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[hammond_zone] Leslie speaker question


Ken & Dianne Godfrey
 

Kind of like Columbus, still looking for China, huh? Didn't realize he'd
found someplace BETTER!

BCV-KG

-----Original Message-----
From: Laddie Williams [mailto:laddieray@...]
Sent: Wednesday, February 20, 2002 8:52 AM
To: hammond_zone@...
Subject: Re: [hammond_zone] Leslie speaker question


I am not sure about the two big boxes, but I am reasonably sure
that Hammond was hung up on pipe organ sound and
saw the Leslie as beating his time. He would have been better
off coming out with a pipe organ. It is the only way to get the
pipe organ sound. The B-3 sound is so unique with a Leslie that
it is an instrument in its own right. It has no peer other than
its "brothers and sisters" and stands alone in the world of
music. I hear one at least two or three times a day providing
the background to a TV or radio commercial. That is not an
intended slur...it its a complment. Nothing but a B-3 sounds
like a B-3. Hammond did not know enough to realize he had arrived.
----- Original Message -----
From: Chris Clifton
To: hammond_zone@...
Sent: Wednesday, February 20, 2002 3:23 AM
Subject: Re: [hammond_zone] Leslie speaker question


I'd guess also that in the early days Hammond saw there main
market as large
halls, where remote siting of the speakers and the console
would have been
necessary. Also acoustically it would have been better to place the
speakers in an enclosure designed to do just one job rather than share a
cabinet with the rest of the works. When home organs became
popular more
compact designs were introduced. In many homes it was probably
going to be
a lot easier to get one large wooden box accepted than two,
even if it meant
compromising the sound. "Husband dearest, if you think you're
going to put
those two great big boxes in my lounge.....................!"

I can see the marketing logic in making it so that only Hammond speakers
could be used, could this be the real reason for Laurens' dislike of the
Leslie?


Chris Clifton

There is a theory which states that if anyone discovers exactly what the
Universe is for and why it is here, it will instantly disappear and be
replaced by something even more bizarre and inexplicable. Douglas Adams

----- Original Message -----
From: <gdhiatt@...>
To: <hammond_zone@...>
Sent: Wednesday, February 20, 2002 4:15 AM
Subject: Re: [hammond_zone] Leslie speaker question


> Raul, so is this what you are saying: The B+ current comes
BACK from the
Tone
> cabinet to the pre-amp in the console? If thats so that's really
interesting
> to me (I'm learning a lot)... Common sense would say that the
power starts
at
> the console (because that's what plugs into the wall) and
goes to the tone
> cabinet... That's an interesting thought that a signal is going in the
> opposite direction.
>
> Here's another question... is there another reason, from an
engineering
> standpoint, why the amp would be in the tone cabinet instead of the
console?
> My best guess is that they had to lighten it somehow and that
was a good
> place to put it. Also in the "B" type consoles there isn't
any place to
put
> anything in there. I'm just wondering if having the amp away
from the tone
> generator makes for a cleaner signal.
>
> Thanks again for your ideas and comments.
>
> George
>
>
> Visit The Hammond Zone
>
>
> To unsubscribe from this group, send an email to:
> hammond_zone-unsubscribe@...
>
>
>
> Your use of Yahoo! Groups is subject to

>
>
>


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Lyle, thanks for your explanation, that's very interesting and makes sense.
George


 

Hi Group,

Just as a bit of info on the design of early Hammonds and other
electronic equip with the amp in the tone cabinet as opposed to inside
the console.

In the early days of electronics it was common practice to put the amp in
the TC because of several factors. The most important one being that old
style circuits generated a great amount of heat and there needed to be
much natural air flow and space in order to keep things cool above and
under the chassis. Can you imagine what would happen to an amp, such as
the type used in a C40, if mounted inside the closed console? It would
melt the wax off the caps, cook the tar out of the transformers and fry
in short order (or drive you away from the keyboard after playing a few
pieces) to say nothing of what all that heat would do to the rest of the
organ. Also, the power supply (B+ portion) generated the greatest
percentage of all the heat, thus the reason that it was in the TC on the
amp chassis. The reason for all the heat is that the power produced by
those old units, even though rated at 40 watts, was much higher than
today's 40 watt units and, yesterday's tube circuits weren't as efficient
a design as today's are.

If you want to prove this to yourself, just look at the difference in
size of the tubes and other components over the years. With the old
tubes, it was necessary to provide area of glass for dissipation of heat,
and plate size to prevent overheating and warping of the plates and other
elements. The way that the early tubes heated up, one would get quite a
burn if touched with bare fingers, yet, many of the newest tubes can be
pulled from the socket by hand if you have tough fingers or a thin rag
for protection. The old tubes (type 2A3 and etc.) would start a rag
smoking and it could even start to smolder and burst into flame with
time. In addition, the older balanced circuit amps had twice as many
tubes per stage as today's circuits and only one stage per envelope. The
heat developed in the circuitry of a BV/C40 is considerably more than
that produced by the circuitry in an A100 which is self contained and
doesn't require the old, higher power consuming amps, to drive the
speakers.

So, as can be seen, Hammond was not trying to corner the speaker/amp
market, it was building to the requirements of the era of design to say
nothing of the fact that the amp was designed to handle the heavy bass
requirements of an organ, a leaning more toward bass, instrument.

Lyle,
Hammond Master Tech

On Tue, 19 Feb 2002 21:28:14 -0700 "Raul de Jalapeno"
<raul_de_jalapeno@...> writes:

----- Original Message -----
From: gdhiatt@...
To: hammond_zone@...
Sent: Tuesday, February 19, 2002 9:15 PM
Subject: Re: [hammond_zone] Leslie speaker question


Raul, so is this what you are saying: The B+ current comes BACK
from the Tone
cabinet to the pre-amp in the console? If thats so that's really
interesting
to me (I'm learning a lot)... Common sense would say that the
power starts at
the console (because that's what plugs into the wall) and goes to
the tone
cabinet... That's an interesting thought that a signal is going in
the
opposite direction.
Yes. As was pointed out, hammond made sure you had to have a tone
cabinet to make the console work so you wouldn't rush to use another
manufacturer's amp.

Is there another reason, from an engineering standpoint, why the
amp would be in the tone cabinet instead of the console?
My best guess is that they had to lighten it somehow and that was
a good
place to put it. Also in the "B" type consoles there isn't any
place to put
anything in there. I'm just wondering if having the amp away from
the tone
generator makes for a cleaner signal.
Actually, George, the idea of getting the amp out of the console
wasn't for weight or anything like that. In the '30s and 40s', many,
many manufacturers of audio equipment would place their power amps
near the speakers an run high-level preamp outputs over to the main
amp. I think it's more the engineering of the time. You'll notice
that while the B, C, and D kept to the pre-amp only scenario, the
A-100, L-100, etc. had the amps in the console. All the spinets had
internal power amps, I believe.

Raul

Thanks again for your ideas and comments.

George


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Richard B. Ahlvin
 

----- Original Message -----
From: <felix-at-home@...>
To: <hammond_zone@...>
Sent: Tuesday, February 26, 2002 11:41 PM
Subject: Re: [hammond_zone] Leslie speaker question

Just as a bit of info on the design of early Hammonds and other
electronic equip
<snip>
So, as can be seen, Hammond was not trying to corner the speaker/amp
market, it was building to the requirements of the era of design to say
nothing of the fact that the amp was designed to handle the heavy bass
requirements of an organ, a leaning more toward bass, instrument.
no,No,NO!!!
Are you trying to say Hammond used good engineering and tried and
true construction practices of the day to build quality lasting industrial
strength well designed equipment?
HOGWASH!!!
The only thing Hammond ever did (as do ALL companies) is to conspire,
yes, I mean "industrial espionage". They steal ideas then to thwart
competition, by designing products to be as incompatible with
"standard practice" as possible!
It of course has never occurred to manufacturers to try to make a product
FOR a paying customer, the way that paying customer wants it. After all,
it is distinctly un-American to even consider raping the public by providing
a well designed, lasting item that lures the unsuspecting customer into
unknowingly exchanging their hard earned (or Government subsidy) cash
for superior products that do nothing but reward the company's sound
business practices by providing (here comes the dirty word)---profit!!
To be PC, we must ALWAYS penalize companies for success!
Hammond put the B+ in the tone cabinet 'to prevent other brands from
working with Hammonds.' They made the silly 7-pin part male and part
female connector not so that a Hammond dealer would not accidentally plug
a 4-channel series 12 cabinet into a 2 channel H-100, but specifically to
keep any of Don Leslie's stuff from interfacing with Hammond stuff.
(Then Don "stole" the idea and immediately made a 7-pin to 6-pin
adapter...) Your explanation is not even faintly reasonable as there is
NO CONSPIRACY in it!
Sorry, I just can't buy your explanation...

R. Ahlvin


Laddie Williams
 

Now, now, now Lets not get carried away!!! Profit is not a dirty word.

----- Original Message -----
From: Richard B. Ahlvin
To: hammond_zone@...
Sent: Wednesday, February 27, 2002 8:35 AM
Subject: Re: [hammond_zone] Leslie speaker question


----- Original Message -----
From: <felix-at-home@...>
To: <hammond_zone@...>
Sent: Tuesday, February 26, 2002 11:41 PM
Subject: Re: [hammond_zone] Leslie speaker question

> Just as a bit of info on the design of early Hammonds and other
> electronic equip
<snip>
> So, as can be seen, Hammond was not trying to corner the speaker/amp
> market, it was building to the requirements of the era of design to say
> nothing of the fact that the amp was designed to handle the heavy bass
> requirements of an organ, a leaning more toward bass, instrument.

no,No,NO!!!
Are you trying to say Hammond used good engineering and tried and
true construction practices of the day to build quality lasting industrial
strength well designed equipment?
HOGWASH!!!
The only thing Hammond ever did (as do ALL companies) is to conspire,
yes, I mean "industrial espionage". They steal ideas then to thwart
competition, by designing products to be as incompatible with
"standard practice" as possible!
It of course has never occurred to manufacturers to try to make a product
FOR a paying customer, the way that paying customer wants it. After all,
it is distinctly un-American to even consider raping the public by providing
a well designed, lasting item that lures the unsuspecting customer into
unknowingly exchanging their hard earned (or Government subsidy) cash
for superior products that do nothing but reward the company's sound
business practices by providing (here comes the dirty word)---profit!!
To be PC, we must ALWAYS penalize companies for success!
Hammond put the B+ in the tone cabinet 'to prevent other brands from
working with Hammonds.' They made the silly 7-pin part male and part
female connector not so that a Hammond dealer would not accidentally plug
a 4-channel series 12 cabinet into a 2 channel H-100, but specifically to
keep any of Don Leslie's stuff from interfacing with Hammond stuff.
(Then Don "stole" the idea and immediately made a 7-pin to 6-pin
adapter...) Your explanation is not even faintly reasonable as there is
NO CONSPIRACY in it!
Sorry, I just can't buy your explanation...

R. Ahlvin


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Laddie Williams
 

Good point.. Now that I think of it.. when I was a kid.. my mom's tall Hammond speaker caught something afire that
got in it. I am warned!!

----- Original Message -----
From: felix-at-home@...
To: hammond_zone@...
Sent: Wednesday, February 27, 2002 12:41 AM
Subject: Re: [hammond_zone] Leslie speaker question


Hi Group,

Just as a bit of info on the design of early Hammonds and other
electronic equip with the amp in the tone cabinet as opposed to inside
the console.

In the early days of electronics it was common practice to put the amp in
the TC because of several factors. The most important one being that old
style circuits generated a great amount of heat and there needed to be
much natural air flow and space in order to keep things cool above and
under the chassis. Can you imagine what would happen to an amp, such as
the type used in a C40, if mounted inside the closed console? It would
melt the wax off the caps, cook the tar out of the transformers and fry
in short order (or drive you away from the keyboard after playing a few
pieces) to say nothing of what all that heat would do to the rest of the
organ. Also, the power supply (B+ portion) generated the greatest
percentage of all the heat, thus the reason that it was in the TC on the
amp chassis. The reason for all the heat is that the power produced by
those old units, even though rated at 40 watts, was much higher than
today's 40 watt units and, yesterday's tube circuits weren't as efficient
a design as today's are.

If you want to prove this to yourself, just look at the difference in
size of the tubes and other components over the years. With the old
tubes, it was necessary to provide area of glass for dissipation of heat,
and plate size to prevent overheating and warping of the plates and other
elements. The way that the early tubes heated up, one would get quite a
burn if touched with bare fingers, yet, many of the newest tubes can be
pulled from the socket by hand if you have tough fingers or a thin rag
for protection. The old tubes (type 2A3 and etc.) would start a rag
smoking and it could even start to smolder and burst into flame with
time. In addition, the older balanced circuit amps had twice as many
tubes per stage as today's circuits and only one stage per envelope. The
heat developed in the circuitry of a BV/C40 is considerably more than
that produced by the circuitry in an A100 which is self contained and
doesn't require the old, higher power consuming amps, to drive the
speakers.

So, as can be seen, Hammond was not trying to corner the speaker/amp
market, it was building to the requirements of the era of design to say
nothing of the fact that the amp was designed to handle the heavy bass
requirements of an organ, a leaning more toward bass, instrument.

Lyle,
Hammond Master Tech

On Tue, 19 Feb 2002 21:28:14 -0700 "Raul de Jalapeno"
<raul_de_jalapeno@...> writes:
> ----- Original Message -----
> From: gdhiatt@...
> To: hammond_zone@...
> Sent: Tuesday, February 19, 2002 9:15 PM
> Subject: Re: [hammond_zone] Leslie speaker question
>
>
> Raul, so is this what you are saying: The B+ current comes BACK
> from the Tone
> cabinet to the pre-amp in the console? If thats so that's really
> interesting
> to me (I'm learning a lot)... Common sense would say that the
> power starts at
> the console (because that's what plugs into the wall) and goes to
> the tone
> cabinet... That's an interesting thought that a signal is going in
> the
> opposite direction.
> Yes. As was pointed out, hammond made sure you had to have a tone
> cabinet to make the console work so you wouldn't rush to use another
> manufacturer's amp.
>
> Is there another reason, from an engineering standpoint, why the
> amp would be in the tone cabinet instead of the console?
> My best guess is that they had to lighten it somehow and that was
> a good
> place to put it. Also in the "B" type consoles there isn't any
> place to put
> anything in there. I'm just wondering if having the amp away from
> the tone
> generator makes for a cleaner signal.
> Actually, George, the idea of getting the amp out of the console
> wasn't for weight or anything like that. In the '30s and 40s', many,
> many manufacturers of audio equipment would place their power amps
> near the speakers an run high-level preamp outputs over to the main
> amp. I think it's more the engineering of the time. You'll notice
> that while the B, C, and D kept to the pre-amp only scenario, the
> A-100, L-100, etc. had the amps in the console. All the spinets had
> internal power amps, I believe.
>
> Raul
>
> Thanks again for your ideas and comments.
>
> George
>
>
> Yahoo! Groups Sponsor
> ADVERTISEMENT
>
>
>
>
> Visit The Hammond Zone
>
>
> To unsubscribe from this group, send an email to:
> hammond_zone-unsubscribe@...
>
>
>
> Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service.
>
>
>
>
>
>
> ------------------------ Yahoo! Groups Sponsor
>
> Visit The Hammond Zone
>
>
> To unsubscribe from this group, send an email to:
> hammond_zone-unsubscribe@...
>
>
>
> Your use of Yahoo! Groups is subject to
>
>
>
>
________________________________________________________________
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Ken & Dianne Godfrey
 

Hope that won't be our cats! Ever seen Christmas vacation?

BCV-KG

-----Original Message-----
From: Laddie Williams [mailto:laddieray@...]
Sent: Wednesday, February 27, 2002 10:21 AM
To: hammond_zone@...
Subject: Re: [hammond_zone] Leslie speaker question


Good point.. Now that I think of it.. when I was a kid.. my mom's
tall Hammond speaker caught something afire that
got in it. I am warned!!
----- Original Message -----
From: felix-at-home@...
To: hammond_zone@...
Sent: Wednesday, February 27, 2002 12:41 AM
Subject: Re: [hammond_zone] Leslie speaker question


Hi Group,

Just as a bit of info on the design of early Hammonds and other
electronic equip with the amp in the tone cabinet as opposed to inside
the console.

In the early days of electronics it was common practice to put
the amp in
the TC because of several factors. The most important one being that old
style circuits generated a great amount of heat and there needed to be
much natural air flow and space in order to keep things cool above and
under the chassis. Can you imagine what would happen to an amp, such as
the type used in a C40, if mounted inside the closed console? It would
melt the wax off the caps, cook the tar out of the transformers and fry
in short order (or drive you away from the keyboard after playing a few
pieces) to say nothing of what all that heat would do to the rest of the
organ. Also, the power supply (B+ portion) generated the greatest
percentage of all the heat, thus the reason that it was in the TC on the
amp chassis. The reason for all the heat is that the power produced by
those old units, even though rated at 40 watts, was much higher than
today's 40 watt units and, yesterday's tube circuits weren't as
efficient
a design as today's are.

If you want to prove this to yourself, just look at the difference in
size of the tubes and other components over the years. With the old
tubes, it was necessary to provide area of glass for
dissipation of heat,
and plate size to prevent overheating and warping of the plates
and other
elements. The way that the early tubes heated up, one would get quite a
burn if touched with bare fingers, yet, many of the newest tubes can be
pulled from the socket by hand if you have tough fingers or a thin rag
for protection. The old tubes (type 2A3 and etc.) would start a rag
smoking and it could even start to smolder and burst into flame with
time. In addition, the older balanced circuit amps had twice as many
tubes per stage as today's circuits and only one stage per
envelope. The
heat developed in the circuitry of a BV/C40 is considerably more than
that produced by the circuitry in an A100 which is self contained and
doesn't require the old, higher power consuming amps, to drive the
speakers.

So, as can be seen, Hammond was not trying to corner the speaker/amp
market, it was building to the requirements of the era of design to say
nothing of the fact that the amp was designed to handle the heavy bass
requirements of an organ, a leaning more toward bass, instrument.

Lyle,
Hammond Master Tech

On Tue, 19 Feb 2002 21:28:14 -0700 "Raul de Jalapeno"
<raul_de_jalapeno@...> writes:
> ----- Original Message -----
> From: gdhiatt@...
> To: hammond_zone@...
> Sent: Tuesday, February 19, 2002 9:15 PM
> Subject: Re: [hammond_zone] Leslie speaker question
>
>
> Raul, so is this what you are saying: The B+ current comes BACK
> from the Tone
> cabinet to the pre-amp in the console? If thats so that's really
> interesting
> to me (I'm learning a lot)... Common sense would say that the
> power starts at
> the console (because that's what plugs into the wall) and goes to
> the tone
> cabinet... That's an interesting thought that a signal is going in
> the
> opposite direction.
> Yes. As was pointed out, hammond made sure you had to have a tone
> cabinet to make the console work so you wouldn't rush to use another
> manufacturer's amp.
>
> Is there another reason, from an engineering standpoint, why the
> amp would be in the tone cabinet instead of the console?
> My best guess is that they had to lighten it somehow and that was
> a good
> place to put it. Also in the "B" type consoles there isn't any
> place to put
> anything in there. I'm just wondering if having the amp away from
> the tone
> generator makes for a cleaner signal.
> Actually, George, the idea of getting the amp out of the console
> wasn't for weight or anything like that. In the '30s and 40s', many,
> many manufacturers of audio equipment would place their power amps
> near the speakers an run high-level preamp outputs over to the main
> amp. I think it's more the engineering of the time. You'll notice
> that while the B, C, and D kept to the pre-amp only scenario, the
> A-100, L-100, etc. had the amps in the console. All the spinets had
> internal power amps, I believe.
>
> Raul
>
> Thanks again for your ideas and comments.
>
> George
>
>
> Yahoo! Groups Sponsor
> ADVERTISEMENT
>
>
>
>
> Visit The Hammond Zone
>
>
> To unsubscribe from this group, send an email to:
> hammond_zone-unsubscribe@...
>
>
>
> Your use of Yahoo! Groups is subject to the Yahoo! Terms of
> Service.
>
>
>
>
>
>
> ------------------------ Yahoo! Groups Sponsor
>
> Visit The Hammond Zone
>
>
> To unsubscribe from this group, send an email to:
> hammond_zone-unsubscribe@...
>
>
>
> Your use of Yahoo! Groups is subject to
>
>
>
>
________________________________________________________________
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