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Hey Brother! LOL, I know this is a can of worms. Check out the uploaded file on my last post. I think most of the work has been done but I am not sure why Wes is in that position because I know he

Musicians also have a hard time defining what makes a hook effective but you know one when you hear it. Keith Richards lick on "Start Me Up" comes to mind. Jason <mfcpa1@a...> wrote: know

I think yahoo trimmed off all the spaces in your notation, i think i have repaired it: E flat 6th E flat 6/9 E flat maj 9 Eflat 6/9 Fmi9 B flat 13

Hey Ernesto, The book is called "Counterpoint For Guitar: With Improvisation In The Renaissance Style And Study In Motivic Metamorphosis." by Dusan Bogdanovic. It's quite a book. Hope that

I don't consider them contemporaries. Django recorded profusely from 1934 on. Christian's first recording with Goodman was in 1939. It is widely reported that CC used to play Django's solo to St.

Hey YJGG, Juan was nice enough to send me the .pdf and I went ahead and loaded the file in our archive. Check it out it is pretty interesting. Home / PDF Files / Miscellaneous Thanks again

I agree - much bigger tree, I liked the post form the guy who mentioned Burrell, Kessel, Farlow, Van Eps - whose stature and influence goes beyond Jim Hall IMHO. If you are looking for a top to the

I see there have been a couple of answers to Attilla's question about time, but I don't think they address what he was wondering since the answers talk about keeping time, but his question is about

--- Sean Williams <scanz777@...> wrote: I see it more like this: Sean, Very possibly there could be another sub-category of "European Jazz Guitarist s (post-bop ...?

You guys have to make a bigger tree. And some branches have the same age, but look at different directions. And another thing, shouldn't the roots be at the bottom? wrote:

Agreed he would not be in the same categories at all, I just did not have enough space. :) --- John Amato <jamato316@...> wrote:

Oh My Gawd, where's Leonard Feather when we need him. M wrote:

Swing - musicians have a hard time trying to define it but they know it when they feel it. Watch the audience. If they are foot-tapping, you're swinging! Maintain Marshall

John Amato wrote: ...the response is great -- they bounce back off the strings and the sound they produce is warm yet bringt (hard to explain..) ... best sound the guitar has made so far with the

Charlie Christian Ben, Historically, Ben may more accurate because in 1955, Jim Hall became a member of the original Chico Hamilton Quintet, and was then that Jim began to attract

--- Robin <rbalean@...> wrote: Robin, where did I say Django did not influence jazz guitarist? please go back and read my post (in its entirety...). please read again what I said that he

--- dangelico603 <jpcombs@...> wrote: Jason, There is one exception I have to take with my own statement about classically trained guitarists having a problem with "swing" feel. And that

--- Sean Williams <scanz777@...> wrote: Sean, I cannot see Birelli Lagrene over Mick Goodrick, for one reason they are contemporaries, another reason, they are not in the same genre -- and

Sorry guys, wrong URL. Make that: http://www.zippyvideos.com/5111347441390916/daahoud_es_335/ Regards, Dick

A classic Clifford Brown bebop tune on the ES 335. Video at: http://www.zippyvideos.com/51113474...daahoud_es_335/ Regards, Dick