开云体育

<juancarlosfiallos@y...> wrote: HI YJJG, remember , the AC clarus 1R is only the amp head, you'll need to outfit the unit with a speaker. Both of these amps , have a decent transistor tone....the

Apart from my old AC30 I have a JC 120 and a JC90 both have a chorus sound to die for. The vibrato/tremolo on the Vox is unreliable. All these weigh a ton! I was thinking of getting a cube 60

Hi I use the Evans AE 100 8 inch with an extension cabinet 12" Beautiful tone! I just hate making two trips to the car! Ciao Tony Hughes

I wonder which is the best amp for an archtop, the polytone minibrute II(12 inch speaker), minibrute IV(15 inch speaker), or the acoustic image clarus 1R?. thanks for all input, JC --- George

Petri Krzywacki wrote: And as Chevy Chase would have said, if the movie "Caddyshack" was about music instead of golf: "Be the melody Danny, be the melody!" ;) Vocalize, visualize, internalize. If

wrote: Those two things come together, actually -when you really play the melody following your ear, you don't need a familiar key since it sounds the same in every key! I think there's usually a

on 10/6/05 1:30 PM, Rick_Poll at richardipollack@... wrote: I think that singing along with a recording and then singing without the recording are the way to go. Do it as many times as it

Here are my current amps which i guess equals to my favorites. Roland JC 120 - new - will have its first live preformance test later this month - so far in rehersals it has been great! Tech

Rick.... To sum it all up ... i guess, I'm no expert ... but, we study scales in any way that we can best learn them to internalize them best in order than one day our ears can say to our

I think that singing along with a recording and then singing without the recording are the way to go. Do it as many times as it takes. I also think you'll remember it better if you figure out how to

John, I agree with your approach. I also use the major scale as the basis for most of my thinking, at least sort of. For example, For G lyd dominant, I might think G major, but alter the 4th and

I don't have the book in front of me. I will have to check when I get home, but the first 2 bars were Bbmaj6 Gb7 | F11 Gb7 | Typically, I think rhythm changes start out or some variation

--- Rick_Poll <richardipollack@...> wrote: Rick... Here's the super-duper reward that comes with this as it gets practiced over an dover again and again ... and is played and re-learned over

Can you write out the whole progression?

Rick ... I like your method as well (thinking a half step below the chordal is a good method also) ... any pneumonic that can help with the enormous confusion that has historically surrounded this

Gibson Elle wrote: The above approaches, although helpful, are a little too analytical. David Baker has also written that one should sing the melody both vocally and silently when away from your

I want to get some opinions on remembering/learning melodies and was wondering how you guys go about it. Two approaches I've tried. 1/ David Baker's learn the melody using numbers for the key the

THE JAZZ SPOT "Jazz And Coffee Please" 375 Kosciuszko Street (Entrance on 179 Marcus Garvey Blvd.) Brooklyn, New York 718-453-7825 http://thejazz.8m.com 0CTOBER SCHEDULE 2005- $10 10/1

Hi YJJG, my amp experience has been vast over my career... started with a polytone back in the mid-80's , lasted about 6 years until a constant clicking sound emerged probably from the on board

It will be interesting to see what the opinions and reviews of the new Fender Jazz King amp will be like. It's supposed to be voiced for archtop guitars. It has a 15" speaker. playing. A