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The method involves the consistant movement of voices based on the root movement involved. There's a different formula for cycle 3 (movement up a third) than ,say, cycle 6. Try this: Take a chord

I think that Methenys tunes are really in depth and sort of sound track like (thus why he does so many film scores). I really have trouble getting into "his" sound through. That straight tone with the

Mark: you are right that it is time to let the Metheney/Bruno thread drop. Besides, I agree with most of what is in your last posts except I don't think using the word "chops" is of any consequence.

[Cross posted to Band-In-A-Box Group] Although not directly related to Jazz Guitar, I wonder if anyone has had experience with using the miniMusic Mobile Software Pack for Palm Handheld. The tool

In the absence of an official Polytone website Murch Music (who sell Polytone Amps) have put together a page of information on Polytones, which might be of

Hi!! I'm a Portuguese guitarrist and i'm thinking in going to study at the Amsterdam Conservatory (Holland). I think the most well known guitar teacher there is a guy called Jesse Van Ruller. Does

I paged through that book at the Borders in Allentown PA this evening. You should try borders.com and see if they can get it. I almost bought it on the list's recomendation, but I have 3 Jody Fisher

I want to make one more post on this subject and then i am done with it. I feel this is becoming about trying to change people's opinions which I am not trying to do. Randy Groves wrote: So Jim

-----Mensagem original----- De: Patricio Murphy <murphy@...> Para: jazz_guitar@... <jazz_guitar@...> Data: Sbado, 18 de Agosto de 2001 16:18 Assunto: RE:

My point about Phillip Glass is that usually the innovators get a lot of slack, like Monk did in his day. Hence the phrase "you can tell who the leader is by the amout of arrows in his butt",

Well first I want to say that I have just heard Jimmy Bruno and I find him really great. A little like Lenny Breau and other classic players. He's got great tone and can play his butt off. I still

What's second prize? Two lessons with Jimmy? :-)

Hello! This is my first excursion into the group. I wouldn't really consider myself a jazz guitarist ... much more a blues kind of guy ... but I love jazz guitar and hope to learn more about

Mark: you wrote: Well, that's one thing that matters. How well the uniqueness is pulled counts too. And there is expressiveness. But there is unique and there is unique. Some might say most everyone

Paul: On the Metheney archtop issue: I stand corrected, but the sound on many of the works had enough alteration so that there wasn't much trace of the archtop, hence my mistake. Again, I think

As one of the moderators of the group I thought I'd add my two cents to this. I approved the Concord Jazz (Bruno) message. The message was approved because all the proceeds of the Ebay promotion are

bebopguitar@y...> wrote: Randy, Pat Metheny has been playing an archtop for his whole career, except on the guitar synth stuff. He started with a Gibson ES-175, and after 20 years of attempts by

dcasimiro@h...> wrote:

Probably the moderator felt that this was enough on topic to be of interest to members here; I know I feel that it is OK. I think Jimmy himself said on the usenet discussion

I agree. I think impressionist music in general and Debussy's music in particular inspired lots of modern jazz pianists. The whole quartal thing associated with McCoy Tyner in the 60s was already