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Metheny's sound
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Right from the man's keyboard:
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only thing, i HATE the way "chorus boxes" sound, my sound |
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I read this somewhere, too, and did not understand it. Can you
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explain. He seems to have 3 signals - straight, and the two delayed pitch bends. As he doesn't want delayed pitch bends mixed with straight in one speaker, he would have to have 3 amps. Or does he have straight on one amp, and the two delayed pitch bends coming from the other. The Yamaha SPX90 patch #23 Mike Stern uses delayed pitch bends on each stereo channel, each mixed with straight. Seem to be a lot of possibilities here if you want a fat chorus like sound which is not stomp box chorus. Enlightenment welcomed ! John --- In jazz_guitar@y..., "Michael Crutcher" <Funkifized@h...> wrote:
Right from the man's keyboard:only thing, i HATE the way "chorus boxes" sound, my sound |
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Mark Stanley
Metheny explains it in detail at
-mark --- jclarke1308@... wrote: I read this somewhere, too, and did not understand __________________________________________________ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger |
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Andy
In a message dated 8/22/01 1:58:54 PM Eastern Daylight Time,
jclarke1308@... writes: Thanks for the tip about the Metheny site - lots to readI can doubt it. I think he is great, but I wouldn't give him THAT label. If anyone should ge that label it should be Jim Hall. Just my $.02 Andy |
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Thanks for the tip about the Metheny site - lots to read
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there. How can anyone doubt he is the 'Main Man' of jazz guitar in the last 20 years ? I recently got an old secondhand SPX90 to play with, and the use of delays and pitch shifting does generate a different type of chorus to that on, say, a Boss pedal. Here a modulated pitch variation on one channel is mixed with the dry signal. The two pitches being mixed 'beat' to produce the chorus, but the beat frequency is varying continuously. Sounds awful in mono, OK in stereo. With a digital delay/pitch shifter, L has some delay and fixed pitch shift. R has some delay, and a different pitch shift. Together with the dry, you then have 3 pitches beating with each other, so it sounds thicker, but only works in stereo. John --- In jazz_guitar@y..., Mark Stanley <bucketfullopuke@y...> wrote:
Metheny explains it in detail at |
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Patricio Murphy
Can ANYBODY receive THAT label?Thanks for the tip about the Metheny site - lots to readI can doubt it. I think he is great, but I wouldn't give him Patricio |
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Mark Stanley
What about we're all "the man"?
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-Mark --- Andy <Awseyler@...> wrote: In a message dated 8/22/01 1:58:54 PM Eastern |
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Are you kidding? Have you heard Pat on "Rejoicing", "Question And Answer", or "Like Minds"? If Pat isn't "the man", whatever that is, he's certainly one of the main forces in jazz today.
Mike Crutcher Guitarist/Vocalist/Arranger/Instructor Available for sessions/fill-ins/performances/private lessons. "You've Got To Funkifize" -Tower Of Power From: JohnL <banjology@...>_________________________________________________________________ Get your FREE download of MSN Explorer at |
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Could be an interesting debate. Make it the last 50 years
and I would agree - Jim Hall, but it would be a close thing with Wes. I think Jim Hall did his best stuff pre-1980, and if we are looking at the last 20 years, which is Metheny's period, then in terms of influence, creativity, and innovation, then I think over this period he is stronger than Jim Hall. However, my personal preferences in this period are John Scofield and Mike Stern, but I would not put them forward for THAT title. John |
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