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Is the Super 400 a Guild? I am really into Bruno's tone. Is that what he is playing? I love my '54 Gibson 175 but I have feedback problems and I wish it had a P90 in the bridge position so I could

Hi Jimmy -- thanks for all your wonderful remarks. Since we have you here, and we normally talk about playing jazz guitar rather than "who's better than who", I thought I'd try to steer the

What I do when learning a new tune is some of the things already mentioned. Once I know the melody and changes and can "hear" the tune, I usually practice the tune doing 3 different things. The 1st

Regarding aging a Gibson, and that headstocks weren't numbered until 1953 and only then on solid bodies...just happen to have a 53 es175d....had it back to Kalamazoo and verified in 1970-71 and it

It's great to have as much technical knowledge as possible on the guitar, including knowing tons of ways to play any scale or arpeggio, and knowing scale-chord relationships. Many of these subjects

Here's an article I wrote a while back for our local jazz guitar society which may be of help. Purely personal views, of course, but I wanted to put down the conclusions of 35 years looking for the

Hi. I also posted this on harmony-central.com so if you read it there already I apologize: What I'm looking for: A tube guitar amp (combo) from the era of 1940-1960 to use with my archtop. Maybe

Hello out there! My name is Sean Dennis... a jazz fan and (amateurish) jazz guitarist. I'm not much for "smooth jazz", and I like to be able to discern a melody line of some sort, preferring

Yeah ! Scofield was tarred with the same brush until he started playing with people 'they' thought were pukka jazz artists like Wayne Shorter and Joe Lavano, then he suddenly shot up the polls.

Standards and Upside Downside are the best as leader. Any one of his remaining leader albums are good, but you only need one because they are all very samey. There is an album of trio stuff under

Hello from London I'm a new member ( of two months or so) and have found the group very interesting and helpful on a range of topics. If anyone has some pointers as to how I can improve

Hi, I agree with everything you said. I can also relate to everything you said. I'm 67 years old and have been playing guitar since I was 10. Naturally, Johnnie Smith, Chuck wayne, Tal Farlow

David: you wrote: Yeah, I am sort of a blabbermouth. Comes with studying philosophy. I am also a jazz guitar player/fan, and like nothing better than to talk jazz guitar. I've seen lots of pictures

--- In jazz_guitar@y..., kangas@t... wrote: > While I think most of your points are well taken (and I tend to > agree), I don't know that dissing any jazz guitar guy is > appropriate > for this

--can you tell me where I said that about Pat Metheny??? I don't even know the guy... and sad to say, I don't listen much to jazz guitar CDS. What I have heard I did like. I love his writing also. I

PS.... Kenny Burrell was flattered by the title

Hello guys, I am new to the group and I followed your discussion about Jimmy Bruno and I think he's a marvoulus guitarplayer! I downloaded some music from the web and I was surprised about his

--- I don't see anyone bidding to take a lesson with you. Or did I miss it??? In jazz_guitar@y..., "Steve Gallagher" <steveg@a...> wrote:

Good Morning Folks, I know this has been knocked about on this and every site that deals with guitar, however, would some one be kind enough to direct me to a site that has simple explanations of

Mick's done a lot of beautiful recordings. I think sunscreams on RAM shows some of his best playing. He does play a solid body guitar. It's not "fusion" though. Back a while, he recorded "in