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Re: The 4OP to DX7 Conversion Project
I always thought that Yamaha were on a tight budget in the mid 80s.? They had the FM synthesis licencing sewn up.??The early FM machines like the GS1 and the DX1 you can tell that Yamaha spent
By Glen Diamond · #20731 ·
Re: The 4OP to DX7 Conversion Project
Plus 8 noise operators. Daniel Forró
By Daniel Forró · #20730 ·
Re: The 4OP to DX7 Conversion Project
Kodamo EssenceFM is also interesting, but 6OP. Daniel Forró
By Daniel Forró · #20729 ·
Re: The 4OP to DX7 Conversion Project
Yes, TQ5/YS200/YS100 are 8 voice polyphonic. Verzonden vanaf mijn Huawei mobiele telefoon -------- Oorspronkelijk bericht -------- Onderwerp: Re: [YamahaDX] The 4OP to DX7 Conversion Project Van: "KW
By Martin Tarenskeen · #20728 ·
Re: The 4OP to DX7 Conversion Project
im not sure if we spoke about this here before martin , but couldn't the waveforms be transcribed if broken down ? mathematically waveforms are just additive or subtractive so on the remaining free
By charles · #20727 ·
Re: The 4OP to DX7 Conversion Project
for synthaction keybed V50 has one of the best i've played. and i've tried many synths to my knowledge V50 and B500 is the only 4op FM with 16 voices, quite unique! TQ5 ? no i think that was 8 voice
By KW <memtechlist@...> · #20726 ·
Re: The 4OP to DX7 Conversion Project
Yes it is. But hard to get. And my FVX-1 has 8 operators. It's nearly impossible to get: I am not selling mine :-) The FM-X engine in the MODX and Montage is also 8-operator. -- MT
By Martin Tarenskeen · #20725 ·
Re: The 4OP to DX7 Conversion Project
Sounds like a Yamaha Montage or MODX to me. MT
By Martin Tarenskeen · #20724 ·
Re: The 4OP to DX7 Conversion Project
Agreed.? If there was an "V50R," I'd be on eBay right now!? :) Regards, -BW Bruce
By Bruce Wahler <bw@...> · #20723 ·
Re: The 4OP to DX7 Conversion Project
Yeah, that would've been killer, especially since the V50 keybed is nothing to write home about. Ah well...
By John Ames · #20722 ·
Re: The 4OP to DX7 Conversion Project
I wish there was a V50 rack unit, but that was during the Rise of the Workstations, so module versions were less common. Sent from my HAL 9000 in transit to Jupiter
By Nicole Massey · #20721 ·
Re: The 4OP to DX7 Conversion Project
The FS1R was 8 operator, from what I'm told. Sent from my HAL 9000 in transit to Jupiter
By Nicole Massey · #20720 ·
Re: The 4OP to DX7 Conversion Project
For those who're interested, the V50 is essentially two TX81Zs in a keyboard, plus a cheap drum machine and some basic effects. They're still going for fairly bargain prices, too. And yeah, the TX81Z
By John Ames · #20719 ·
Re: The 4OP to DX7 Conversion Project
Certainly true. I am one of those fair-weather-FM users that had a TX81z and it never went anywhere. The presets were middling and nowhere could I find super sounds at the time, so I ditched the
By LarryS · #20718 ·
Re: The 4OP to DX7 Conversion Project
The TX81z Owner's Manual has a section (Waveform Harmonic Content, Pg. 50) that shows the eight waveforms and their harmonics.? Some of them have a high degree of 2nd-5th harmonic energy, and are
By Bruce Wahler <bw@...> · #20717 ·
Re: The 4OP to DX7 Conversion Project
If you can find the ad that ran for the TX81Z on the back of Keyboard magazine it had them pictured. One of them looked like two sine waves in phase with the frequency in one of them doubled,
By Nicole Massey · #20716 ·
Re: The 4OP to DX7 Conversion Project
Which additional waveforms are we talking about ? I never owned a TX81Z,- just only DX7 which I sold,- DX7mkIIFD, TX816 and TG77 ... Do we find the missing waveforms in SY&TG 77 and SY99 ROM ??? Were
By PeWe · #20715 ·
Re: The 4OP to DX7 Conversion Project
It's all a matter of try and see.? I started out in the FM world on a DX9, with its four sine operators.? It wasn't a DX7, but it got close, in many cases.? I can tell you that I missed velocity
By Bruce Wahler <bw@...> · #20714 ·
Re: The 4OP to DX7 Conversion Project
If we look at the harmonic content of complex waveforms, and compare them to the tricks used to create 'analog synth' waveforms on the DX7, there are some ways to work around the differences.
By Bruce Wahler <bw@...> · #20713 ·
Re: The 4OP to DX7 Conversion Project
I think it wouldn’t be easy to get from the pair of operators a timbre missing in the total sound of the patch. But maybe additional tweaking of the other four operators in algorithm structure
By Daniel Forró · #20712 ·