开云体育

Anticipated pay for this role is $62,000 The W&L Art Museum and Galleries invites applications for two inaugural curatorial fellowships: the Louise C. Herreshoff Curatorial Fellowship for American Art and the Euchlin D. Reeves Curatorial Fellowship in Ceramics. The two-year fellowships, with the possibility of a third-year renewal, are designed to support emerging curators and scholars while advancing the museum’s purpose, scholarship, and national impact. Reporting to the Associate Director of Curatorial Affairs (ADCA), the curatorial fellows will support scholarly research on museum’s permanent collection of American art and decorative arts. The selected fellows will collaborate with the Collection and Curatorial team, along with members of the Washington and Lee campus community. The fellows are integral members of the museum's staff whose work serves the museum's mission. The fellows will develop practical skills in all four areas of curatorial practice: research, installation and exhibition development, collections management and planning, and public engagement. The fellows will also participate fully in the intellectual life of the campus community. The curatorial fellow must be in residence in Lexington, Virginia, during the fellowship period. Washington and Lee University actively promotes a dynamic and welcoming environment that allows students and employees of multiple backgrounds and perspectives to learn, work, and thrive together. Successful candidates will contribute to that environment and exhibit potential for excellence in their areas of expertise. Visit jobs.wlu.edu to learn more about working at W&L, our benefits, community, and living in the area. Essential Functions: Contribute to knowledge about the collections and increase access to the collections through deep research and cataloging, including interdisciplinary interpretation and provenance research. Research artists and artworks in the permanent collection, rectify outdated or inaccurate records, and write interpretive texts. Mine the permanent collection for curatorial inspirations. Assist the ADCA with formulating plans for continuing to grow and shape the American art collection. In concert with Collection staff, assist with expanding physical and digital access to the art collection, establish priorities for storage and display, and work with contracted specialists to identify conservation needs and treatment. Supervise interns and students. Support the University’s teaching needs by facilitating direct engagement with the American art collection, including teaching or co-teaching courses, conducting gallery-based class visits, or leading object study sessions. Develop and contribute to public and campus-based programs, lectures, and other special events, including programs for and with students and faculty, with particular attention to expanding and diversifying Museum audiences. Represent the Museum and contribute to the field through participation in conferences, public lectures, publications, and institutional and scholarly partnerships. Inspire researchers, scholars, and students beyond the southeast to engage with the Museum’s collections, exhibitions, events, and other activities. Minimum Qualifications: A master’s degree in art history, decorative arts, or other allied interdisciplinary humanities. Candidates with a doctoral degree must have been officially conferred within seven years of the start date of the fellowship. Knowledge of museum ethics and the legal regulations governing collecting. The ideal candidate will demonstrate a strong interest in a curatorial career. Commitment to fostering the appreciation of works of art in a museum context. Demonstrated strength working collaboratively and in an innovative manner. About the Museum at Washington and Lee: The Museums at Washington and Lee are a dynamic hub where art, history, and scholarship intersect. Comprising two distinct entities—the Art Museum and Galleries, and the forthcoming Institutional History Museum and Chapel Galleries, the Museums are dedicated to fostering a co

Museums Today: Activating Art Collections for University Science Curricula Virtual, Wednesday, February 26, 2025, 6-7 p.m. EST Students viewing the exhibition "Ming Smith: Jazz Requiem - Notations in Blue" at The Gund, Kenyon College. Photo courtesy of Jim DeCamp @jdecampphoto In higher education today, art museum collections provide the resources and inspiration for the integration of innovative object-based pedagogies and experiential learning in science instruction. Join Drs. Liliana Milkova and Jodi Kovach, co-editors of the 2024 special thematic issue of UMAC Journal, “STEM in the Art Museum: Innovative Pedagogies for the 21st-Century University,” who will address why and how STEM faculty can expand their teaching toolkits to include works of art. Volume contributors Dr. Sarah Petersen , Dr. Gina Hurley and Dr. Roksana Filipowska will share their perspectives on the significance, timeliness, practicalities and implications of this approach. The presenters’ short remarks will be followed by a moderated discussion and time for Q&A. Speakers Liliana Milkova, Nolen Curator of Education and Academic Affairs, Yale University Art Gallery Jodi Kovach, Pamela and Christopher Hoehn-Saric Deputy Director of Curatorial Affairs and Education, The Gund, Kenyon College Roksana Filipowska, Arts, Culture and Equity Consultant at Keen Independent Research Gina Hurley, Associate Director, Teaching Development and Initiatives, Yale Poorvu Center for Teaching and Learning Sarah Petersen, Ashby Denoon Associate Professor of Neuroscience, Kenyon College How to Participate To participate, register online, and we will email you a link and instructions for joining the program on Zoom. Simply follow that link at the time the event starts (6 p.m. EST). When you register, you can also request to receive a reminder email one day before the program with the link included. About the Museums Today Series Each month during the academic year, museum leaders lead lively online discussions about critical issues in the field. This series is presented in partnership with The George Washington University Museum and The Textile Museum. Browse upcoming programs ____________________________ Alexandra Chamberlain AAMG Director of Operations 765.630.7202

Colleagues, The Citadel is setting a new policy regarding art in our collection, art gallery, and generally on campus and I would appreciate any examples and input. We do have a small collection but are primarily focused on exhibitions as we have very limited storage space. Key request from my leadership is to ensure we cover our bases with liability on all fronts. What might I be missing? Also, on view now in our gallery, all are welcome: https://today.citadel.edu/national-museum-of-the-marine-corps-traveling-exhibit-on-display-in-the-citadels-art-gallery/ Many thanks, Tiffany Tiffany Reed Silverman Senior Instructor and Director of Fine Arts for SHSS WHERE CRITICAL THINKERS GET CREATIVE The Citadel: English, Fine Arts & Communications Office: Capers Hall Room 2187 Mail: 171 Moultrie Street, Charleston SC 29409 Instagram/Facebook: @artatthecitadel Email: silvermant@... www.citadel.edu/finearts/friends-of-fine-arts/

Join us in celebrating our February Member of the Month: Emily Wilkinson, PhD! As Executive Director of Public Art at Texas Tech University System, Emily curates campus art that fosters belonging and connection. Recently, she’s been learning the ins and outs of ballet while supporting her daughter’s first Nutcracker performance and if she could trade places with anyone, it’d be Banksy—imagine creating iconic street art! Learn more about how awesome Emily is here: aamg-us.org/february-2025-emily-wilkinson-phd/ ____________________________ Alexandra Chamberlain AAMG Director of Operations 765.630.7202

Valentine's Day is around the corner, and love is in the air -- as well as in a number of our traveling exhibitions. Romance between artists lies behind the scenes in our Under the Mexican Sky, Weston's Women and even Photo-Secession shows. Our Brassa? exhibition exposes passions hidden in the shadows of Paris. We showcase some of the first-ever photographed couples and erotic scenes in our Daguerreotype exhibition. We also offer "Wigstock," which speaks to the importance of protecting the right to love as you choose. Under the Mexican Sky: Vintage photographs by Edward Weston, Tina Modotti, Manuel Alvarez Bravo and colleagues Edward Weston traveled to Mexico City in the 1920s with his paramour and protégée, the Italian silent film star Tina Modotti. The trip would become meaningful for both of their artistic careers. Our exhibition features rare vintage Mexican masterworks by both Weston and Modotti from their time in Mexico, as well as stellar photographs from the 1930s by the Frenchman Henri Cartier-Bresson and by Mexico’s own Manuel ?lvarez Bravo. The Secret Paris of the 1930s: Vintage Photographs by Brassa? Transylvanian-born Brassa? is famous for his photographs taken after dark in the City of Light. Our unforgettable exhibition captures several creatures of the night, from mobsters and outcasts to prostitutes and pimps. He also secretly caught glamorous couples mid-conversation and passionate lovers in corner booths. His exploration of Paris is dreamlike, mysterious and certainly romantic. Daguerreotype Masterworks from the Dawn of Photography Invented in 1839, the daguerreotype presented the first opportunity to carry around the portrait of your loved one. Our exhibition features all major genres of daguerreotype, including a selection of couples and families, as well as erotic stereos. Our survey of the daguerreotype includes important examples from U.S., France, England and the Mideast. Weston's Women: Edward Weston and Cycles of Influence Throughout his career, Edward Weston surrounded himself with brilliant, accomplished women. His role was, variously, that of mentor, business partner, colleague, lover, friend and photographer. This exhibition celebrates the women on both sides of Weston's lens, including Margrethe Mather, Charis Wilson, Tina Modotti, Anita Brenner, Sonya Noskowiak, Dody Weston Thompson and Imogen Cunningham. Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography A passionate affair ensued not long after Alfred Stieglitz and Georgia O'Keeffe first met in 1916. Becoming lovers inspired a burst of creativity for Stieglitz, who made more than 140 photographs of O'Keeffe. Three of those images can be found in our Photo-Secession exhibition, which celebrates the creative forces who fought to establish photography as a fully-fledged fine art. Frida Kahlo, An Intimate Portrait:? The Photographic Albums The love story of Frida Kahlo and Diego Rivera involves lust, infidelity and heartbreak. They married in 1929, divorced in 1939 and then remarried the following year. Photographs of the couple are featured in an incredible exhibit that includes 98 images from Kahlo's own albums. The photos were taken by several high-profile artists including Manuel ?lvarez Bravo, Nickolas Muray and Tina Modotti. Wigstock: Photographs by Pierre Dalpé ?Canadian Photographer Pierre Dalpé documented Wigstock, an annual outdoor drag show in New York City, at the height of its popularity. At a time when queer people were experiencing overwhelming anxiety, hate and backlash because of the AIDS pandemic, Wigstock was a much-needed opportunity to express joy, strength and pride. Dalpé writes, "Despite the many gains the LGBTQ+ community has made in the past 30 years, we are still fighting for many of the same rights."

Happy Monday AAMG, Many of you know that I write educational content for our Artwork Archive blog. With my background in college art museums (and family in academia), I am particularly drawn to resources for our academic community. I recently published an article about how students engage with campus art collections. Big thanks to Davidson College and New Mexico State University for connecting me to their students so that I include eye-opening testimonials and examples. This article was such a joy to write. How Access to Campus Art Collections is Enriching the College Experience If anyone is looking for ways to increase student engagement or ways to make the case to get students more involved, hopefully this article can be of help! Cheers, Elysian Apologies for cross-posting with AAM & MCC-- Elysian McNiff Koglmeier (she/her) Head of Partnerships Artwork Archive https://www.artworkarchive.com Part Time Hours Online: Mondays, Tuesdays and Thursdays National Organization for Arts in Health (NOAH) Board Treasurer