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I'd LOVE to review it!...send it on down! Hello members, Maybe a few of you can give me a hand at reviewing a six page study on Rhythm Chords. The study is scheduled for publication in Guitar Masters a week from tomorrow. Last week we published a 10 study on Triads and a 10 page Study on Octaves. Both have been received very well. This material however, is a little more challenging for the novice or casual player. If you are unfamiliar with Guitar Masters drop on by, you may Find it interesting. I enjoy reading your posted comments, some are very Interesting and accurate. You can access the new material for review at: http://www.guitar-masters.com/Review/Review.html/ Perry W. Terhune Pterhune@... Guitar Masters http://www.guitar-masters.com/

Perry,IMHO the diagrams are too large I have to scroll sideways to get at things. Gmaj7 does not equal Ebmin 9th should be Em9 Ken

i am familiar with alan (not intimately) but i know who he is... thanks. i used one of his books when teaching guitar. -eric

I found this stuff from a site devoted to John Scofield so i thought i'd copy it for you. I knew he used chorus and a distortion pedal I thought a Rat but I wasn't sure about the particulars so i wanted to look it up myself to be sure. I hope this helps. Teddy Ibanez AS-200 AMPS: - two Mesa/Boogie Mark IIIs EFFECTS: - Roland CE-3 analog chorus pedal - Pro-Co Rat distorsion pedal - Ibanez analog chorus pedal - Ibanez three-band equalizer

Hi guys, I wish to know how to get John Scofield's type of harsh-distorted sound. what effects did he use?

thanks for the great e-mail, everyone. as a fingerstyle player i'd appreciate hearing ideas regarding this topic. having played guitar for over 30 yrs. now i have come to develop my own voice on the instrument and maintaining diversity with interest in other musical genres. i find myself more inspired nowadays by piano players than guitar players as well as listening to other instruments to gain musical or tone or phrasing ideas. i believe in the less is better than more school of backing up other instruments or tyring to figure out imaginative ways to compliment them or a singer. my guitar heroes remain, herb ellis, joe pass, barney kessel, merle travis, jr. barnard, even blind blake. with my pianistic interests leading my ears to people like fats waller, earl hines, george schearing, and oscar peterson. the melodic lines of sonny rollins have also never ceased to inspire me. cast off your flatpicks! eric

As far as I know, hes still loyal to his Proco Rat pedal, which has a pretty dirty sound. - Ville. ______________________________________________________

I need a banjo sound for a bib band piece with a Dixieland chorus. I am using a Digitech RP-12, and I wonder what I could use to get this effect. My thinking starts with agated reverb to get the chunky sound, but I would appreciate any other ideas regarding other effects, EQ, etc.

Try puttinf a crisp dollar bill through the strings (over one string and under the next) with a lot of treble in your sound. I used this trick once years ago playing with a pit orchestra for a broadway show. The effect was very close to a banjo sound. Flip

Roland GR-30 will provide all kinds of effects including a good banjo. However, I use a Fender Strat for the pickup. Synth direct plug guitars are offered by Fender and Godin. If you want the best sound, I would suggest a keyboard amp or PA speaker with a horn. Keep your archtop handy too. Polk Shelton

Is it me or does Scofield's guitar sound out of tune to anyone else? __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com

Anyone out there have a Roland GR-30 that they want to sell..

The answer is quite simple. That is his "signature" sound- coming from the chorus effect he uses (rat distortion and stero chorus pedal=a bit out of phase with an edgey tone). On Wed, 15 Sep 1999 09:36:03 -0700 (PDT) Edward Tootill <etootill@...> writes: ------------------------------------------------------------------------ Sincerely, Don Price http://www.alljazzguitar.com "..the new home of jazz guitar..our name says it all..."

Hello, I have a question that is not exactly guitar, but close. I've been listening to Benny Goodman on my way to work the last few days, and think that many of his solos would make good studies for guitar-very melody oriented and very original. Does anybody on the list know if there are transcriptions of Goodman solos available, either in print or on the net? Thanks, Brad Little

Hi If any one is interested, I have a web site that gives away for "FREE" about 20 tabs of Lenny's playing. They are 100% accurate, and are extremely hard to play, but show an insight into the mind of the genius that Lenny was. Some of the tabs are duets with Chet Atkins, from the album "Standard Brands" There is even an original 'chart' that Lenny did for the "Minors Aloud" session with Buddy Emmons. Although I play a 7-string with a high "A", the tabs are made for the 6 string. Here's the link: http://www.angelfire.com/az2/jazzcorps/index.html Just for fun, if you are a member of this club, please sign in the List bot box. It would interest me to see whether or not there is a positive responce to this message. Regards, and keep well. Ron

I know it's the chorus and distortion but, beyond signature, why go for an out of tune sound? I actually like his playing, especially as a sideman. His lines and soloing are very creative; but that sound. It's not as pronounced when he plays on other musician's CDs. It is his sound and it is his signature. It was just a question and comment, not a criticism. Joe DiOrio has a great sound. Ed "signature" > sound- coming from __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com

Hi Im kind of new here. Consider joining the Jazz Guitar Web Ring: http://www.webring.org/cgi-bin/webring?ring=jazzguitar;home Visit my Jazz / Fusion Web Page: http://www.angelfire.com/oh/scotters/fusion.html I look forward to meeting new fusion fans!

I've always wanted to know how Pat Metheny gets his sound, especially as heard on the 'Road to You' album. I dunno if he qualifies as a 'jazz' guitarist, but Eric Johnson also has an incredible tone. How does he do it? This is hearsay, but it is said that Eric could tell you if you were using normal or alkaline batteries in your pedals!! Is this possible? thanx, blum ______________________________________________________

A few days ago, somebody on one of the two jazz guitar lists I'm subscribed to asked about the availability of transcribed Benny Goodman solos to use for practice purposes. Since I don't remember which list it was, I'm posting this to both lists. I apologize to the list that wasn't the one where the inquiry was made. Anyway, I have a book of 30 transcribed Goodman solos. It's the Benny Goodman volume of the Jazz Masters series of books. I got it many years ago (the price printed on the cover says $5.95!), and I don't know if it's still in print, but at the time I bought it it was published by Consolidated Music Publishers, 33 West 60th Street, New York, NY 10023. BTW, other books in the series include Monk, Bird, Django and Charlie Christian. --- Bob Schwartz

aelwoo-@... wrote: original article:http://www.egroups.com/group/jazzguitar/?start=39 much right Guitar Jazz Harmony and Melody is the most informative work I have ever seen on contempoary concepts, published by Advance Music. >