Yes I agree with you on this, it was a typo and should have said Cm7.
Interestingly, some of the old school jazzers I have spoken with seem
to prefer using the harmonic minor for the iim7b5-V7 part then switch
to the melodic minor for the i chord giving them then the natural 6. I
have found that it's easier to use the dorian mode, because that would
then give both the 6 and the b7, ensuring that I can cover whatever
another piano player or guitarist comps, m6, m7, m69, m9, m11 etc.
original article:
Ooops,
I want to make a correction to my previous email.
Where you read "I think that the Cm6..." Please read " I don't think
that
Cm6...".
Sorry for the inconvinience,
Regards
Rogerio
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From: rscouto@...
Hi Alisdair,
I think that the Cm6 resolves well on the segested progression
because
It has a tritone in it between the "A" and "Eb".
I rather go with the im7 insted.
regards
Rogerio Couto
