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If you want the Johnny Smith Version of "Moonlight in Vermont" that is correct along with many other jazz great songs get the "Jazz Guitar Bible". It's available probably from Amazon. No commercial

Yeah man, it's hard to beat Johnny! This is what I used back in the 60's. We always played it in Eb. It was probably the closest to chord/melody that I ever came as a jack-of-all-trades type

Save yourself a ton of trouble.....the tone will be in your playing. A good amp can enhance that, but it wont' create it. I have found that my preference for amps is the richness of certain tones, and

<stuckinthesky777@y...> wrote: amp I use a Webb. 15" JBL and 150 watts (the newer ones are 225 watts). It is sold as a steel guitar amp. It's very clean and has a lot of control for tweaking your

This kinda depends on personal preference of course and how much money you can spend. I play jazz through a Line 6, that's right a modeling amp, true jazzers will have some negativity to share about

I know this doesn't have anything to do with the file that's been uploaded in the files or archives section of this forum, but I came across a chord melody book by Steve Crowell and he has a very

hi, John Amato schrieb: yes!!!! i do exactly the same thing! if you see the whole-half tone scale as: 1 - 2 - b3 - 4 - #4 - #5 - 6 - 7 it opens a lot of new ideas: ie: the melodic minor skale is: 1

Note the implications of improvisation on the interchangeability of the dom b7 and the dim7 chords in reference to the Diminished scale and the Half Diminished scale - in order to break out of the

on 10/4/05 10:53 PM, Wm. Marshall Faircloth at mfcpa1@... wrote: Here are my voicings in Eb: 8-----6-----3-----x-----x-----x 8 6 3 6 8 8 8 5 3 7 8 7 8

on 10/5/05 2:51 AM, Jeff Shirkey at jcshirke@... wrote: What's up with the circles with numbers in them above certain measures? Does it indicate position? Suggested fingering (if so,

Thank you for that informative post. Best wishes, Will

What's up with the circles with numbers in them above certain measures? Does it indicate position? Suggested fingering (if so, in what way)? I'm looking at "Autumn in New York" now, and the "3"

I also dislike fingering patterns. I had trouble memorizing the notes in all the dim and b9 scales. Eventually, I had some success with the following approach. A Diminished scale is composed of

Yeah man, as soon as I saw the post last wk, I printed out the whole thing! My only problem is I'm not at that level of reading ability, yet. Maybe next wk, lol. Thanks Marshall

Here are my voicings in Eb: 8-----6-----3-----x-----x-----x 8 6 3 6 8 8 8 5 3 7 8 7 8 5 1 5 6 6 x x x 6 x x

six

All of the old tube amps were quite similar. Anyone who can work on old Fenders can ceratinly work on a Danelectro. It would help though if you could locate and download the schematic (circut

--- "Wm. Marshall Faircloth" <mfcpa1@...> wrote: Marshall, I know you probaly have a ton of material already to study and digest ... but you HAVE to download (if you already haven't) the Barry

Note the implications of improvisation on the interchangeability of the dom b7 and the dim7 chords in reference to the Diminished scale and the Half Diminished scale - in order to break out of the

You can play that first chord using an open E string. It won't sound exactly right, but it saves me the stretch, which slightly annoying In jazz_guitar@..., "dangelico603"