开云体育

From: Awseyler@... [mailto:Awseyler@...]

Below is a list of the CDs/LPs that I need!
PASS JOE FOR DJANGO

I got this CD last year from one of the big online
vendors. It cost about $20, but is well worth it.

Steve Gallagher

Just seeing what software you all use for transcribing solos. I can run
Windows or Linux.

The Slow Speed CD Transcriber
() is pretty cool, but over
priced for what I need it for (imo). The demo also has annoying limitations
that prevent me from actually seeing if it's worth giving up my old method
of camping in front of a CD player.

I'm looking for a cheaper solution, hopefully a free one. This isn't rocket
science, the algorithms used are freely available. All I really need is
something that can perform a time/pitch shift of a wav file. If I could get
motivated, I could do it myself and maybe GPL it.

Just seeing what's out there.




zube

I liked the can...I could re-use it later...as a can - Chester

From: "Peter Wise" <petor@...> writes:

Can anyone tell me what kind of effect/s players like John
McLaughlin use on
tracks like Take The Coltrane on After The Rain and John Scofield on
Here's
That Rainy Day, Joy Spring on McCoy Tyner's Things Ain't What They
Used to
Be? They both seem to be using the same sound. Thanks

Peter

___________________________________________________
Reply: "Don Price" <alljazzguitar4@...>

To my knowledge McLaughlin used his archtop Gibson with a midi interface
that added the hammond B3-like EFX. I saw him perform this live and that
was the "sound."

-Don

Hello alljazzguitar4,

Monday, March 20, 2000, 11:56:10 AM, you wrote:



ajc> Message 3
ajc> __________________________
ajc> The talk about memorizing the fretboard has been great guys! I myself
ajc> have
ajc> been playing guitar for two and a half years and am always looking for
ajc> ways
ajc> to brush up on my fretboard knowledge! I do know it is one of my weakest

ajc> links and one that I need to brush up on...

ajc> This talk has led me to a related topic... Soloing! As a "rocker teen"
ajc> I
ajc> became accustomed to using one scale for an entire solo section (never
ajc> switching keys... Eb Blues all the way!:). Anyway, in the process I did
ajc> develop a "soul" of sorts for the music... I have gotten over the scale
ajc> syndrome of just running without meaning...

ajc> My new problem that my guitar teacher and I have started working on is
ajc> REAL
ajc> soloing, playing the changes! I want to keep it simple because it's
ajc> extremely difficult to me for some reason. We are using the boxed method

ajc> and when a new chord comes I get shellshocked and can't find the next
ajc> scale.
ajc> I'm just trying to go from say C Lydian to F Lydian. Anyway, is there
ajc> a
ajc> trick to this or what?! Thanks!

ajc> Jamie
ajc> "Jazz Guitarist - Under Construction"
ajc> Post replay to: jazzgtrchat@...
ajc> eGroups.com Home:
ajc> - Simplifying group communications



ajc> ------------------------------------------------------------------------
ajc> DON'T HATE YOUR RATE!
ajc> Get a NextCard Visa, in 30 seconds! Get rates as low as
ajc> 0.0% Intro or 9.9% Fixed APR and no hidden fees.
ajc> Apply NOW!
ajc>

ajc> -- Talk to your group with your own voice!
ajc> --


There is one good trick:
1) You must see the chord tones on your fretboard (1, 3, 5, 7).
2) If you see them you can do the next exercise: playing the chord
over stop on any tone and try to find the nearest tone of the next
chord and then build the scale to play the next chord over from the
tone you found.

--
Best regards,
mailto:Igord@...

Message 3
__________________________
The talk about memorizing the fretboard has been great guys! I myself
have
been playing guitar for two and a half years and am always looking for
ways
to brush up on my fretboard knowledge! I do know it is one of my weakest

links and one that I need to brush up on...

This talk has led me to a related topic... Soloing! As a "rocker teen"
I
became accustomed to using one scale for an entire solo section (never
switching keys... Eb Blues all the way!:). Anyway, in the process I did
develop a "soul" of sorts for the music... I have gotten over the scale
syndrome of just running without meaning...

My new problem that my guitar teacher and I have started working on is
REAL
soloing, playing the changes! I want to keep it simple because it's
extremely difficult to me for some reason. We are using the boxed method

and when a new chord comes I get shellshocked and can't find the next
scale.
I'm just trying to go from say C Lydian to F Lydian. Anyway, is there
a
trick to this or what?! Thanks!

Jamie
"Jazz Guitarist - Under Construction"
Post replay to: jazzgtrchat@...
eGroups.com Home:
- Simplifying group communications

Ladies and Gents,

Below is a list of the CDs/LPs that I need! If you have one of these in
LP form, and want it cleaned up and placed on a CD then I will do that for
you for FREE! If you want to trade for any of these, I have 2,000 CDs with
which to trade with!

Please email me privately!

ABERCROMBIE JOHN ABERCROMBIE QUARTET
ABERCROMBIE JOHN ARCADE
ABERCROMBIE JOHN M
ABERCROMBIE JOHN THE JOHN ABERCROMBIE QUARTET
ADDERLEY CANNONBALL AT THE LIGHTHOUSE
ADDERLEY CANNONBALL GREATEST HITS
ADDERLEY CANNONBALL QUINTET PLUS
ADDERLEY NAT HUMMIN
ADDERLEY NAT TO THE IVY LEAGUE
AIRTO TOUCHING ME, TOUCHING YOU
AMMOND GENE GOODBYE
AMSALLEM FRANCK OUT A DAY
ARTT FRANK 5 JAZZ AT RYLE'S
BAKER CHET BROKEN WING
BAKER CHET GROOVIN WITH THE CHET BAKER QUINTET
BAKER CHET IN NEW YORK
BAKER CHET SPEAK TUNE
BAKER CHET THE MOST IMPORTANT ALBUM '64/'65
BAKER CHET YOU CAN'T GO HOME AGAIN
BAKER CHET/PEPPER ART PLAYBOYS
BARRON KENNY QUICKSTEP
BAUER BILL SEPTEMBER IN THE RAIN
BEIRACH RICHIE ELM
BEIRACH RICHIE/LIEBMAN DAVE FORGOTTEN FANTASIES
BLAKEY ART REFLECTIONS IN BLUE
BLAKEY ART ROOTS AND HERBS
BOFILL ANGELA ANGIE
BOFILL ANGELA SOMETHING ABOUT YOU
BOFILL ANGELA THE BEST OF
BROADBENT ALAN ANOTHER TIME
BROOM BOBBY CLEAN SWEEP
BROWN CLIFFORD IN PARIS
BROWN CLIFFORD MEMORIAL ALBUM
BROWN DONALD CAUSE AND EFFECT
BRYANT RAY ALONE AT MONTREAUX
BRYANT RAY RAY BRYANT
BURTON GARY CARNEGIE HALL
BYRD DONALD ROYAL FLUSH
BYRD DONALD/GRYCE GIGI JAZZ LAB
CHRISTWEB PETE/WAYNE MARSH 5 APOGEE
CLAYTON BUCK THE GOLDEN DAYS OF JAZZ
COLE RICHIE KEEPER OF THE FLAME
COLE RICHIE/KLOSS ERIC BATTLE OF THE SAXES - VOL.1
COLEMAN/WALTON/JONES/HIGGINS EASTERN REBELLION
COLEMAN GEORGE MAX ROACH
COLEMAN ORNETTE THIS IS OUR MUSIC
COLTRANE JOHN TRANE TRACKS
COLTRANE JOHN/CHERRY DON THE AVANT GARDE
COPLAND MARC TWO WAY STREET
COREA CHICK THREE QUARTETS
COX KENNY INTRODUCING THE CONTEMPORARY QUINTET
D'AMBROSIA MEREDITH IT'S YOUR DANCE
DAVIS MILES FILLES DE KILIMANJARO
DAVIS MILES WATER BABIES
DAWA MWENDO MWENDO DAWA (HEJ VAT DER GAR)
DESMOND PAUL PAUL DESMOND QUARTET LIVE
DOLPHY ERIC FIRE WALTZ
DOLPHY ERIC LA VALSE DES LILAS
DOLPHY ERIC OUT THERE
DOLPHY ERIC/CARTER RON MAGIC
DORHAM KENNY THE KENNY DORHAM MEMORIAL ALBUM
DOROUGH BOB DEVIL MAY CARE
DUKE GEORGE FOLLOW THE RAINBOW
ESCOVEDO PETE THE ISLAND
EVANS BILL THE PARIS CONCERT - EDITION 2
EVANS BILL WE WILL MEET AGAIN
FARRELL JOE OUTBACK
FELDMAN VICTOR IN THE POCKET
FERGUSON MAYNARD DIMENSIONS
FERGUSON MAYNARD MAYNARD '62
FERGUSON MAYNARD MAYNARD '64
FERGUSON MAYNARD PRIMAL SCREAM
FERGUSON MAYNARD RIDIN' HIGH
FISCHER CLAIRE MACHACA
FITZGERALD ELLA WHISPER NOT
FLOYD EDDIE KNOCK ON WOOD
FORD RICKY LOXODONTA AFRICANA
FORTUNE SONNY WAVES OF DREAMS
FRIESEN DAVID OTHER MANSIONS
FRIESEN DAVID STORYTELLER
GILLESPIE DIZZY SOMETHING OLD, SOMETHING NEW"
GISMONTI EGBERTO SOL DO MEIO DIA
GLENN KENT GOOD FOR THE GARDEN
GOMEZ EDDIE POWER PLAY
GORDON DEXTER A DAY IN COPENHAGEN
GORDON DEXTER DOIN' ALRIGHT
GRAY WARDELL CENTRAL AVENUE
GRIFFITH PARK COLLECTION ECHOES OF AN ERA
GRUSIN DAVE KALEIDOSCOPE
GRYCE GIGI JAZZ LAB
HALL JIM LIVE
HARRELL TOM SAIL AWAY
HARRIS BARRY LUMINESCENCE
HAWES HAMPTON/CHAMBERS PAUL EAST WEST CONTROVERSY
HAYNES ROY/ERVIN BOOKER BAD NEWS BLUES
HEATH BROTHERS LIVE AT THE PUBLIC THEATRE
HEATH BROTHERS PASSIN' THRU
HEATH JIMMY PICTURE OF HEATH
HENDERSON JOE THE ELEMENTS
HOLLAND DAVE/BERGER KARL ALL KINDS OF TIME
HUBBARD FREDDIE BACKLASH
HUBBARD FREDDIE BLUE SPIRITS
HUBBARD FREDDIE KEEP YOUR SOUL TOGETHER
HUBBARD FREDDIE SUPER BLUE
HUBBARD FREDDIE THE LOVE CONNECTION
HUBBARD FREDDIE WINDJAMMER
HUTCHERSON BOBBY CIRRUS
HUTCHERSON BOBBY CONCEPTION, THE GIFT OF LOVE
HUTCHERSON BOBBY HIGHWAY ONE
HUTCHERSON BOBBY TOTAL ECLIPSE
HUTCHERSON BOBBY UN POCO LOCO
JACKSON MILT BALLADS AND BLUES (ATLANTIC #1242)
JACQUET ILLINOIS FLIES AGAIN
JARRETT KEITH MYSTERIES
JARRETT KEITH SOMEWHERE BEFORE
JOHNSON J.J. THE EMINENT J.J. JOHNSON - VOL. 2
JONES ELVIN ELVIN JONES
JONES ELVIN MERRY-GO-ROUND
JURIS VIC HORIZON DRIVE
KENTON STAN ADVENTURES IN TIME
KESSEL BARNEY BARNEY PLAYS KESSEL
KESSEL BARNEY SPONTANEOUS COMBUSTION
KIRK ROLAND DOMINO
KIRK ROLAND LEFT & RIGHT
KRAL IRENE KRAL SPACE
KUHN STEVE NON-FICTION
KUHN STEVE STEVE KUHN
KUHN STEVE TRANCE
LABARBARA PAT PASS IT ON
LACY STEVE THE STRAIGHT HORN OF STEVE LACY
LE NGUYEN MIRACLES
LE NGUYEN ZANZIBAR
LEE PEGGY PRETTY EYES
LeGRAND MICHAEL LIVE AT JIMMY'S
LEVINE MARK UP TILL NOW
LEWIS MEL MEL LEWIS & FRIENDS
LIEBMAN DAVE SWEET HANDS
LIEBMAN DAVE TURN IT AROUND
LIEBMAN DAVE WHAT IT IS
LINS IVAN DOCE PRESENCA
LINS IVAN MAOS
LISTEN GROWING
LORBER JEFF IT'S A FACT
LORBER JEFF SOFT SPACE
MAGNUSSON BOB REVELATION
MANTILLA RAY MANTILLA
MARKOWITZ PHIL SNO' PEAS
MARSH WARNE ALL MUSIC
McCANDLESS PAUL ALL THE MORNINGS BRING
McCONNELL ROB THE JAZZ ALBUM
McNEELY JIM THE PLOT THICKENS
McNEIL JOHN EMBARKATION
McPARTLAND MARION PLAYS ALEC WILDER
McRAE CARMEN LIVE AT BIRDLAND WEST
MENDEZ SERGIO FOOL ON THE HILL
MINGUS CHARLES MINGUS MOVES
MINGUS CHARLES MINGUS REVISITED
MITCHELL BLUE THE THING TO DO
MONK THELONIOUS GENIUS OF MODERN MUSIC
MONTGOMERY WES DOWN HERE ON THE GROUND
MONTOLIEU TETE/COLEMAN GEORGE DUO
MORGAN JAYE P./MURPHY MARK/JORDAN S. ONE FOR JUNIOR
MORGAN LEE CITY LIGHTS
MORGAN LEE THE PROCRASTINATOR
MORGAN LEE THE SIXTH SENSE
MOSES BOB BITTER SUITE IN THE OZONE
MOSES BOB FAMILY
MULLIGAN GERRY IDOL GOSSIP
MULLIGAN GERRY THE AGE OF STEAM
MURIBUS GEORGE BRAZILIAN TAPESTRY
MURIBUS GEORGE TRIO 77
MUSCARELLA SUSAN RAINFLOWERS
NASCIMENTO MILTON MILTON
NAVARRO FATS PRIME SOURCE
NAVARRO FATS THE FABULOUS FATS NAVARRO
NELSON OLIVER IMAGES
NIEWOOD GERRY SLOW, HOT, WIND
NOCK MIKE SUCCUBUS
NORRIS BOBBI CLOSE UP
OZONE MAKOTO CRYSTAL LOVE
PASS JOE FOR DJANGO
PEACOCK GARY TALES OF ANOTHER
PEARSON DUKE SWEET HONEY BEE
PETERSON OSCAR GIRL TALK
PETERSON OSCAR/PASS JOE A SALLE PLEYEL
PIERANUNZI ENRICO DEEP DOWN
PONDER JIMMY TO REACH A DREAM
REEVES DIANE/HANCOCK/McFERRIN BOBBY ROUND MIDNIGHT - VOL. 2
RIVERS SAM FUSCHIA SWING SONG
ROACH MAX DRUMS
ROACH MAX THE MANY SIDES OF MAX ROACH
RODNEY RED/SULLIVAN IRA AT THE VILLAGE VANGUARD
ROGERS SHORTY SHORTY ROGERS COURTS THE COUNT
ROSENMAN L. THE JAMES DEAN STORY
SACBE DOS MUNDOS
SACBE SACBE
SACBE STREET CORNER
SAM & DAVE HOLD ON, I'M COMING
SCHNITTER DAVE GLOWING
SCOTT TOM APPLE JUICE
SHAW WOODY FOR SALE
SHAW WOODY LOVE DANCE
SHAW WOODY ROSEWOOD
SHAW WOODY STEPPING STONES
SHAW WOODY UNITED
SHAW WOODY UNITY
SHAW WOODY WOODY III
SHEPP ARCHIE LIVE IN SAN FRANCISCO
SHEW BOBBY BREAKFAST WINE
SHORTER WAYNE THE SOOTHSAYER
SHORTER WAYNE THE YOUNG LIONS
SILVER HORACE IN PURSUIT OF THE 27TH MAN
SILVER HORACE SILVER & VOICES
SILVER HORACE SILVER AND VOICES
SILVER HORACE THE BEST OF
SILVER HORACE THE STYLINGS OF SILVER
SOUZA RAUL DE DON'T ASK MY NEIGHBORS
STERN PEGGY/KONITZ LEE LUNASEA
STITT SONNY GENESIS
STITT SONNY I REMEMBER BIRD
SULLIVAN IRA/RODNEY RED SPIRIT WITHIN
TEMPTATIONS THE MOTOWN SOUND - VOL. 8
TERRY CLARK WHAT'D HE SAY
TJADER CAL HERE
TOLLIVER CHARLES IMPACT - MUSIC INC. & ORCHESTRA
TOSHIKO MARIANO QUARTET TOSHIKO MARIANO QUARTET
TURRENTINE STANLEY THE SOUL OF STANLEY TURRENTINE
TYNER McCOY EXPANSIONS
TYNER McCOY LOOKIN' OUT
TYNER McCOY TENDER MOMENTS
TYNER McCOY TRIDENT
VARNEY FRANK TRUTH IN SHREADING
WALLACE VINCE VINCE WALLACE PLAYS VINCE WALLACE
WALTON CEDAR ANIMATION
WALTON CEDAR PIANO SOLOS
WESTON RANDY LITTLE MILES
WHEELER KENNY GNU HIGH
WILSON GERALD YOU'D BETTER BELIEVE IT
WONDER STEVIE THE SECRET LIFE OF PLANTS
WOODS PHIL & HIS EUROPEAN RHYTHM MACHINE
WOODS PHIL ALTOLOGY
WOODS PHIL BIRDS OF A FEATHER
WOODS PHIL SHOWBOAT
WOODS PHIL SONGS FOR SISSY PUSS
ZAPPA FRANK WEASELS RIPPED MY FLESH
ZEITLIN DENNY CARNAVAL
ZEITLIN DENNY CATHEXIS
ZEITLIN DENNY LIVE AT THE TRIDENT
ZEITLIN DENNY TIDAL WAVE

Jazzgtr85@... wrote:

I have a gibson 165. For a while i was having horrible feedback. Here are
some suggestions......
use in bigger room.
put amp to the left of you
put amp in front of you
Amps vary in feedback. The flatest amps that are best for reducing feedback
are polytones and evans.

please respond.......Jack

Jack, good ideas all. Unfortunatly on many of the gigs and rehearsals I do I
don't have allot of control over the size of the room or my relative proxsemity
to my amp(when recording it's usually easier to control these things)and it seems
I'm often right on top of the thing. One thing that seems to help sometimes is to
get my amp off the ground, but that doesn't work all the time.

Thanks,
Brad

I have a gibson 165. For a while i was having horrible feedback. Here are
some suggestions......
?use in bigger room.
?put amp to the left of you
? put amp in front of you
Amps vary in feedback. The flatest amps that are best for reducing feedback
are polytones and evans.

please respond.......Jack

I'm currently using Cakewalk's Guitar Studio and Sound Forge, both work
nicely.

-Don
allJaZZGuiTaR

To Subscribe:
For Free Email:

From: Joe Burcham
To: jazzguitar@...
Sent: 3/17/2000 1:33 PM
Subject: [jazzguitar] Re: LP to CD

I'd really be interested in the software also. Is it shareware,
freeware,
payware, .....

Thanks Joe
Cool Edit Pro is not share/freeware. It is also not inexpensive, but
does contain a pretty powerful studio application. Cool Edit 2000 with
the Audio Cleanup plugin is considerably less money but does not have
the same level of studio applications. Info available from
Syntrillium.com.
Brad Little

Jeremy told me he used Cool Edit Pro. The other software that I've been
told is excellent is called Dart Pro.

I'd really be interested in the software also. Is it shareware, freeware,
payware, .....

Thanks Joe


On Mon, 13 Mar 2000 15:05:25 -0500, jazzguitar@... wrote:

Thanks for your generosity. I may take you up on your offer. Do you

mind

telling me which software you're using, in case I decide to do this

myself?

Rick

> -----Original Message-----
> From: Awseyler@... [mailto:Awseyler@...]
> Sent: Monday, March 13, 2000 3:03 PM
> To: jazzguitar@...
> Subject: [jazzguitar] Re: LP to CD
>
>
> In a message dated 03/13/2000 12:55:59 PM Eastern Standard Time,
> E_Goosenberg@... writes:
>
> << Andy -
>
> I hope for your sake that you're not overwhelmed with people
> taking you up
> on your offer. You may be surprised.
>
> Rick >>
>
> I may be! I have been waiting for YEARS to have certain CDs
> released or
> re-released. I finally got tired of the wait! I can now turn LPs,
> Cassettes, ANYTHING into CD format! I can place 14 CDs onto
> 1 CD (in mp3
> format of course) and listen to it ALL day at work and not
> hear the same song
> twice! IT IS FANTASTIC!
>
> I just wanted people who have been waiting for so long not to
> wait anymore.
> They have an option. The benefit for me is I will be turned
> on to a myriad
> of music that people will send! I am excited about all of this!
>
> --------------------------------------------------------------
> ----------
> GET A NEXTCARD VISA, in 30 seconds! Get rates as low as 2.9%
> Intro or 9.9% Fixed APR and no hidden fees. Apply NOW!
>
>
> -- Easily schedule meetings and events using the group calendar!
> --
>
>

<< File Attachment Removed: "text/html" >>

_______________________________________________________
Get 100% FREE Internet Access powered by Excite
Visit

Well, converted two more LPs to CDs

Dave Brubeck & Gerry Mulligan - Blues Roots

Jim Hall, Jimmy Raney and Zoot Sims - Two Jims and a Zoot!

This is FANTASTIC!

hi brad try useing some fome rubber cut a little larger than the size of the
f-hole. i use a george benson model and have same problem at higher volume
levels. although your 150's alot deeper... anyother ideas ????

Anyone have any ideas on minimizing feedback on a Jazz guitar? I play a
59 Gibson 175 with one pickup. It's a fairly light and resonant guitar,
which I like, but I prefer to leave Ted Nugent to cover the feeback
with a Jazz guitar school.

Thanks,
Brad Rabuchin

Thanks for your generosity. I may take you up on your offer. Do you mind
telling me which software you're using, in case I decide to do this myself?

Rick

I have a 1957 ES 175D also and my suggestion is to roll the bass off on your
amp and if you have a mid level put it very low maybe on 1or 1 and a half.
Keep the speaker of the amp to your side so your guitar isn't in front of the
amp. This works for me. I use two amps and run them stereo . I never have to
worry about feedback. I hope this helps.
Peace,
Teddy

In a message dated 03/13/2000 3:46:05 PM Eastern Standard Time,
bradrabuchin@... writes:

<< Anyone have any ideas on minimizing feedback on a Jazz guitar? I play a
59 Gibson 175 with one pickup. It's a fairly light and resonant guitar,
which I like, but I prefer to leave Ted Nugent to cover the feeback
with a Jazz guitar school.

Thanks,
Brad Rabuchin
>>

Well, you could blow baloons up inside the body so it seals up the F holes
(good luck), OR.... you can go to a luthier (or friend woodworker) and have
him cut out 2 plates that resemble your F holes. Make them about 1/4 inch
larger than the ones on your guitar. Make them out of ebony or a DARK wood
(maybe dark stain). Then place foam rubber on the backs. Place the foam into
your F holes (you will still have the "cosmetic" look of F Holes once you put
them in). This way you can remove them whenever you want.

THIS WORKS!

In a message dated 03/13/2000 12:55:59 PM Eastern Standard Time,
E_Goosenberg@... writes:

<< Andy -

I hope for your sake that you're not overwhelmed with people taking you up
on your offer. You may be surprised.

Rick >>

I may be! I have been waiting for YEARS to have certain CDs released or
re-released. I finally got tired of the wait! I can now turn LPs,
Cassettes, ANYTHING into CD format! I can place 14 CDs onto 1 CD (in mp3
format of course) and listen to it ALL day at work and not hear the same song
twice! IT IS FANTASTIC!

I just wanted people who have been waiting for so long not to wait anymore.
They have an option. The benefit for me is I will be turned on to a myriad
of music that people will send! I am excited about all of this!

Guys and Gals,

My LPs to CDs are turning out fantastic! In light of this, I want to
offer you this service!
Send me your LPs and I will record them, clean them up (take out MOST if not
all of the pop and crackle) and put them on CD for you. All you have to pay
is $5 per CD. The money is for the cost of return shipping (both LP and CD),
my time and the CD that I put it on!

If interested email me!

Send LPs to:

Andy Seyler
28 Larkwood Court
Stafford, Virginia 22554