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Digest Number 394
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Jaim Zuber
At 09:48 PM 8/14/01 -0000, jazz_guitar@... wrote:
Message: 5I've been gigging with a Matchless DC-30 (Vox AC30 clone) and a 50's Guild Thinline hollowbody. I get a nice warm tone, with a touch of overdrive when I turn up. I love it. Had many folks rave about it too. I plugged into AC-30's (if the store had one) when I was guitar shopping. They don't have a wide range of tones but they do have sounds great. I do more of a jazz/funk thing, I haven't used it for a straight jazz gig. jaim www.rare-medium.com |
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Mike Cover
Hey Jaim...
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You look like Tiny Tim in that photo where you were eying the camera!! But your group's music grooves!! -Grandaddy Mike ----- Original Message -----
From: Jaim Zuber To: jazz_guitar@... Cc: nicholasbaham@... Sent: Friday, August 17, 2001 1:03 PM Subject: Re: [jazz_guitar] Digest Number 394 At 09:48 PM 8/14/01 -0000, jazz_guitar@... wrote: >Message: 5 > Date: Tue, 14 Aug 2001 06:42:34 -0000 > From: nicholasbaham@... >Subject: Vox amps > >I'm wondering if anyone out there has considered using Vox amps for >jazz guitar performance. I have a Vox Cambridge that I use for >practice and small gigs for my archtop and it really produces a nice >clean tone that rings both warm and clear for the p90 pickups on my >archtop. I've considered getting a larger Vox like the AC30. I'm >wondering if anyone has had any experience using these. I've been gigging with a Matchless DC-30 (Vox AC30 clone) and a 50's Guild Thinline hollowbody. I get a nice warm tone, with a touch of overdrive when I turn up. I love it. Had many folks rave about it too. I plugged into AC-30's (if the store had one) when I was guitar shopping. They don't have a wide range of tones but they do have sounds great. I do more of a jazz/funk thing, I haven't used it for a straight jazz gig. jaim www.rare-medium.com |
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You said of Pat Metheny's music:
And then, in the very next sentence, you said:Its more for the background to a tv program on the mating of Ha! You kill me!I'm not putting him down for what he does... What makes this hilarious is that Metheny himself recently dumped all over everybody's favorite easy target, Kenny G., for desecrating Louis Armstrong by recording a postumous duet with him. Metheny did, however, present a reasoned and coherent, if spittle-flecked, argument as to why Mr. G.'s number was such a travesty. Keep swinging. cb |
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