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Re: The Advantages of QTR Are?


Diane Fields
 

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Steve, I'm a newbie too at QTR but maybe because I've read the other list for several years (and have been printing b/w for a good while, first with the 1280 and with the 2200) and am pretty familiar with PS, the QTR workflow works for me.
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No, QTR won't cure bronzing because that's a function of the ink/paper combo.? If you notice on the Digital/bw list they spray their prints to counter that problem.? The newer R800 and R1800, we assume, will deal with the bronzing by using the Gloss Optimizer (and this is the 'glop' they talk about on the other list--they are adding it into a cart to use with the black inks--3rd party--like with the MIS inks and Paul Roark's curves).
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I don't know of a tutorial.? Did I send you the post I found of Lou Dina's that explained how to softproof in QTR?
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What the step wedges help you with is envisioning what those particular curves will look like on that particular paper.? I laid out my 11 sheets with the step wedges on them and was able to pick out the papers I liked, then I could see what a 75 warm and 25 cool blend looked like, for instance, on that paper.? I like not quite neutral--just a bit of warmth to it.? On different papers the curve blend I might choose could be different--because the tone of the papers affects the image a great deal.
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When you open the QTR GUI in Windows and you select the image file you want to print, then you have to choose a 'curve' for it down below.? For instance, I want to print on Epson Velvet.? So--I choose a matte paper in the paper dropdown.? I make the selections as to dpi, etc. in all the other places.? Probably I would check 'centered' (but if you are doing step wedge printing, you will keep dragging the step wedge file around in the window to place it differently for different printing--if you don't understand this, I can do a print screen and send it to you offlist).? Now--you need to select your blend percentage (middle box) and your curves.? Since I use Epson Enhanced matte as a proofing paper for Velvet, I feel that those curves will be close enough for me for Epson Velvet.? In the left curve drop down box, I choose EEnhMatte-Cool and in the right box I choose EEnhmatte-Warm.? From my series of step wedges I did on my Epson Velvet paper (I did 6 rather than do a long series of percentages.? Once I establish for sure what papers I'm going to use all the time, I will do a series of step wedges from 100% cool to 100% warm in 10% increments) I find that a 60 cool/40 warm is about the blend I like on that paper.? So--I move the blend slider over to?60 (the blend number represents the amount of the curve on the left--the one for the cool).? I did not adjust my ink limit for this paper (though I may in the future) so I will not make any other slider adjustments for now.? Then---I'm ready to click on print and that's it.
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I addressed softproofing in the post to Anne (Montauk lady).? It will help you correct any tonality/contrast issues with your print--before you print (for the most part--its pretty difficult to get a perfect reading on a monitor to match a paper print because of the difference in the mediums).
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I hope this is helpful.? I really think printing the step wedges on the papers you use all the time will be a big help--and I'll be glad to help you figure out how to do that.
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Diane.?

----- Original Message -----
From: Steve
Sent: Sunday, April 03, 2005 2:43 PM
Subject: [QuadtoneRIP] Re: The Advantages of QTR Are?


Thanks, Diane, I'm really struggling with the understanding of this
QTR stuff and you've been very helpful by answering many of my
questions on this forum.
I'm familar of the metamerism problem caused by the different
lighting, but what about 'bronzing' when printing b&w on gloss paper?
Is this effect eliminated using the QTR?

I'm still not clear on the 'step wedges', 'blends' and 'curves', etc.
Do you know where I can find a simplified tutorial that explains how
to use this software? I know Roy Harrington talks about it on his
QTR site but I'm finding it a little too technical.

Looking forward to hearng back from you.

Steve

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