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Hi All,

I'm pretty new to jazz guitar and would welcome suggestions
concerning the to 10 or so jazz guitar CDs (Chrismas coming
up and all). I have some Charlie Christian, Django, and Wes
- but thats about it. Thanks in advance for the input.
Rob

Hi! Probably this will help you: I suggest you to learn chord notes
around chords you take or play over, if you do so you will know that when
you take Eb7, for example, then here is the rote here is the third, fifth,
seventh. After this it's much easier to see the scale, you already know
where the chord notes [and what they are :)], so just add fourth, 9th,
sixth and... here we are !!!


----- -----
: KANADA4229@... <KANADA4229@...>
: jazzguitar@... <jazzguitar@...>
: 26 1999 . 5:38
: [jazzguitar] Re: Help memorizing sharps and flats

In a message dated 11/25/99 7:03:13 PM Eastern Standard Time,
KANADA4229@... writes:

<< I know the cycle, it's the application that's giving me problems.

OK, if you know the cycle, then it is simple...

For #'s you count them clockwise around the circle starting at 11 o'clock (F)
and then 12 o'clock (C) then 1 oclock, etc. until you are at the number of
sharps for the key you are in.

Example: You are in the key of A Major. You know that it has 3 sharps. You
start counting from 11 o'clock for 3 spaces. So you get 11 is F 12 is C and
1 is G.
So there you have it....The key of A has 3 sharps and the notes that are
sharped are F, C and G.


For Flats, you simply start at at 10 o'clock and count counter-clockwise.

Example: You are in Db (D flat). You know it has 5 flats, so start counting
from 10 o'clock and you will see B, E, A, D and G (Remember the first 4 as
the word BEAD). These notes are the notes that get flatted!


Hope this helps,
Andy Seyler

I don't know any trick. the last flat is the fourth etc. My suggestion is
to play all you can in those keys. Go find tunes in them. Transpose if you
have band in a box or go to your music store and find exercises in those
keys for any instrument and sight read, sight read sight read. perhaps
some of the books that have been recommended on this site have great helps
with this. If they you, you'll hear from those who have used them.



Learn the scales so you can spell them in your head, name them out loud and
find every Db Gb etc on the fingerboard.

practice!

Lan Mosher, Center for Effective Organizations, CEO
6201 15th Ave. NW, PMB 559 Seattle WA 98107 [206]-297-3070
www.halcyon.com/ceolan

Also: at [206] 784-9117: "Have Guitar, Will Travel", Emerald City Jazz Quintet.

At 09:37 PM 11/25/1999 EST, you wrote:

But if I'm sight-reading I don't want to look to left every note I come to.
That would be impractical.

Then you better learn/memorize the cycle!

At 07:02 PM 11/25/1999 EST, you wrote:

I know the cycle, it's the application that's giving me problems. For
example: Db major has Bb Eb Ab Db Gb. I know the key has 5 flats but I lose
the information

(snip)

Again if you have the sheet music the flats or sharps are located on the
lines/spaces in the key signature.
Harry

At 04:50 PM 11/25/1999 EST, you wrote:

This may sound totally elementary for some of you but it's a problem that I
need help on. I need to know how you all keep track of the sharps and flats
in keys with 4+ accidentals. I know the order in which they occur (5ths for
sharps and 4ths for flats), and can recite them from rote. But I can't seem
to remember which notes get sharped or flatted when I go to read the

notes. I

constantly find myself stopping and figuring it out. It's extremely
frustrating and I need to know how I can get past this.

Thanks

I can't deny the advantages of memorizing the circle of fifths or fourths,
depending which way you go around it. Have you ever taken a good look at
the key signature? For example in F, which is one flat, the flat symbol is
on the b line. For B flat, two flats, the symbols are on the b and the e,
and so on. In other words if you have the music sharp or flatted notes are
in the key signature.

Harry

But if I'm sight-reading I don't want to look to left every note I come to.
That would be impractical.

I know the cycle, it's the application that's giving me problems. For
example: Db major has Bb Eb Ab Db Gb. I know the key has 5 flats but I lose
the information when I pick up my instrument and try to play a piece of sheet
music. I always have to stop and repeat the cycle to myself as a reminder but
because the notes aren't in alphabetical order it gets me confused. I'll
remember Bb and Eb but after that my fingers take over. It's very
discouraging since it's so basic yet it gives me so much trouble.
Thanks

This may sound totally elementary for some of you but it's a problem that I
need help on. I need to know how you all keep track of the sharps and flats
in keys with 4+ accidentals. I know the order in which they occur (5ths for
sharps and 4ths for flats), and can recite them from rote. But I can't seem
to remember which notes get sharped or flatted when I go to read the notes. I
constantly find myself stopping and figuring it out. It's extremely
frustrating and I need to know how I can get past this.

Thanks

Hi all!

Another transcription has been added to the ever-growing collection of music
available at <>www.stuntzner.brent.org !! This
time, sink your teeth into Wes’ solo over “Billie’s Bounce”. There are some
real choice licks in there!! Don’t forget to utilize the Transcription MIDI
and the Jam Track for practicing.

Coming Attractions?
1. Grant Green’s solo from “Stormy”
2. Jimmy Bruno’s solo from “Unit 7”
3. Wes Montgomery’s solo from “Summertime”
Many THANKS to all those who have written me! Please take the time to sign my
GUESTBOOK while you’re visiting!

--brent

Brent D. Stuntzner Construction
7931 SW 40th Ave., #D
Portland, OR? 97219-3598

Stuntzner@...

_______________
Life without industry is guilt, industry without art is brutality.
John Ruskin (1819 – 1900), Lectures on Art, III,
The Relation of Art to Morals,[1870]

Hi all!

More transcriptions have been added to the ever-growing collection of music
available at <>www.stuntzner.brent.org !! This
time, Kenny Burrell’s solo #2 from “All Blues” AND Grant Green’s solo #2 from
“Back in Your Own Back Yard”. Kenny’s solo might be short, but it’s sweet!
Also, check out how Ike Quebec comes in early during Grant’s solo making it
only 1 ? choruses long! Don’t forget to utilize the Transcription MIDI and
the
Jam Track for practicing -- as Sonny Rollins once said, “I practice, of
course,
every day. You have to practice every day.”.

Coming Attractions?
1. Wes Montgomery’s solo from “Billie’s Bounce”
2. Grant Green’s solo from “Stormy”
3. Jimmy Bruno’s solo from “Unit 7”

THANKS again to all those who have written me! Your encouragement, comments,
and suggestions are welcome and help to keep the site an expanding one.
Please take the time to sign my GUESTBOOK while you’re visiting!

--brent

Brent D. Stuntzner Construction
7931 SW 40th Ave., #D
Portland, OR? 97219-3598

Stuntzner@...

_______________
Life without industry is guilt, industry without art is brutality.
John Ruskin (1819 – 1900), Lectures on Art, III,
The Relation of Art to Morals,[1870]

Hi all!

I thought this might interest somebody. This is Jamey Aebersold's company,
BTW.

--brent

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Double-Time Jazz / Double-Time Records
Jamey D. & Julia Aebersold
P. O. Box 146
Floyds Knobs, IN 47119-0146
Ph 1(800)-293-8528
Fax 1(812)-923-1971
dtjazz@...
<>
tmr@...
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Brent D. Stuntzner Construction
7931 SW 40th Ave., #D
Portland, OR? 97219-3598

Stuntzner@...

_______________
Life without industry is guilt, industry without art is brutality.
John Ruskin (1819 – 1900), Lectures on Art, III,
The Relation of Art to Morals,[1870]

I found the Philadelphia-area jazz guitar player
named Randy Sarles.

I heard a track from a new CD on wrti one Friday
night. At first I swore it was Ella Fitzgerald and
Joe Pass, but it wasn't. It was Zan Gardner on
vocals and Randy Sarles on guitar. Randy was
playing a walking base line under a complex chord
progression.

If you are interested:

Sarles Music
P.O. Box 37
Arcola, PA 19420-0037

sarlesmusc@... ( There is no "i" )

The CD is "Birds of a Feather", $17 PPD.

Ed T.


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at

Hi all!

As promised, yet another FREE transcription has been added to the ever-growing
collection of music available at
<> !! This time,
take a look at Kenny Burrell’s solo #1 from “All Blues”. Combining a chord
solo with Kenny’s own flavor of single-line blues playing, this solo is a
keeper! Don’t forget to check out the Transcription MIDI and the Jam Track
(courtesy Vision Music) for practicing.

Coming Attractions?
1. Kenny Burrell’s solo #2 from “All Blues”.
2. Grant Green’s solo #2 from “Back in Your Own Back Yard”
3. Wes Montgomery’s solo from “Billie’s Bounce”

A continued THANKS to all those who have written me with words of
encouragement, suggestions, and gratitude. Please take the time to sign my
GUESTBOOK while you’re visiting!

--brent

Brent D. Stuntzner Construction
7931 SW 40th Ave., #D
Portland, OR? 97219-3598

Stuntzner@...

_______________
Life without industry is guilt, industry without art is brutality.
John Ruskin (1819 – 1900), Lectures on Art, III,
The Relation of Art to Morals,[1870]

My frets are getting pretty worn down and I was wondering if anyone has
successfully reshaped them themselves or whether I need a guitar tech to do
it.

Hi all!

Another FREE transcription has been added to the ever-growing collection of
music available at
<> !! As
promised,
the solo from Jimmy Bruno’s “A Rose for Peg” is the newest addition. Thanks
again to Jimmy Bruno, Mel Bay Publications Inc., Backbone Publishing, and
Concord Records for giving me permission! Don’t forget to check out the
Transcription MIDI and the Jam Track for practicing.

Coming Attractions?
1. Kenny Burrell’s solo from “All Blues”.
2. Grant Green’s solo #2 from “Back in Your Own Back Yard”
3. Wes Montgomery’s solo from “Billie’s Bounce”

A continued THANKS to all those who have written me with words of
encouragement, suggestions, and gratitude. Please take the time to sign my
GUESTBOOK while you’re visiting!

--brent


Brent D. Stuntzner Construction
7931 SW 40th Ave., #D
Portland, OR? 97219-3598

Stuntzner@...

_______________
Life without industry is guilt, industry without art is brutality.
John Ruskin (1819 – 1900), Lectures on Art, III,
The Relation of Art to Morals,[1870]

Hi all!

More FREE transcriptions have been added to the ever-growing collection of
music available at <>www.stuntzner.brent.org !!
Thanks to Jimmy Bruno, Mel Bay Publications Inc., Backbone Publishing, and
Concord Records, my Transcriptions list now contains the head from “A Rose for
Peg”! Also posted, Kenny Burrell’s chord-melody arrangement for “All Blues”
(watch the stretches!). Don’t forget to check out the Transcription MIDI and
the Jam Track practice makes perfect.

Coming Attractions?
1. Jimmy Bruno’s solo from “A Rose for Peg” (also courtesy of the
aforementioned people).
2. Kenny’s solo from “All Blues”.
3. Grant Green’s solo #2 from “Back in Your Own Back Yard”

A continued THANKS to all those who have written me with words of
encouragement, suggestions, and gratitude. Please take the time to sign my
guestbook while you’re visiting!

--brent


Brent D. Stuntzner Construction
7931 SW 40th Ave., #D
Portland, OR? 97219-3598

Stuntzner@...

_______________
Life without industry is guilt, industry without art is brutality.
John Ruskin (1819 – 1900), Lectures on Art, III,
The Relation of Art to Morals,[1870]

My name is jack. Recently, I bought an Evans custom jazz amp. It's the best
sounding amp i have ever played through. I have the je200. Its price is
around 1100 new. If you are looking for a bit cheaper amp, Polytones are
nice. They are very forgiving as far as feedback goes. They come as cheap
as 400.

Good luck, Jack.

I found a new chord instruction book which starts
with triads on all the three adjacent string sets.
He then goes on the triads in spread string sets,
then finally to four note seventh chords. It is
filling in the gaps in my fingerboard knowledge.

"Chord Connections, A Comprehensive Guide To Guitar
Chords and Harmony" by Robert Brown, Alfred
National
Guitar Workshop series.

He recommends Jody Fisher's book, "Guitar Chord and
Scale Finder" and "Theory for the Contemporary
Guitarist" by Guy Capuzzo

Anyone have experience working with "Theory for the
Contemporary Guitarist" book?

Ed T.

=====

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Bid and sell for free at