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Re: Advantages of iTunes

 

On 11/14/2010 9:20 PM, akmbirch wrote:

Apple is always trying to drive the royalty rates down.
I know people selling on CDBaby as well. None of them are making any money. Why buy from CDBaby when you can download it for free?

Bobby


Re: Advantages of iTunes

 

--- In jazz_guitar@..., "Dave Woods" <david_woods@...> wrote:

I hooked up with CD Baby. They sell a CD for me once in a while, and set me
up with a bar code so I can put them in stores. They also put me on I
Tunes, and the other download sites. every once in a while, a dollar comes
pouring in from all over.
Sound advice. CDBaby is one of the better places. Many people I know use them.



This article is a good summary on iTunes royalty rates although some of it is out of date.



Apple is always trying to drive the royalty rates down. Their focus is selling hardware, music for them is just content to sell hardware and if they could they'd make it available for free. Don't expect to earn much! See post below:



--
Alisdair MacRae Birch
Guitarist/Bassist/Educator/Arranger


Re: Gibson Classic Les Paul 57s

 

Jeff,

At least one of the things he's done is to design his own bobbin to fit under the P-90 cover. Jason always felt like the stock P-90 didn't have enough power to generate an adequate magnetic field to really make it a worthwhile pickup and it didn't matter what you did to hot rod the stock pickup it still needed work and so he just redesigned the whole pickup. As a result his P-90 is in a class by itself.

The thing that really impresses me about Jason is that I think he knows what he's looking for in the way of results long before he starts rewinding something and all of his work is in the direction of getting that result. If he can get it with known techniques and materials then he'll do it that way. If not he'll start all over and redesign the basic pickup.




Brian

-----Original Message-----
From: Jeff Shirkey
Sent: Sunday, November 14, 2010 1:17 PM
To: jazz_guitar@...
Subject: Re: [jazz_guitar] Gibson Classic Les Paul 57s

Brian,

>They are not true P-90 though. Jason redesigned the pickup and put
his own pickup under the hood of the P-90 cover.

I had heard that, but I don't know enough about pickup design to know
what keeps them from being true P-90s. I believe they are potted,
while authentic P-90s are not. Other than that, though, I'm stumped. I
do know that both sets sound great.


Wow,you are using a lot of Lollars pickups but honestly you owe it
to yourself to try the HighWind Humbuckers.
I will...just need to find a guitar to put them in.


Are you using any of the Dave Stephens humbuckers? What’s the story.
I have his original Vintage Lab set. I just had a set of VL2s put in a
Les Paul. I have his '58 and '59 JP sets on order. I have a set of his
Strat pickups also (I believe they are the '64 Mojo vintage models).

The short version of Dave's story is that he has taken the scientific
approach to recreating PAF pickups. He's done all kinds of metallurgic
analysis of old pickups. He studied tons of originals that he's been
able to rewind. He makes his own parts using high quality components
that most manufacturers don't (or can't) use (or get). I think a lot
of this info. is summarized on his YouTube page. He often includes
lengthy text before his videos that sum up a lot of the research he's
done. He also has a video that shows a tour of his "lab" (for lack of
a better word). Anyway, the bottom line is that his pickups also sound
great. He's definitely a maniac when it comes to researching PAFs.

Jeff





------------------------------------



Yahoo! Groups Links


Re: Steely Dan Voicings

 

--- In jazz_guitar@..., Rod Ellard <e11rod@...> wrote:


From: Rod /A little off-topic, but I met / So, would anyone like to guess who
told me all about it?

Ok, I'll bite. Who?
Rikki told me all about it Rod.


Re: Advantages of iTunes

Dave Woods
 

I hooked up with CD Baby. They sell a CD for me once in a while, and set me
up with a bar code so I can put them in stores. They also put me on I
Tunes, and the other download sites. every once in a while, a dollar comes
pouring in from all over.



CD Baby keeps up with all the twists and turns that the internet takes, and
also keeps uploading great advice for coping with the present conditions in
the business. No matter how you get there, or through who, the present
conditions are going to be the same.



Dave Woods


Re: A wise choice !! a--)

John Amato
 

I just changed my password ....


John Amato
Isaiah 55:11








________________________________
From: Palmer <rivmuse2@...>
To: jazz_guitar@...
Sent: Sun, November 14, 2010 2:08:33 PM
Subject: [jazz_guitar] Re:A wise choice !! a--)


John A. I think you have been hacked

JP

Reciprocity

[Non-text portions of this message have been removed]







[Non-text portions of this message have been removed]


(No subject)

 

Anyone else here use Pod?
� Hey, Charles, I use a Pod X3 Live. I don't get to play out much with it, my
guitar chops ,, well, I wouldn't even call them that. When I do use it, my fave
is a little AC30TB that has a nice clean chimey tone, w/minimal effects. I like
it almost as much as a real AC30TB.

If anyone wants, I'd be happy to email you the files, and if you have
anything you'd like to share, let me know.
� I'd � to hear your tones. I'd be willing to share any of my patches, but I
don't know if they are backwards compatible from x3 to xt.


Re: Gibson Classic Les Paul 57s

 

I have a Pat Metheny 100 we could try one in. Just pop it in a box
I'll reimburse shipping.

Ron
Living and playing outside the box.


was Pod xt Tones to share plus Les Paul slap delay

 

On Nov 14, 2010, at 4:18 AM, cglasser wrote:

Anyone else here use Pod? Although it's not a substitute for a warm
tube amp, you can get darn close, and I've had pretty good luck
sculpting some Metheny/Ritenour type chorus and delay tones. It's a
great box for playing out where you never know what kind of amp
you're going to meet...
I've also modeled a couple pretty good Tal Farlow and Wes
Montgomery tones. (Though it still doesn't match my L5 played
straight through my vintage Princeton).
If anyone wants, I'd be happy to email you the files, and if you
have anything you'd like to share, let me know.
Charles, that sounds interesting. I used a Pod for about 10 years or
so and still have it but it's an old one upgraded to pod 2 and last
time I booted it it was mentally ill. Making digital stutter noises
across a number of presets.

But on the subject of effects, I'd love to duplicate that great warm
single slap sound Les Paul used to great effect. Pun intended. I
think it was a box he designed. Probably totally analog. Anyone know
what it was? I've been listening to their greatest hits album. Mary
Ford [not her real name] had an amazing warm thick voice. Nice
balance to the bright staccato chords Les used on that early stuff.
But here's why I hate biddniss as usual. Their greatest hits album
doesn't even have How High The Moon on it. I can only think of one
reason for that. biddniss!! Profit corrupts absolutely. Christ I
sound like a communist.... that corrupts absolutely to. They should
have made John Lennon King of the known universe! Imagine that.
Living and playing outside the box.


Re: Pod xt Tones to share

 

Anyone else here use Pod?
&#9658; Hey, Charles, I use a Pod X3 Live. I don't get to play out much with it, my guitar chops ,, well, I wouldn't even call them that. When I do use it, my fave is a little AC30TB that has a nice clean chimey tone, w/minimal effects. I like it almost as much as a real AC30TB.

If anyone wants, I'd be happy to email you the files, and if you have anything you'd like to share, let me know.
&#9658; I'd &#9829; to hear your tones. I'd be willing to share any of my patches, but I don't know if they are backwards compatible from x3 to xt.


Re: Gibson Classic Les Paul 57s

Jeff Shirkey
 


How do you compare pickups? You can't go back and forth like you do
at the stereo store with speakers -- it takes too long to swap them
out.
Lots of places have clips. People will often do YouTube videos, too.
Basically I have a pretty good idea of what it is I'm looking for,
then I narrow down my options (based on reputation, word of mouth,
clips, videos, etc.) then I take the plunge. Most times you can't go
wrong. It's not as if Jason Lollar makes a bad pickup, in other words.
He doesn't.


Do you use multiple guitars of the same model?
Yes, but after the fact. I try to do my part to help people make
informed decisions since I have a lot of guitar with a bunch of
different pickups in them.

Jeff


Re: Gibson Classic Les Paul 57s

 

This is peripheral to the main discussion, but I've always been curious about this.

How do you compare pickups? You can't go back and forth like you do at the stereo store with speakers -- it takes too long to swap them out.

Do you use multiple guitars of the same model?

Recordings?

Just try to remember what they sound like?

How do you do it?


Re: Gibson Classic Les Paul 57s

Jeff Shirkey
 

Brian,

>They are not true P-90 though. Jason redesigned the pickup and put
his own pickup under the hood of the P-90 cover.

I had heard that, but I don't know enough about pickup design to know
what keeps them from being true P-90s. I believe they are potted,
while authentic P-90s are not. Other than that, though, I'm stumped. I
do know that both sets sound great.


Wow,you are using a lot of Lollars pickups but honestly you owe it
to yourself to try the HighWind Humbuckers.
I will...just need to find a guitar to put them in.


Are you using any of the Dave Stephens humbuckers? Whats the story.
I have his original Vintage Lab set. I just had a set of VL2s put in a
Les Paul. I have his '58 and '59 JP sets on order. I have a set of his
Strat pickups also (I believe they are the '64 Mojo vintage models).

The short version of Dave's story is that he has taken the scientific
approach to recreating PAF pickups. He's done all kinds of metallurgic
analysis of old pickups. He studied tons of originals that he's been
able to rewind. He makes his own parts using high quality components
that most manufacturers don't (or can't) use (or get). I think a lot
of this info. is summarized on his YouTube page. He often includes
lengthy text before his videos that sum up a lot of the research he's
done. He also has a video that shows a tour of his "lab" (for lack of
a better word). Anyway, the bottom line is that his pickups also sound
great. He's definitely a maniac when it comes to researching PAFs.

Jeff

[Non-text portions of this message have been removed]


Re: A wise choice !! a--)

Chris Smart
 

At 12:18 PM 11/14/2010, you wrote:
Oh, no. Just been long time no seeing you.
Are you the crown prince of Nigeria, looking to deposit your fortune overseas?


Re: A wise choice !! a--)

 

John A. I think you have been hacked









JP



Reciprocity


Advantages of iTunes

Will
 

A friend has currently employed an agent to
upload his band`s work onto iTunes.

Although their royalties will be quite small there
does seem to be an advantage to this way of marketing.

There are no up-front pressing/manufacturing fees and
no cloth-eared chain stores to persuade to carry his
stock.

Has anybody else here any experience of this type of
venture?

Will


Re: Cleaning up, Modes From a Commom Tonal Center

Dave Woods
 

Thanks Earnest



Dave


Re: A wise choice !! a--)

 

Oh, no. Just been long time no seeing you.
Oy.
Terry


Re: A wise choice !! a--)

Chris Smart
 

*LOL* WTF?
I think someone got hit by a virus.


Re: Grizzled Veteran Jazz Musician!!!

 

Juan,

Both those guys are wonderful. He guitar player is the best of the child jazz guitarist I have ever see, I He is both creative and expressive and of course he’s go loads of technical skill. Makes me want to throw my guitar and amp off the nearest bridge.






Brian


From: JVegaTrio@...
Sent: Saturday, November 13, 2010 11:50 AM
To: jazz_guitar@...
Subject: [jazz_guitar] Grizzled Veteran Jazz Musician!!!




What do you guys think of this???



Cheers,
JV

Juan Vega

[Non-text portions of this message have been removed]