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Hi Clif. By masking, do you mean quieter sounds from your amp being covered up by others in the band? Or are you talking about something else entirely? Chris

patant applied for.

--- In jazz_guitar@..., Ron Murray <rmurray@s...> wrote: ... > and Stradivari are worth millions, in some cases. With the guitar, we have a > relative bargain, plus chicks. > from my

Clif, I'm unclear. What is "masking"? Thanks, Rick do tone can get

John, Such a nice job of Blue Dove. Where could I get a copy of the lead sheet please? Michael --- John Amato <jamato316@...>

<richardipollack@y...> wrote: I used to, but there's absolutely nothing uniform about an audience response and there's not much that can ever be done about it. There's apparently something

i have to respectfully disagree, between the type of strings, pick, fingers, where the player plucks the strings, tone controls, dynamics, attack, etc, etc, there is more than enough room to create

My rendition of Jim Hall's adaptation of a Mexican folk song ... correction web page ... http://homepage.mac.com/jn316/musicroom/FileSharing36.html John Amato Music blows the dust off your

on 10/1/05 5:38 PM, bebmen at bebmen@... wrote: Ok, again I agree with you, but the main conclusion of this discussion is that there is no other way to find that 'own great' sound without

I was told the same thing when I was a freshman/ sophomore in college. I began to sing and breathe like a horn player during my solos. When I ran out of breath - I quit playing. I began to notice

That's a vague criticism to level at someone. It doesn't "feel relaxed"? Says who??And how would they know, since you're the one feeling it? Unless someone can offer some more specific advice, if I

Be aware of your breathing. Listen to Wes. Watch videos of Wes, he is smiling, looking out into the audience. Have you seen the videos from Dick and Clif? Though they make faces they are looking out

I agree. Pickups especially. How are you going to A-B compare pickups? The sound of each depends on a number of factors, including the capacitor values, pot types, and details of setup. By the time

I think the ability to get a decent jazz tone using cheap gear is much easier than getting a good tone in, say, blues, or rock. Jeff

Im here at UNF, and Im trying to get all of my stuff together now... A couple of guys have told me that my swing feel is good, but doesnt feel relaxed... what can I do to fix this?

Ok, again I agree with you, but the main conclusion of this discussion is that there is no other way to find that 'own great' sound without spending thousands on various equipment. Isn't it sad?

I really think that only you can answer that. We talk about classic jazz tone. I think that people are generally referring to something like Wes' sound, not much treble and lots of warmth.

I have the same problem with a lot of modern jazz records, especially almost all of the studio stuff I've heard from Metheny (admittedly not a lot, but still 3 or 4 albums) and people the likes of

My take on Jim Hall's adaption of "Blue Dove," a Mexican Folk song. http://homepage.mac.com/jn316/musicroom/FileSharing35.html John Amato Music blows the dust off your soul...

--- Alisdair MacRae-Birch <akmbirch@...> wrote: ...somehow for some of us who learned first jazz chords w/Baker book ...I don't remember when the correct fingers fell into place ...we just