longer, I’m still quite the fanboy of FM and would very much love to see someone take it to the next level.? Multi wave forms.? 8 (or more) operators.? Adaptable, even dynamically assignable algorithms. ?Real time parameter changes. ?Not especially tough in software with today’s hardware, but I doubt we’ll ever see a Grand Old Keyboard made from it.

?

L.

?

?

but I could make an argument that if the FM community as a whole had spent as much time programming the TX801z as the DX7, there might have been a lot more surprises to enjoy.? I performed for over three years with *nothing* but four -- yes, four -- TX81z modules in my rack., connected to a Roland MKB-300

?

Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


 

For those who're interested, the V50 is essentially two TX81Zs in a
keyboard, plus a cheap drum machine and some basic effects. They're
still going for fairly bargain prices, too.

And yeah, the TX81Z is underappreciated; not quite as classic as the
DX7, but much more featureful than a lot of the 4-ops, and the
additional waveforms and flexible layering open up a lot of sonic
territory that the big DXen can't easily replicate.

On 6/15/21, LarryS <vision1@...> wrote:
Certainly true.

I am one of those fair-weather-FM users that had a TX81z and it never went
anywhere. The presets were middling and nowhere could I find super sounds
at the time, so I ditched the thing because my exciting life just didn’t
have time to stare at a 2 line display.

As I recall, I had gotten it because the TX-7 wasn’t rack mount and the
TX816… well, who could afford THAT? Nothing in between.

While I’m not up on every piece of hardware any longer, I’m still quite the
fanboy of FM and would very much love to see someone take it to the next
level. Multi wave forms. 8 (or more) operators. Adaptable, even
dynamically assignable algorithms. Real time parameter changes. Not
especially tough in software with today’s hardware, but I doubt we’ll ever
see a Grand Old Keyboard made from it.



L.





but I could make an argument that if the FM community as a whole had spent
as much time programming the TX801z as the DX7, there might have been a lot
more surprises to enjoy. I performed for over three years with *nothing*
but four -- yes, four -- TX81z modules in my rack., connected to a Roland
MKB-300



Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


 

The FS1R was 8 operator, from what I'm told.

Sent from my HAL 9000 in transit to Jupiter

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of LarryS
Sent: Tuesday, June 15, 2021 1:22 PM
To: [email protected]
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project

Certainly true.

I am one of those fair-weather-FM users that had a TX81z and it never went anywhere. The presets were middling and nowhere could I find super sounds at the time, so I ditched the thing because my exciting life just didn’t have time to stare at a 2 line display.

As I recall, I had gotten it because the TX-7 wasn’t rack mount and the TX816… well, who could afford THAT? Nothing in between.

While I’m not up on every piece of hardware any longer, I’m still quite the fanboy of FM and would very much love to see someone take it to the next level. Multi wave forms. 8 (or more) operators. Adaptable, even dynamically assignable algorithms. Real time parameter changes. Not especially tough in software with today’s hardware, but I doubt we’ll ever see a Grand Old Keyboard made from it.



L.





but I could make an argument that if the FM community as a whole had spent as much time programming the TX801z as the DX7, there might have been a lot more surprises to enjoy. I performed for over three years with *nothing* but four -- yes, four -- TX81z modules in my rack., connected to a Roland MKB-300



Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@... <mailto:bw@...>

978.597.7008


 

I wish there was a V50 rack unit, but that was during the Rise of the Workstations, so module versions were less common.

Sent from my HAL 9000 in transit to Jupiter

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of John Ames
Sent: Tuesday, June 15, 2021 1:33 PM
To: [email protected]; vision1@...
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project

For those who're interested, the V50 is essentially two TX81Zs in a keyboard, plus a cheap drum machine and some basic effects. They're still going for fairly bargain prices, too.

And yeah, the TX81Z is underappreciated; not quite as classic as the DX7, but much more featureful than a lot of the 4-ops, and the additional waveforms and flexible layering open up a lot of sonic territory that the big DXen can't easily replicate.

On 6/15/21, LarryS <vision1@...> wrote:
Certainly true.

I am one of those fair-weather-FM users that had a TX81z and it never
went anywhere. The presets were middling and nowhere could I find
super sounds at the time, so I ditched the thing because my exciting
life just didn’t have time to stare at a 2 line display.

As I recall, I had gotten it because the TX-7 wasn’t rack mount and
the TX816… well, who could afford THAT? Nothing in between.

While I’m not up on every piece of hardware any longer, I’m still
quite the fanboy of FM and would very much love to see someone take it
to the next level. Multi wave forms. 8 (or more) operators.
Adaptable, even dynamically assignable algorithms. Real time
parameter changes. Not especially tough in software with today’s
hardware, but I doubt we’ll ever see a Grand Old Keyboard made from it.



L.





but I could make an argument that if the FM community as a whole had
spent as much time programming the TX801z as the DX7, there might have
been a lot more surprises to enjoy. I performed for over three years
with *nothing* but four -- yes, four -- TX81z modules in my rack.,
connected to a Roland
MKB-300



Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


 

Yeah, that would've been killer, especially since the V50 keybed is
nothing to write home about. Ah well...

On 6/15/21, Nicole Massey <nyyki@...> wrote:
I wish there was a V50 rack unit, but that was during the Rise of the
Workstations, so module versions were less common.

Sent from my HAL 9000 in transit to Jupiter


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of John Ames
Sent: Tuesday, June 15, 2021 1:33 PM
To: [email protected]; vision1@...
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project

For those who're interested, the V50 is essentially two TX81Zs in a
keyboard, plus a cheap drum machine and some basic effects. They're still
going for fairly bargain prices, too.

And yeah, the TX81Z is underappreciated; not quite as classic as the DX7,
but much more featureful than a lot of the 4-ops, and the additional
waveforms and flexible layering open up a lot of sonic territory that the
big DXen can't easily replicate.

On 6/15/21, LarryS <vision1@...> wrote:
Certainly true.

I am one of those fair-weather-FM users that had a TX81z and it never
went anywhere. The presets were middling and nowhere could I find
super sounds at the time, so I ditched the thing because my exciting
life just didn’t have time to stare at a 2 line display.

As I recall, I had gotten it because the TX-7 wasn’t rack mount and
the TX816… well, who could afford THAT? Nothing in between.

While I’m not up on every piece of hardware any longer, I’m still
quite the fanboy of FM and would very much love to see someone take it
to the next level. Multi wave forms. 8 (or more) operators.
Adaptable, even dynamically assignable algorithms. Real time
parameter changes. Not especially tough in software with today’s
hardware, but I doubt we’ll ever see a Grand Old Keyboard made from it.



L.





but I could make an argument that if the FM community as a whole had
spent as much time programming the TX801z as the DX7, there might have
been a lot more surprises to enjoy. I performed for over three years
with *nothing* but four -- yes, four -- TX81z modules in my rack.,
connected to a Roland
MKB-300



Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


Bruce Wahler
 

开云体育

Agreed.? If there was an "V50R," I'd be on eBay right now!? :)

Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008


PLEASE NOTE: ?The AshbySolutions.com domain will be closed soon. ?Please use the new (wahler.us) email for all future correspondence. ?Thank you for your understanding.
?
?
On 6/15/2021 2:55 PM, Nicole Massey wrote:

I wish there was a V50 rack unit, but that was during the Rise of the Workstations, so module versions were less common.

Sent from my HAL 9000 in transit to Jupiter


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of John Ames
Sent: Tuesday, June 15, 2021 1:33 PM
To: [email protected]; vision1@...
Subject: Re: [YamahaDX] The 4OP to DX7 Conversion Project

For those who're interested, the V50 is essentially two TX81Zs in a keyboard, plus a cheap drum machine and some basic effects. They're still going for fairly bargain prices, too.

And yeah, the TX81Z is underappreciated; not quite as classic as the DX7, but much more featureful than a lot of the 4-ops, and the additional waveforms and flexible layering open up a lot of sonic territory that the big DXen can't easily replicate.

On 6/15/21, LarryS <vision1@...> wrote:
Certainly true.

I am one of those fair-weather-FM users that had a TX81z and it never 
went anywhere.  The presets were middling and nowhere could I find 
super sounds at the time, so I ditched the thing because my exciting 
life just didn’t have time to stare at a 2 line display.

As I recall, I had gotten it because the TX-7 wasn’t rack mount and 
the TX816… well, who could afford THAT?  Nothing in between.

While I’m not up on every piece of hardware any longer, I’m still 
quite the fanboy of FM and would very much love to see someone take it 
to the next level.  Multi wave forms.  8 (or more) operators.  
Adaptable, even dynamically assignable algorithms.  Real time 
parameter changes.  Not especially tough in software with today’s 
hardware, but I doubt we’ll ever see a Grand Old Keyboard made from it.



L.





but I could make an argument that if the FM community as a whole had 
spent as much time programming the TX801z as the DX7, there might have 
been a lot more surprises to enjoy.  I performed for over three years 
with *nothing* but four -- yes, four -- TX81z modules in my rack., 
connected to a Roland
MKB-300



Regards,

-BW

Bruce Wahler
Halfmoon-Switch.com?
bw@...

978.597.7008



      




 

On Tue, 15 Jun 2021, LarryS wrote:

I’m still quite the fanboy of FM and would very much love to see someone take it to the next level.? Multi
wave forms.? 8 (or more) operators.? Adaptable, even dynamically assignable algorithms. ?Real time parameter changes.
Sounds like a Yamaha Montage or MODX to me.

MT