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I'm really curious about this book, remember anything else about it? Ernesto __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com

wrote: Jimmy Raney came before Wes and Jim. An example is the recordings with Stan Getz that date back to c. 1950. Tal Farlow also was prominent then, and Wes even cited him as an

If you go to the Gibson Website they have re-issued the ES-150 to the specs of the one Christian used... josh <isotopekat@...> wrote:I've never had a chance to see a real gibson ES-150. Anyone

John, It is wrong to say that Django has not influenced any jazz guitarists. Django was a huge influence on virtually every jazz guitar player from about 1940-1960. It's true that the gypsy style

Hey John, I'll agree with you that it is incredibly difficult to communicate how swing feels. However, I would say trying to get a student to contour a phrase a particular way is just as

Cool, do you have a scanned image? --- JVegaTrio@...

I forgot Freddie Green being an influence on Jim Hall. So maybe the tree should look like this. Charlie Christian Django / &#92; &#92;

I would have to agree with what John said about Django. I am not saying that he was not brilliant he was. I think his style was so distinct that his infuence did not pass on like Montgomery or

John you missed one big influence. Louis Armstrong. Django loved him. _A

--- bausin@... wrote: I don't see Django at the top of this list because, as a contemporary of Christian in "swing" from the 30s to 53 when he passed away, his major influences were not in

What about: 1. Jimmy Raney, Kenny Burrell, Barney Kessell, Tal Farlow and others (like Johnny Smith) in that vein after Christian? 2. Joe Pass, Herb Ellis, Mundell Lowe, Tal, & Grant Green along

I think you missed some people Eddie Lang, Freddie Green, Oscar Aleman,.. To name just a few. Then there's the Hawaiian steel guitarists who definitely had an influence on the time period.

Django

Here you go (attached to this message); the 2 pages line up side by side. I thought it was kind of interesting, & any document that acknowledges Rene Thomas is alright by me... Cheers

These are indicating the string, if it is just the number near the note it indicates the finger to use to play that note. Joseph Ramirez

--- rayray <rayray@...> wrote: "Breakthroughs" I see as progression of the art ... I do not deny there are many young players today, Rusell Malone as one, that are pushing the envelope --

--- rayray <rayray@...> wrote: Ray, this may sound over simplistic, but what I have fond to be very effective is this: when you are not playing with a drummer or another musician where

--- Alisdair MacRae-Birch <akmbirch@...> wrote: ... Alisdair, excellent .. I just went there and downloaded Mick Goodrick's files ... what a great advanatge the youung players have today

http://homepage.mac.com/jn316/musicroom/FileSharing34.html John Amato Music blows the dust off your soul... Isa.55:11 __________________________________________________ Do You

I haven't read all the messages on this thread, but I believe the Maurice Summerfield jazz guitar book has a pretty good 'tree' on jazz guitar, at least from the beginnings, through the '80s, or