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question re: public art on campus / no-responsibility disclaimer
开云体育
Dear Colleagues,?
In my role as gallery director, I have been contacting artists to request a long-term (one-year) loan of?outdoor sculptures to be displayed on our campus. Our new director of facilities has expressed his concern for the safety of our public artworks and asked me to write up a document, to be signed by the artist, stating that the university is not liable for any damage to their artworks.?
If you have any experience with this issue, and especially if you have such a document, I would love to hear from you.?
And if you have any “official” policy statement regarding public art on campus, it would be great if you can share it.
Thank you in advance?for your help.
Julia?
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A binding document as this is usually approved (if not entirely handled) by the institution's attorney. You could certainly be involved?in the drafting-discussion if your expertise is relevant. I would not touch this by myself. D. Dr. David C. Michener, Curator he / him / his University of Michigan Matthaei Botanical Gardens & Nichols Arboretum:? Midwest Co-Lead, Center for Braiding Indigenous Knowledges and Science? Mentor Faculty - Public Engagement Faculty Fellowship? Carol Hollenshead Inspire Award for Excellence in Promoting Equity & Social Change? ORCID ID:?0000-0003-2577-4777 The University of Michigan was funded by and founded on Anishinaabeg (including Odawa, Ojibwe, and Boodewadomi) and Wyandot lands ceded in coercive historical treaties. We acknowledge that our university stands, like almost all property in the United States, on lands obtained through the dispossession of indigenous peoples. These lands continue to be the homelands of many indigenous peoples. Our obligations to these communities originated in Article XVI of the 1817 treaty which stipulated that their children hereafter would be educated in their homeland. We affirm and preserve indigenous sovereignty. We will work to hold U-M more accountable in sustaining mutually beneficial partnerships with indigenous peoples, communities, and nations that recognize and fulfill their aspirations. On Tue, Jan 28, 2025 at 5:04?PM Wintner,Julia (Art Gallery) via <wintnerj=[email protected]> wrote:
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开云体育Hi there!I also oversee the art around campus. We carry insurance that covers both artwork we own and artwork on loan for damage, loss or theft for “replacement or repair value.” This isn’t an iron clad policy, but it has thus far covered anything we have needed.
Paired with good curatorial common sense and contractually guarding against natural wear and tear in your contract, it’s worked. It really isn’t an expensive policy, something like $2100/year for $65,000 in coverage per incident. It protects the artists, assets.
Your university must have a risk management lawyer that can get involved either way. Whether you decide to shop for insurance or write a contract saying that you are not liable for damages, get the risk management lawyer involved in your loan agreement
formulation. That may slow you down but it will protect the university and ideally also the artist.?
Best of luck!
On Jan 28, 2025, at 5:04?PM, Wintner,Julia (Art Gallery) via groups.io <wintnerj@...> wrote:
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开云体育
Hi!
We are part of the CSU (State) and the State has Statewide Fine Arts Coverage for the entire CSU system. We as Collection Managers/Curators are required to keep lending and donation docs in place and up to date, and keep artwork inventory location tracking,
periodic condition reports, etc. in order to ensure that insurance coverage. Donation paperwork is signed off by Advancement (as part of the process) and loan agreements are signed off by Risk Management/ Procurement (same type process) in order for all these
processes?to be official and transparent for proper insurance coverage for conservation or replacement.
It is pretty standard for outdoor sculpture/art to be treated the same as indoor?sculpture/art, unless for some reason an artist's waiver in place (if it is ephemeral, not intended to last/survive over time, not be repaired nor conserved) as an integral part
of the work's life/intention.
However, I suppose Risk Management can reject a loan if they so choose, just as Art Aquisition Committee could decline a donation for risk, safety, delicateness or non-permanence reasons. It just hasn't really happened in my experience. In my opinion, since
we are expected to have the expertise as curators/collection managers to know what can be reasonable and safe/secure for a loan/donation, I?don't often get questioned by these areas. We should be making those safety, security and conservation need assessments
prior to request a loan or accepting any donation. There is always risk, however, how much risk, and likeliness of damage, is something we as experts should assess and justify based on the nature of the work, and the nature of the location.
My 2 cents,
MFA Exhibit Design, BA Art History,?
BA International Business/Advertising Management
Certs. Museum Studies, Interior Design and Fine Arts Appraisal
W. Keith and Janet Kellogg University Art Gallery
Don B. Huntley Gallery College of Environmental Design Collections 3801 West Temple Avenue, Building 35A Pomona, CA??91768
michelec@... | env.cpp.edu
Office?909-869-4301 | Main Gallery?909-869-4302 (Kellogg) ? ? ?
From: [email protected] <[email protected]> on behalf of Veronique Cote via groups.io <vcote@...>
Sent: Wednesday, January 29, 2025 3:53 AM To: [email protected] <[email protected]> Subject: [EXT] Re: [AAMG] question re: public art on campus / no-responsibility disclaimer ?
Hi there!
I also oversee the art around campus. We carry insurance that covers both artwork we own and artwork on loan for damage, loss or theft for “replacement or repair value.” This isn’t an iron clad policy, but it has thus far covered anything we have needed.
Paired with good curatorial common sense and contractually guarding against natural wear and tear in your contract, it’s worked. It really isn’t an expensive policy, something like $2100/year for $65,000 in coverage per incident. It protects the artists, assets.
Your university must have a risk management lawyer that can get involved either way. Whether you decide to shop for insurance or write a contract saying that you are not liable for damages, get the risk management lawyer involved in your loan agreement
formulation. That may slow you down but it will protect the university and ideally also the artist.?
Best of luck!
On Jan 28, 2025, at 5:04?PM, Wintner,Julia (Art Gallery) via groups.io <wintnerj@...> wrote:
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