开云体育

Hi, Rob! Again, let me thank you for your advice on strenghtening the fretting fingers and sharing your personal experience with us. I shall certainly try working out on some of your suggestions and

Hi, Rob! Thanks a lot for the info on a good Jazz Guitar Tutor and the source. Shall log on to the site recommended. Thanks again and best regards, Paul, Email:astro@...

Wondering if anyone out there owns anything like the little beauty I bought this summer, a custom archtop made by Fatdog of Subway guitars in Berkeley? I've got a few questions about the P90 pickups

Wow...there's such a thing? The general rule that I'm aware of is that if they're good, they're not fast, and if they're cheap they're not good. You should probably settle for good. Here in the Bay

I'm very happy with some shareware called: TRANSCRIBE! Which you can hunt doen on Harmony Central

--- Paul Erlich <paul@...> wrote: It's a 1995 Verve release with Elvin Jones, drums and Joey DeFRancesco, B3 organ. It's tribute cd to Coltrane and it's one of Mclaughlin's best (along

I'm not sure if this comment is tongue-in-cheek, so I apologize if it is. I'm not sure if it's a Rypdal album, but I do know that After The Rain is a very cool Coltrane tribute by McLaughlin, Joey

What transcription software do you use? Are you happy with it? Thanks, George Bullock

Hey Ted, Thanks for welcoming me to the group. Your website looks really cool, looks like there's a lot of really valuable knowledge on there. It's great to have such a wealth of knowledge at my

Hi Jimmy, Thanks for the comments about the site. I just wanted to mention that I'll be adding a free online course on sight reading later in September. I'll let the jazz guitar list know when it's

Hi, Which luthiers do you guys recommend for acoustic and electric work? I need some stuff every once in a while that's beyond what my local guy wants to do. I'm looking for someone who's good, cheap

I can assure you that there are many leading players in the group. Some choose to post, most remain anonymous and just lurk, often subscribing to the digest. Often the decision to remain anonymous is

I think what we are all missing is the fact we don't know who is out there reading. Great artist like Mr. Bruno may never post again, we will miss out on some wonderful insights. Are we sure Pat

Actually, Jimmy is still here. The misunderstanding has been cleared up, and while a couple of folks became impatient with the clarification process, I can assure you from personal knowledge that

playing with a good 6 piece combo - two saxes, clarinet, upright bass, drums and me on guitar. I am getting the calls because I can solo, the other guy that they were using only plays rhythm. 80% of

Vitor, I bought the 3-video set earlier this year. They contain interesting information about which scales (e.g., the 4 different melodic minor scales to play over a Dom7 chord). I don't want to start

Hey all. This is my first post so let me start out by introducing myself a little. I'm a Canadian jazz guitarist (although some might debate that LOL) who graduated from the Musician's Institute of

Paul, My pleasure. I would also say that in addition to the Guitar Workshop series, you should check out (as another person recommended) Emily Remler's video and Jimmy Bruno's excellent two tape set.

Wasn't that a Terje Rypdal album?

Judging by the photos of him in the November 2000 issue of Guitar Techniques, Joe plays with a pick. Whether this is hybrid picking or strumming I don't know. I'll have another listen to the