Keyboard Shortcuts
Likes
- QuadToneRIP
- Messages
Search
Re: Revisiting Carbon 6/7/8 in 2024
update. I have ink flowing through the magenta line that was giving me problems, but I'm not able to get a proper nozzle check. I also ran a Magenta Flush image file and it was successfully printing but only printed the first half. See attached images.? Any suggestions? The nozzle check comes and goes and prints in different spots. Also the flush image file printing then no ink coming out... anyone have any ideas for what could ?cause that? Air in the line or maybe the damper is failing? |
||||||||||
Re: Revisiting Carbon 6/7/8 in 2024
... working through getting that line to clear on the print head now. Slow going, but getting there.
However, I have all the carts filled as per @Paul Roark's glossy variable setting. Will start printing test patterns on selected papers shortly. Using Richard Boutwell's QTP Pro. ?
*I actually modified a bit. I went with Lc and Lm as separate toners, since I only needed one PK and one MK.
?
?
|
||||||||||
Re: Offtopic: Question on QuadToneProfiler_QuickCurve-DN ver 3+ by Richard Boutwell
Here is a copy and paste from the v3 instructions from my support site:
?
?
?
? The total ink load scales all the inks up and down by the percentage in the slider, and is what is used for using the open bite test utility for direct to plate photogravure. I generally recommend not adjusting this slider for the blocking density when using digital negatives, and only increase it it if the print from first linearization test is much too dark. ? The Black Ink Boost is what you will use to increase the blocking density for the Black and Yellow channels (which are now combined into a single control and not two separate controls like they were in the v1 and v2 of the QCDN apps) ? ? ? |
||||||||||
Re: UltraChrome ink and printers
Dear Kim:
Yes, I bought cartridges with autoreset chips and the necessary inks. Carefully prepared the mixtures, filled the cartridges, primed them and use them in the R2880. So far it seems to work. I had 2 spontaneous partial cloggs of the magenta channel. But these could be resolved by head cleanings. I have also refilled the first cartridge. It works. My most activity so far was printing step wedges to learn how to create the quad files. I am based in Austria and ordered the materials from Octoinkjet in the UK. Their Squeezy system for refilling works fine for me.?
?
Best
hk |
||||||||||
Re: Offtopic: Question on QuadToneProfiler_QuickCurve-DN ver 3+ by Richard Boutwell
Hi !
?
Please find attached an email conversation (as a PDF file) I recently had with Richard Boutwell about the latest version of his software. I think you'll find answers to your questions in this email thread.
?
Overall, I have to say I am disappointed by this software.
?
I paid €100 for this (more expensive for instance than Affinity Photo for instance, but I agree the volumes of sales are not the same...) and :
I feel like I am supposed to take a workshop to understand how to properly use this software and work around the bugs... No matter what the price of the software is, you do not release a fee-based software it if the documentation is incomplete... This is the basic rule #1 of software. Documentation IS part of the software. If you don't have time to document the software, then do not release it. Or hire someone to write the documentation. Or release it, but free & open sourced, with a disclaimer "Sorry I don't have time to maintain or document this software, but feel free to fork it". Of course bugs happen, and are acceptable if fixed someday.
?
I'm really not in the habit of complaining about software, but I must admit I feel a bit obliged to do so.
?
Meanwhile, I've switched back to Peter Mrhar's EDN for gold-toned VDB, which gives me satisfactory results. As a reminder, EDN is free, does not lock you with a specific operating system nor raster graphics editor? and is fully documented in a dedicated book (for sale) or in free videos on YouTube. (By the way, I just found a bad bug in EDN also (about the merge of two corrections), I just emailed Peter Mrhar about it.... :))
?
Your feedbacks are welcome ! |
||||||||||
Re: Offtopic: Question on QuadToneProfiler_QuickCurve-DN ver 3+ by Richard Boutwell
¿ªÔÆÌåÓýCriss Hartzell,When I switched to this method my linearization was very quick and when scanning the 51 step step-wedge with my i1 Pro I ended up exactly following the green line in the linearization. I have emailed Richard twice about this, but so far no reply.? Perhaps he will answer here. Bob Robert Hartung
Bettendorf, IA USA RobertHartungPhoto.com On 2/17/25 13:00, Criss Hartzell via
groups.io wrote:
|
||||||||||
Re: Offtopic: Question on QuadToneProfiler_QuickCurve-DN ver 3+ by Richard Boutwell
Yes, this confused me too. I made several curves for Pd/Pt and carbon by changing the total ink load to correspond to my blocking density. They worked ok, but, I noticed I was getting star wheel?marks (P900) especially in my negatives for carbon (K45). I decided this was because the ink load was too heavy. When I re-did the curves by making black boost equal the blocking?density, the overall ink on the paper seemed to be considerably less and the star wheel marks disappeared. Also, the linearization was much better. Also, changing the black boost appears to replicate more closely the workflow?in QCDN version 2. I do not have extensive experience with linearization, but that is my recent observation.? On Mon, Feb 17, 2025 at 10:47?AM Bob Hartung via <rwhart3675=[email protected]> wrote:
|
||||||||||
Offtopic: Question on QuadToneProfiler_QuickCurve-DN ver 3+ by Richard Boutwell
¿ªÔÆÌåÓýIf anyone out there is using the newest version of QuadToneProfiler-QuickCurve DN (version 3.1.3) by Richard Boutwell? ? I am wondering exactly where you are supposed to enter the Blocking Density from the blocking density test.? His instructions gloss over specifics.?In my case I can up with a blocking density of 35 (see attached screen capture). I am applying the Blocking Density number by manipulating the "Total Ink Load" slider on the Starter Curve Setup page as on the attached screenshot.? This worked for me, but I am not precisely sure if this was the planned use.? Another individual told me to use 100-(Blocking Density) as goal for the "Maximum Black Percentage"? which threw me way off course. Robert Hartung
Bettendorf, IA USA RobertHartungPhoto.com |
||||||||||
Re: QTR, calibration
The important thing first: Please don't get me wrong. I appreciate and admire the work of Roy. I think his work has been groundbreaking making RIP accessible to people like me and others. I am thankful to Roy for QTR. It has given me a lots of pleasure since diving into it. I am also very grateful to him for being available to all users to help and answer their questions, no matter how stupid/uninformed they may be.
I agree that pictures created by inkjet printing can be art. And this might be the goal of many users of QTR. But there is also a scientific/technological aspect to it. Inkjet printers and QTR would not exist without science and technology. The goal of achieving a linear luminosity response L as a function of K (the percentage of whatever) in the print is a technical task which relies on science. ?
QTR gives me pleasure, because I can better understand and control what's going on during printing. Being a scientist, but not an expert in printer technology, the additional insight QTR provides has stimulated my curiosity and my desire to understand even more. On my personal QTR journey the issue of a 'proper' calibration (which is a technical one) came up. This is why I started this thread. From the discussion I take home that the calibration, while actually being a scientific/technical task, is more an art than a science, because the corresponding correlations are complex and the goal can be reached via various paths - it's a 'judgement call' (P. Roark).
?
Thanks,
Hendrik |
||||||||||
Re: QTR, calibration
¿ªÔÆÌåÓýJust an observer here and I am not interested in understanding the math. But making pictures by any means is not a mathematical equation.?Roy I personally appreciate the work you have done in bringing QTR into the world. My working life has been made the better for it! Thank you.? Jon On Feb 7, 2025, at 5:43?AM, Hendrik Kuhlmann via groups.io <info@...> wrote:
|
||||||||||
Re: QTR, calibration
On Fri, Feb 7, 2025 at 04:43 AM, Hendrik Kuhlmann wrote:
Hi Hendrik I really wish you had started off with your last line: There are a lot of issues about putting ink on paper -- lots of strange non-linearities. Very few of them lend themselves to mathematical analysis. Being great at math is admirable but not as useful as much as you might think. (I tried a lot in the early 2000's) Your "proof" has lots of stuff that just isn't relevant. Hint: the only calculation done is totally based on just x-axis coordinates -- no luminosity, no density, no functions, no units; just percentages (fractions). My writeups may be not as clear as I'd like, but I do know how and why it all actually works. With this, I'm going to sign-off on this discussion. Best of luck, Roy |
||||||||||
Re: QTR, calibration
¿ªÔÆÌåÓýAm 06.02.2025 um 20:09 schrieb Roy
Harrington:
Your description of method 2 makes no sense. All the values are simple ratio -- darkness of one ink vs darkness of another ink. So K vs LK and LK vs LLK -- then calculate K vs LLK. It's just simple algebra ->> (a/b)*(b/c) = (a/c) The trouble is that he's got it wrong. He shows how he interpreted it and it's just not correct and not what the PDF says. Please stop saying it's an "alternate" interpretation. Roy -- the designer and author of all this stuff Dear Roy: I am sorry to say that the math you suggest cannot be applied in
the present case. The problem in your above equation is that the
'b' in the denominator of the first factor is not he same as the
'b' in the nominator of the second factor. You cannot simply
replace a, b and c by K, LK and LLK in this equation. The reason
is K, LK and LLK are names of ink channels and not
numbers! But you need numbers to be inserted in your
equation. Here is the explanation. It is a bit longer than you may want,
but I feel I have to do the explanation in very small steps for
clarity, and clarity requires precision of expression. I hope to
convince you. When dealing with the calibration plot, we need to understand the printed step wedges as luminosity functions L(K) of the step variable K. Since we have 3 luminosity functions, each for one of the ink channels, I introduce three functions of K which I denote L_K, L_LK and L_LLK:
Please note that the subscript K denotes the ink channel
K and not the step variable K which is the argument in the
parentheses. Now the independent variable K runs from 0 to 1
(100%=1). We want to find the two values K1 and K2 of the step
variable K at which the luminosity function L_LK evaluated at K=1
equals the luminosity function L_K at some unknown K1, and at
which the luminosity function L_LLK at K=1 equals the luminosity
of L_K at some unknown K2. Mathematically, this means
I have numbered the equations. These 2 equations relate the two luminosities L_LK and L_LLK at K=1 (=100%) (on the left side of the equations) to the luminosity L_K (right side of the equations), which serves as the common reference function (as intended). So we have to solve the two equations for the arguments K1 and K2. This can be done by using Newton's iteration (if one has explicit expressions for the continuous functions - I determined them by fitting an exponential), but it is easier to do this graphically. To this end one has to draw the graphs of the two functions on both sides of equation (1) and find their intersection point. At the intersection point the equation is satisfied and the abscissa of the intersection point yields the value K1. The same can be done for equations 2. Well, here we are done. Here is the mistake You claim that one arrives at the same value K2 when multiplying K1 with K3, where K3 is the step K at which the luminosity of L_LLK at K=1 equals the luminosity of L_LK. To find K3 we need to solve the equation
This equation can be solved graphically in the same way as above.
However, for general nonlinear functions L_K(K), L_LK(K) and
L_LLK(K) the claimed relation (multiplication of the fractions K1
and K3)
is not generally satisfied! This is my claim. For a proof
I have given an example in my post /g/QuadToneRIP/message/19394
. Shilesh has given another proof in his post /g/QuadToneRIP/message/19398
. It is interesting, however, that equation (4) is satisfied, if the 3 luminosity functions would be linear in K. (Note that I am talking here of the hypothetical case that one measures a linear behavior of the luminosity functions in the calibration plot. It should not be mixed up with the linearization process in QTR.) The linearity of L_K(k), L_LK(K) and L_LLK(K) is is a very special and hypothetical case. A physicist would call this a 'model'. It is unrealistic for inkjet printing (but it may possibly hold approximately for some type of matrix printers in which each pixel is made of many non-overlapping black squares which ultimately cover the whole pixel completely).? Here I give the proof of equation (4) for this model. For luminosity functions which are linear in K equations (1) to (3) yield
where 'a' is the luminosity of the paper white and b1 and b2 and
are the constant negative slopes of the (now linear) functions
L_K(K) and L_LK(K). Subtraction of the two last equations '(6) -
(7)' yields
or
Now we evaluate (7) at K=1 to obtain
This is now inserted in (5) to obtain
from which we get (b2/b1) = K1. This can now be inserted in (8) to find
This proofs that the multiplication of fractions is equivalent to directly determining K2, if all luminosity functions are linear in K. But if the luminosity functions are exponential (as it seems to be the case)
where L_ink(K-> infty) is the asymptotic luminosity for large K (saturation) and s_ink the decay rate of the luminosity (equivalent to the slope of the luminosity L_ink(K) at K=0), then (9) does not generally hold. The fact that (9) holds for linear functions can also be derived geometrically using the "Intercept theorem". I hope I did not commit any typos. I am sorry to have found this misconception. I find it not only on page 4 of the calibration guide , but also in the user guide of Tom Moore. On page 15 one finds:? " For QuadTone inks, this process is repeated for each lighter ink, comparing it to the next darker ink, calculating its density relative to that ink and then converting it to a density relative to black."? Presumably, the misconception has not been discovered/discussed
previously, because QTR is quite forgiving with respect to
selecting the densities for multiple gray inks. So most
practitioners may not care and follow their intuition. But you
will understand that I had to disproof your statement "The trouble is that he's got it wrong".
Hendrik? --? a beginner in QTR but not a beginner in math ;-) :-) |
||||||||||
Re: QTR, calibration
The ink transition could be very different. Although the density could be corrected in linearization, but transition (pre-linearization) defines the ink amount and the "grittiness" or "roughness" of the prints. It do worth personal tests.
?
I use an excel which I wrote all the formulas to do the transition job. In the excel, I could change amount limit of every ink based on the measured data, and immediately see the ink distribution visually.
?
The results are usually good, smooth density curve ready for linearization.
?
--
Kang-Wei Hsu download FREE preview£º Effect of Fixatives on Inkjet Papers Preservation and Imaging Quality |
||||||||||
Re: QTR, calibration
On Thu, Feb 6, 2025 at 11:24 AM, shileshjani wrote:
The trouble is that he's got it wrong. He shows how he interpreted it and it's just not correct and not what the PDF says. Please stop saying it's an "alternate" interpretation. Roy -- the designer and author of all this stuff |
||||||||||
Widget for creating linearization files
This is kind of a PSA I guess.?
?
When I teach workshops in digital negatives and DTP processes using QuadToneRIP, many people get heartburn at the notion of spending anywhere from $300 to $3000 for a used or new X-rite spectro. I found this little colorimeter sold by ColorMuse that connects to an app on your phone and gives remarkably accurate LAB values when compared to my X-Rite i1 Pro2. The second version of this little device is around $100.:
?
?
The knock on it is that creating a data file that you can use in either the QuadToneRIP linearization or Richard's QuadToneProfiler apps is a little tedious.?
?
The device itself is a little chunky, so you probably will want to print targets that have ?" or larger squares so you can hit the measurement exactly. I have a few of those in the downloads area of my website.
?
I wrote a little javascript widget that can be found here:
?
?
that lets you enter the measured values as you read them and then downloads a standardized 21-step text file that you can use in these programs. This is a more sophisticated version of an earlier table based entry form because there is no requirement that you have evenly spaced steps. It uses a cubic spline to resample whatever garbage you enter into a 21-step text file. You can graphically edit the L or A or B files if you want to manually smooth them before downloading the text file.
?
This is only really relevant to someone who only occasionally needs to linearize a quad file. If you are a high volume measurer, you will probably want to get a more capable measuring device.
?
Note that I am not a programmer of any great skill, but I think this is reasonably robust. Give it a try and send me any feedback if you find problems.
? |