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Can you build a better WM55?
Hi, mstrong. I record church music, choral works and loud pipe organ. My WM55 XY mic is useful because it's diminuative enough
not to intrude on the service. It also produces a strong stereo image. So on my wish list, I would like to achieve more clarity with the choir than I'm currently getting, although that could be a symptom of coincident mic arrangement. I've not tried spaced mics, as that's a less stealthy approach. The WM55 is a cardioid which suffers on the low end compared to omnis. Would a larger diaphragm (say 1/2") help with the bass on a cardioid? Can a larger diaphragm help with the clarity? I also would like better S/N specs than the Panasonics offer. Grendel P.S. Old ladies are the worst about messing with the equipment! They handle the mic and say "What is that?" Maybe if I made it look like Groucho's mic they'd leave it alone. |
Re: Faint Field Microphone
ljudatervinning
Regarding connections on the capsule, i think 3-connections is the
best way to go. Ground, source, and drain. In this case it's easy to use either linkwitz-mod, or any other powering method. Sennheiser capsules are made this way, my UEC-14,and probably the DPA 4060 to. The size of the hole is delicate because it is part of a Helmholtz resonator!? Thus frequency response suffers when changed. The AKG CK22 ??(part of a module system) had a "big" diaphragm, but used a nose-cone to make it "very omnidirectional". A problem all bigger sized microphones suffer from. (Bad english I know) / Per A --- In micbuilders@..., Bob Cain <arcane@a...> wrote: mstrong82 wrote: You guys want to use 1/2" or bigger. were that muchI want to use 6mm and 9.7 is huge in my application, but if it play with.better I would consider it. I'll help you get bigger parts to The sole reason for bigger is to reduce self noise. If noise can be lowered to be in line with the larger capsules another way that would be great but theory seems to indicate otherwise. with canWe all want the same goal and much of what can be experimented patterns?be done with 6mm omni and then applied to larger and different It seems to me some of the list for investigation relates to: Internal FET choice Eric B., you still around? Eric did some experiments which, IIRC, showed that the noise contributed by the FET was around 6 dB down from the total. Linkwitz mod built in Y/N The implication of this, for a two wire capsule, is that you would not be able to use it with existing "plug-in-power" applications because it reverses the polarity required. I still think it better to make it common source by default, for market considerations, but more easily modifiable to the source follower configuration than is the WM-60/61. Larger entry hole Y/N It would be very interesting to see what the effect of this is. RF or not RF Personally I don't care too much about this. For very small capsules the benefit would be more to extend the low frequency response than to reduce noise. You seem to have eliminated directional capsules from consideration. Is that correct? Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: Faint Field Microphone
Bob Cain
mstrong82 wrote:
Sorry, I missed this in my last response regarding directional capsules. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: Faint Field Microphone
Bob Cain
mstrong82 wrote:
The sole reason for bigger is to reduce self noise. If noise can be lowered to be in line with the larger capsules another way that would be great but theory seems to indicate otherwise. Eric B., you still around? Eric did some experiments which, IIRC, showed that the noise contributed by the FET was around 6 dB down from the total. The implication of this, for a two wire capsule, is that you would not be able to use it with existing "plug-in-power" applications because it reverses the polarity required. I still think it better to make it common source by default, for market considerations, but more easily modifiable to the source follower configuration than is the WM-60/61. It would be very interesting to see what the effect of this is. Personally I don't care too much about this. For very small capsules the benefit would be more to extend the low frequency response than to reduce noise. You seem to have eliminated directional capsules from consideration. Is that correct? Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: Panasonic Mic Capsule Wired to XLR Connector
Indrek Rebane
ktpbeng wrote:
True, my mistake, now that I re-verified it, phantom power isPlus 48V phantom power is coming from HOT (that's where itThis is NOT correct in a normal XLR connected phantom power scenario!!! The next statement is more correct. usually supplied over both: HOT and COLD terminals. Trust but verify. Indrek -- Indrek Rebane | Borthwick-Pignon Electronics Engineer | Tartu Science Park Phone: (+372) 7 302 641 | Riia 185, 51014 Tartu Fax: (+372) 7 383 041 | Estonia indrek@... | www.bps.co.ee |
Faint Field Microphone
You guys want to use 1/2" or bigger.
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I want to use 6mm and 9.7 is huge in my application, but if it were that much better I would consider it. I'll help you get bigger parts to play with. We all want the same goal and much of what can be experimented with can be done with 6mm omni and then applied to larger and different patterns? It seems to me some of the list for investigation relates to: Internal FET choice Linkwitz mod built in Y/N Larger entry hole Y/N RF or not RF Boundary Designs - see at the bottom is the link for 22 yrs of boundary experiments started by Ken Warenbrok and Ed Long relatting to PZM and other boundary stuff. This is GREAT stuff and saves a huge amount of time not replowing already plowed ground. --- In micbuilders@..., Walter Knapp <wwknapp@m...> wrote:
From: "Rich Peet" <richpeet@c...>I do nature recording, and would agree in general. However, I'd like to |
Diaphragm material
It's called mirrorlite, i have links at the office and will find them for you.
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--- In micbuilders@..., "Klaus Wolter" <n8nxf@c...> wrote:
When making larger microphones, I wonder how east it would be to roll your |
Re: Panasonic Mic Capsule Wired to XLR Connector
ktpbeng
Comments interspersed: snippage all over the place...
My apologies, I did not follow this thread from the beginning... it may not all be on this list! :) Someone wrote: This is NOT correct in a normal XLR connected phantom power scenario!!! The next statement is more correct. so far, so good, but it does not address how phantom power works.An XLR connection, to my understanding, uses a differential Phantom power works by using the common mode rejection properties of a balanced line. As such, it puts the 48 volts (in the original specs of phantom powering)on BOTH the Hot and Cold pins (through carefully matched 6.8K resistors,IIRC) with the phantom voltage return on the shield. As such, if you measured across the hot (pin 2 in a normal, industry standard XLR 3pin connection) to the cold (pin 3), you would measure 0 volts, but if you measured from the shield (pin 1) to either Hot or Cold, you should measure 48V. There are several ways to connect from single ended to a balanced line, either through x-formers, op-amps, transistors or even capacitively... I have seen several schematics on the web, but I do not have them right in front of me at the moment, so I will have to post again later. Good luck! Bryan |
Re: condenser fet transisters
From: "Rich Peet" <richpeet@...>
For my applications I agree a larger diaphragm of 1/2" would be great and going much larger one starts to worry about condensation and humidity in outdoor recordings.I do nature recording, and would agree in general. However, I'd like to experiment with RF mics with diaphragms larger than 1/2" as well. And various boundary mic designs. Low noise designs are a must. It makes sense if you are going to the effort to hand make a mic to go for something that competes with the top mics out there. Or is unique enough as to be unavailable. I could certainly use capsules like those in the Sennheiser MKH line. For outdoor conditions those are some of the best for dealing with humidity and so on. I could definitely use a good figure 8 capsule, or one for a multipattern mic. I don't worry too much about proximity effect. My subjects generally shut up long before I get close enough for that to be any kind of bother. For outdoor work it's critical to be able to provide good wind and shock protection. This has implications on the mic designs to use, though it does not limit us to any particular polar pattern. It primarily means setups that are compact enough to be protected. One reason why I use M/S stereo. Walt wwknapp@... |
Re: condenser fet transisters.
umashankar mantravadi
only about the last point: the sony ecm 907 and others like it have more than an inch of wire from the capsule to the fet; the nakamichi cm 300 i have sitting in front of me has a one and half inch cylinder between the fet and the capsule; it includes a switchable capacity which servers as a 10 db pad. an inch of wire i think we can live with.
umashankar _________________________________________________________________ Marriage? Join BharatMatrimony.com for free. |
Re: LOW noise-EXTREME Hi gain, RF Mic?
Bob Cain
Andrew Burgess wrote:
Right. Either approach begins to degrade high frequencyit seems that self noise has a large component that isOr adding more diaphragms. Two mics, twice the signal, noise performance due to coincidence considerations. I'm not sure which is easier to manage. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: LOW noise-EXTREME Hi gain, RF Mic?
Andrew Burgess
it seems that self noise has a large component that isOr adding more diaphragms. Two mics, twice the signal, noise goes up by 1.4. |
Re: LOW noise-EXTREME Hi gain, RF Mic?
Bob Cain
mstrong82 wrote:
Ah, but therein lies the rub. From looking at noise specs for various size mics, from the experiments of one of our members, and according to: it seems that self noise has a large component that is molecular shot noise from thermally agitated air molecules impinging on the diaphragm which can only be reduced by increasing the diaphragm diameter. A fairly simple argument shows that increasing the diameter has the effect of averaging that noise down relative to the signal. A definitive experiment would be to compare the self noise of a small electret at various air pressures, including a near vacuum, which wouldn't be all that difficult if anyone had a bell jar and a hand vacuum pump. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: condenser fet transistors.
When making larger microphones, I wonder how east it would be to roll your
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own? I took a little electret mic apart a few years back but don't recall exactly what was inside. I do recall that it was very simple and that it involved some very thin metalized film used as the diaphragm. Could this film be made available to DIYers? It might also be interesting to incorporate something like a surface mount OPA134 op amp inside the mic canister... -----Original Message-----
From: Bob Cain [mailto:arcane@...] Sent: Saturday, December 06, 2003 2:16 PM To: micbuilders@... Subject: Re: [micbuilders] Re: condenser fet transisters. mstrong82 wrote: job. My wife says I have no life outside of those little f-in silver cans ;-)minimum of 10,000 of something and know that eventually they will be consumed.Yes, I understand that the larger you make it, the more specialized the market becomes. It's just that my interest has moved beyond tiny but noisy omni's toward much quieter first order mics that are suitable for coincident stereo or surround recording. I fully understand that the market size for such devices is relatively small, as evideneced by the lack of inexpensive parts for it, but nonetheless I wish to speak to this type of application and open the door wider to experimentation in the area. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein To unsubscribe from this group, send an email to: micbuilders-unsubscribe@... Your use of Yahoo! Groups is subject to |
Re: condenser fet transisters.
Bob Cain
mstrong82 wrote:
As Jerry Avins in comp.dsp is so fond of saying, "Engineering is the art of making what you want from what you have." To that end I have worked out testing and characterization methods that seem to be repeatable and accurate. I do my work out of doors, when I can find calm days, to get a good hemi-anechoic space, use a calibrated reference mic and fairly sophisticated DSP methods for compensation of parts of the stimulus and measurement chain that are less than ideal. I haven't yet taken on the problem of directional measurement but have given it some thought. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: condenser fet transisters.
Bob Cain
mstrong82 wrote:
Yes, I understand that the larger you make it, the more specialized the market becomes. It's just that my interest has moved beyond tiny but noisy omni's toward much quieter first order mics that are suitable for coincident stereo or surround recording. I fully understand that the market size for such devices is relatively small, as evideneced by the lack of inexpensive parts for it, but nonetheless I wish to speak to this type of application and open the door wider to experimentation in the area. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Re: condenser fet transisters.
Bob Cain
mstrong82 wrote:
That's just what I thought. :-) No, it is changing the configuration of the internal FET to source follower from the as-shipped common source mode. This involves cutting a trace on the little PC board and making another connection to the can. The problem is that the solderable tab that allows connection to the tab is a tiny little thing and so well heat-sunk to the can that soldering to it can be difficult or even destructive. I use silver ink to make a low temp connection but others have objected to the durability of the solution (which I haven't really found to be a problem.) I think that managing the high impedence issues over a longer connection from diaphragm to an amplifier would be more than challenging and has strong impact on the noise and high frequency performance of the result. If there is such a thing, a better FET might be more appropriate. By encapsulating it within the near Faraday cage of the can, induced noise is also minimized. Frankly, short of better noise performance which seems to be limited by the small size of the diaphragm I am not sure how much real improvement is attainable in a device of the size of the WM-60/61. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
Design Photos
I am uploading some photos of designs i currently use.
Upload in progress as I have to find some of the photos. I will get to my electrical designs with time as this is a work in progress. 1. Clear Channels cheap stereo mic. 2. Its diagram. This mic was built with all components but the battery embeded in a sheet of salvage 5/8" lexan plastic. Photo taken before windscreen and flooding of components with clear epoxy. A hard center, stereo, pzm design. 3. A photo of me and a modified Greg Clark 32" parabolic. The dish was designed for bird song recording. Aprox. a 5 degree field of view and when operated in stereo it is a 10 degree x 5 degree view. Currently under 12 of these dishes are in use. 4.& 5. Outdoor windscreen based on a commonly available, Shop Vac, Wet/dry filter element. Great results are being seen up to 30 mph winds. 6. Football on a stick. Foam rubber Packed PVC pipe with smaller PVC pipe handle, bat box, plastic food strainers, single thickness stocking caps, with omnis on each end. This mic is used for stereo outdoor night recording when something non-fragile is needed to throw around a car. 7. Foam Blockhead My most used stereo boundary. Adjustable center image size by moving the two omni microphones in and out. Rich Peet |
Re: LOW noise-EXTREME Hi gain, RF Mic?
dnemeth01
--- In micbuilders@..., "mstrong82" <mstrong@j...> wrote:
This is a fit for something I want to make.you can hear the faintest, furthest away sounds. Anotherwords, I want to crank thegain up to infinity and beyond and I DON'T want to hear transistor hiss.work with. I want to use an onmi first.One problem, IMHO, with the panasonics is the size of the hole in the front. It is too small and can reverberate under extremely loud sound pressure levels. If you can make something with a larger diameter hole it would be great. Darren |
Spam protection
I guess I am the SPAM safeguard right now.
Shortly, the group will be switched to a "restricted membership". Groups of this type get little or no spam. I will review e-mail addresses of new members before allowing posts by them. Most spam sources have addresses that can be somewhat checked against reality. If "true spam" is posted I will delete that membership and the message as soon as possible. I will post a message if I delete a membership so that my actions are accountable to the group. I will handle in the background memberships not approved but will attempt a double check of memberships before not approving an address. I will do what I can regarding spam and all members should do what they normally do regarding firewalls and blocks. I will try and keep the group "safe for work and family" but I will not be going to the length of taking actions regarding members comments and opionions. I defer that level of activity to the group owner. Rich Peet Glad to be rid of the old group -- are safeguards in place toprevent SPAM from this one? Is there some specific action that users should doto prevent it? |
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