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Hey thanx eric and brad. I'll check this out. rodd -----Mensagem original-----

jclarke1308@... writes: I can doubt it. I think he is great, but I wouldn't give him THAT label. If anyone should ge that label it should be Jim Hall. Just my $.02 Andy

________________________________________________ Hi Rodrigo! Charlie Parkers' "Au Privave" is something like this. On school I used to play it in both the original progression as in the traditional

It looks like this is the book of which you're speaking? http://www.guitarplace.com/JA105.html -Jim wrote:

Me again, I assume this question will draw some responses like whatever works for you but having spent the last few years learning the mandolin (bluegrass, old time fiddle tunes etc) where alternate

Hi Folks, Just joined this group yesterday and I have a few questions. First about me, I played music for a living from 75 till 82 with pedal steel guitar being my main instrument but I also wound up

Hey Josh, You can contact Goodrich here: http://mrgoodchord.com/ He teaches at Berklee too I think. Jim Kelly is a great player/teacher in that area, too. You can probably throw a rock and hit several

A couple of common ones are: Blues for Alice-Charlie Parker in "F" Bluesette-Toots Thielemans, a 3/4 blues usually in "G" or"Bb" Also check out the A section of Parkers' tune Confirmation for the use

Vitor, Check his CD "Sunscreams" (RAM) with Jerry Bergonzi, Bruce Gertz and Gary Chaffee. He has another CD under his name, "Bio Rhythms", not so good, IMHO. Also on Gary Burton's "Dreams So Real",

Hey people I listed to a song yesterday called "spring is sprung" by mulligan and it's a blues like that: | C7 | Bm7b5 E7b9 | Am7 | Gm7 C7 | | F7 | F#dim | C7 | Em7 A7 | | Dm7 | G7 | C7 Am7 | Dm7 G7 |

I just found out that my teacher will not be able to continue my lessons due to family obligations. I live in Rhode Island, where most of the jazz guys seem to think that Charlie Parker is still the

Hi! Do any of you know other goodrick's records than "in passing"? Every time i search for audio samples of his records, is always the same that appears. I'd like to know some other great performances

Metheny explains it in detail at http://www.patmethenygroup.com/ -mark --- jclarke1308@... wrote:

Yes that's an F Maj, but make it an F Maj because that E voice is not ready to move yet: C E F A is FMaj C D F A is Dmin B D F A is B -7b5 B D F G is G 7 B D E G is Emin B C E G is C Maj again only

Welcome to the group, Braden! Ted Vieira -- Listen to my CDs for free: http://mp3.com/Ted_Vieira

So for cycle 6 you be doing on the piano something like: C-E-G-B (Cmaj7) C-E-G-A (Amin7) C-D-F-A (F6 or Dm7?--normally for the harmonized scale you'd have Fmaj7 here, which would mean something like:

After some serious playing and listening last night, I've come to the conclusion that most jazz guitarists _can't_ play uneven eighth notes at very fast tempos, the way most sax players can. My

I read this somewhere, too, and did not understand it. Can you explain. He seems to have 3 signals - straight, and the two delayed pitch bends. As he doesn't want delayed pitch bends mixed with

Hey! Doesn't Jimmy have an album by the name of "Lucky So and So"? (Just kidding)

Hello, I would like to let everyone know that Kenny Burrell has a NEW record out by the name of "Lucky So and So" which has received excellant reviews. It contains 4 vocal tracks which is the first