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New member, old member; Upgraded my units; Questions


 

Hi everyone!? I just joined this group, but I was a member of the old K1000,net group.? This Xmas, I pulled out my 4 1000 modules, and completely refurbished them? I now have upgraded the displays to LED, and have upgraded three to Pro 1, Pro 2, and Pro 3.? Very easy upgrade,? In fact, 2 of my 1000HX units were fully socketed, so I pulled the 23 button face from my 1000AX+, and upgraded the HX to a Pro 3.

Now for the difficult part.? I've successfully upgraded the 1000AX+ to a Pro 2 unit, and transplanted an 8 button faceplate onto it.? But, I am urgently looking for the following parts, which were damaged on the original AX+ unit.

--Power button? (switch replacement was easy to find, but the nice matching button is gone....)
--2 black push buttons for the front panel.? These have the escutcheon surrounding the center square.? I'll take a full button panel, if someone has one. Otherwise, I'll need to go through the painful process of splicing in some square cap
? tact switches, and maybe use Legos for the button caps.? (They almost fit...)
--Volume knob.? Is it my imagination, or do these things fall off pretty easily?
--Rack ears.? I know, everyone is looking for these.


If someone has a dead unit, I will gladly make an offer.

Also, can anyone confirm this:

The OS chips are paired into Hi and Lo bytes, so U21 and U32 form what is labelled the PRO PGM (or the PX+ PROG PRO), and U22 and U33 are paired into the SETUP for each unit, which I suspect contain the
name list of the patches, and the patch ROM addresses.? Anyone know anything about this?

Also, this:

PRO 3 8 button upgrade

Instructions on K1000.net reference some difficult hardware modifications to get the 8 button Pro 3 to work.? But, the description or file describing the process does not seem to exist.? Anyone successfully upgrade an 8 button unit to Pro3, and
what are those hardware modifications to get it to work?

Thanks.

Keith Lee

My Setup has: 1 Korg NX5R
??????????????????????? 1 Korg Karma
??????????????????????? 1 Korg T1
??????????????????????? 6 Korg TR-Rack
??????????????????????? 1 Kurzweil Upgraded to Pro 1
??????????????????????? 1 Kurzweil Upgraded to Pro 2
??????????????????????? 1 Kurzweil Upgraded to Pro 3
??????????????????????? 1 Kurzweil Micro Piano


 

IIRC, that conversion project to an 8 button Pro3 was David Brown's project. I don't know what happened to any additional documentation for it, and he said it was a difficult swap. I'd probably use the eight button front panel section for something that can handle it easier.

I have no idea what happened to my AX+ I sent him. (his passing was a great loss to our community -- he was the one that got Kurzweil to let us share the binaries for upgrades as long as no profit was involved) It would make a useful parts carcass for many of your needs, though it had Numark rack ears on it, not the factory ones. What in the world happened to all the rack ears? I know the modules shipped with them, so are they sitting intermingled with the pile of missing left socks?

Yes, the knobs tend to fall off. I had that happen to my AX+ too, so I replaced it with a screw type hat style knob in black. I wish I had a Spinal Tap style knob to put on it, because that would of course be cooler, but those hat style guitar control knobs don't look too out of place on a 1000 series module. (yes, I could see back then)

Sorry I couldn't be more help.
Nicole

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of megamindx4 via groups.io
Sent: Monday, January 02, 2023 9:21 PM
To: [email protected]
Subject: [K1000-K1200] New member, old member; Upgraded my units; Questions

Hi everyone! I just joined this group, but I was a member of the old K1000,net group. This Xmas, I pulled out my 4 1000 modules, and completely refurbished them I now have upgraded the displays to LED, and have upgraded three to Pro 1, Pro 2, and Pro 3. Very easy upgrade, In fact, 2 of my 1000HX units were fully socketed, so I pulled the 23 button face from my 1000AX+, and upgraded the HX to a Pro 3.

Now for the difficult part. I've successfully upgraded the 1000AX+ to a Pro 2 unit, and transplanted an 8 button faceplate onto it. But, I am urgently looking for the following parts, which were damaged on the original AX+ unit.

--Power button (switch replacement was easy to find, but the nice matching button is gone....)
--2 black push buttons for the front panel. These have the escutcheon surrounding the center square. I'll take a full button panel, if someone has one. Otherwise, I'll need to go through the painful process of splicing in some square cap
tact switches, and maybe use Legos for the button caps. (They almost fit...) --Volume knob. Is it my imagination, or do these things fall off pretty easily?
--Rack ears. I know, everyone is looking for these.


If someone has a dead unit, I will gladly make an offer.

Also, can anyone confirm this:

The OS chips are paired into Hi and Lo bytes, so U21 and U32 form what is labelled the PRO PGM (or the PX+ PROG PRO), and U22 and U33 are paired into the SETUP for each unit, which I suspect contain the name list of the patches, and the patch ROM addresses. Anyone know anything about this?

Also, this:

PRO 3 8 button upgrade

Instructions on K1000.net reference some difficult hardware modifications to get the 8 button Pro 3 to work. But, the description or file describing the process does not seem to exist. Anyone successfully upgrade an 8 button unit to Pro3, and what are those hardware modifications to get it to work?

Thanks.

Keith Lee

My Setup has: 1 Korg NX5R
1 Korg Karma
1 Korg T1
6 Korg TR-Rack
1 Kurzweil Upgraded to Pro 1
1 Kurzweil Upgraded to Pro 2
1 Kurzweil Upgraded to Pro 3
1 Kurzweil Micro Piano


 

Hi Nicole,

? I am new to this group, so I wanted to ask you - if you could elaborate on David Brown's agreement with Kurzweil regarding sharing the binaries - to which degree we as a users of a pretty outdated K1000s are free to share (and modify, wink-wink) the ROM images? Currently, I am actively reverse-engineering both Engine, Setup, and Sound ROMs with a lot of ideas on what I want to achieve as a result - e.g. ability to freely mix-and-match programs from different modules, but if sharing the results of my efforts will be frowned upon by Kurzweil folks - then I need to think twice how to go about it...
? Please let me know what you think about this, thanks!

Alexey.


 

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<snicker>

“…补驳谤别别尘别苍迟…”

?

LOL

?

?

L.

?

From: [email protected] [mailto:[email protected]] On Behalf Of alex@...
Sent: Monday, April 03, 2023 11:04 AM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

?

Hi Nicole,

? I am new to this group, so I wanted to ask you - if you could elaborate on David Brown's agreement with Kurzweil regarding sharing the binaries - to which degree we as a users of a pretty outdated K1000s are free to share (and modify, wink-wink) the ROM images? Currently, I am actively reverse-engineering both Engine, Setup, and Sound ROMs with a lot of ideas on what I want to achieve as a result - e.g. ability to freely mix-and-match programs from different modules, but if sharing the results of my efforts will be frowned upon by Kurzweil folks - then I need to think twice how to go about it...
? Please let me know what you think about this, thanks!

Alexey.


 

I don't know if there's anything on the page with the upgrades over on K1000.net about this. David didn't elaborate much on what he discussed with Kurzweil, past the basic information that we could use them as users but we couldn't derive any profit from their use. They were aimed at us users only. I suspect paying someone to do the chip burning and installation wouldn't cause any problems, but I'm not aware of any of the other details. I also don't know of any upload of a hardcopy agreement between him and Kurzweil.

Hope that helps some.
Nicole Massey

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of alex@...
Sent: Monday, April 03, 2023 11:04 AM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

Hi Nicole,

I am new to this group, so I wanted to ask you - if you could elaborate on David Brown's agreement with Kurzweil regarding sharing the binaries - to which degree we as a users of a pretty outdated K1000s are free to share (and modify, wink-wink) the ROM images? Currently, I am actively reverse-engineering both Engine, Setup, and Sound ROMs with a lot of ideas on what I want to achieve as a result - e.g. ability to freely mix-and-match programs from different modules, but if sharing the results of my efforts will be frowned upon by Kurzweil folks - then I need to think twice how to go about it...
Please let me know what you think about this, thanks!

Alexey.


 

hi all,
?
Reviving an old thread here.
?
In an age where a lot of old gear seems to be enjoying new leases on life through various after-market 3rd party upgrades, ranging from reverse-engineered, updated firmware (example: For the JP-6: "Europa" from Synthcom, or the upgrade from Tauntek), to dedicated programmers (DW-8P from Retroactiv for the DW-8000, say - this is just one of plenty of examples), I can't seem to find a lot of evidence of this kind of activity for the K1000 series.
?
These upgrades often use ways to marry new technology with old, to get more out of the old hardware somehow. I'm embarrassed to say that though I was originally trained as an EE, I have forgotten almost everything about electronics after 30y in other areas, but have some (these days getting a bit rusty) software background.
?
Depending on the latest MIDI implementation of these instruments, I'd imagine a newfangled programmer for them wouldn't be "too hard" - it could even be done as an IPad app or whatnot to start with, I guess, which I think is the same as an editor-librarian, effectively. Sure, a nice hardware programmer with dedicated knobs and a nice display would be great, but that depends - as originally implemented, these machines have no filtering function and fairly simple envelopes.
?
More "invasive" ideas might include the idea of enhancing the OS to add more features. Now, I'm going to totally make something up that I think is "plausible" but is predicated on my rusty EE knowledge. I'm guessing that with today's technology, it is likely possible to emulate the hardware interface of whatever ROM chips these were using, for the OS, the Setups, or for the sound ROMs. A modern processor with a much faster clock could probably present whatever swapped-in ROM "pages" the running OS might need to jump to, in between the clock cycles of the original machine's CPU/system (again, totally making this up as "plausible"). So that means I could imagine a new OS that would not be constrained by the physical ROM memory limits of the original hardware. It would run sort of as a virtual machine, and if a current software instruction would need to jump to one "out of range" of the original hardware, then the hypervisor/VM layer (using that term quite loosely) would swap in that chunk of the OS image - the original hardware would be none the wiser.
?
This could be extended to allow you to swap in as many sound ROM images as you would like, even some of your own making, I would think, and mange the "Setups" / PLists in tandem (I think these were maintained in a 3rd kind of ROM). A big extended list of managed, related "objects" in the original format would let you have as many programs as you like.
?
Another idea? Implement the missing filtering in software.
?
Now, I am under no pretense that I'm ready to bust out my soldering iron and start whipping this up - I barely have time for music as it is, so at this point I am just wondering out loud, so-to-speak.
?
... but I think our old K1000 sounds really great. And I'm all for anything that lets these old menu-driven machines, that consequently didn't perhaps get quite enough exercise in the sound design department, have a "second act".
?
I'll echo the original poster Alexey's question as to whatever the legal status of things is here. Maybe that explains the lack of 3rd party hackage-of-love here...
?
I did some searching in the archives here for various terms but couldn't find much.
?
Chuck


 

Charles et al,
There's a lot to comment on here.

There were rumors that Sweetwater sound did replacement ROM chips for these machines, but they're sasquatch -- often talked about, but as far as I know never seen.

Folks, please don't do this as a tablet or phone app.

Kurzweil released an editor/librarian for these machines, Object Mover, for DOS, an early Mac operating system, and the Atari ST, but I don't know if they can run on modern hardware or in modern OS's. The DOS one is limited to the sort of universal interface Roland made, the SUX-401 and its relatives. Dennis Spanagal (sp?) wrote Kurlewin as a librarian for these devices for use in Windows, and Kurle as a DOS level editor. He is the original owner of K1000.net, and he's said here in the past that someone who would be willing to do the about 100 coding hours it'd take to incorporate the editor into the Windows program has his blessing and he'd pass on the source code to Kurle for the project.

Now, on to other things...

The big issue here is that these machines predate MSB/LSB style controllers, so there's a limit to the mapping options -- it's going to have to be all in sysex, so that's going to take some digging. Again, talk to Dennis about this, because he found some "variances" in the sysex handling.

Any knobby editor is going to be about as effective as a specialized one, though since it has mass appeal it'd be a lot cheaper than a dedicated device, but so much changes from patch to patch it'd be sort of rough to always have the knobs someone would need to create an effective interface that would put knob control at someone's fingertips -- what we're dealing with here is a sample based semi-modular system sans filters, and a lot of stuff would still be buried in menus. Again, if it had a display then it'd be best if it had either a screen reader built into it or the same type of code Kurzweil included to send all the screen data through sysex. (a headphone jack on it might be way useful, because it'd also make it possible to send the data to a floor monitor instead of FOH)

Upgrade data is, as far as I know, all on the OS chips and setup chips. I'm thinking that's all on the setup chips, which also hold the samples, because the OS chips work on all the machines using the same OS data. What you're talking here is best done as a virtual instrument all the way. I know of no way to override the OS in the modules/keyboards. That said, the OS chip data is on the k1000.net site, so someone with the chops to analyze it and figure out if it'd be possible to upgrade the OS might help. But then you run into memory issues inside a machine, so again, a virtual version of the line is the better option. And yes, I know that means not using the nice D/A converters and output stages.

You're going to run into some issues implementing the filtering that way, because the architecture isn't set up for such things, and the bigger challenge is to make the filters resonant. The architecture isn't designed to do things like that, and if you can do it through sysex you can assign a controller number and map what you want to do to that, which would be a lot less work and would be usable by programmable controller knobs. Point of Information -- the PX/PXA/Pro1 series does have a filter inside, but it's fixed, and it's a lowpass filter to deal with some harsh aliasing and high frequency sample noise on some of the content. Again, this is far easier to do in a virtual synth as a standalone (my preference) or a VST.

Oh, and I don't call fourteen stage envelopes as minimal -- most envelopes do something with length and volume, and the 100-1200 series can do things like simulate reverb with those envelopes.
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of charles.d.lutz@...
Sent: Saturday, September 14, 2024 5:10 PM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

hi all,

Reviving an old thread here.

In an age where a lot of old gear seems to be enjoying new leases on life through various after-market 3rd party upgrades, ranging from reverse-engineered, updated firmware (example: For the JP-6: "Europa" from Synthcom, or the upgrade from Tauntek), to dedicated programmers (DW-8P from Retroactiv for the DW-8000, say - this is just one of plenty of examples), I can't seem to find a lot of evidence of this kind of activity for the K1000 series.

These upgrades often use ways to marry new technology with old, to get more out of the old hardware somehow. I'm embarrassed to say that though I was originally trained as an EE, I have forgotten almost everything about electronics after 30y in other areas, but have some (these days getting a bit rusty) software background.

Depending on the latest MIDI implementation of these instruments, I'd imagine a newfangled programmer for them wouldn't be "too hard" - it could even be done as an IPad app or whatnot to start with, I guess, which I think is the same as an editor-librarian, effectively. Sure, a nice hardware programmer with dedicated knobs and a nice display would be great, but that depends - as originally implemented, these machines have no filtering function and fairly simple envelopes.

More "invasive" ideas might include the idea of enhancing the OS to add more features. Now, I'm going to totally make something up that I think is "plausible" but is predicated on my rusty EE knowledge. I'm guessing that with today's technology, it is likely possible to emulate the hardware interface of whatever ROM chips these were using, for the OS, the Setups, or for the sound ROMs. A modern processor with a much faster clock could probably present whatever swapped-in ROM "pages" the running OS might need to jump to, in between the clock cycles of the original machine's CPU/system (again, totally making this up as "plausible"). So that means I could imagine a new OS that would not be constrained by the physical ROM memory limits of the original hardware. It would run sort of as a virtual machine, and if a current software instruction would need to jump to one "out of range" of the original hardware, then the hypervisor/VM layer (using that term quite loosely) would swap in that chunk of the OS image - the original hardware would be none the wiser.

This could be extended to allow you to swap in as many sound ROM images as you would like, even some of your own making, I would think, and mange the "Setups" / PLists in tandem (I think these were maintained in a 3rd kind of ROM). A big extended list of managed, related "objects" in the original format would let you have as many programs as you like.

Another idea? Implement the missing filtering in software.

Now, I am under no pretense that I'm ready to bust out my soldering iron and start whipping this up - I barely have time for music as it is, so at this point I am just wondering out loud, so-to-speak.

... but I think our old K1000 sounds really great. And I'm all for anything that lets these old menu-driven machines, that consequently didn't perhaps get quite enough exercise in the sound design department, have a "second act".

I'll echo the original poster Alexey's question as to whatever the legal status of things is here. Maybe that explains the lack of 3rd party hackage-of-love here...

I did some searching in the archives here for various terms but couldn't find much.

Chuck


 

There is also a full blown editor/libarian for mac os (I wrote it!). Only issue is it was compiled for Mac OS Mojave, but since then Apple have updated the mac midi drivers. Since I don't have a newer Mac I have not updated it, but I did release the source code (Objective C) for download for any adventurous sole who wants to update the project.

David

On Sep 14, 2024, at 4:34?PM, Nicole Massey <nyyki@...> wrote:

?Charles et al,
There's a lot to comment on here.

There were rumors that Sweetwater sound did replacement ROM chips for these machines, but they're sasquatch -- often talked about, but as far as I know never seen.

Folks, please don't do this as a tablet or phone app.

Kurzweil released an editor/librarian for these machines, Object Mover, for DOS, an early Mac operating system, and the Atari ST, but I don't know if they can run on modern hardware or in modern OS's. The DOS one is limited to the sort of universal interface Roland made, the SUX-401 and its relatives. Dennis Spanagal (sp?) wrote Kurlewin as a librarian for these devices for use in Windows, and Kurle as a DOS level editor. He is the original owner of K1000.net, and he's said here in the past that someone who would be willing to do the about 100 coding hours it'd take to incorporate the editor into the Windows program has his blessing and he'd pass on the source code to Kurle for the project.

Now, on to other things...

The big issue here is that these machines predate MSB/LSB style controllers, so there's a limit to the mapping options -- it's going to have to be all in sysex, so that's going to take some digging. Again, talk to Dennis about this, because he found some "variances" in the sysex handling.

Any knobby editor is going to be about as effective as a specialized one, though since it has mass appeal it'd be a lot cheaper than a dedicated device, but so much changes from patch to patch it'd be sort of rough to always have the knobs someone would need to create an effective interface that would put knob control at someone's fingertips -- what we're dealing with here is a sample based semi-modular system sans filters, and a lot of stuff would still be buried in menus. Again, if it had a display then it'd be best if it had either a screen reader built into it or the same type of code Kurzweil included to send all the screen data through sysex. (a headphone jack on it might be way useful, because it'd also make it possible to send the data to a floor monitor instead of FOH)

Upgrade data is, as far as I know, all on the OS chips and setup chips. I'm thinking that's all on the setup chips, which also hold the samples, because the OS chips work on all the machines using the same OS data. What you're talking here is best done as a virtual instrument all the way. I know of no way to override the OS in the modules/keyboards. That said, the OS chip data is on the k1000.net site, so someone with the chops to analyze it and figure out if it'd be possible to upgrade the OS might help. But then you run into memory issues inside a machine, so again, a virtual version of the line is the better option. And yes, I know that means not using the nice D/A converters and output stages.

You're going to run into some issues implementing the filtering that way, because the architecture isn't set up for such things, and the bigger challenge is to make the filters resonant. The architecture isn't designed to do things like that, and if you can do it through sysex you can assign a controller number and map what you want to do to that, which would be a lot less work and would be usable by programmable controller knobs. Point of Information -- the PX/PXA/Pro1 series does have a filter inside, but it's fixed, and it's a lowpass filter to deal with some harsh aliasing and high frequency sample noise on some of the content. Again, this is far easier to do in a virtual synth as a standalone (my preference) or a VST.

Oh, and I don't call fourteen stage envelopes as minimal -- most envelopes do something with length and volume, and the 100-1200 series can do things like simulate reverb with those envelopes.
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of charles.d.lutz@...
Sent: Saturday, September 14, 2024 5:10 PM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

hi all,

Reviving an old thread here.

In an age where a lot of old gear seems to be enjoying new leases on life through various after-market 3rd party upgrades, ranging from reverse-engineered, updated firmware (example: For the JP-6: "Europa" from Synthcom, or the upgrade from Tauntek), to dedicated programmers (DW-8P from Retroactiv for the DW-8000, say - this is just one of plenty of examples), I can't seem to find a lot of evidence of this kind of activity for the K1000 series.

These upgrades often use ways to marry new technology with old, to get more out of the old hardware somehow. I'm embarrassed to say that though I was originally trained as an EE, I have forgotten almost everything about electronics after 30y in other areas, but have some (these days getting a bit rusty) software background.

Depending on the latest MIDI implementation of these instruments, I'd imagine a newfangled programmer for them wouldn't be "too hard" - it could even be done as an IPad app or whatnot to start with, I guess, which I think is the same as an editor-librarian, effectively. Sure, a nice hardware programmer with dedicated knobs and a nice display would be great, but that depends - as originally implemented, these machines have no filtering function and fairly simple envelopes.

More "invasive" ideas might include the idea of enhancing the OS to add more features. Now, I'm going to totally make something up that I think is "plausible" but is predicated on my rusty EE knowledge. I'm guessing that with today's technology, it is likely possible to emulate the hardware interface of whatever ROM chips these were using, for the OS, the Setups, or for the sound ROMs. A modern processor with a much faster clock could probably present whatever swapped-in ROM "pages" the running OS might need to jump to, in between the clock cycles of the original machine's CPU/system (again, totally making this up as "plausible"). So that means I could imagine a new OS that would not be constrained by the physical ROM memory limits of the original hardware. It would run sort of as a virtual machine, and if a current software instruction would need to jump to one "out of range" of the original hardware, then the hypervisor/VM layer (using that term quite loosely) would swap in that chunk of the OS image - the original hardware would be none the wiser.

This could be extended to allow you to swap in as many sound ROM images as you would like, even some of your own making, I would think, and mange the "Setups" / PLists in tandem (I think these were maintained in a 3rd kind of ROM). A big extended list of managed, related "objects" in the original format would let you have as many programs as you like.

Another idea? Implement the missing filtering in software.

Now, I am under no pretense that I'm ready to bust out my soldering iron and start whipping this up - I barely have time for music as it is, so at this point I am just wondering out loud, so-to-speak.

... but I think our old K1000 sounds really great. And I'm all for anything that lets these old menu-driven machines, that consequently didn't perhaps get quite enough exercise in the sound design department, have a "second act".

I'll echo the original poster Alexey's question as to whatever the legal status of things is here. Maybe that explains the lack of 3rd party hackage-of-love here...

I did some searching in the archives here for various terms but couldn't find much.

Chuck







 

Hi Nicole,
?
14 stages? LOL - so far in my reading of the manuals (or _somewhere_), I only saw "ASR" mentioned as to envelopes, so I thought that attack/sustain/release was it! I still have to dig into the programming manual.
?
The K1000SE we just got recently from a list member has some notes w/ Sweetwater contacts - so who knows!
?
You gave lots of good info - I have much to learn about the innards of these machines, depending on how far I get to go with it. All of those whimsical ideas I postulated in no way come with any claim of being _sensible_ :-) From what I can tell a lot of these aftermarket projects are purely labors of love and are not likely to win the hearts of any shareholders anywhere!
?
There is probably a lot of design space to consider, sure. I haven't figured out yet whether not having filters is an actual limitation of these machines - I've just head that some people had complained, and I've noted some of the "SoundFile" sounds indicate bright/mellow graduations, which was apparently the answer to not having filters. As I get to play with the programming I might find out I don't miss it. Every instrument type has its character for different reasons. I recently got a Kawai K5, because apparently I'm a glutton for punishment.
?
Though I'm sure the output hardware and D/A conversion is a big part of the sound, I take it that the real "punch" in these machines is the quality of the original sample data. In that case, the notion of providing an ability to put addition sound data in there might not be that great after all since "garbage in, garbage out". I was trying to figure if modern hardware could circumvent the memory limits of the original hardware by "looking like" the old ROM chips etc., but actually being able to address a much larger OS implementation, if need be, and in tandem somehow presenting synchronized sound ROM images "just like" they were the normal ROM chips. I have no idea if this is actually feasible, but it would still make use of all the rest of the hardware.
?
I didn't quite understand your comment about sending screen data through sysex, but I think I got the other idea about screen reader output going to stage monitors - for those of us whose gigs never really got too far beyond the college campus basement clubs decades ago, some of the lingo there may be a bit hard to parse :-)
?
I've only ever twiddled a bit with software synth plugins, and then only on a Linux machine like 15 years ago. I'm sure I'm just a self-limiting curmudgeon, but something about all the sound sources coming through the same hardware processing out outputs is just not exciting to me. Sure, I need to revisit the topic, but I'll probably always prefer my hardware, maybe even my OLD hardware to modern new hardware synths, since (again, curmudgeon :-) ) I assume those are just all homogenized PC hardware running plugins of some kind anyway!
?
My bringing the thread up was in reaction to Alexey's question from April of 2023 - generally wondering if anyone knows of any hackey mods, OS reverse-engineering, etc. upgrade projects that anyone may have done.
?
Thanks for all the info!
Chuck
?


 

The first I heard about these kinds of things was for the Yamaha TX16W, their first sampler. The OS, to used a dialect word, sucks, so some folks wrote an OS called Typhoon and made the thing make sense to everyone, not only Yamaha fanatics. I know of nobody who's done this for the Kurzweil machines. All of these sounds were originally sound blocks in the massive (and expensive) K250, though some are not used (example, once again the violas got the short end of the stick).

It's been a while since I dug deep into the manual, because until I either get KDR Reader working (assuming it'll work with the 1000-1200 series, it was coded for much later versions, but the front screen sysex stuff was in from the first synth they did, the K250) or someone gets out a editor I can use under Windows 10, because fading displays is the least of my vision concerns.

Jealous of your K5, it's in my wishlist.

Okay, about the sysex dump from the front screen -- These instruments, and in fact the entirety of Ray Kurzweil's entry into the electronic instrument arena, was because of a meeting he had with Stevie Wonder about OCR devices, because that was Kurzweil's big interest. Stevie asked him about if he could do screen reading for a musical instrument, and the K250 was designed with accessibility in mind. And this means that everything from the K250 up to the end of the K2600 line did this. It was key to doing things in Object Mover. For blind folks like me this makes them super-useful tools.

If you want to hear how out there these machines can get, ask someone here to record the Krellian Music preset from a GX or Pro3. Instead of thinking in filters for frequence range, the OS has all kinds of useful things that can fold, spindle, and mutilate samples, including the colored noise you found and standard synth waveforms. It's not only dancing with someone else, it's dancing to a different style of music with a different crowd and somewhere unlike the other place. I seem to remember the manual having graphics for these things, like the inverters, negators, and their ilk. Think of this -- you create a sound with a specific waveform, then on key up it negates the waveform and so you get the reverse of it. This can be very powerful.

If you can find them, there's the Keyboard Magazine review of the machines, and the programming lesson for it in a much later episode. I manage to catch one of the events where they were demonstrated to the public when they first came out, with Bob Moog doing the shilling for them (that's where I got my Moog Source signed by him). Nice guy.

If you ever have any questions about terms I use or what I write here, please do me a favor and ask me about it, because I'm very interested in making sure the point gets across. I think I know what jargon might of sailed past you -- FOH=Front of House, also called the mains, which are the speakers aimed at audience members (well, other than one gig I ran sound, the speaker were aimed at the audience, and that one gig where a mains speaker fell over wasn't the band's fault nor either mine or my business partner). Floor monitors or wedge monitors, also called foldback by audio people who are either British or trying to bench press their experience in the field in an effort to impress someone, are speakers either on the floor or close in so band members can hear themselves. Sending the screen reader output to the board and then back to my speaker allows me to do all kinds of things without the audience having to hear the machine talking to me, and since my monitor is an in-ear one it's for me alone. Make sense?

You make a point I've made in the past. When my poor lamented studio is up and running I've got about 68 rack spaces of synths and support for them, every single one of them having their own D/A converter and output stage, and the dimension and clarity from it all is impressive. Using most of my stuff in software synths shows the limitations of the digital mixing of different sounds -- they turn into elements in a unified sound, instead of different sounds mixing together. An example -- I've got a demonstration SMF I did when I was playing with some of the new features in QWS, and I've got a melody that's one synth the first time through, and another one added to it on the second pass, but I use a data LFO to cycle Resonance and Frequency Response at different rates. The first sound is the one I do that in, a sort of Asian sort of plucked string sound, and the second is a square wave with portamento in it (love you, CC's 5, 65, and 84), but thanks to the way all that works it sounds like the square wave sound is the one going through the filter and resonance sweeps. Still, those softsynths let me gig with a laptop, K2600XE, and an M-Audio Axiom 61 and setup is the fastest for any rig I've used, if I can get someone with bulging shoulders and strong arms to help me move that K2600 around.

IIRC, that ASR envelope is at every stage -- each stage has attack, sustain, and release time, so that means a huge amount of sound shaping. I'd like to eventually get help or get software that I can do it myself so I can build a bunch of sounds that use CC2 (Breath Control) to handle initial attack, then play with using something else, like key up stuff, to let the envelope cycle to the remainder of the stages. This would let me use that pseudo reverb thing the envelopes can do, and I have a MIDI DDL and can also create some way cool DDL effects through MIDI. And I also want to use CC11, CC10, and probably CC12 to simulate vector synthesis stile performance stuff.

What would I like to see in an improved OS for the machines? First off, setting as a default the other controllers that have been standardized in the years since they were released. Ditto for the system common messages like fine and coarse tuning -- I don't think it's possible to change the pitch bend range. Side note -- that means that there are seven semitones a note can be bent. There are seven standard vale combinations in brass instruments and seven positions on trombone slides -- use pitch bend to hit the target note, with the pitch set at position 4 in Trombone lingo or 1 and 2 or 3 for valve instruments, then move to the other pitches for that fundamental and use volume and aftertouch to do attacks and filter or intensity shifts. This makes these very effective brass synth sound modules. The reality is, there are 128 CC values , with 128 different amounts, that can control the innards of one of these machines. I got my first GX back in 1988, and I've not come close to what can be done with the structure of synthesis in these machines, and unless someone gets an eternal youth protocol I won't come close to work through it before I move on to my next gig. And this is one of many reasons why I have thirteen of these.
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of charles.d.lutz@...
Sent: Saturday, September 14, 2024 8:07 PM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

Hi Nicole,

14 stages? LOL - so far in my reading of the manuals (or _somewhere_), I only saw "ASR" mentioned as to envelopes, so I thought that attack/sustain/release was it! I still have to dig into the programming manual.

The K1000SE we just got recently from a list member has some notes w/ Sweetwater contacts - so who knows!

You gave lots of good info - I have much to learn about the innards of these machines, depending on how far I get to go with it. All of those whimsical ideas I postulated in no way come with any claim of being _sensible_ :-) From what I can tell a lot of these aftermarket projects are purely labors of love and are not likely to win the hearts of any shareholders anywhere!

There is probably a lot of design space to consider, sure. I haven't figured out yet whether not having filters is an actual limitation of these machines - I've just head that some people had complained, and I've noted some of the "SoundFile" sounds indicate bright/mellow graduations, which was apparently the answer to not having filters. As I get to play with the programming I might find out I don't miss it. Every instrument type has its character for different reasons. I recently got a Kawai K5, because apparently I'm a glutton for punishment.

Though I'm sure the output hardware and D/A conversion is a big part of the sound, I take it that the real "punch" in these machines is the quality of the original sample data. In that case, the notion of providing an ability to put addition sound data in there might not be that great after all since "garbage in, garbage out". I was trying to figure if modern hardware could circumvent the memory limits of the original hardware by "looking like" the old ROM chips etc., but actually being able to address a much larger OS implementation, if need be, and in tandem somehow presenting synchronized sound ROM images "just like" they were the normal ROM chips. I have no idea if this is actually feasible, but it would still make use of all the rest of the hardware.

I didn't quite understand your comment about sending screen data through sysex, but I think I got the other idea about screen reader output going to stage monitors - for those of us whose gigs never really got too far beyond the college campus basement clubs decades ago, some of the lingo there may be a bit hard to parse :-)

I've only ever twiddled a bit with software synth plugins, and then only on a Linux machine like 15 years ago. I'm sure I'm just a self-limiting curmudgeon, but something about all the sound sources coming through the same hardware processing out outputs is just not exciting to me. Sure, I need to revisit the topic, but I'll probably always prefer my hardware, maybe even my OLD hardware to modern new hardware synths, since (again, curmudgeon :-) ) I assume those are just all homogenized PC hardware running plugins of some kind anyway!

My bringing the thread up was in reaction to Alexey's question from April of 2023 - generally wondering if anyone knows of any hackey mods, OS reverse-engineering, etc. upgrade projects that anyone may have done.

Thanks for all the info!
Chuck


 

Hi, David, where I can get it or buy? I’m still on Mojave…

Daniel Forro

On Sep 15, 2024, at 8:51, David Greenwood via groups.io <fiansamusic@...> wrote:

There is also a full blown editor/libarian for mac os (I wrote it!). Only issue is it was compiled for Mac OS Mojave, but since then Apple have updated the mac midi drivers. Since I don't have a newer Mac I have not updated it, but I did release the source code (Objective C) for download for any adventurous sole who wants to update the project.

David

On Sep 14, 2024, at 4:34?PM, Nicole Massey <nyyki@...> wrote:

?Charles et al,
There's a lot to comment on here.

There were rumors that Sweetwater sound did replacement ROM chips for these machines, but they're sasquatch -- often talked about, but as far as I know never seen.

Folks, please don't do this as a tablet or phone app.

Kurzweil released an editor/librarian for these machines, Object Mover, for DOS, an early Mac operating system, and the Atari ST, but I don't know if they can run on modern hardware or in modern OS's. The DOS one is limited to the sort of universal interface Roland made, the SUX-401 and its relatives. Dennis Spanagal (sp?) wrote Kurlewin as a librarian for these devices for use in Windows, and Kurle as a DOS level editor. He is the original owner of K1000.net, and he's said here in the past that someone who would be willing to do the about 100 coding hours it'd take to incorporate the editor into the Windows program has his blessing and he'd pass on the source code to Kurle for the project.

Now, on to other things...

The big issue here is that these machines predate MSB/LSB style controllers, so there's a limit to the mapping options -- it's going to have to be all in sysex, so that's going to take some digging. Again, talk to Dennis about this, because he found some "variances" in the sysex handling.

Any knobby editor is going to be about as effective as a specialized one, though since it has mass appeal it'd be a lot cheaper than a dedicated device, but so much changes from patch to patch it'd be sort of rough to always have the knobs someone would need to create an effective interface that would put knob control at someone's fingertips -- what we're dealing with here is a sample based semi-modular system sans filters, and a lot of stuff would still be buried in menus. Again, if it had a display then it'd be best if it had either a screen reader built into it or the same type of code Kurzweil included to send all the screen data through sysex. (a headphone jack on it might be way useful, because it'd also make it possible to send the data to a floor monitor instead of FOH)

Upgrade data is, as far as I know, all on the OS chips and setup chips. I'm thinking that's all on the setup chips, which also hold the samples, because the OS chips work on all the machines using the same OS data. What you're talking here is best done as a virtual instrument all the way. I know of no way to override the OS in the modules/keyboards. That said, the OS chip data is on the k1000.net site, so someone with the chops to analyze it and figure out if it'd be possible to upgrade the OS might help. But then you run into memory issues inside a machine, so again, a virtual version of the line is the better option. And yes, I know that means not using the nice D/A converters and output stages.

You're going to run into some issues implementing the filtering that way, because the architecture isn't set up for such things, and the bigger challenge is to make the filters resonant. The architecture isn't designed to do things like that, and if you can do it through sysex you can assign a controller number and map what you want to do to that, which would be a lot less work and would be usable by programmable controller knobs. Point of Information -- the PX/PXA/Pro1 series does have a filter inside, but it's fixed, and it's a lowpass filter to deal with some harsh aliasing and high frequency sample noise on some of the content. Again, this is far easier to do in a virtual synth as a standalone (my preference) or a VST.

Oh, and I don't call fourteen stage envelopes as minimal -- most envelopes do something with length and volume, and the 100-1200 series can do things like simulate reverb with those envelopes.
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of charles.d.lutz@...
Sent: Saturday, September 14, 2024 5:10 PM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

hi all,

Reviving an old thread here.

In an age where a lot of old gear seems to be enjoying new leases on life through various after-market 3rd party upgrades, ranging from reverse-engineered, updated firmware (example: For the JP-6: "Europa" from Synthcom, or the upgrade from Tauntek), to dedicated programmers (DW-8P from Retroactiv for the DW-8000, say - this is just one of plenty of examples), I can't seem to find a lot of evidence of this kind of activity for the K1000 series.

These upgrades often use ways to marry new technology with old, to get more out of the old hardware somehow. I'm embarrassed to say that though I was originally trained as an EE, I have forgotten almost everything about electronics after 30y in other areas, but have some (these days getting a bit rusty) software background.

Depending on the latest MIDI implementation of these instruments, I'd imagine a newfangled programmer for them wouldn't be "too hard" - it could even be done as an IPad app or whatnot to start with, I guess, which I think is the same as an editor-librarian, effectively. Sure, a nice hardware programmer with dedicated knobs and a nice display would be great, but that depends - as originally implemented, these machines have no filtering function and fairly simple envelopes.

More "invasive" ideas might include the idea of enhancing the OS to add more features. Now, I'm going to totally make something up that I think is "plausible" but is predicated on my rusty EE knowledge. I'm guessing that with today's technology, it is likely possible to emulate the hardware interface of whatever ROM chips these were using, for the OS, the Setups, or for the sound ROMs. A modern processor with a much faster clock could probably present whatever swapped-in ROM "pages" the running OS might need to jump to, in between the clock cycles of the original machine's CPU/system (again, totally making this up as "plausible"). So that means I could imagine a new OS that would not be constrained by the physical ROM memory limits of the original hardware. It would run sort of as a virtual machine, and if a current software instruction would need to jump to one "out of range" of the original hardware, then the hypervisor/VM layer (using that term quite loosely) would swap in that chunk of the OS image - the original hardware would be none the wiser.

This could be extended to allow you to swap in as many sound ROM images as you would like, even some of your own making, I would think, and mange the "Setups" / PLists in tandem (I think these were maintained in a 3rd kind of ROM). A big extended list of managed, related "objects" in the original format would let you have as many programs as you like.

Another idea? Implement the missing filtering in software.

Now, I am under no pretense that I'm ready to bust out my soldering iron and start whipping this up - I barely have time for music as it is, so at this point I am just wondering out loud, so-to-speak.

... but I think our old K1000 sounds really great. And I'm all for anything that lets these old menu-driven machines, that consequently didn't perhaps get quite enough exercise in the sound design department, have a "second act".

I'll echo the original poster Alexey's question as to whatever the legal status of things is here. Maybe that explains the lack of 3rd party hackage-of-love here...

I did some searching in the archives here for various terms but couldn't find much.

Chuck











 

'
If you can find them, there's the Keyboard Magazine review of the machines, and the programming lesson for it in a much later episode'.
?
Hi folks, here are scans of the Keyboard mag programming article from (I think) 1991.
Some of the sounds mentioned here are in the files on k1000.net. They're in Objectmover format, which does work both on Ataris and Macs.
I still use Ataris for my studio, but Mac Objectover still works after a fashion on my Mac Pro running El Capitan, if that's useful for anyone to know.
?
Hope this helps,
Best wishes,
David.
?
(5 PXs, 5 GXs, 2 SX and an AX updated to Pro 2)


 

These seem to be page shots in graphics format. Can anyone here convert these into a single PDF, preferably with OCR?

David, I "see" you're nipping at my heels in 1000 series acquisitions. This makes me want to do some more looking around
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of David via groups.io
Sent: Sunday, September 15, 2024 6:16 AM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

'
If you can find them, there's the Keyboard Magazine review of the machines, and the programming lesson for it in a much later episode'.

Hi folks, here are scans of the Keyboard mag programming article from (I think) 1991.
Some of the sounds mentioned here are in the files on k1000.net. They're in Objectmover format, which does work both on Ataris and Macs.
I still use Ataris for my studio, but Mac Objectover still works after a fashion on my Mac Pro running El Capitan, if that's useful for anyone to know.

Hope this helps,
Best wishes,
David.

(5 PXs, 5 GXs, 2 SX and an AX updated to Pro 2)


 

Google search on "ObjectEditorX" should get you there, and it is free.

David

On Sep 15, 2024, at 12:46?AM, Daniel Forró via groups.io <danforcz@...> wrote:

?Hi, David, where I can get it or buy? I’m still on Mojave…

Daniel Forro



On Sep 15, 2024, at 8:51, David Greenwood via groups.io <fiansamusic@...> wrote:

There is also a full blown editor/libarian for mac os (I wrote it!). Only issue is it was compiled for Mac OS Mojave, but since then Apple have updated the mac midi drivers. Since I don't have a newer Mac I have not updated it, but I did release the source code (Objective C) for download for any adventurous sole who wants to update the project.

David

On Sep 14, 2024, at 4:34?PM, Nicole Massey <nyyki@...> wrote:
?Charles et al,
There's a lot to comment on here.

There were rumors that Sweetwater sound did replacement ROM chips for these machines, but they're sasquatch -- often talked about, but as far as I know never seen.

Folks, please don't do this as a tablet or phone app.

Kurzweil released an editor/librarian for these machines, Object Mover, for DOS, an early Mac operating system, and the Atari ST, but I don't know if they can run on modern hardware or in modern OS's. The DOS one is limited to the sort of universal interface Roland made, the SUX-401 and its relatives. Dennis Spanagal (sp?) wrote Kurlewin as a librarian for these devices for use in Windows, and Kurle as a DOS level editor. He is the original owner of K1000.net, and he's said here in the past that someone who would be willing to do the about 100 coding hours it'd take to incorporate the editor into the Windows program has his blessing and he'd pass on the source code to Kurle for the project.

Now, on to other things...

The big issue here is that these machines predate MSB/LSB style controllers, so there's a limit to the mapping options -- it's going to have to be all in sysex, so that's going to take some digging. Again, talk to Dennis about this, because he found some "variances" in the sysex handling.

Any knobby editor is going to be about as effective as a specialized one, though since it has mass appeal it'd be a lot cheaper than a dedicated device, but so much changes from patch to patch it'd be sort of rough to always have the knobs someone would need to create an effective interface that would put knob control at someone's fingertips -- what we're dealing with here is a sample based semi-modular system sans filters, and a lot of stuff would still be buried in menus. Again, if it had a display then it'd be best if it had either a screen reader built into it or the same type of code Kurzweil included to send all the screen data through sysex. (a headphone jack on it might be way useful, because it'd also make it possible to send the data to a floor monitor instead of FOH)

Upgrade data is, as far as I know, all on the OS chips and setup chips. I'm thinking that's all on the setup chips, which also hold the samples, because the OS chips work on all the machines using the same OS data. What you're talking here is best done as a virtual instrument all the way. I know of no way to override the OS in the modules/keyboards. That said, the OS chip data is on the k1000.net site, so someone with the chops to analyze it and figure out if it'd be possible to upgrade the OS might help. But then you run into memory issues inside a machine, so again, a virtual version of the line is the better option. And yes, I know that means not using the nice D/A converters and output stages.

You're going to run into some issues implementing the filtering that way, because the architecture isn't set up for such things, and the bigger challenge is to make the filters resonant. The architecture isn't designed to do things like that, and if you can do it through sysex you can assign a controller number and map what you want to do to that, which would be a lot less work and would be usable by programmable controller knobs. Point of Information -- the PX/PXA/Pro1 series does have a filter inside, but it's fixed, and it's a lowpass filter to deal with some harsh aliasing and high frequency sample noise on some of the content. Again, this is far easier to do in a virtual synth as a standalone (my preference) or a VST.

Oh, and I don't call fourteen stage envelopes as minimal -- most envelopes do something with length and volume, and the 100-1200 series can do things like simulate reverb with those envelopes.
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of charles.d.lutz@...
Sent: Saturday, September 14, 2024 5:10 PM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

hi all,

Reviving an old thread here.

In an age where a lot of old gear seems to be enjoying new leases on life through various after-market 3rd party upgrades, ranging from reverse-engineered, updated firmware (example: For the JP-6: "Europa" from Synthcom, or the upgrade from Tauntek), to dedicated programmers (DW-8P from Retroactiv for the DW-8000, say - this is just one of plenty of examples), I can't seem to find a lot of evidence of this kind of activity for the K1000 series.

These upgrades often use ways to marry new technology with old, to get more out of the old hardware somehow. I'm embarrassed to say that though I was originally trained as an EE, I have forgotten almost everything about electronics after 30y in other areas, but have some (these days getting a bit rusty) software background.

Depending on the latest MIDI implementation of these instruments, I'd imagine a newfangled programmer for them wouldn't be "too hard" - it could even be done as an IPad app or whatnot to start with, I guess, which I think is the same as an editor-librarian, effectively. Sure, a nice hardware programmer with dedicated knobs and a nice display would be great, but that depends - as originally implemented, these machines have no filtering function and fairly simple envelopes.

More "invasive" ideas might include the idea of enhancing the OS to add more features. Now, I'm going to totally make something up that I think is "plausible" but is predicated on my rusty EE knowledge. I'm guessing that with today's technology, it is likely possible to emulate the hardware interface of whatever ROM chips these were using, for the OS, the Setups, or for the sound ROMs. A modern processor with a much faster clock could probably present whatever swapped-in ROM "pages" the running OS might need to jump to, in between the clock cycles of the original machine's CPU/system (again, totally making this up as "plausible"). So that means I could imagine a new OS that would not be constrained by the physical ROM memory limits of the original hardware. It would run sort of as a virtual machine, and if a current software instruction would need to jump to one "out of range" of the original hardware, then the hypervisor/VM layer (using that term quite loosely) would swap in that chunk of the OS image - the original hardware would be none the wiser.

This could be extended to allow you to swap in as many sound ROM images as you would like, even some of your own making, I would think, and mange the "Setups" / PLists in tandem (I think these were maintained in a 3rd kind of ROM). A big extended list of managed, related "objects" in the original format would let you have as many programs as you like.

Another idea? Implement the missing filtering in software.

Now, I am under no pretense that I'm ready to bust out my soldering iron and start whipping this up - I barely have time for music as it is, so at this point I am just wondering out loud, so-to-speak.

... but I think our old K1000 sounds really great. And I'm all for anything that lets these old menu-driven machines, that consequently didn't perhaps get quite enough exercise in the sound design department, have a "second act".

I'll echo the original poster Alexey's question as to whatever the legal status of things is here. Maybe that explains the lack of 3rd party hackage-of-love here...

I did some searching in the archives here for various terms but couldn't find much.

Chuck















 

Hi Nicole,
I've managed to convert the lot into jpegs and then combined them into a single pdf. Here it is, and I hope it's useful for you.
?
Regarding acquisitions, I have been using the 1000 series since 1988 when I got my first PX? - now upgraded with a PXA an dused in MIDI chain with a PXPlus, alkthough workign out suitable Plists so that they would play the same sound was fun. For those who are interested, the PXA upgrade goes to V.3. while the Plus version is v.4, where the order of programs is completely changed. My other PXs are upgraded to Pro 1 level v.5. 3 of my GXs are v.5, and interestingly enough when using K-edit (another eccentric Atari prog) or Objectmover, I can't find a limit as to how many sounds I can load in there. On the PX and SX/HX, the theoretical maximum is 255 (or is it 256 if 0 is a value?). Loading up my PXs and SX/AX plus, I run out of memory in RAM around 220 or thereabouts - obviously this depends on the size of each RAM prog. With a v.5 GX, I can seemingly load up progs well into the 400s without getting the 'out of memeory' message. Anyone else come across this bit of fun and games?
?
David :-)


 

For anyone interested, here are my two revfiews of the 1000 series, from Home & Studio Recording magazine in 1989, and the 1200 series in Sound on Sound magazine in 1991.
Still wish I'd had the chance toi acquire the K1200 at the time!
?
Best wishes to all,
David.


 

Going back to Nicole's original remarks regarding upgrades (in 2023), I can offer the following info which may help:
?
David Brown contacted Kurzweil to let them know that he was going to copy the chip data for upgrades to the 1000 series.
He stated on the Yahoo group at the time (late 90s/early 2000s? I forget exactly when) that the reply from Kurz was: 'very interesting - we'll get back to you'. He never heard a thing, needless to say.
As we're deling with 'old, outdated' technology, I think it's safe to say we're not taking the bread out of the mouths of anyone at Kurzweil, and I doubt if they even care any more.
Just an example of 'selective interest': I rang Kurzeil around 1997 to ask if they had any Atari software for the 1000 sries still available. The guy I spoke toi was definitive that they didn't. Lo and behold, when I went onto their own website, there it all was ready for free download! Thats illustrates something......
?
For those who want to explore the upgrade path but don't have the tech to do it themselves (that includes me - I have 3 GXs still in base format), here are two links that may be useful (usual disclaimer):
?
Hope this helps,
David.


 

Nice to see the bounce in interest for the K1000.

I also remember some agreement with Kurzweil giving permission to copy chips Etc. but the details are long forgotten.

FYI,? the source code for Kurle and Kurlewin are on the k1000.net site.? Free license to use, modify or what ever.? I doubt anyone would want to start with the code, but,?
Kurle ( a full DOS editor) was my first attempt at object coding and has tables (objects) that are used to locate areas where the parameters are stored and object for all the options for the settings.? Well that is what I remember - been 30 years.? Wow!? There were several areas where the "rules" or tables did not agree with reality and in those cases I did some hard code exceptions.? ?
I still have two K1000s and one PX.? One K1000 is in our 5th wheel and I fire it up from time to time while camping.

Dennis Spanogle



------ Original Message ------
From "David via groups.io" <d.etheridge1@...>
Date 9/15/2024 9:09:08 AM
Subject Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

Going back to Nicole's original remarks regarding upgrades (in 2023), I can offer the following info which may help:
?
David Brown contacted Kurzweil to let them know that he was going to copy the chip data for upgrades to the 1000 series.
He stated on the Yahoo group at the time (late 90s/early 2000s? I forget exactly when) that the reply from Kurz was: 'very interesting - we'll get back to you'. He never heard a thing, needless to say.
As we're deling with 'old, outdated' technology, I think it's safe to say we're not taking the bread out of the mouths of anyone at Kurzweil, and I doubt if they even care any more.
Just an example of 'selective interest': I rang Kurzeil around 1997 to ask if they had any Atari software for the 1000 sries still available. The guy I spoke toi was definitive that they didn't. Lo and behold, when I went onto their own website, there it all was ready for free download! Thats illustrates something......
?
For those who want to explore the upgrade path but don't have the tech to do it themselves (that includes me - I have 3 GXs still in base format), here are two links that may be useful (usual disclaimer):
?
Hope this helps,
David.


 

Thanks for the PDF.

The "other" David talked about this way back on the old list, about how the GX seems to be capable of a huge number of programs. He didn't explore how many, but he had an explanation for why it was. I love the sounds in the PX series and the HX/SX series that culminates in the Pro2, but I've got a far deeper love for the GX, because of the different sounds and core samples it uses -- I still know of nothing else like it. When converting songs to live rig work, the sound I keep missing is Krellian Music, though that tremolo guitar is also incredible and Water Bass is so cool.

For those of you with a PX, find a way to use a second footswitch and set it to CC66, Sostenuto. Kurzweil had a serious focus on piano sounds, which was logical since at the time they were building the machines it was underserved, and because of that they do Sostenuto and Soft pedal stuff extremely well.

And yes, David, I know about your impressive number of modules, we've been in a sort of rivalry about it in the past (a fun one, of course)
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of David via groups.io
Sent: Sunday, September 15, 2024 9:46 AM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

Hi Nicole,
I've managed to convert the lot into jpegs and then combined them into a single pdf. Here it is, and I hope it's useful for you.

Regarding acquisitions, I have been using the 1000 series since 1988 when I got my first PX - now upgraded with a PXA an dused in MIDI chain with a PXPlus, alkthough workign out suitable Plists so that they would play the same sound was fun. For those who are interested, the PXA upgrade goes to V.3. while the Plus version is v.4, where the order of programs is completely changed. My other PXs are upgraded to Pro 1 level v.5. 3 of my GXs are v.5, and interestingly enough when using K-edit (another eccentric Atari prog) or Objectmover, I can't find a limit as to how many sounds I can load in there. On the PX and SX/HX, the theoretical maximum is 255 (or is it 256 if 0 is a value?). Loading up my PXs and SX/AX plus, I run out of memory in RAM around 220 or thereabouts - obviously this depends on the size of each RAM prog. With a v.5 GX, I can seemingly load up progs well into the 400s without getting the 'out of memeory' message. Anyone else come across this bit of fun and games?

David :-)


 

At one point David Brown said that he did manage to get in touch with them, and the permission was that we could upgrade our machines, but the upgrades couldn't be used commercially. Or to make that clearer, we could pay someone for an upgrade, but they couldn't charge for the upgrade other than normal rates and parts. This sounds reasonable.

MIDI Quest also has an editor/librarian for them, but I haven't messed with it and I don't know if it's blind accessible.

Dennis, Thanks for all you've done for our community, along with starting this group's parent group with David Brown and Ray Clark. This has been a massive resource and an inspiration to me to collect more of them. I'm hoping my fourth GX can be repaired so it can be upgraded -- the upgrade does some nice things for that instrument.
Nicole

-----Original Message-----
From: [email protected] <[email protected]> On Behalf Of Dennis Spanogle (Mr. Kurlewin K1000.net)
Sent: Sunday, September 15, 2024 10:28 AM
To: [email protected]
Subject: Re: [K1000-K1200] New member, old member; Upgraded my units; Questions

Nice to see the bounce in interest for the K1000.

I also remember some agreement with Kurzweil giving permission to copy chips Etc. but the details are long forgotten.

FYI, the source code for Kurle and Kurlewin are on the k1000.net site. Free license to use, modify or what ever. I doubt anyone would want to start with the code, but,
Kurle ( a full DOS editor) was my first attempt at object coding and has tables (objects) that are used to locate areas where the parameters are stored and object for all the options for the settings. Well that is what I remember - been 30 years. Wow! There were several areas where the "rules" or tables did not agree with reality and in those cases I did some hard code exceptions.
I still have two K1000s and one PX. One K1000 is in our 5th wheel and I fire it up from time to time while camping.

Dennis Spanogle



------ Original Message ------
From "David via groups.io" <d.etheridge1@... <mailto:d.etheridge1@...> > To [email protected] <mailto:[email protected]> Date 9/15/2024 9:09:08 AM Subject Re: [K1000-K1200] New member, old member; Upgraded my units; Questions


Going back to Nicole's original remarks regarding upgrades (in 2023), I can offer the following info which may help:

David Brown contacted Kurzweil to let them know that he was going to copy the chip data for upgrades to the 1000 series.
He stated on the Yahoo group at the time (late 90s/early 2000s? I forget exactly when) that the reply from Kurz was: 'very interesting - we'll get back to you'. He never heard a thing, needless to say.
As we're deling with 'old, outdated' technology, I think it's safe to say we're not taking the bread out of the mouths of anyone at Kurzweil, and I doubt if they even care any more.
Just an example of 'selective interest': I rang Kurzeil around 1997 to ask if they had any Atari software for the 1000 sries still available. The guy I spoke toi was definitive that they didn't. Lo and behold, when I went onto their own website, there it all was ready for free download! Thats illustrates something......

For those who want to explore the upgrade path but don't have the tech to do it themselves (that includes me - I have 3 GXs still in base format), here are two links that may be useful (usual disclaimer):



Hope this helps,
David.