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Hi Natalie The super-locrian is the seventh mode of the melodic minor scale. In practical terms, you pick a melodic minor scale a half step above an altered chord and start it from the seventh

stuff I think this is sometimes called triad pairs, or a simplified variation of Charlie Bonakas' (spell?) bitonal pendulum approach. By picking 2 triads, you have 6 notes to play with (out of 8),

I dont know why this didnt seem to get posted before, but my response is this: We know that D melodic minor works over B-7b5. So what are the triads in that scale? Triads in D melodic minor= D

boring. Hi Zeek. I guess it's too bad that we don't have different words for "scale" when (#1) it's a palette of colors to choose from, as opposed to (#2) when it's a sequence of notes played in

I hope I'm not out of line asking what a super-locrian scale is? I am familiar with the basic 7 modes, but I guess this one is a guitar-only mode? Natalie Anne Lanoville

Yes, Mark Levine's book has all of this. The one I have is called _The Jazz Piano Book_, but maybe he wrote others.

I have seen lots of Jazz theory books, but I happen to think that the Mark Levine book is one of the best... It does not get bogged down into details and exercises, but gets to what's really

"All of that said, let me be clear that one of the great things I love about jazz is "no absolute rules." Parameters can be stretched, bent, rerouted, and ignored as long as something interesting

Have you tried talking to Chandlers in Kew? Regards Graham Also from Basingstoke

I would say yes. Besides, it's a fabulous way of teaching the structure of each scale. But, why stick to just one view/method? I guess it will depend on each particular student, but you can work both

jazz_guitar@... wrote:

It might be a little heavy for someone who has only been playing for a year or two. You should probably know your instrument pretty well before delving into that. Maybe after the student knows all

I guess my question is more...Do you think this system is a good way to start off a student? Mark Stanley wrote:

Okay Graham, now that you're _thoroughly_ by Martino's musical mysticism... ;-) I'll explain _half_ of Martino's chord-building system, the diminished half. You can work out the augmented half on

Folks, I just wanted to let you know that if you're in the area of New Jersey on Sat, August 18th, John Carlini will be playing with "The Jim Pellegrino Trio" at The Verve. The lineup will

Hi Mark - I know Bollenbeck's playing on some records w/ J. DeFrancesco and need to hear more of Krantz - these guys are monsters. I appreciate your comments on questions and agree with the tension

Where can i get such info? Will 'jazz theory book'(Mark Levine) have this? Please suggest some source. Info on typical scales etc. I don't have access to one to check myself. Please reply. Thank

Could you please explain the use of major ,minor triads etc on Bm7b5(say as in the post)and how to go about 'digging'. Thank you

Yeah Eddie, It's great to dissect stuff like you are. Just remember that when you see that, for example, D melodic minor works over B-7b5, that this is one of maybe infinite possibilities. Dig deep

... .... Zeek, this is exactly how I feel it too... It reminds me of a zen story about somebody, who saw a beautiful flower; but to see it and simply enjoy it was not enough for him. He wanted to