¿ªÔÆÌåÓý

ctrl + shift + ? for shortcuts
© 2025 Groups.io

Introducing: the AAMG awards! Submit your nominations today!

 




We¡¯re thrilled to introduce the AAMG Awards for 2025 - a brand-new way to celebrate what makes our community so special: YOU! ?

Applications due April 8 - more info on how to apply on our website:



Joining us in ABQ? 2025 AAMG Annual Conference

 

Come have a blast with us in Albuquerque! ? Register for AAMG¡¯s 2025 Annual Conference before May 1 to lock in early bird pricing! Plus, don¡¯t forget to sign up for our Professional Development Excursions - spots are limited and filling fast!

Registration and conference details here:



Calling all Mid-Atlantic Members! Meet up on March 26th!

 

Mid Atlantic and New England AAMG Meetup .png


Join us for the AAMG Mid-Atlantic & New England Meetup! ??? Connect with colleagues at the Mechanical Hall Gallery, University of Delaware, on Wednesday, March 26th, at 10:00 AM.

Space is limited¡ªonly 20 spots available! RSVP by March 21st at?

aamgalexandra[at]gmail[dot]com to secure your spot.

See you there!




Up next for Museums Today...March 19, 6pm EST

 

Less than one week until Museums Today: New Approaches to Stewardship of Global Cultural Heritage in Academic Collections! ??? Join us at online for a thought-provoking discussion on innovative ways to care for and engage with cultural heritage. Secure your spot now here:



March Museum Minds: Tell Your Museum's Story!

 

Get ready to craft some stories!?

This month,??is welcoming a special guest: stage director, public speaking coach, and author championing strategic storytelling for success, .??

Wed. March 12
2p ET/12p MT

Register here:

Author of? Carrie will help you discover the essence of who you (and your museum!) are and what you've always known, as well as discuss strategic storytelling as a secret weapon for success.

Whether it's your personal journey into museums or your institution's legacy, our next Museum Meetup will explore how these powerful narratives can build confidence and strengthen connections!


Social Media Graphic.png

YES! SIGN ME UP!


Rani
-------
Rani Robison
Principal & Founder
Neptune Sugar Marketing for the Arts

Keeping the Arts VISIBLE.


Get to Work! Traveling exhibitions focused on industry and labor

 

As photography developed in tandem with?the Industrial Revolution, the camera became a tool to document the?cogs?of?machinery and?the resulting changes in landscapes, the economy and the lives of workers. Photographers were able to expose the realities of labor and to even denounce certain dangerous practices. art2art offers several exhibitions focused on industrialization, urbanization, immigration, economic depression and workers. Our Lewis Hine show creates a visual landscape of factories and production lines, documenting steelworkers as well?as underage labor. We offer?Dorothea Lange's portraits?capturing?those desperate to find work during the Great Depression. Our Bill Owens exhibition juxtaposes work with leisure, adding?insights from his subjects. On the other side of the Atlantic,?Bill Brandt photographed industrial workers and their families in 1930s Northern England. We also feature workers and industry around the world with our?East Meets West show and?Mark Chester's vision of?1980s Shanghai.

?


In 1907 Lewis Hine joined the Pittsburgh Survey, a sociologic study that documented the lives of steelworkers. Hine¡¯s focus on the dignity of the American worker would last a quarter century and culminate in his magnificent photographs of the construction of the Empire State Building in 1931 and in the classic book Men at Work. In 1908 Hine began working for the National Child Labor Committee, sneaking his camera into cotton mills, canning companies and glassworks to document the exploitation of children, often at great personal risk. Hine¡¯s heart-rending images of underage workers were the?principal?tool used by the NCLC to lobby state-by-state for child labor laws, until Congress finally outlawed?the practice in 1938.


This comprehensive?exhibit includes Dorothea Lange's?seminal portraits from the Great Depression. She captures migrant farm workers living in labor camps in California, as well as those fleeing from the Dust Bowl?in search of a better life. Her immortal photographs?seared the?faces of this devastating era into America¡¯s consciousness.


This exhibition by photographer Mark Chester captures life in Shanghai after a sister-city agreement with San Francisco was signed in the 1980s. The images explore a cross-section of Shanghai life ¡ª the arts, education, sports, leisure, medicine, street life, portraiture and industry.

British photographer Bill Brandt captured the stark industrial landscape and the lives of the working class people in Northern England in the 1930s. His images of coal miners and their families remain one of the finest examples of social documentary photography.?


This exhibition offers spectacular images of Meiji-era Japan, including portraits of workers, from jinrikisha (¡®rickshaw¡¯) drivers to rice farmers, flower peddlers to child acrobats.


The?photographs in?Bill Owens: Working/Leisure?capture?Americans hard at work and equally hard at play. The photographs of people on the job are narrated in the subjects¡¯ own?words. Their quotes?are at times?humorous or insightful and other times?heartbreaking.

?

Email lindsay@... to learn more. Visit art2art.org to see the complete offering of art2art's exhibitions.


Director - Educational Partnerships job posting

 

¿ªÔÆÌåÓý

The College of Fine Arts, Humanities, and Social Sciences (FAHSS) at the University of Massachusetts Lowell is home to a variety of unique initiatives and programs that engage PK-12 schools/districts and community colleges, including those offered through The??(TIHC), Jumpstart, and the college¡¯s Early College and Career Pathways with particular emphasis on the?¡¯s educator pathways.

The College seeks a Director to oversee the TIHC and this growing portfolio in its emerging Center for Educational Partnerships. In collaboration with the FAHSS Dean¡¯s Office, TIHC staff, and other school and community-based partners, the Director coordinates Center initiatives that serve PK-14 students & educators and provide a pipeline to UML degree programs. The position offers the unique opportunity to work across a range of educational contexts including the Tsongas Industrial History Center, whereby the Director works in and with Lowell National Historical to offer place-based, hands-on informal, humanities and STEM education programs.

?

View the full job description and application process at:

?

?

Thank you,

Ellen

?

University of Massachusetts Lowell

Ellen Anstey

Manager for Administration & Engagement

TSONGAS INDUSTRIAL HISTORY CTR

Boott Mills 3rd Floor

E:?Ellen_Anstey@...?? ?

T:?978-934-5101 ??

???????

????? A partnership of the UMass Lowell School of Education and

??????Lowell National Historical Park?

?


Invitation to submit Manuscripts

 

¿ªÔÆÌåÓý

Please excuse cross postings

?

The ? journal is part of Emerald Publishing¡¯s international academic journals. It publishes double-anonymous, peer reviewed articles on assessment and evaluation methods used by museums, libraries, and archives to help describe their value to the communities they serve and to assist in improvement decision-making. Potential submission topics may include but are not limited to:

?

  • New methods, tools and techniques used to measure and assess museums, libraries, and archives operations (spaces, resources, services, interactions with patrons)
  • Frameworks for conducting assessments to describe value, impact, or performance measures.
  • Developments in analytics, data visualization, or usability testing.
  • Developments in communicating measurement and assessment activities and outcomes.
  • Ethical issues in measurement and assessment in museums, libraries, and archives.
  • The role measurement and assessment play in effecting organizational and culture change.
  • User experience (UX) research.
  • Accreditation, Standards and benchmarking for libraries, museums and archives.
  • Case studies describing management use of assessment in museums, libraries, and archives.
  • Case studies illustrating the use of measurement in service improvement.
  • Case studies demonstrating the museum, library, or archive¡¯s contribution to their organization¡¯s goals.
  • Case studies where measurement or assessment illuminated social justice issues.
  • Case studies about evidence-based advocacy.

?

We seek to increase the participation of museum and archive submissions and invite you to submit new articles to our journal that focus on assessment and evaluation. We welcome submissions from all levels of museums, libraries, and archives. Submissions from conference paper and poster presentations are welcome, but require significant addition from the conference presentation (e.g., additional data, reexamination of data for a different perspective). We also welcome assessment and evaluation submissions that are cross-disciplinary.? Please consider publishing with us.

?

We are also looking for peer reviewers. If you are interested in becoming a peer reviewer please submit a 100 word bio and your CV.

?

If you have questions about submissions or becoming a peer reviewer please contact our editor, Holt Zaugg at holt_zaugg@....

?

?

Holt Zaugg, PhD

Assessment Librarian, BYU Library

HBLL 5720

Provo, UT 84602

holt_zaugg@...

801-422-4178

?


Join Us Tomorrow - AAMG Website Walkthrough!

 

Just a reminder that our informal walkthrough session for the new AAMG website is happening tomorrow! Drop in to explore the site, ask questions, and ensure you¡¯re making the most of its features.

? Date: Wednesday, March 5, 2025
? Time: 12:30pm EST
? Join Here:?

We¡¯ll walk you through where to find key resources, how to access member benefits, and answer any questions you may have. Whether you¡¯re curious about conference details, job postings, or member-exclusive content, this is the perfect time to learn more!

See you there!

Katie :)


--


Introducing: The AAMG Awards - Apply Today!

 

?

A first for AAMG but certainly not a last! We are thrilled to announce the AAMG Awards. This year we are introducing two new awards to celebrate what makes AAMG so wonderful - YOU, our members.

Applications for both awards are due April 8 - please visit our site by clicking below to view other application details

?

?

?

?
?

Registration for the 2025 Annual Conference is currently open!

We can't wait to see you in Albuquerque!

?

Stay connected with AAMG!

?

Find us @AcademicMuseums on Instagram and Facebook

Subscribe to our active

Connect with exploring and aspiring museum professionals on our

?

Our and are an awesome resource for job postings, traveling exhibits, conference information and other programming details!

?

?

Copyright 2025 Association of Academic Museums & Galleries All rights reserved.

Contact email: aacademicmg@...

?


Upcoming AAMG Programming

 

We¡¯re excited to share some fantastic programs coming up at AAMG! Whether you¡¯re looking to expand your professional skills, connect with colleagues, or gain insights into academic museum leadership, we have something for you.

1. How can academic collections play a role in global cultural heritage stewardship? Join us for Museums Today: New Approaches to Stewardship of Global Cultural Heritage in Academic Collections at The GWU Museum! Let¡¯s explore innovative strategies for preserving and engaging with cultural heritage. Don¡¯t miss it!

Wednesday, March 19, 2025 (virtual)
6-7 pm EST
Register Here:?


2. Thinking about museum donations? ?? Join us for Navigating Donations: Legal and Ethical Aspects of Donations with the Appraisers Association, hosted by AAMG! Learn from experts about best practices, legal considerations, and ethical responsibilities when accepting donations.?

Thursday, March 27, 2025
2-3pm EST
Register Here:

Don¡¯t miss these opportunities to engage with the AAMG community and grow your expertise!!


Spencer Museum Study Center Coordinator position

 

¿ªÔÆÌåÓý

Dear Colleagues,

The Spencer Museum of Art is excited to hire a new engagement coordinator for our study and learning centers. ?The Lee Engagement Coordinator for Study and Learning Centers will coordinate activities across the Museum¡¯s , which includes the Ingrid and J.K. Lee and Stephen H. Goddard Study Centers, and Jack & Lavon Brosseau Center for Learning. With the Lee Study Center specifically, the Coordinator is responsible for managing the day-to-day operations as well as developing and facilitating innovative cross-disciplinary engagement opportunities that realize the full potential of this hybrid classroom space. Designed to support the temporary display of three-dimensional objects, textiles, and Asian paintings, the Lee Study Center is a 2000-square-foot object-based learning facility prominently located within the galleries. The Coordinator will also assist with the Museum¡¯s two other flexible teaching and learning spaces, the Goddard Study Center, a more intimate space for collection access, and the Brosseau Center for Learning, a flexible gallery for short-term collection installations. Integral to these duties includes handling a wide variety of museum collection artworks, cataloguing, and other related duties. As the Coordinator becomes familiar with the Museum¡¯s 48,000+ object collection, they may also work with instructors to select artworks for study in line with their curricular goals. Part of the Academic Programs and Public Practice team, the Lee Engagement Coordinator reports to the Curator for Works on Paper and works collaboratively with colleagues across Academic Programs, Public Practice, Curatorial, and Collections.

Full details can be found at

Please note application review begins March 11, 2025.

All best,

Celka

?

---
Celka Straughn, Ph.D. (she/her)
Deputy Director for Public Practice and Curatorial, and Mellon Director of Academic Programs
Spencer Museum of Art
University of Kansas

straughn@...
+1 785 864 6796

?

?


NEHMA at USU is Hiring a Deputy Director & Curator

 

¿ªÔÆÌåÓý

Dear Academic Museum & Gallery Colleagues,?

I am thrilled to share two positions we are hiring for at the?at Utah State University. We have a great team here. We work hard and have fun. We serve the University campus and we are the only art museum in an 80-mile radius. We also have a Mobile Art Truck that traverses rural Utah to bring a museum experience to youth and communities far away from any art museum.?

We are opening the new??at the end of April, which will expand the types of experiences and educational programs we provide to university faculty and students, K-12, and the community.

Logan, Utah, is located in northern Utah within a valley surrounded by beautiful mountains. It¡¯s a place where people embrace the outdoors with skiing and winter sports during the colder months, as well as hiking, mountain biking, and more in the warmer months. Utah State University is one of the largest employers in the Valley, so there¡¯s a small-town vibe with more cultural offerings than you would expect for its size, including lots of theatre and performing arts. It¡¯s a very safe place. Utah is one of the fastest-growing states, so the economy is good. Unemployment tends to be some of the lowest in the nation in Logan.?

How¡¯s that for a sales pitch?

Have a look, and please share if you know someone interested!



Best,
Katie


Katie Lee-Koven?
Executive Director & Chief Curator
Nora Eccles Harrison Museum of Art
Utah State University?
4020 Old Main Hill | Logan, UT 84322
435.797.0164
http://artmuseum.usu.edu


Alabama State Universities - Fine Arts Insurance

 

¿ªÔÆÌåÓý

Hello,

?

Are there any Alabama colleagues that have information on Alabama state fine arts insurance policies? Currently, my university lists the art under the general property insurance that any other piece of office furniture or computer is listed.

?

I found out when I was curator in Tennessee, where this was also the case, that there was a specific ?TN state fine arts policy and got the insurance properly recorded for the art collection.

?

Thank you!

?

?

?

?


Re: Campus exhibition policies for public spaces

 

Our institution doesn't have a formal policy just yet, but we tend to operate under no scenes of graphic violence or anything sexually explicit in windows. Just because something has a nude figure does not make it sexually explicit. We're also an art college, so your mileage may vary with that view.?



On Tue, Feb 25, 2025 at 9:42?AM Tyson Skross via <tskross=[email protected]> wrote:
Hi Everyone,?

We have an established exhibition policy and have recently updated our outdated "content warning" signage with wording based on NCAC guidance. Our policy recognizes the? "rights of every member of our community to share their views and to enjoy the autonomy necessary for risk-taking and innovation." and provides "an environment where both new ideas and contested ideas are welcomed and explored. Consistent with our commitment to freedom of speech, we will not censor student work in response to political or ideological pressure".?

However, one point of continued friction between the administration and exhibitors is in areas that are viewable by passersby in public spaces (street-facing windows, etc).?I'm not finding a lot of information or examples about this specific situation. What I can find mirrors our current policy that our institution does not censor artwork, but?reserves the right to choose the time and place it is shown.

This often raises more questions for which we currently do not have clear, institutionally backed, answers
1. Who determines what is "potentially offensive" and what criteria are they using?
2. This is still often considered defacto censorship because some spaces are openly viewable from public areas outside of our institution.
3. Does the potential sensitivity of an unsuspecting member of the public outweigh the importance of freedom of expression?

We frequently find ourselves between opposing opinions on this, and as you can imagine, in recent years this has become increasingly contentious. I would appreciate any guidance, sample policy statements or experience that you may have for this or similar situations.

All the best,

Tyson SkrossDirectorSVA Gallerieshe/him ? 212.592.2283
601 W 26th St, suite 1502New York, NY 10001

Stay Connected with SVA

social media iconsocial media iconsocial media iconsocial media iconsocial media icon





CONFIDENTIAL MATERIAL: This message and any attachment(s) are intended only for the use of the individual or entity to which it is addressed and may contain information that is privileged, confidential, and exempt from disclosure under applicable law. If received in error, please notify sender by return e-mail and destroy all copies of the original transmission and any attachments. Thank you.

Please consider the environment before printing this email


Re: Collections Software

 

¿ªÔÆÌåÓý

We did too. Very pleased with Collectors System. Perfect for a small collection. Ours is under 10k objects.

?

From: [email protected] <[email protected]> On Behalf Of Ricardo J Reyes via groups.io
Sent: Sunday, February 23, 2025 10:02 AM
To: [email protected]
Cc: Eric Kahan <ekahan@...>
Subject: Re: [AAMG] Collections Software

?

You don't often get email from reyesr@....

I just migrated to CollectorSystems. Check them out

?

?

On Fri, Feb 21, 2025 at 12:24?PM Potvin, Ronald Matthew via <Ronald_Potvin=[email protected]> wrote:

Hi Everyone. I'm looking for a CMS that will allow?web access, searching, and virtual exhibits. It must be vendor-hosted, since we are not allowed to host third party applications on our website. I appreciate any recommendations and experiences that you have had.

?

Ron

?

Ron M. Potvin

Curator and Building Manager
John Nicholas Brown Center for Advanced Study

Box 1880, Brown University, One Prospect Street, Providence, RI 02912


Practical Risk Assessment for Small and Mid-Sized Cultural Heritage Institutions

 

¿ªÔÆÌåÓý

New Online Connecting to Collections Care Course!

March 5 - March 26, 2025, 1:00-2:00 ET

Risk assessments are one of the most important steps that heritage institutions can take in emergency and business continuity planning. Utilizing existing knowledge of their institution and its collections, participants will evaluate hazards and risks to undertake a risk assessment specific to their institution, enabling them to identify potential natural, traditional, made or non-traditional risks and evaluate their impact.?At the completion of this course, participants will be able to:

  • Identify and understand the internal and external hazards likely to affect their institution (building, collections, people)
  • Evaluate the likelihood of these hazards affecting their institution
  • Rank these risks posed by these hazards through the lens of their institution's key functions and program priorities
  • Assess the likelihood and impact of these hazards on their institution's buildings and collections
  • Summarize this information and identify risk priorities using a Heritage Risk Assessment Matrix

Registration?Fee: $149

Register at?

?

?

Tiffani Emig

Deputy Director

(she/her/hers)

?

american institute for conservation

Preserving Cultural Heritage

?

foundation for advancement in conservation

Protecting Cultural Heritage

?

temig@...

(t) 202.750.3346

727 15th St NW | Suite 500 | Washington, DC | 20005

?|??

?


Campus exhibition policies for public spaces

 

Hi Everyone,?

We have an established exhibition policy and have recently updated our outdated "content warning" signage with wording based on NCAC guidance. Our policy recognizes the? "rights of every member of our community to share their views and to enjoy the autonomy necessary for risk-taking and innovation." and provides "an environment where both new ideas and contested ideas are welcomed and explored. Consistent with our commitment to freedom of speech, we will not censor student work in response to political or ideological pressure".?

However, one point of continued friction between the administration and exhibitors is in areas that are viewable by passersby in public spaces (street-facing windows, etc).?I'm not finding a lot of information or examples about this specific situation. What I can find mirrors our current policy that our institution does not censor artwork, but?reserves the right to choose the time and place it is shown.

This often raises more questions for which we currently do not have clear, institutionally backed, answers
1. Who determines what is "potentially offensive" and what criteria are they using?
2. This is still often considered defacto censorship because some spaces are openly viewable from public areas outside of our institution.
3. Does the potential sensitivity of an unsuspecting member of the public outweigh the importance of freedom of expression?

We frequently find ourselves between opposing opinions on this, and as you can imagine, in recent years this has become increasingly contentious. I would appreciate any guidance, sample policy statements or experience that you may have for this or similar situations.

All the best,

Tyson SkrossDirectorSVA Gallerieshe/him ? 212.592.2283
601 W 26th St, suite 1502New York, NY 10001

Stay Connected with SVA

social media iconsocial media iconsocial media iconsocial media iconsocial media icon




Re: Collections Software

 

Ron! It's your old buddy from the Public Humanities Masters program! I'm with the Artwork Archive team and miss my days curating the JNBC carriage?gallery. It would be a thrill to bring those exhibitions online with Artwork Archive. The Granoff Center at Brown also uses us at Artwork Archive. I'd love to connect - even just to catch up.

Elysian (Elyse)

On Mon, Feb 24, 2025 at 7:11?AM Ricardo J Reyes via <reyesr=[email protected]> wrote:
I just migrated to CollectorSystems. Check them out


On Fri, Feb 21, 2025 at 12:24?PM Potvin, Ronald Matthew via <Ronald_Potvin=[email protected]> wrote:
Hi Everyone. I'm looking for a CMS that will allow?web access, searching, and virtual exhibits. It must be vendor-hosted, since we are not allowed to host third party applications on our website. I appreciate any recommendations and experiences that you have had.

Ron

Ron M. Potvin
Curator and Building Manager
John Nicholas Brown Center for Advanced Study
Box 1880, Brown University, One Prospect Street, Providence, RI 02912



--

Elysian McNiff Koglmeier (she/her)
Head of Partnerships
Artwork Archive

Part Time Hours
Online: Mondays, Tuesdays and Thursdays

National Organization for Arts in Health (NOAH) Board Treasurer



Re: Collections Software

 

¿ªÔÆÌåÓý

I have used Collector Systems and now Artwork Archive. Both are easy to use without the steep learning curve. Move from CS to AA for purely financial reasons, but AA is more and more features. Like someone else said it¡¯s so easy that you can have student assistance with little training on it.

?

From: [email protected] <[email protected]> on behalf of Potvin, Ronald Matthew via groups.io <Ronald_Potvin@...>
Date: Friday, February 21, 2025 at 11:24
?AM
To: [email protected] <[email protected]>
Subject: [AAMG] Collections Software

You don't often get email from ronald_potvin@....

Hi Everyone. I'm looking for a CMS that will allow?web access, searching, and virtual exhibits. It must be vendor-hosted, since we are not allowed to host third party applications on our website. I appreciate any recommendations and experiences that you have had.

?

Ron

?

Ron M. Potvin

Curator and Building Manager
John Nicholas Brown Center for Advanced Study

Box 1880, Brown University, One Prospect Street, Providence, RI 02912