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Feedback/wolf tones on hollowbody
dallasguy2112
Hi Everyone,
What's the best way to reduce or eliminate feedback and wolf tones from a big hollowbody jazzbox ? I really don't want to alter my EQ settings if possible, as I really like the sound I'm getting now (well, except for the feedback ;-)) I've also tried putting the amp behind my left shoulder, and even putting the amp in front of me. I'm playing with a 20 piece big band, so I know that the extreme volume I'm having to use has a lot to do with it .... I've seen some references to foam that you can put inside the f-holes, where do you get this foam ? Does it need to be a certain kind ? Thanks ! |
Toby Rider
dallasguy2112 wrote:
I've seen some references to foam that you can put inside the f-holes,I stuffed one of my Gretsch boxes that I was using alot awhile back. It helped with the feedback problem. I used that lightweight black eggcrate packing foam. I think I got the stuff over at Hobby Lobby, but it was awhile ago. It does change the resonance qualities on the instrument though. It's not going to sound *exactly* the same. You'll especially notice it if you play it unplugged. Another thing I do, which is less effective, but is less invasive, is set a soundpost into the box. Call me a non-traditionalist, but I've since given in. If it's a situation that is going to be anywhere near loud enough that there might be feedback problems, I'll play either a solidbody or a semi-hollow. According to some of the websites I've been looking at, those string dampers are supposed to help with feedback as well, but I haven't gotten to try one yet. I guess that's why Eldon Shamblin played a solidbody all those years that Bob Wills was carrying him around with the Texas Playboys. :-) |
dallasguy2112
OK, this will really show my ignorance, but what is a soundpost ?
--- In jazz_guitar@..., Toby Rider <high-tech-hillbilly@b...> wrote: dallasguy2112 wrote:f-holes,I've seen some references to foam that you can put inside the back.where do you get this foam ? Does it need to be a certain kind ?I stuffed one of my Gretsch boxes that I was using alot awhile It helped with the feedback problem.the stuff over at Hobby Lobby, but it was awhile ago.It's not going to sound *exactly* the same. You'll especially notice itif you play it unplugged. Another thing I do, which is less effective,but is less invasive, is set a soundpost into the box.might be feedback problems, I'll play either a solidbody or a semi-hollow.string dampers are supposed to help with feedback as well, but I haven'tgotten to try one yet.years that Bob Wills was carrying him around with the Texas Playboys. :-) |
Toby Rider
dallasguy2112 wrote:
OK, this will really show my ignorance, but what is a soundpost ?It's a little wooden dowel that goes on the inside of the box and fits against the top & back of the body. All fiddles, cellos & basses have them. There's some physics behind how they work. They do help a bit with the feedback problem though. |
dallasguy2112
OK, I just did some reading on this, and it makes sense.
I assume this is a job for a luthier ? Or is there a kit somewhere for the do-it-yourself crowd ? --- In jazz_guitar@..., Toby Rider <high-tech-hillbilly@b...> wrote: dallasguy2112 wrote:fitsOK, this will really show my ignorance, but what is a soundpost ?It's a little wooden dowel that goes on the inside of the box and against the top & back of the body. All fiddles, cellos & basseshave them. There's some physics behind how they work. They do help a bitwith the feedback problem though. |
Toby Rider
dallasguy2112 wrote:
OK, I just did some reading on this, and it makes sense. I assume this is a job for a luthier ? Or is there a kit somewhere forYou could do it-yourself. You'd want to have a soundpost setter, and a soundpost gauge. Both inexpensive & easily available tools from any luthier supply co., like Stewart-MacDonald (www.stewmac.com) |
dallasguy2112
Sorry for all the ????, but how is the soundpost held in place, is it
glued ? --- In jazz_guitar@..., Toby Rider <high-tech-hillbilly@b...> wrote: dallasguy2112 wrote:OK, I just did some reading on this, and it makes sense.You could do it-yourself. You'd want to have a soundpost setter, and a |
John Amato
--- Toby Rider <high-tech-hillbilly@...>
wrote: dallasguy2112 wrote:...Ihhave a method that works real well -- I posted aI've seen some references to foam that you can putinside the f-holes, whole set of instructions a few weeks ago -- if you go back in the Threads you'll find it -- it involves covering the F-holes from the inside... Thanking You In Advance, John Amato Isa.55:11 201-348-5142 "All that is necessary for the triumph of evil is that good men do nothing." -- Edmund Burke __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around |
Toby Rider
I'd like to read that, do you remember the name of the thread?
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John Amato wrote: ...I have a method that works real well -- I posted a |
dallasguy2112
Cool, I am definitely going to give this a shot. Especially since it
doesn't permanently alter the guitar. Thanks so much for your help here. The feedback has been driving me nuts ! Do you play in a band here in the DFW area ? --- In jazz_guitar@..., Toby Rider <high-tech-hillbilly@b...> wrote: dallasguy2112 wrote:is itSorry for all the ????, but how is the soundpost held in place, glued ?Mine are just wedged in there nice and snug. |
Toby Rider
dallasguy2112 wrote:
Cool, I am definitely going to give this a shot. Especially since itI am kind of in-between situations right now. |
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