开云体育

Jimmy, enjoyed your playing at last weeks Jazz Summer School in Wales. Best Regards Vernon

Hi, why not send an e mail to phil @ bebops.co.uk. He might be able to help. He provides a good service too! Best Regards Vernon Fuller St Helens UK

Yeah, I'm just curious about Jimmy's tone. Also Wes Montgomery. I think he used Fender Twin amps. My favorite guitars are my '54 175 and my '56 Les Paul Junior. I run them both in stereo thru a 60's

Hi Vitor A good book as a springboard for some new ideas is: Melodic Chord Phrases by Ron Eschete It was/is published by REH Publications ISBN 0-943686-08-3 I believe some other publishing company is

Hi! Thanks for all. I'm much more elucidated now. I would like knowing more about more modern aproaches. Thank's.

Greetings. I'm Braden from Alberta, Canada, and I am 17. I'm a self-taught guitarist, and have played for about 2 years. I have some background in music theory, so I understand basic chord structure,

Hi, The super 400 is a a gibson. Mine happens to be an acoustic with a cutaway and the johnny smith conversion. This means that it had a paf type pickup installed into the body...scary stuff as it has

Rodrigo Got my CD from Lee Wall's "Guitar Records". Try the web site http://www.guitarrecords.com, although for the last few weeks the site has been down Suerte Roy **** Message: 16 Date: Sun, 19

--- In jazz_guitar@y..., "Jimmy Bruno" <jbguit@y...> wrote: <SNIP> > PS I'm glad you don't like my music!!!! > <SNIP> I apologize if I offended you (obviously I did). I neither said that I disliked

Paul wrote 'do you have any particular advice/approaches for practicing swing feel soloing? Or is it just a matter of practice, practice, practice? ' Can I second Pauls request, having recently

He plays a 6 string too. That's what I am asking about. Mark --- Paul Erlich <paul@...> wrote:

Jazzers: Here is what I do: 1. Program the chords into "Band in the Box" computer software. (great program, I've progessed many times faster using it: it supplies drums, bass, piano etc. in zillions

jazz_guitar@... wrote:

Dear Mr. Bruno, If your guitar-playing were anything like your attitude, you'd play like a five-year-old. Thank God at least a part of you grew up. Sincerely, Michael Suh

You bet I will. I'm not that BIG fan of Pat's composing, but the fact that someone with his level of musicianship, playing instrumental music on a high level is succesful makes me happy. Amen to this

jazz_guitar@... wrote: What a beauty! I checked the picture and seeing that it's a round hole with the white label (orange, after 1954) clearly missing, unless there are numbers stamped on

Wow, flamed by Jimmy Bruno! I'll never wash my monitor screen again. Jimmy, please don't take it personally. It was only meant as a jab at concord_records for posting spam to this group. Steve

See what you quoted below -- it's a 7-string Benedetto.

William Leavitt's "Melodic Rhythms for Guitar" is one of the best, most organized methods I've seen. Mike Crutcher Guitarist/Vocalist/Arranger/Instructor Available for

<Bob, can you help this guy?> Yes, although I don't know the teacher he mentioned here, I would advice him to go to Hilversum Conservatory, which is the most Jazz-based with some good references and