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Dear Colleagues, I¡¯m reaching out for your insights and any resources you¡¯d be willing to share. Have you developed any guidelines or rubrics that help determine and shape appropriate reading levels for curatorial content? We¡¯re working to ensure that all public-facing text, from web pages to interpretive wall labels, is truly accessible to the wide range of audiences we serve and written to the appropriate reading level. We've always said our Museum aims for a high school reading level, but my initial online research into literacy stats suggests most Americans today read below a 6th-grade level. What grade level does your museum aim for? One of our key challenges is balancing this goal with the preferences of guest curators, who often favor more complex or academic language. Our aim is to make interpretive materials inclusive, engaging, and readable¡ªwithout oversimplifying or diluting their meaning. We'd love to link our policy to industry best practices. And while we¡¯ve found AAM¡¯s Accessible Communications Guidelines helpful for general messaging, we haven't come across similar guidance specific to curatorial or interpretive content: https://www.aam-us.org/2021/07/01/accessible-communications-guidelines/. Are there any industry best practices out there? We¡¯ve also been exploring tools like the Hemingway App (https://hemingwayapp.com/) to evaluate reading level. Has anyone used this¡ªor other readability tools¡ªin a museum context? Any frameworks, examples, or editing strategies that have helped make your curatorial interpretive content more accessible would be greatly appreciated. And I'm happy to share my findings if folks share resources with me. Thanks in advance! Best Regards, Anna Anna Conlan Neil C. Trager Director, (she/her/hers) Samuel Dorsky Museum of Art | SUNY New Paltz 845-257-3847
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Hi, all, Does your museum host a fundraiser event? If so, what does it entail? Post-covid we¡¯ve seen a lag in attendance at our event (a dinner, small auction, speeches thing) and so I¡¯m rethinking our approach. I¡¯d love to hear what others are doing or have done! All best, Kirsten KIRSTEN OLDS Associate Provost for the Arts; Marilynn and Carl Thoma Professor of the Arts; Director OSU Museum of Art 405.744.2782 ? 720 S Husband St kirsten.olds@...
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Collections Database Software Opinion
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Hello All, With the new fiscal year coming up, we are looking at all aspects of where our money is going. A large part of the Collections budget is designated for the Collections Database Software. We are currently using EmbARK by Gallery Systems, but we are curious as to what other softwares people are using? Particularly in the American Academic Museum settings. And, if you wouldn't mind sharing, what is your opinion of your software? Do you like it? Are you also looking to change? What software systems/companies are you looking into? Thank you in advance for your help with this! I'm trying to get a good read on the situation to then present forward. Best Wishes, Brittany -- Brittany Hild (she/her) Collections Database Coordinator University of Notre Dame 100 Raclin Murphy Museum of Art Notre Dame, IN 46556-0020 bhild@... Office: 574-631-0103 Main number: 574-631-5466 Fax: 574-631-8801 raclinmurphymuseum.nd.edu The Raclin Murphy Museum of Art acknowledges our presence on the traditional land of the Potawatomi peoples, the Miami peoples, and many people from other Indigenous nations that now call this land home. As an initial step towards reconciliation and out of a desire for a brighter and more equitable future, the Museum is committed to amplifying Indigenous voices and building conversation and collaboration through the hosting and support of Indigenous artists, art forms, and communities.
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New Traveling Exhibition - Maya Gurantz: The Plague Archives
Hello colleagues across the AAMG network, The de Saisset Museum, Santa Clara University is excited to announce that we will soon start traveling our current exhibition Maya Gurantz: The Plague Archives and we hope you will consider this interdisciplinary exhibition for your audiences. The Plague Archives offers the opportunity to bring to your venue a site-specific installation comprising multiple video projections and a dense collection of archival material on the social, cultural, and political histories of epidemics and outbreaks. Predominantly spanning the tenth through the twenty-first century, The Plague Archives presents a multi-layered transhistorical and intercultural discourse on the shifting attitudes and definitions of disease. In addition to archival reproductions, found footage, and films created by artist Maya Gurantz, there are two interactive stations that can be reconstructed and reimagined for your space ¨C the Tracing Board encouraging viewers to map images from the Plague Archives onto the surface and the Sounds of Syphilis listening station featuring vinyl records guests can play to hear the late works of composers who experienced tertiary syphilis. The exhibition is ripe with opportunities for interdisciplinary programs and performances, among them The Dancing Plagues performative lecture-demonstrative by artist Maya Gurantz¡ªwho is also available to lead disciplinary-specific tours and workshops. Additionally, the exhibition presents an opportunity for curatorial intervention as it can be tailored to the host institution through the addition of archives and images. There is a nominal fee to host all components of the exhibition and pro-rated fees are available for those who select individual sections. Attached please find the prospectus with full details. We look forward to hearing from you and I am happy to answer any questions. Thank you, Lauren -- Lauren Baines Assistant Director, de Saisset Museum Pronouns: she/her/hers Current Exhibitions Maya Gurantz: The Plague Archives January 28 - June 14, 2025 de Saisset Museum, Santa Clara University 500 El Camino Real, Santa Clara, CA. 95053-0550 Direct Line: 408.554.2741 Main Phone: 408.554.4528, Fax: 408.554.7840 www.scu.edu/desaisset Santa Clara University is located on the unceded traditional homeland of the Ohlone and Muwekma Ohlone people. Please review our current schedule before visiting the museum.
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2025 ACE Provenance Research Training Program - Non-Certificate
Dear Colleagues, For distribution to those in your networks who may be interested in provenance research training: The Center for Art Collection Ethics (ACE) at the University of Denver (DU) is pleased to announce a hybrid training program: Provenance Research Today: Issues, Resources and Networks. The program will run June 23-27, 2025. In its fourth iteration since 2021, our program is geared toward graduate students and emerging museum and art market professionals. Anyone may register to attend select sessions virtually as a non-certificate student. Session recordings are available for one year. Our planning team includes Ren¨¦e Albiston, Provenance Researcher and Head of Provenance Research Department at the Denver Art Museum; Antonia Bartoli, Curator of Provenance Research at the Yale University Art Gallery; and Elizabeth Campbell, Professor of History at DU and Founding Director of ACE. The program includes: Interactive lectures and discussions with field experts including historians, provenance researchers, attorneys, museum professionals, and art market representatives Information on archival and library resources in the United States and abroad Workshops on writing provenance narratives, transparency, and public engagement Legal and ethical dimensions of stewardship related to antiquities and archaeological objects, items from Native American and Indigenous communities, and art stolen and sold under duress in the Nazi era. Art recovery from the perspective of claimants Keynote address by Dr. Patty Gerstenblith, Distinguished Research Professor of Law; Faculty Director, Center for Art, Museum & Cultural Heritage Law at DePaul University Other confirmed speakers include: Leila Amineddoleh, Chair, Art Law Group, Tarter Krinsky & Drogin LLP Lilah Aubrey, Managing Director, Art Ashes Foundation Kate Aufses, Counsel, Freedman Normand Friedland LLP Judith Barr, Curatorial Assistant, Antiquities, J. Paul Getty Museum Randolph J. "Randy" Deaton IV, Security Officer, BOM Bank, and retired FBI Special Agent and FBI Art Crime Team member Anne Dunn-Vaturi, Senior Provenance Researcher, Department of Ancient Near Eastern Art, The Metropolitan Museum of Art, New York Laura Elliff Cruz, Head of Collections, School for Advanced Research Deadria Farmer-Paellmann, JD, MA, Executive Director, Restitution Study Group Carlee S. Forbes, Associate Curator of African and Oceanic Art, Baltimore Museum of Art Daniel Healey, Provenance Research Specialist, Worcester Art Museum Eric Hormell, Metadata Specialist, Getty Provenance Index Christina Kreps, Professor of Anthropology and Director of the Museum of Anthropology, University of Denver Elizabeth Marlowe, Professor of Art History and Director of the Program in Museum Studies, Colgate University Kim Pasqual-Charlie (Pueblo of Acoma), Tribal Historic Preservation Office Advisory Board Sally McKay, Head, Research Services and Specialist in Provenance, Getty Research Institute James Ratcliffe, Mediator, General Counsel & Director of Recoveries at the Art Loss Register Anna B. Rubin, Director, Holocaust Claims Processing Office of the New York Department of Financial Services Jacques Schuhmacher, Executive Director of Provenance Research, The Art Institute of Chicago Till Vere-Hodge, Partner at Payne Hicks Beach Register to attend hybrid sessions online, as a ¡°non-certificate student,¡± for a modest daily fee. Session recordings will be available to all registrants through May 2026. Recordings will be available about a week after the end of the program. There is no charge for the streamed session at the Denver Art Museum on Thursday, June 26, but registration is required. Registration is available now on the ACE website until Wednesday, June 18, 2025 at 5:00 PM MDT. Full program schedule available, subject to minor adjustments. Thank you! The Center for Art Collection Ethics (ACE) University of Denver 2000 East Asbury Avenue, suite 366 Denver, CO 80210 tel. (303) 871-4237 ahss.ace@..., @UofDenver_ACE https://liberalarts.du.edu/art-collection-ethics
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Job Posting: Associate Curator, Moody Center for the Arts at Rice University
Hello everyone, Please find a job description attached for Associate Curator at the Moody Center for the Arts. We're seeking great candidates and will offer relocation assistance. Thank you! Joel Thompson Deputy Director Moody Center for the Arts Rice University | Houston, Texas moody.rice.edu | @theMoodyArts
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Direct Link to Application: https://phe.tbe.taleo.net/phe02/ats/careers/v2/viewRequisition?org=ARKASTAT2&cws=40&rid=36506 Employment Status: Full time (29-40 Hrs) Type of Employment: Staff # of openings: 1 Location: ASU-Jonesboro Proposed Salary Range: Commensurate with Experience Closing: 6/20/25 Please note: All postings close at 12 A.M. CST on the closing date. A-State participates in E-Verify. Position Summary: The director is responsible for oversight of all administrative aspects of the Bradbury Art Museum, including working in collaboration with the curator on an exhibition schedule, overseeing the management of the university art collection, developing and maintaining collection management protocols in collaboration with the collections manager, supervising museum staff, maintaining the museum budget, and providing vision and focus for the Museum. Additionally, the director must prepare reports, grant applications, fundraising proposals, and work closely with the Dean of the College of Liberal Arts and Communication and University Advancement. Duties & Responsibilities: Write press releases, public service announcements, or other informational materials used to develop public relations and grow awareness of the museum, with input from the Office of Communications Work with University Advancement to increase financial support for the museum, including grant writing Maintain relationships with important museum supporters, involving them in museum events Supervise full-time museum staff Train, schedule, and supervise student gallery workers responsible for daily museum operations and who assist with exhibition preparations Manage museum budgets Perform related responsibilities as required and assigned by the Dean of the College of Liberal Arts and Communications Complete and maintain a collections management policy Oversee the record keeping of the Collections Manager using a collections database, making sure that museum industry standards and best practices are consistently met Work with the registrar to maintain proper storage of objects Manage the office loan program, including record-keeping and annual condition checks Supervise all aspects of mounting all exhibitions in the museum, through direct collaboration with the Curator Coordinate receipt and return of artworks, arranging for insurance coverage for exhibitions Work with curatorial staff to develop touring exhibitions utilizing university collections Coordinate receptions for exhibition opening Other duties as assigned Knowledge/Skills/Abilities: The director must possess excellent oral and written communication skills as well as interpersonal relationship skills, and be knowledgeable in the arts. Individual must be able to generate and maintain contacts with artists, curators, and Museum directors and build a network of artists and associates ensuring the ability to curate, secure and mount exhibitions. The director must have the ability to be an advocate for the arts. Must be able to interact effectively with faculty, students, administration, and public. General Days/Hours: Monday - Friday 8:00 a.m. - 5:00 p.m. Additional hours as requested and/or needed Regular and reliable attendance Other: Please note: all position postings close at 12:00 A.M. CST on the position closing date Minimum Qualifications: The director must hold a master's degree related to art, museum studies, or art administration. The individual should have significant museum or gallery experience. Leadership experience preferred. E-Verify Participation Notice: https://www.e-verify.gov/sites/default/files/everify/posters/EVerifyParticipationPoster.pdf E-Verify Right to Work: https://www.e-verify.gov/sites/default/files/everify/posters/IER_RightToWorkPoster%20Eng_Es.pdf Paden DeVita Bradbury Art Museum Education Coordinator C:(386)503-2287 O:(870)972-3765 pdevita@... padendevita@... padendevita.com Book time to meet with me
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Job Posting: Head Curator - Colby College Museum of Art
Good afternoon, Please see the link below for the job posting for Head Curator at the Colby College Museum of Art. https://colby.wd5.myworkdayjobs.com/en-US/ColbyCareers/details/Head-Curator_R0005624-1 Karen Wickman Associate Director of Museum Administration Colby College Museum of Art 5600 Mayflower Hill Waterville, ME 04901 Phone - 207-859-5601 Unceded Wabanaki Territory
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Archives Research Fellowship Program at The Driskell Center
Call for Applications Archives Research Fellowship Program at The Driskell Center The David C. Driskell Center at the University of Maryland invites applications for its 2025¨C2026 Archives Research Fellowship program. Designed to support original scholarship rooted in the Center¡¯s rich archival holdings, the program offers two low-residency fellowships over the academic year. Each fellow will receive a $3,000 stipend, paid in two installments, along with travel and lodging support for a short-term residency of up to three weeks at the Center. We welcome applications from scholars, artists, and cultural workers whose work engages with Black art, art history, and visual culture. About The Archives The Driskell Center Archives houses a growing collection of primary source materials across thirteen distinct collections documenting the lives, work, and critical reception of African American artists, scholars, and cultural institutions. Notable holdings include the personal papers of artist and scholar David C. Driskell¡ªfeaturing six decades of correspondence, lectures, exhibition planning documents, and ephemera¡ªas well as archives from the Weusi Artist Collective, artists Alonzo Davis and robin holder, art historians Tritobia Hayes Benjamin and Michael D. Harris, and arts administrator Terrie Rouse-Rosario. The Center¡¯s archives contain correspondence, photographs, audiovisual materials, press clippings, and ephemera related to the history of Black art. The Center also maintains a non-circulating research library of over 5,000 volumes, including many rare exhibition catalogs. Together with its permanent collection of artworks, these resources support interdisciplinary research in art history, African American studies, visual culture, and museum studies. Applicants are encouraged to consult the Driskell Center¡¯s website for finding aids and additional information, or to contact staff with specific questions about the holdings. Eligibility The fellowship is open to scholars, artists, curators, and cultural workers at any career stage, including graduate students (ABD), early-career researchers, and independent scholars. Applicants must demonstrate a clear research interest in African American art and visual culture, with a specific plan for using the archival and/or special collections of The Driskell Center. While the fellowship is open to U.S. and international applicants, travel reimbursement is limited to domestic travel within the United States. Commitment Fellows are expected to complete a short-term research residency at The Driskell Center (up to three weeks) during the 2025¨C2026 academic year. The timing of the residency will be scheduled in coordination with the Center staff. Fellows will be asked to share their research in a public-facing format, such as a virtual presentation, blog post, or interview. A stipend of $3,000 will be paid in two installments: the first upon commencement of the fellowship on September 2, 2025, and the second upon completion of the residency and submission of a summary report by June 30, 2026. Required Application Materials Applicants should submit the following materials as a single PDF to archives-driskellcenter@... with ¡°Archives Research Fellowship¡± in the subject line by Monday, June 30, 2025: Research Proposal (max. 1,000 words) outlining the project¡¯s goals, its relevance to the Driskell Center¡¯s archival holdings, and the intended outcomes. CV or Resume (max. 3 pages) Proposed Residency Timeline indicating preferred dates for an on-site visit during the 2025¨C2026 academic year. Contact information for one reference (name, title, affiliation, and email). Recommenders will be contacted directly after the application deadline. Frequently Asked Questions When will applicants be notified of their selection? Applicants will be notified of fellowship decisions by July 31, 2025. When can residencies take place? Fellowship residencies must be completed during the 2025¨C2026 academic year (September 2, 2025 -May 8, 2026) . Specific dates will be scheduled in coordination with Center staff ba
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Washington and Lee University¡¯s Department of Art and Art History and the Art Museum and Galleries are reviewing applications for a one-term Visiting Assistant Professor of Art History for Winter 2026. This 12-week position (January 8 ¨C April 21, 2026) includes teaching one undergraduate course (3 credits) on Native American art of the Great Plains while conducting curatorial research on the Stanley A. Kamen Collection¡ªa group of 75 artworks gifted in 1986 that depict the ¡°Old West.¡± The result of this dual role is a comprehensive curatorial report offering new insights and contextual understanding of the collection, along with a course built around it. The candidate will have access to an office and an object study room, along with students to support the research process. The position offers a minimum of $21,000, plus a $3,500 living stipend (no benefits). Candidates should hold an M.A. or Ph.D. and have demonstrated expertise in Native American art history, Indigenous studies, or related fields that speak to the collection. If you or someone in your network would be interested, I encourage you to apply or reach out for more information. Review is currently underway, with invitations to interview in June. Full details and application instructions are available here: https://apply.interfolio.com/166143 -- Isra El-beshir Director of Art Museum and Galleries Washington and Lee University (540) 458 - 8767 | ielbeshir@... | museums.wlu.edu 204 W. Washington St. Lexington, VA 24450 Stay Connected: Board Member, Association of Academic Museums and Galleries. To learn more, visit www.aamg-us.org W&L sits on the ancestral, traditional, and contemporary lands of the Yesa and their descendants, the Monacans. To learn more, visit native-land.ca
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Job Announcement: CSU Spur Education Programs Administrator, Denver CO
Hello, everyone! We¡¯re hiring! Please help us spread the word for our new CSU Spur Education Programs Administrator at our campus in Denver, Colorado. See below for details. Thank you! CSU Spur Education Programs Administrator position posting: https://jobs.colostate.edu/postings/161319 CSU Spur is seeking a motivated and enthusiastic individual to join the Education Team as the Education Programs Administrator. This position supports the Education Team by coordinating logistics for various types of programs and experiences. Individuals excited to work in a dynamic environment with a wide variety of programs and audiences, an openness to learn and try new ideas and experiences, an ability to be flexible and adaptable, and who have a passion to be part of team designing and executing programs that inspire life-long learners to tackle global problems around food, water, and health, are highly encouraged to apply. Program logistics include, but are not limited to, creating processes and procedures and being the main point of contact for field trip reservations and outreach program requests, answering general educational program phone and email inquiries, scheduling staff and volunteers in facilitating public and school programs, and general teacher communication and documentation, as well as supporting users with any issues they may encounter in the process. This position will also provide some general administrative support, including some calendar scheduling for the Education team, mail and package sorting, supply inventory maintenance including ordering and distribution, processing school bus reimbursements and program scholarships, and other tasks as needed. The individual in this role will also support staff, adult volunteers, interns, and youth volunteers on the Education team and throughout the Spur campus. Please note the supplemental questions section in the application, which are needed for full consideration. Salary range is $4,154 - $4,985 Monthly. Applications are due by June 10th at 11:59pm, for full consideration. Find the full job posting here: https://jobs.colostate.edu/postings/161319 Thank you! -Kathryn KATHRYN VENZOR she/her/hers Senior Director of Education & Visitor Engagement, CSU Spur 720-636-5186 cell CSUSpur.org Connect with us!
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Upcoming free training with federal grant expert, Rachel Werner. Navigating the Federal Funding Changes Tuesday, May 27 at 1:00pm (EST) Register here: https://us02web.zoom.us/webinar/register/WN_dD0YhEQ9TAeEuL-Ke2DthA What to Expect: Since the new presidential administration took office in January 2025, significant changes have reshaped the landscape of federal grants and contracts. Federal funding has long been a vital lifeline for nonprofit organizations, and many are now grappling with the effects of new executive orders, agency and program closures, and terminated awards. In this webinar, Rachel Werner, federal grant expert, will walk through what has happened thus far and how it impacts organizations, the types of funding available to nonprofits, and the compliance requirements organizations must meet after receiving an award. Through this webinar, you¡¯ll receive a clearer understanding of what your nonprofit can do to manage through these challenging times through discrete actions and tangible next steps. If you or your team have questions about this upcoming event please feel free to contact the event host, Emily Gumpel at emily.gumpel@.... Thank you! Emily Emily Gumpel Director of Marketing & Operations, ALM, North America Axiell e. emily.gumpel@... office. Brooklyn company. North America, ALM
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Volunteers Best Practice
#seekingadvice
#studentworker
#volunteers
Hi All, I am looking for guidance and best practice for engaging (student) volunteers. How are you establishing clear expectations and frameworks for their work, especially when also engaging paid student workers and interns earning academic credit? Any feedback or experiences you can share would be greatly appreciated. Thank you!
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Upcoming Webinar: The Conservator¡¯s Role in Exhibitions Join Artwork Archive for a free webinar on Thursday, May 15 at 2pm ET with Camille Myers Breeze, founder of Museum Textile Services. Learn how conservators contribute to exhibition success¡ªfrom planning and installation to long-term care and risk mitigation. Ideal for registrars, curators, and collections staff. Can't make the live event? Register and we'll send you the recording! Link to register. -- Elysian McNiff Koglmeier (she/her) Head of Partnerships Artwork Archive https://www.artworkarchive.com Part Time Hours Online: Mondays, Tuesdays and Thursdays National Organization for Arts in Health (NOAH) Board Treasurer
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Hello everyone, The University of Wyoming Museum of Vertebrates works closely with our local Audubon chapters in Wyoming to provide education, outreach, and research opportunities. One of the chapters had a question I was not able to answer, but I figure that museums and collections with broader experience in display and interpretation may be able to help. Please see the message below: Do any of you have experience with interpretive sign manufacturers to produce the base and panels for interpretive signs? We are finalizing the design and content for 3 signs in one of our Important Bird Areas and now we need recommendations for a company to produce the double pedestal structure and panels. Please contact me at vickiblue@.... Thanks, Vicki Herren IBA Committee Chair, Cheyenne-High Plains Audubon Society Elizabeth Wommack, PhD Curator and Collections Manager of Vertebrates University of Wyoming Museum of Vertebrates Berry Biodiversity Conservation Center University of Wyoming, Laramie, WY 82071 ewommack@... pronouns: she, her, herself www.uwymv.org UWYMV Collection Use Policy
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Curator for Research position opening, Spencer Museum of Art, University of Kansas
Dear colleagues, The Spencer Museum of Art at the University of Kansas welcomes applications for a Curator for Research, a senior level, leadership role. This would be a full-time, 12-month, academic staff (faculty equivalent) position. With Arts Research Integration (ARI), the Spencer Museum of Art (SMA) at the University of Kansas (KU) has established an active hub for collaborative, integrated arts research and a unique model for the academic art museum as a generative research partner. The Curator for Research is central to building a sustainable interdisciplinary arts research infrastructure that harnesses curatorial strengths and the possibilities of a vibrant campus art museum embedded in a research university. As part of the Spencer Museum leadership team, the Curator for Research plays a central role in articulating and implementing the overall scholarly and creative vision to present the SMA collection as a living archive that motivates interdisciplinary research, creative work, and transformative public dialogue. For full details and how to apply: http://www.employment.ku.edu/academic/30514BR All best, Celka --- Celka Straughn, Ph.D. (she/her) Deputy Director for Public Practice and Curatorial, and Director of Academic Programs Spencer Museum of Art University of Kansas straughn@... +1 785 864 6796 spencerart.ku.edu
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Resource sharing: Simple QR-based audio solution for museums
Dear AAMG members, I'd like to share our new museum audio guide platform that might be useful for your institutions: Short video walkthrough: https://www.youtube.com/watch?v=EdniE930IkQ Sign up for free (no credit card needed): https://walkietalk.ie/ Walkie Talkie allows museums to instantly create multilingual audio guides without specialized hardware or technical expertise. Simply enter your text, and the system automatically converts it to audio in multiple languages. You can also upload your own recordings. Visitors access the content by scanning a QR code with their smartphone - no app downloads or signup required. Key features: Instant creation of multilingual audio content (32 languages) No apps, signups or downloads for visitors Easy real-time updates for temporary exhibitions Works on any visitor's smartphone Free tier available (3 exhibitions, 2 languages) Significantly lower costs than traditional systems The platform was also developed with educational institutions in mind, making it ideal for student-curated exhibitions, rotating displays, and research presentations. A free tier is available that's perfect for testing with small exhibitions or key artifacts. I'd appreciate feedback from museum professionals about how this might work in your specific academic and educational contexts, especially for: Student projects and coursework Temporary/rotating exhibitions International visitor accessibility Budget-conscious institutions Thank you for your time and consideration. Sincerely Thor Martin B?rug Creator of Walkie Talkie https://walkietalk.ie/
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2025 AAMG Candidates Forum - Join us TODAY at 2:30pm EST!
2025 AAMG Candidates Forum What to Expect: ?? Live candidate introductions ?? Q&A with the nominees ?? Insight into AAMG¡¯s future priorities ?? A chance to connect with fellow members Don't miss this opportunity to participate in AAMG's democratic process and help build the future of academic museums and galleries. Candidates on the voting block: Jessica Kinsey, Secretary (Director, Southern Utah Museum of Art) Jennifer Reynolds-Kaye, VP of Programs (Director, Housatonic Museum of Art) Virginia Howell, VP of Membership (Director, Robert C. Williams Museum of Papermaking) Find out more about our candidates here: aamg-us.org/webinar/2025-candidates-forum/ Mark your calendar¡ªand be part of the conversation - No need to register, just use the zoom link below to join in on May 12th! Topic: 2025 Candidates' Forum Time: TODAY: May 12, 2025 02:30 PM Eastern Time (US and Canada) Join Zoom Meeting https://us02web.zoom.us/j/84035801780?pwd=XQrvy80lIKuKbt0kySyA9rKSmAZGM7.1 Stay connected with AAMG! Find us @AcademicMuseums on Instagram and Facebook Subscribe to our active listserv here Connect with exploring and aspiring museum professionals on our Linkedin Page Our website and listserv are an awesome resource for job postings, traveling exhibits, conference information and other programming details! Copyright 2025 Association of Academic Museums & Galleries All rights reserved. Contact email: aacademicmg@... Unsubscribe Unsubscribe -
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Primary Needs: We are looking for approximately 15-20 volunteers for the run of our conference to help us cover all that we have going on. All volunteer positions are first come, first served and will be finalized by June 1. If you have any questions, please don¡¯t hesitate to reach out to aacademicmg@.... On Site Volunteer: You plan to be present at the conference in Albuquerque, New Mexico, and wish to volunteer in one of the following capacities for the 2025 Annual Conference: ¡°Registration Rep¡±: work the main desk greeting people, answering questions, and getting registrants welcome materials, will cover the main desk for time banks of 2-3 hours throughout the conference ¡°Social Sage¡±: contributing to the AAMG social accounts for the run of the conference by posting about your experience, highlighting events, and engaging with other members on the platforms ¡°Photo Pundit¡±: capturing active photos of members engaged in conference activities ¡°Headshot Helper¡±: This year we will have a headshot station for people to utilize - if you¡¯re a photographer, this might be the gig for you to help our amazing AAMG Coordinator run this station throughout the conference ¡°Time Tellers¡±: help rooms stay on track with their starting and ending times, keep speakers from running over into breaks or next sessions, and assist in the presentation rooms After the close of conference, all volunteers will be asked to take a short survey detailing their conference and volunteer experience. You can apply to be a volunteer by filling out this form here: https://forms.gle/aWmRnwkc7ZzTr8s47
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2025 AAMG Candidates Forum - Join us on May 12!
2025 AAMG Candidates Forum What to Expect: ?? Live candidate introductions ?? Q&A with the nominees ?? Insight into AAMG¡¯s future priorities ?? A chance to connect with fellow members Don't miss this opportunity to participate in AAMG's democratic process and help build the future of academic museums and galleries. Candidates on the voting block: Jessica Kinsey, Secretary (Director, Southern Utah Museum of Art) Jennifer Reynolds-Kaye, VP of Programs (Director, Housatonic Museum of Art) Virginia Howell, VP of Membership (Director, Robert C. Williams Museum of Papermaking) Find out more about our candidates here: aamg-us.org/webinar/2025-candidates-forum/ Mark your calendar¡ªand be part of the conversation - No need to register, just use the zoom link below to join in on May 12th! Topic: 2025 Candidates' Forum Time: May 12, 2025 02:30 PM Eastern Time (US and Canada) Join Zoom Meeting https://us02web.zoom.us/j/84035801780?pwd=XQrvy80lIKuKbt0kySyA9rKSmAZGM7.1 Stay connected with AAMG! Find us @AcademicMuseums on Instagram and Facebook Subscribe to our active listserv here Connect with exploring and aspiring museum professionals on our Linkedin Page Our website and listserv are an awesome resource for job postings, traveling exhibits, conference information and other programming details! Copyright 2025 Association of Academic Museums & Galleries All rights reserved. Contact email: aacademicmg@... Unsubscribe Unsubscribe
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