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You haven't heard the "Last Nite" disc, then. It was around this time that Pat Metheny did some seminars at Berklee (I was attending at the time) and said that Larry was his favorite player at the

Dear friends, I hope you can find the time to come out on Tuesday, November 30th to hear some great music. The amazing Harvie S and I will be playing duo at Bella Luna Restaurant. Music is from 8 till

No one would argue that Sco isn't on the far side of the curve and as you say the pursuit never ends for any of us. I didn't see the part of my post where I said Sco trounced Carlton in that live

Well, several things to talk about. One thing about Carlton: I heard him many years ago play in a quartet with Tommy Tedesco. They played mostly standards( I remember Green Dolphin st and All Blues

Hi Ron, Interesting you should mention that, because in past interviews, Scofield has talked about how his right hand wasn't all that strong, so he developed his playing to accommodate that. In

Zeek is right, check out Carlton on the Crusaders tune "And Then There Was the Blues" on their "Those Southern Knights" album; he also lays down a very tasty solo on Michael Franks' "Down in

On Nov 28, 2010, at 12:10 PM, Zeek Duff wrote: > On Nov 28, 2010, at 9:06 AM, jazz_guitar@... wrote: > > > 3h. Re: John Scofield in GP Magazine > > Posted by: "keithfre"

Go back and listen to some of the stuff he played with the Jazz Crusaders if you're expecting a more "mainstream" or "old school" genre. He's BTDT, and moved on to his own thing. One thing I'll

I don't find that condescending at all. Just being straight with the interviewer instead of trying to make himself look like some kind of arcane mystic (Scofield). My vote is with Sco, John

I agree Brad. Not only that, but how many of us can explain what we just played, if someone stops us and asks? I definitely can't. Chris

But I've never heard him play anything I'd call jazz ;-} -Keith

Scofield sounds ok in that quote. Tell it like it is! -- * David Beardsley * http://biink.com

Bobby wrote, snip I'll take Sco's side on this one as well. It's one thing for us all here on the list to banter back and forth about things like scales, modes, key centers, but it's getting

I'll take Sco's side on this one as well. It's one thing for us all here on the list to banter back and forth about things like scales, modes, key centers, &c, whatever (picks, strings, politics,

I read that this evening and thought it was very interesting. First off, I think Scofield could have been nicer about it. Either some thought went into it or not. If he just played it without

Shoot, I was trying to sell one for at least a year, but in Canada. OH well, they're a great instrument. I hope you find one! Chris

Yea, I think Scofield's comments are right on the money and I can't at the moment remember any other interview where I've read a similar comment. I think when a top level jazz player is soloing or

Hey Jeff, To each his own. I didn't think Scofield was being condescending, and he even goes as far as to apologize, and explain his viewpoint. Larry Carlton is a great player, but I don't