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I give up. Let’s just stop. Kang-Wei Hsu has a style of writing that I find needlessly abrasive. Perhaps I’m just in the wrong user group, although I have used QTR for years, and printed B&W on

But you never post any Kirkland paper spec and why you like the paper. How should we know which paper might suit for you? I did posted and share something (just take a look at below links), and I

Thanks for these great suggestions. The P5000/ 5730s hadn't been on my radar and the recommendation to avoid 13” printers for DTP is a good one. As a follow-up, are there any concerns I should be

Sorry to hear that one of your animals is sick, they are really members of the family.? I hope that it resolves itself soon. "15+ years ago there seemed to be many people testing and posting

Sorry for the delayed response. One of my dogs is seriously ill and has been in the veterinary hospital for several days, so the paper I print on seems pretty trivial. Kirkland glossy RC paper is not

I purchased a P900 a couple of months ago. Had some issues with roller marks which drove me nuts until I joined this group. It was suggested to me that I first feed a few poster board sheets? and

Agree with Walker’s suggestions, and wanted to add a word of caution about the 13” printers - 2880, R3000 and P700 - for DTP. Their thick media loading mechanism is different than the

I can echo Walker’s recommendation for the P5000. I bought one as a final solution to the pizza wheels others (in my case a p600) gave me. It’s a beast but it meets my needs of making negatives

The P900 is a good printer because it has 2 picoliter dots and does multi-channel DTP very well. The P5000 and P5730s are also great as well as the larger P6000->P9000 range. The P9570 does not work

Hi there, I have some experience making photopolymer gravure plates from positive transparencies and am researching direct-to-plate workflows for my home studio. Browsing this group has been

Oh ... so if I am getting this right, for the sake of example, I can calibrate QCND curve using *either* 0 or 2 grade filter during the calibration process and get the same looking image (if given

Arghhh... beginner's mistake I suppose, I've just bought A3+ Pictorico OHP and thought I would use it as a negative for contact print on silver gelatine enlarging paper (either Fomatone or Ilford) -

Yes, Richard, that is a curve for an outside exposure full sun lumen print for Azo. I use the Azo for lumen printing because my Azo is fogged; it’s fixed as per normal so it’s no different than a

Chris, did you send Steve a LUMEN curve for AZO? Because 1: that is WAY too much black ink for a normal F2 Azo print, and 2: you asked if he was exposing with the sun? (Also, why are you wasting

Also. Use the Pictorico White Gloss Film for enlarging papers (as in Multi-grade chloro-bromide or graded pure silver-bromide papers) and Ultra-Premium OHP for contact printing papers (as in pure

Yes, you can use the Ilford MG curves for any MG paper because they are all slight variations of a two layer emulsion with silver chloride for low contrast and silver bromide for high contrast that

This might actually be totally unrelated to a paper jam but simply coincided with it. It could be, but I suspect one of 3 possibilities that could give the result you re seeing. 1: macOS updated and

This may help someone in the future. Using an Epson p900 printer to make low ink load Quads for Silver Gelatin D Negs I experienced a paper jam. Subsequent cleanings and alignment checks the problem

To further complicate the p900 issue, at least for me. When switching from the QTR printer to the Epson 900 printer, an ordinary color photograph prints perfectly fine. Thanks in advance, SS

Thanks Clay, I would agree the jam caused an alteration, per Dan’s comment I did run other successful, and lower ink load quads with the exact same result. Per your suggestion I have run the nozzle