开云体育

Ahh.... Memories. The 1970s, my first synth (multimoog) and a 4-track reel-to-reel tape deck. I actually did some of this on my first solo CD, playing the minimoog several times by hand. It really

Yes, that is true. The instruments learn you to think. There is a different playing technique on a piano, an organ, a mellotron or a polysynth. I like that: it keeps your mind sharp to find solutions.

I refer people to Carlos, that usually opens some eyes and ears.

They run on the XITE-1 DSPs and its not all. Im running a STS-4000 sampler w/ 32-voices or Vocodizer w/ 4 voices in addition and Vectron Player w/ 8 voices as well as Lightwave v5 8voices. B2003 is

I was referring multiple tracks of the Xpander being recorded. Its amazing how people sometimes think that just because a synth only has 2-4-6 voices, thats all they are limited to. Record you first

All running on 1 machine at the same time?? Hard to believe. Which OS?

Yep,- especially w/ the very accurate emulations of Minimoog (Minimax), Prophet VS (Vectron), Prophet V (Profit-5), Juno 60 (Uknow7) and ARP Odyssey (Prodyssey) and John Bowens beautiful ZARG synths,-

and lets not forget the wonders of layering multiple tracks of the same synth in your DAW...lol -omar --- sent from iPhone

Who says a 4-note chord is simple ? With the Xpander youd have 6 notes anyway and w/ the Matrix-12 you have,- guess what (?) ... I mostly play 2 keyboards at a time and have 2 hands only, each w/ 5

oh no-i hope we don't limit ourselves to simple 4 note chords-harmonic colours like those based on modes of limited 'transposition (a la messiaen)are wonderful backgrounds for spacey ambient

Thanks Karl. I look forward to hearing my Hoover when I get home. Now, does anyone have a Kenmore patch? :-)

Great conversation, glad to see the art of programming sound still alive!

>>> Am 17.07.2012 10:14, schrieb Terje Winther: If you listen to the guys like Lyle mays, Joe Zawinul and Wolfgang Dauner p.ex.,- its pretty clear 4 voices being enough if the key assignment modes

>>> Am 17.07.2012 10:22, schrieb Terje Winther: You cannot have it w/ THIS synth because much stuff is software generated,- almost any "VCA" out of the 90, the envelopes and LFOs as well as ramp

Interesting. You probably can?t have both on the same synth, ultrapercussive sounds (very short envelopes) and long, evolving sounds (very long envelopes) because analog circuitry seems to have some

Yes, that is how I see it as well: the Xpander being the peak of the development of their analog polyphonic line. Oh, yes: I lived back then, and clearly remember the "MIDI-war" between all

lol, or like I said, just use some delay and problem fixed! :) -omar --- sent from iPhone

Hi Tony, If memory serves, the Roland Juno Alpha was famous for this. This tutorial shows the programming of one.?On the Matrix 12 No less :-)

>>> Am 17.07.2012 05:28, schrieb Omar: The Xpander must be programmed carefully to make voice steal as much inaudible as it can be. The interaction of keyboard assign modes, envelope trigger modes and

I've been a fan of electronic music since the late 70s. I have to admit I've never heard the reference to "Hoover sounds". Would someone point me to an MP3 or YouTube example of that? (a time