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Re: Portable reverb unit for Polytone Mini Brute?
The Digitech RV-7 is a stomp box w/ reverb algorithms by Lexicon. It is about $150. As far as the TC Electronics gear goes, it is top notch as well. Their old school chorus unit, the SCF stereo chorus flanger, had the best chorus sound out there. It is still available. Plus, their NM-1 nova modulator pedal supposedly has the same chorus and flanger sounds as the SCF, plus a bunch more. I haven't had a chance to A/B test them yet.
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I haven't seen any reverb pedals w/ delay, unless you are looking at a multi-effects unit. The POD series from Line-6, are pretty good. I've played around w/ a few of them and they are good sounding and compact. -- Mike V. --- In jazz_guitar@..., "rguitarjj" <rpjazzguitar@...> wrote:
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Over 35 Hours of Video Uploaded Every Minute to YouTube
The amount of video uploaded to YouTube is 35 hours per minute.
"That breaks out to 2,100 hours uploaded every 60 minutes, or 50,400 hours uploaded to YouTube every day. If we were to measure that in movie terms (assuming the average Hollywood film is around 120 minutes long), 35 hours a minute is the equivalent of over 176,000 full-length Hollywood releases every week. Another way to think about it is: if three of the major US networks were broadcasting 24 hours a day, 7 days a week, 365 days a year for the last 60 years, they still wouldn't have broadcast as much content as is uploaded to YouTube every 30 days." |
Re: Gibson Classic Les Paul 57s
Jeff Shirkey
Have you seen what Dave Stephens has been up to in his "Vintage Lab" series? Jeff |
Re: Gibson Classic Les Paul 57s
I don't want to go into the proprietary details of the design but the higher windings are only one part of the design. In this case one of the benefits of the higher winding is that it make the pickup sound richer and fuller. Many jazz guitar pickups are highwind style pickups including those by Seymour Duncan, including those he builds for Benedetto. One of the most desirable jazz guitar pickups ever designed were designed by guitarist Attila Zollar and they are extremely high wound pickups.
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If you like a lighter more detailed sound that someone like Jim Hall (not entirely the best example maybe) uses the lower wound Lollar Imperials are hard to beat but the Highwinds are richer and more cello like in the style of Wes and Kenny Burrell. It's not a dramatic difference but the differences are all in the right direction and at this point there is no other pickup out there that can equal them at what these pickups do best. I heard these pickups pickups in all the versions (more wind, less win, every magnet imaginable and every wire wrapping technique, all sorts of different gauges of wire and all the other tricks) leading up to the final product and I can't see how you could possibly build a pickup better suited for jazz guitar. Brian -----Original Message----- From: Jeff Shirkey
Sent: Friday, November 12, 2010 12:50 AM To: jazz_guitar@... Subject: Re: [jazz_guitar] Gibson Classic Les Paul 57s On Nov 12, 2010, at 12:45 AM, Brian Kelly wrote: I’ve said this before but I’ll repeat it. The best pickup for jazzHigh wind? I'm surprised you wouldn't go with the low wind for jazz. I have a set in one of my Les Pauls. Great for jazz/blues. I'm sure the high wind is, too, but it is a hotter pickup after all--and would seem better suited to blues/rock. Not so? Jeff ------------------------------------ Yahoo! Groups Links |
Re: Poignant valedictory interview with Chet Atkins
At 05:36 PM 11/11/2010, Ron Becker wrote:
On Nov 11, 2010, at 3:11 PM, David B. Klein wrote:I really like that fedora. What a beauty. With the scarf... Wow what He'd had brain surgery, you know, Ron. Hence the hat. d. |
Re: Gibson Classic Les Paul 57s
Jeff Shirkey
On Nov 12, 2010, at 12:45 AM, Brian Kelly wrote:
Ive said this before but Ill repeat it. The best pickup for jazzHigh wind? I'm surprised you wouldn't go with the low wind for jazz. I have a set in one of my Les Pauls. Great for jazz/blues. I'm sure the high wind is, too, but it is a hotter pickup after all--and would seem better suited to blues/rock. Not so? Jeff [Non-text portions of this message have been removed] |
Re: Gibson Classic Les Paul 57s
I’ve said this before but I’ll repeat it. The best pickup for jazz is the Lollar HighWind Humbucker. The HightWind name throws people off but this pickup was designed for one of my guitars ago and was specifically designed for jazz although in truth this pickup just sounds great on anything but especially so in a jazz guitar application. It was designed several years ago and was the result of pretty extensive testing against some of the of the best known designs available and this pickup wins hands down in my opinion. I use them on all my archtops, my 137 and on the Telecaster that I sometimes use for jazz or blues.
Brian From: Ron Becker Sent: Thursday, November 11, 2010 1:27 PM To: Jazz Guitar Subject: [jazz_guitar] Gibson Classic Les Paul 57s Anyone have experience with this pickup? They are a C note on the gear slut pages. Are they what they claim? Got a chinese cheapie and the neck pu is muddy sounding compared to a real non vintage LP I heard a while back. Ron Living and playing outside the box. [Non-text portions of this message have been removed] |
Re: Portable reverb unit for Polytone Mini Brute?
John Amato
I highly recommend the Lexicon LXP-1 ... it's been discontinued for years, but
it's on E-Bay, where I got mine. A few years ago I was beat out on E-Bay a few times right at the literal last few seconds. This unit is the best reverb I've found for jazz guitar ... It's a half rack ... ... my other choice which I sometimes take on gigs is the Boss-Fender Reverb, FRV-1 -- it gets very close to that '63 Fender Reverb .... they also have the FDR-1, for that '65 Fender Deluxe Reverb ... but I like the FRV-1 (has that cool "Spring" sound of the '63 Reverb.) John Amato Isaiah 55:11 ________________________________ From: john <deanwork2003@...> To: jazz_guitar@... Sent: Thu, November 11, 2010 10:09:03 AM Subject: [jazz_guitar] Portable reverb unit for Polytone Mini Brute? I have this Polytone Mini Brute amp, the one with the big speaker, I think it is 14". Anyway the reverb is shot on it. Otherwise it has a very good strong clean sound with good bass response. The reverb makes all kinds of high pitch distorted sounds when I try to use it. Is there any good small external reverb unit that you guys would suggest to use with this amp? It would actually be nice to have a digital delay as well but that could come separately in a foot pedal. I used to have one of those Boss digital delay/digital reverb combo stomp boxes years ago that I used with a small Fender amp and the reverb always seemed to thin out the tone of my Es175. Is there something cheap I could find used on EBay that sounds good? john [Non-text portions of this message have been removed] |
Re: MP3: "Sway"
John Amato
Thank you, Kevin ....
John Amato Isaiah 55:11 ________________________________ From: Kevin <kevro2000@...> To: jazz_guitar@... Sent: Thu, November 11, 2010 7:55:46 PM Subject: [jazz_guitar] Re: MP3: "Sway" John, that is awesome. One of my favorite songs, too. --- In jazz_guitar@..., John Amato <jamato316@...> wrote:
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Re: Portable reverb unit for Polytone Mini Brute?
Cool, I never really liked the Polytone reverb anyway.
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--- In jazz_guitar@..., "groovetube66" <groovetube66@...> wrote:
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Re: Portable reverb unit for Polytone Mini Brute?
groovetube66
A used TC Electronics M300 will do what you want and more, and you should be able to find one for $80 or so. Excellent quality.
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S. --- In jazz_guitar@..., "john" <deanwork2003@...> wrote:
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Re: MP3: "Sway"
John, that is awesome. One of my favorite songs, too.
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--- In jazz_guitar@..., John Amato <jamato316@...> wrote:
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